Read A Question of Motive Online
Authors: Roderic Jeffries
Tags: #Fiction, #Mystery & Detective, #Police Procedural
âI have learned there are two more possible suspects to be considered.'
âThey are?'
âBenito, a professional painter who was out of work. Being a friend of Santos, he asked if Señor Gill would give him a job. Señor Gill said he wanted the house painted outside with two coats. Only one coat was given. When questioned, Muritano claimed there had been one coat when the brush went up, a second when the brush came down.'
âThe inhabitants of this island would find a way of defrauding a pauper. Señor Gill reported him for attempted fraud?'
âThe señor paid half the agreed amount.'
âThen he was a fool.'
âIt avoided Santos feeling dishonoured since he had recommended Muritano. Before he left with half the money he had hoped to gain, Benito threatened Señor Gill.'
âIn what terms?'
âThat is not known.'
âYou haven't questioned him?'
âSeñor, if I were two persons . . .'
âAn unwelcome proposition. You will establish the facts. Who is the second person to whom you referred?'
âThe señor gave large parties and at one of these, Eva, the maid, was accosted by a drunken Englishman who tried to molest her by . . .'
âYou will not gain pleasure by detailing the nature of the molestation.'
âSeñor Gill ordered Parra to see the man out of the house immediately. Since this was in the sight or hearing of other guests, his assault will have been widely known and he would have understood the contempt that would bring him.'
âWhat is his name?'
âThe staff cannot identify him. It is possible the señorita will be able to do so, but she had driven in to Palma and was not at home when I was there.'
âYou will speak to her the moment she returns. You will identify and question, Muritano and Miranda Pearson. That done, you will be in a position to present a more valid report than you have just done. Whether in fact you do, is open to doubt.'
Alvarez replaced the receiver. He wondered how he could have stupidly thought he might receive even muted praise for his work.
A
lvarez looked through the open window at the sunshine-covered walls on the other side of the narrow road. After fourteen phone calls, to fourteen Pearsons, he had learned nothing. None of those to whom he had spoken had known Robin Gill, and only one had heard of him.
Did Miranda live on the island? Mary had suggested she probably did. Was she not on the phone and therefore not listed in the directory? Yet now that it was easier to be connected, provided one didn't live in the back of beyond . . . He was thinking as he would have done years before. Mobiles allowed almost everyone to be on line. He had to call the communications centre and ask them to name the Pearsons they had on their lists.
The speaker at the communications centre was well trained. They were too busy at the moment, their computer had crashed, the law of privacy had to be respected, if he rang another day . . . Persistence and some rudeness gained the unwelcome news that no Pearson was listed as feminine. He would have to make further phone calls. But not when he was exhausted.
There was time before he could return home for lunch. So did he question Muritano? All that was known about him was, he had worked for a firm which had closed. But he was a friend of Santos.
Santos was on the far side of the fencing on Barca, making Alvarez wonder how any man could hold his life so cheaply. âWhat's up?'
âI'm planting a vineyard,' Santos replied as, kneeling, he very carefully removed several newly surfaced weeds around Ophrys balerica.
âYou're continuing to fuss over that thing? If it was mine . . .'
âIt would be long since dead since you wouldn't come within a dozen metres of it. What are you after this time?' He stood.
âTo ask where you were on Friday the fourth?'
âIn Madrid, having grub at the Ritz.'
âDon't get too smart or I'll have you in on suspicion.'
âNo sense of fun? I was here, of course.'
âUntil when?'
âTwelve.'
âYou didn't leave early?'
Santos hesitated. âMaybe I was away a little quick. The old woman wasn't too fit.'
âNo doubt she'd recovered and had cooked your lunch by the time you arrived back?'
He crossed to the fencing and climbed over it.
âThen you weren't here when the señor filmed or examined his beloved plant?'
âAre you going to ask all the same old questions?'
âI can't remember what your answers were.'
âDoubt you can give your own name without being reminded.'
âWill your wife corroborate the time you returned that day?'
âWhy not ask her?'
âI will.'
âThen I'll tell her to help you up the front steps into the house. They're a bit high and could upset you.'
âYou're so smart I'm beginning to think you didn't go home to lunch that day, but were here when the señor looked at his plant and you helped him over the side because he'd left you a little something in his will.'
âYou're breeding more feathers between your ears by the minute.'
âThere's no knowing what the friend of a fraudster will do.'
âYou . . .' The Mallorquin was brief, but obscene.
âThen Benito Muritano isn't a friend of yours?'
âNot since he made me look as twisted as him.'
âI want a word with him.'
âAbout that painting job?'
âHe must have been furious when his attempted fraud was exposed and he was paid half the estimate.'
âI suppose now you're going to suggest he got his own back? By pushing the señor over the edge. Ever seen a chicken attack a Giant Schnauzer? He's good for swindling, that's all.'
âI have to check him out.'
âMy word's not good enough? You lot wouldn't believe a saint.'
âSince I'm not a saint yet, that's all right by me. Where does he live?'
âThe village.'
âYou expect me to call at each house to find out which one?'
âWouldn't do you any harm around the belly. Sixteen, Carrer Loreto. And tell him that after dropping me in the pozo negro with the señor, I hope he ends up inside.'
Alvarez thankfully turned his back on the edge of the cliff. He crossed to the house. Luisa opened the door.
âIf you want the señorita, Inspector, Pablo's just taken her into Llueso. He drives her because he says it's better until she's over the death of the señor. Always ready to help. He's a good husband.'
âThere aren't many of those around these days. I'll return some other time.'
âShe'll be glad to see you. Told me yesterday how much you've helped her.'
He was glad his help was appreciated.
