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Authors: Patrick Leigh Fermor

BOOK: A Time of Gifts
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I must go back fourteen years, to the first complete event I can remember. I was being led by Margaret, the daughter of the family who were looking after me,
[4]
across the fields in Northamptonshire in the late afternoon of June 18th 1919. It was Peace Day, and she was twelve, I think, and I was four. In one of the water-meadows, a throng of villagers had assembled round an enormous bonfire all ready for kindling, and on top of it, ready for burning, were dummies of the Kaiser and the Crown Prince. The Kaiser wore a real German spiked-helmet and a cloth mask with huge whiskers; Little Willy was equipped with a cardboard monocle and a busby made of a hearthrug, and both had real German boots. Everyone lay on the grass, singing
It's a long, long trail a-winding, The only girl in the world
and
Keep the home fires burning
; then,
Good-byee, don't cryee
, and
K-K-K-Katie
. We were waiting till it was dark enough to light the bonfire. (An irrelevant remembered detail: when it was almost dark, a man called Thatcher Brown said “Half a mo!” and, putting a ladder against the stack, he climbed up and pulled off the boots, leaving tufts of straw bursting out below the knees. There were protestations: “Too good to waste,” he said.) At last someone set fire to the dry furze at the bottom and up went the flames in a great blaze. Everyone joined hands and danced
round it, singing
Mademoiselle from Armentières
and
Pack Up Your Troubles in Your Old Kitbag
. The whole field was lit up and when the flames reached the two dummies, irregular volleys of bangs and cracks broke out; they must have been stuffed with fireworks. Squibs and stars showered into the night. Everyone clapped and cheered, shouting: “There goes Kaiser Bill!” For the children there, hoisted on shoulders like me, it was a moment of ecstasy and terror. Lit by the flames, the figures of the halted dancers threw concentric spokes of shadow across the grass. The two dummies above were beginning to collapse like ghostly scarecrows of red ash. Shouting, waving sparklers and throwing fire-crackers, boys were running in and out of the ring of gazers when the delighted shrieks changed to a new key. Screams broke out, then cries for help. Everyone swarmed to a single spot, and looked down. Margaret joined them, then rushed back. She put her hands over my eyes, and we started running. When we were a little way off, she hoisted me piggy-back, saying “
Don't look back!
” She raced on across the dark fields and between the ricks and over the stiles as fast as she could run. But I did look back for a moment, all the same; the abandoned bonfire lit up the crowd which had assembled under the willows. Everything, somehow, spelt disaster and mishap. When we got home, she rushed upstairs, undressed me and put me into her bed and slipped in, hugging me to her flannel nightdress, sobbing and shuddering and refusing to answer questions. It was only after an endless siege that she told me, days later, what had happened. One of the village boys had been dancing about on the grass with his head back and a Roman candle in his mouth. The firework had slipped through his teeth and down his throat. They rushed him in agony,—“spitting stars,” they said—down to the brook. But it was too late...

It was a lurid start. A bit later, Margaret took me to watch trucks full of departing German prisoners go by; then to see
The Four Horsemen of the Apocalypse
, which left a confused impression of exploding shells, bodies on barbed wire, and a Prussian officers' orgy in a chateau. Much later on, old copies of
Punch
and
Queen
Mary's Gift Book
and albums of war-time cartoons abetted the sinister mystique with a new set of stage properties: atrocity stories, farmhouses on fire, French cathedrals in ruins, Zeppelins and the goose-step; uhlans galloping through the autumn woods, Death's Head Hussars, corsetted officers with Iron Crosses and fencing slashes, monocles and staccato laughs...(How different from our own carefree subalterns in similar illustrations! Fox-terriers and Fox's puttees and Anzora hair-cream and Abdullah cigarettes; and Old Bill lighting his pipe under the starshells!) The German military figures had a certain terrifying glamour, but not the civilians. The bristling paterfamilias, his tightly-buttoned wife, the priggish spectacled children and the odious dachshund reciting the Hymn of Hate among the sausages and the beer-mugs—nothing relieved the alien strangeness of these visions. Later still the villains of books (when they were not Chinese) were always Germans—spymasters or megalomaniac scientists bent on world domination. (When did these visions replace the early nineteenth-century stereotype of picturesque principalities exclusively populated—except for Prussia—by philosophers and composers and bandsmen and peasants and students drinking and singing in harmony? After the Franco-Prussian War, perhaps.) More recently,
All Quiet on the Western Front
had appeared; tales of night life in Berlin came soon after... There was not much else until the Nazis came into power.

