A Quiet Death (11 page)

After I showed her my driver's license and entered my name in her logbook, she gave me a visitor's badge and demonstrated how to clip it to my jacket. ‘Someone will be right down.'

I was adjusting my badge when an elevator dinged and a fresh-faced young man sporting a layered do with fashionably shaggy bangs emerged, dressed in khakis, a pale blue tie and a white dress shirt with the sleeves rolled up. ‘Hannah Ives?'

‘Yes.' I shook his hand.

‘I'm Jud Wilson. I work for Mr Chandler. Let me take you somewhere where we can talk.'

Jud and I rode the elevator up to the sixth floor where he led me on a circuitous route through a maze of eye-level, fabric-covered office cubicles, eventually escorting me into a small, glass-enclosed conference room. Scrawled in a rainbow of colored markers on a whiteboard mounted on the wall were odd notations connected by dotted lines, circles and arrows. Perhaps they'd been discussing football plays at an earlier meeting.

‘Can I get you some coffee? Tea?'

When I declined, Jud indicated a chair at the head of the table. He sat down kitty-corner from me, folded his hands and leaned forward, preparing to do triage. Is this woman worthy to speak to the great John Chandler?

‘So, you said you have a story for Mr Chandler.'

‘I need to speak to him personally. Is he here?'

‘Yes, he's here, but he's asked me to find out what you want.'

‘As I said, it's a personal matter.'

‘I'm Mr Chandler's PA. You can tell me.'

‘No, I can't.' I laid my hands flat on the table. ‘Look, if Mr Chandler's here, please find him and tell him this: Lilith Chaloux.'

Jud didn't blink. ‘Chaloux.'

‘Yes. Chaloux.'

‘I'll be right back.' Jud left the room, closing the door carefully behind him.

Through the glass I watched as he crossed the office and disappeared down a hallway at the opposite end of the building. While I waited I studied the upholstery, the walls, the artwork, and tried to work out what the hieroglyphics on the whiteboard were supposed to mean. On the table was a business card holder made out of granite incised with the Lynx News logo. I picked up one of the cards. It was Jud's. I was tucking it into my pocket when the door opened.

John Chandler had taken the bait.

‘That will be all, Jud. Close the door, would you?'

When Jud left, Chandler remained standing, arms hanging loose at his sides, looking like he'd stepped out of my television screen: dark suit, pale blue shirt, a patriotic red, white and blue striped tie. The commentator was clean-shaven, and his abundant white hair was combed straight back. A trace of make-up on his collar indicated that I might have interrupted a taping.
Good.

‘So, Mrs Ives. How can I help you?'

‘I'm trying to locate a woman named Lilith Chaloux, and I think you can help me.'

‘I don't see how. I'm not acquainted with anybody by that name.'

I stared at the man, not believing that he'd lie about knowing Lilith, his darling, his lover.

‘I think you do.' I handed him a picture of Lilith that would melt the coldest heart. She sat on a middle step of a grand staircase, resting her elbows on her knees and cupping her chin with her hands, gazing at the photographer sideways through her lashes. She was dressed for a party in an off-the-shoulder black cocktail dress – its full skirt flounced out around her knees by an abundance of petticoats – and a simple strand of white pearls. She wore no other jewelry; she didn't need to. ‘This is Lilith Chaloux.'

Chandler studied the picture with no obvious sign of emotion, but a telltale muscle twitched in his jaw. Still holding the picture, he eased himself into a chair. ‘Sorry, she doesn't look familiar, although I meet a lot of people in my line of work.' He pushed the photo across the table in my direction. As he did so, I noticed that he wore a wedding band made of white, yellow and rose gold twisted into a rope, a ring so substantial that it practically screamed, ‘I'm married! Hands off!' Maybe it was just a smokescreen, I mused. The thinner the band, the more faithful the husband – my personal theory, anyway, since Paul wore no wedding band at all.

I pulled a second photo out of the envelope, the photograph of the man I knew as Zan, surrounded by the Guatemalan children. ‘Isn't that a picture of you, Mr Chandler?'

He grinned. ‘Yes, that's me. I was in the Peace Corps in Guatemala, but I'm sure you know that already.'

‘And you say you don't know anybody by the name of Lilith Chaloux.'