Carrer Loreto was one-way. Alvarez passed the no-entry sign to face an oncoming car. He braked heavily and contemptuously ignored the other motorist's obvious signs of anger as he eased his way past; probably a foreigner who did not understand the local form of driving. He came to a halt in front of number sixteen. Like all other houses in the short road, it was stone built and dated from the nineteenth century.
He left the car, stepped into the entrada, and was unsurprised to find a degree of comfort that contradicted the impression of bleakness the outer stone wall gave. He called out.
âWho is it?'
âInspector Alvarez, cuerpo.'
âWait.'
He waited.
When Muritano's wife finally came downstairs, he guessed she had been brightening her appearance.
âWhat's the trouble?' she uneasily asked.
âI need a word with your husband.'
âWhat's Benito been up to?'
âNothing to cause any worry. Do you know where he is right now?'
âWorking. Is it trouble with the Susana woman?'
âNot as far as I know. Where is he working?'
âDown in the port. Place that's been bought by a foreigner who wants it decorated from top to bottom.'
âCan you give me the address?'
âYou say I don't need to worry, but what's your interest?'
âTo ask him about some painting he's done.'
âSomeone complaining? Can't see why it should bother you.'
He ignored the unasked question. âWhich house in the port?'
âBack of the school somewhere. Called Ca'n Felix.'
He thanked her and left.
Having driven down to the port, it took him fifteen frustrating minutes to find the modern bungalow in the centre of a small, slightly downmarket urbanizacÃon.
Muritano was short, stocky, unshaven, and aggressive. âSo what d'you want?' he demanded, as they stood in the empty room, the walls of which were half-changed from an ugly blue to light green. From next door came the sounds of another painter at work.
âHow many coats of paint make two?'
âWhat you getting at?'
âYou are a friend of Juanito Santos.'
âI was until he behaved like a stupid sod.'
âHe recommended you to Señor Gill to paint the outside of Aquila.'
âSo?'
âThe contract called for two coats.'
âWhich is what the house got.'
âBecause he was a foreigner, you reckoned he could be taken for a fool. You said it was one coat taking the roller up and one coat bringing it down again.'
âSo what's wrong with that?'
âYou want to make me laugh?'
âDon't look as if you know how.'
âI've talked to an honest painter. Two coats means two coats applied at different times.'
âDepends how you work.'
âYou know the señor's dead?'
âI can read.'
âHe was a foreigner, but he wasn't stupid. He understood you were trying to swindle him, so paid you only half the agreed sum.'
âThen he paid for the work done, and you can't charge me with anything.'
âHow about murdering the señor?'
âAre you crazy?' he shouted.
Another man in paint-splattered overalls hurried into the room. âSomething up, Benito?'
âHe's calling me a murderer.'
The newcomer spoke to Alvarez. âBest stop causing trouble and move out quick or we'll help you out a lot quicker.'
âInspector Alvarez, Cuerpo General de Policia.'
âYou. It sounded like . . . I'd best get on with the work.' He hurriedly left.
Alvarez spoke to Muritano. âSeñor Gill expressed his opinion of you and your manner of working. You became very angry.'
âWhat d'you expect when he called me a thief. I ain't never stolen anything.'
âSo angry that you determined to get your own back; after all, he'd turned the tables and made you look the fool. You went up to Aquila to bluff or bully him into paying the rest of the money. He refused, probably commenting again on your dishonesty. Then he went to the end of Barca to look at the special orchid growing there. You were in such a hell of a rage that, seeing him so close to the edge of the rock, you rushed forward, belted him in the stomach, and forced him over the edge.'
âYou . . . you're crazy,' he said again, now with fear, not anger.
âWhere were you at thirteen hundred hours on Friday the fourth?'
âWorking.'
âWhere?'
Nervous panic caused confusion. âI can't . . . can't say.'
âUnable to think up a feasible lie quickly enough?'
He shouted, âLorenzo!'
Lorenzo hurried in to the room. âWhat now?'
âWhere were we working on the fourth, Friday?'
âWasn't here.'
âFor Christ's sake, if you can't remember, he's going to arrest me.'
âReckon we were doing that apartment down at the port.'
âYou're right! That's where. Inspector, I was there.'
âAnd drove back for lunch, decided on the way to tell Señor Gill what you thought of him.'
âWe don't go anywhere; we have lunch on the job to save time.'
âWho was with you on that job?'
âThere was Lorenzo and someone else.'
âWho?'
Muritano began to speak, stopped, looked helpless.
Alvarez turned to Lorenzo. âYou were with him?'
âHe's just said.'
âYou'll swear to that on oath.'
âYou're saying it'll be in court?'
âCould be, unless . . . Who was the other man?'
âAdolfo.'
âWhy won't you believe me?' Muritano asked desperately.
âBecause it's difficult to do so when you think one coat of paint is two coats.'
Adolfo's mother said he wasn't working that day, resentfully added that he was likely spending all his money at a bar or on a woman and would soon be trying to borrow from her until the next pay day.
âDoes he have a favourite bar?'
She named a couple she knew he frequently visited. He was not at the first one; at the second, a waiter identified Adolfo, sitting at an outside table with a woman.
Glass in hand â it was only fair to offer custom when information had been given â Alvarez went out on to the pavement and over to the table at which a young man with long hair drawn into a ponytail was seated opposite a woman who lacked discretion in make-up and clothing.
âAdolfo?'
He looked up and stared at Alvarez with contemptuous indifference.
âI'd like a word.'
Adolfo picked up his glass and emptied it. He spoke to his companion. âReady for another?'
âDon't think I should.'
âThat's the time to have it.'
She giggled.
Alvarez asked, âWhere were you at thirteen hundred hours on Friday the fourth?'
âSod off, old man.'
Alvarez's annoyance was immediate. He could no longer claim to be a young man, but he certainly wasn't an old one. âCuerpo.'
âWhat . . . Why . . .?'