How did the Germans seem, now I was in the thick of them?

No nation could live up to so melodramatic an image. Anticlimactically but predictably, I very soon found myself liking them. There is an old tradition in Germany of benevolence to the wandering young: the very humility of my status acted as an Open Sesame to kindness and hospitality. Rather surprisingly to me, being English seemed to help; one was a rare bird and an object of curiosity. But, even if there had been less to like, I would have felt warmly towards them: I was abroad at last, far from my familiar habitat and separated by the sea from the tangles of the past; and all this, combined with the wild and growing exhilaration of the journey, shed a golden radiance.

Even the leaden sky and the dull landscape round Krefeld became a region of mystery and enchantment, though this great industrial city itself only survives as a landmark for a night's shelter. But, at the end of the next day, the evening flush of Düsseldorf meant that I was back on the Rhine! There, once again, flowed the great river flanked by embankments, active with barges and spanned by an enormous modern bridge (called, slightly vexingly, the Skagerrakbrücke, after the Battle of Jutland) and looking no narrower than when we had parted. Great boulevards diminished in perspective on the other shore. There were gardens and a castle and an ornamental lake where a nearly static and enforcedly narcissistic game of swans were reflected in holes that had been chopped for them in the ice; but no black one that I can remember, like Thomas Mann's in the same piece of water.

I asked a policeman where the workhouse was. An hour's walk led to a sparsely lit quarter. Warehouses and the factories and silent yards lay deep under the untrodden snow. I rang a bell and a bearded Franciscan in clogs unbarred a door and led the way to a dormitory lined with palliasses on plank beds and filled with an overpowering fug and a scattering of whispers. A street-lamp showed that all the beds round the stove were taken. I pulled off my boots and lay down, smoking in self-defence. I hadn't slept in a room with so many people since leaving school. Some of my contemporaries would still be there, at the end of their last term, snug, at this very moment, (I thought as I fell asleep) in their green curtained cubicles,
[5]
long after their house-master's rounds and lights out with Bell Harry tolling the hours and the night-watchman's voice in the precincts announcing a quiet night.

A long stertorous note and a guttural change of pitch from the next bed woke me with a start. The stove had gone out. Snores and groans and sighs were joining in chorus. Though everyone was fast asleep, there were broken sentences and occasional laughs; random explosions broke out. Someone sang a few bars of song
and suddenly broke off. Lying in wait in the rafters all the nightmares of the Rhineland had descended on the sleepers.

It was dark in the yard and still snowing when the monk on duty supplied us with axes and saws. We set to work by lamplight on a pile of logs and when they were cut, we filed past a second silent monk and he handed each of us a tin bowl of coffee in exchange for our tools. Another distributed slices of black bread and when the bowls had been handed in, my chopping-mate broke the icicles off the spout of the pump and we worked the handle in turn to slosh the sleep from our faces. The doors were then unbarred.

My chopping-mate was a Saxon from Brunswick and he was heading for Aachen, where, after he had drawn blank in Cologne, Duisburg, Essen and Düsseldorf and combed the whole of the Ruhr, he hoped to find work in a pins-and-needles factory. “Gar kein Glück!” he said. He hunched his shoulders into his lumberjack's coat and turned the flaps of his cap down over his ears. A few people were about now, stooping like us against the falling flakes. Snow lay on all the ledges and sills and covered the pavements with a trackless carpet. A tram clanged by with its lights still on, although daylight was beginning and when we reached the heart of the city, the white inviolate gardens and frozen trees expanded round the equestrian statue of an Elector. What about the government, I asked: were they any help? He said “Ach, Quatsch!” (“All rot!”) and shrugged as though it were all too taxing a theme for our one-sided idiom. He had been in trouble, and he had no hopes of a turn for the better... The sky was loosening and lemon-coloured light was dropping through the gaps in the snow-clouds as we crossed the Skagerrak Bridge and wails downstream announced that a ship of heavy draught was weighing anchor. At the crossroads on the other side we lit the last two cigars from a packet I had bought on the
Stadthouder
. He blew out a long cloud and burst out laughing: “Man wird mich für einen Grafen halten!,” he said: “They'll take me for a Count!” When he'd gone a few paces, he turned and shouted with a wave: “Gute Reise, Kamerad!” and struck west for Aachen. I headed south and upstream for Cologne.