His smile might have disarmed a lesser woman, but I am immune to smiles from television commentators who are more expensively coifed than I. ‘I'm afraid not.'

‘Then, can you explain how this Polaroid of you got in among her letters? Love letters signed Zan. Short for Alexander?'

Chandler smiled indulgently. ‘I see you've been reading my CV. Look, Mrs Ives, there are millions of men named Alexander in this world, starting with Alexander the Great back in 300-something BC. Those letters must be from some other Alexander.'

I shoved a photocopy of one of Lilith's letters across to him, the one Zan wrote from a hotel in Paris, the one signed ‘God bless you, my darling, my lover, Z.' ‘Is this your handwriting?'

His eyes hadn't left my face. ‘It is not.'

‘Maybe if you actually looked at it, you could give me a straight answer.'

The lobes of Chandler's ears turned red. He gave the letter a cursory once-over, shrugged, and shook his head.

‘So, you're telling me that you never knew a woman named Lilith Chaloux, that you didn't have a ten-year relationship with her, and that somebody else, some other Alexander, wrote the fifty-some love letters that have come into my possession.'

‘That's what I'm saying.'

‘In that case, I don't think we have anything more to discuss.' I collected my things, stood up, and walked to the door.

Chandler followed. He twisted the knob, and held the door open for me. ‘Sorry I couldn't be of more help.'

‘Look, Mr Chandler. Perhaps I didn't make myself clear. My one and only goal is to return these letters to the woman they were written to. I don't care about her relationships, past, present or future, with you – excuse me, with Zan – or with anybody else. I don't even know if Lilith Chaloux is still alive.'

I thought I detected a spark, flicker, something in his eyes, but he waited me out.

‘Well, goodbye.' I was halfway out the door with Chandler close behind me when I turned on my heel, meeting him face to face. ‘You know, if I had loved somebody the way Zan loved Lilith . . . well, it's a complete mystery to me how you can live with yourself, Mr Chandler.

If I had clobbered him over the head with a medieval club, he couldn't have looked more stunned. After his eyebrows returned to their normal position directly over his eyes, Chandler said coolly, ‘Jud will escort you back down to the lobby.' He held out his hand and seemed surprised when I didn't take it. ‘Goodbye, Mrs Ives.'

Indeed, Jud was waiting. After we stepped into the elevator, just as the doors were closing, I asked the young man casually, ‘How is Mr Chandler dealing with having a guy for a PA?'

Jud mashed his thumb down on the ‘G' button. ‘What do you mean?'

I shrugged. ‘Sometimes women let themselves be taken advantage of. Pick up the dry cleaning. Buy a birthday gift for the wife. Darn my socks. Stuff like that.'

Jud laughed. ‘You've been watching too many episodes of
Mad Men
, Mrs Ives. We've come a long way since the sixties.'

The elevator began its slow descent. ‘I heard about your predecessor on the news, Jud. Scary stuff. Who would want Meredith Logan dead? Did she have a boyfriend?'

Jud shook his head. ‘There was no one in her life. The job was all.'

‘Anyone at work she was close to?'

‘By “close to,” you mean having an affair with?'

‘The thought had entered my mind. John Chandler, for example. You.'

‘Meredith was my friend and colleague. End of story. If you think that John murdered Meredith, you're crazier than I thought. They had a relationship, that part's true, but he was more like a professor to Meredith, or a mentor maybe.'

‘So my hare-brained theory that Meredith issued an ultimatum – marry me or I'll tell your wife about our affair – doesn't hold water?'

‘Leaky as a sieve.'

‘On the other hand, what if Mrs Chandler suspected her husband was having an affair with Meredith and killed her to keep a scandal from ruining her husband's career?'

‘You want my unvarnished opinion?' Jud asked as the elevator deposited us on the ground floor.

I nodded and stepped out into the lobby while Jud stayed behind in the elevator, thumb pressed on the button that would hold the doors open. ‘Well, under that scenario, it wouldn't be so much a question of ruining her husband's career as embarrassing her and reflecting negatively on her social standing. But, no, I don't think that happened either. There was nothing going on between John and Meredith except work. And Mrs C. knew that.'