* * *

After a first faraway glimpse, the two famous steeples grew taller and taller as the miles that separated us fell away. At last they commanded the cloudy plain as the spires of a cathedral should, vanishing when the outskirts of the city interposed themselves, and then, as I gazed at the crowding saints of the three Gothic doorways, sailing up into the evening again at close range. Beyond them indoors, although it was already too dark to see the colours of the glass, I knew I was inside the largest Gothic cathedral in Northern Europe. Except for the little constellation of tapers in the shadows of a side-chapel, everything was dim. Women knelt interspersed with nuns and the murmured second half of the
Gegrüsset seist Du, Maria
rose in answering chorus to the priest's initial solo; a discreet clatter of beads kept tally of the accumulating prayers. In churches with open spires like Cologne, one could understand how congregations thought their orisons had a better start than prayers under a dome where the syllables might flutter round for hours. With steeples they follow the uprush of lancets and make an immediate break for it.

Tinsel and stars flashed in all the shops and banners saying
Fröhliche Weihnacht!
were suspended across the streets. Clogged villagers and women in fleece-lined rubber boots slipped about the icy pavements with exclamatory greetings and small screams, spilling their armfuls of parcels. The snow heaped up wherever it could and the sharp air and the lights gave the town an authentic Christmas card feeling. It was the real thing at last! Christmas was only five days away. Renaissance doors pierced walls of ancient brick, upper storeys jutted in salients of carved timber and glass, triangles of crow-steps outlined the steep gables, and eagles and lions and swans swung from convoluted iron brackets along a maze of lanes. As each quarter struck, the saint-encrusted towers challenged each other through the snow and the rivalry of those heavy bells left the air shaking.

Beyond the Cathedral and directly beneath the flying-buttresses
of the apse, a street dropped sharply to the quays. Tramp steamers and tugs and barges and fair-sized ships lay at anchor under the spans of the bridges, and cafés and bars were raucous with music. I had been toying with the idea, if I could make the right friends, of cadging a lift on a barge and sailing upstream in style for a bit.

I made friends all right. It was impossible not to. The first place was a haunt of seamen and bargees shod in tall sea-boots rolled down to the knee, with felt linings and thick wooden soles. They were throwing schnapps down their throats at a brisk rate. Each swig was followed by a chaser of beer, and I started doing the same. The girls who drifted in and out were pretty but a rough lot and there was one bulky terror, bursting out of a sailor's jersey and wearing a bargeman's cap askew on a nest of candy-floss hair, called Maggi—which was short for Magda—who greeted every newcomer with a cry of “Hallo, Bubi!” and a sharp, cunningly twisted and very painful pinch on the cheek. I liked the place, especially after several schnapps, and I was soon firm friends with two beaming bargemen whose Low German speech, even sober, would have been blurred beyond the most expert linguist's grasp. They were called Uli and Peter. “Don't keep on saying
Sie
,” Uli insisted, with a troubled brow and an unsteadily admonishing forefinger: “Say
Du
.” This advance from the plural to the greater intimacy of the singular was then celebrated by drinking Brüderschaft. Glasses in hand, with our right arms crooked through the other two with the complexity of the three Graces on a Parisian public fountain, we drank in unison. Then we reversed the process with our left arms, preparatory to ending with a triune embrace on both cheeks, a manoeuvre as elaborate as being knighted or invested with the Golden Fleece. The first half of the ceremony went without a hitch, but a loss of balance in the second, while our forearms were still interlocked, landed the three of us in the sawdust in a sottish heap. Later, in the fickle fashion of the very drunk, they lurched away into the night, leaving their newly-created brother dancing with a girl who had joined our unsteady group: my hobnail boots could do no more damage to her shiny dancing shoes, I
thought, than the seaboots that were clumping all round us. She was very pretty except for two missing front teeth. They had been knocked out in a brawl the week before, she told me.

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