As the elevator doors closed over Jud's face, I waved goodbye. I returned the visitor's badge to the harried receptionist, and discovered that somebody had pinched my umbrella.

Muttering profanities under my breath, I pulled my jacket over my head and ran out into the pouring rain.

FOURTEEN

I
drove home with the heat on full-blast. By the time I got to Annapolis my hair was dry, but my wool jacket smelled like wet dog. It would need a couple of trips to the dry cleaner before it could be restored to anything resembling its former glory.

A quick look in the hall mirror only confirmed what I suspected: I not only smelled like wet dog, I looked like a chew toy the dog had been gnawing on for a while.

Paul was in the basement office, grading papers. By the time he'd laid down his red pencil and come upstairs to the kitchen to join me in a glass of wine, I'd brushed the tangles out of my hair and fluffed it up at bit so I didn't feel like such a freak.

‘What did you get up to today?' I asked as I handed him a glass of Chablis.

‘Oh, nothing.' The man was positively twinkling.

‘Liar!'

‘A guy showed up today, asking for you.'

‘Oh?' I grabbed a pretzel out of a bag I'd left open on the table and took a bite.

‘He said he understood you had found a package on the Metro that belonged to him.'

I stopped in mid-nibble. ‘He what?'

‘I told him you weren't home.'

I pointed at the kitchen table with the pretzel. ‘Sit.' When we were both sitting down, I asked, ‘Do you think it was Skip?'

‘No. He introduced himself as Jim Hoffner.'

‘Hoffner, Hoffner. Why does that name sound familiar? Do we know any Hoffners?' I took a bite of pretzel, chased it with a gulp of wine. ‘Please don't tell me that you gave him Lilith's box!'

Paul reached out and stroked my arm. ‘Of course not. Mostly because he didn't look at all like the guy on the train as you described him to me. So, I told Hoffner, sorry, you weren't home, and that I didn't know where you'd put the package. Which is perfectly true.'

‘Was he in a wheelchair? On crutches? Limping?'

‘No, and I found that most peculiar, Watson. The way he sashayed down the steps was just a tad too spry for someone who less than a month ago had his lower body pinned under a couple of tons of twisted steel.'

‘Can you describe the guy for me?'

‘Better than that. I managed to snap a picture of him with my cell phone.'

‘Clever boy! How did you do that?'

‘Pure dumb luck. I'd just finished checking in with Emily when the doorbell rang, so I had the phone in my hand. When Hoffner left, I knew he'd have to turn one way or the other on the sidewalk, so when he headed up toward Maryland Avenue, I was able to get off a couple of shots through the living-room window.'

Paul slipped his iPhone out of the breast pocket of his shirt and thumbed the screen on. A few taps later, he turned the screen in my direction. There, in profile, was a guy I'd never laid eyes on before.

He was tall, at least six feet, big-boned, but not heavy. He kept his dark hair closely trimmed and was already working on a five o'clock shadow. ‘What color were his eyes?' I asked my husband.

‘You think I gaze deeply into the eyes of other men?'

‘Paul!'

‘They were brown.'

‘Hmmm,' I mused. ‘Brown hair, brown eyes, khaki pants and a brown jacket. I'll bet his shoes and socks are brown, too. What we have here is Mysterious Mocha Man.'

Using my thumb and forefinger, I flicked the image to enlarge it. Whoever this man was, he was not the man whose hand I had held on the doomed train. ‘This guy is definitely
not
Skip.'

‘I didn't think he was. The absence of a full-body cast was a bit of a clue.'

‘But why would he claim to be the guy I helped on the train when he wasn't? Whoever he is, he'd have to know that
I'd
realize he wasn't Skip.'

‘Ah yes,' Paul said. ‘But once I told him you weren't home, the danger of being recognized was past. Maybe he thought I'd simply hand over the bag and he could leave, and you'd never be the wiser.'

‘Maybe.' I studied the image again, flicked it until the subject's face filled the screen. Something clicked. ‘I know why this guy looks vaguely familiar!' I turned the screen in Paul's direction, hooting in triumph. ‘He's that guy on late-night TV.' I waggled my fingers and made mysterious woo-woo noises. ‘Dark, rain-soaked highways and cars careening out of control.
Kee-runch!
Got a telephone? Got a lawyer!'