A Killing Notion: A Magical Dressmaking Mystery (23 page)

1. Sewing is a process, so enjoy the act of craftsmanship, not just the end result.
   
2. Fit your pattern to the body you have, not the body you wish you had. If a garment fits well, it will look good!
   
3. Ask for help if you need it.
   
4. Buy a seam ripper.
   
5. Prewash your fabric, unless it is dry-clean only.
   

Mahi Mahi Tacos with Strawberry-Mango Salsa

Serves 4

2–3 pieces of mahi mahi, approximately 6–8 ounces each, cubed

1 tsp cumin

½ tsp salt

½ tsp garlic powder

2 tb olive oil

4–6 soft corn tortillas

Strawberry-Mango Salsa

1½ cups fresh strawberries, chopped

1 cup frozen or fresh mango, chopped

½ cup frozen or fresh pineapple, chopped

½ red onion, minced

½ cup cilantro, minced

½ lime

Cilantro-Lime Rice

1 tb canola or vegetable oil

1 cup long grain white rice

2 cups water

½ tsp salt

½ cup cilantro, chopped

Juice from one lime

Toss cubed mahi mahi with cumin, salt, and garlic powder. Adjust seasoning to taste. Heat 2 tablespoons of olive oil in a frying pan. Sauté cubed and seasoned mahi mahi until browned and cooked through, stirring occasionally.

For Salsa:

Mix chopped and minced ingredients together (strawberries, mango, pineapple, red onion, cilantro) and squeeze lime juice into the mixture.

For Cilantro-Lime Rice:

Heat oil in sauté pan. Add uncooked rice and cook until browned. Add salt and water, cover, and simmer until rice is cooked, approximately 15–20 minutes.

Stir in cilantro and lime juice.

To Serve:

Spoon mahi mahi into warmed soft corn tortillas and top with salsa. Serve with Cilantro-Lime Rice.

Enjoy!

Continue reading for a special preview of

A SEAMLESS MURDER

Available from Obsidian in January 2015.

Aprons.

No, they aren’t couture garments. They aren’t even knockoff couture. But it was looking like they were going to be my next project. Seven individual, unique, stylized aprons for the women of Bliss’s Red Hat Society chapter, to be exact.

I had to laugh. Last week I’d been creating a suit for a woman in Fort Worth who wanted a highly tailored linen ensemble, not an easy task. But as my great-grandmother Loretta Mae Cassidy always said, success is something you have to work for. Harder than you may want to most times. That linen suit pushed me to the edge of my ability, but I came out on the other side a better dressmaker and tailor. In the end, the outfit could have competed with any high-end handmade Italian affair—and come out on top. And I’d sewn it not in Florence, Rome, or Milan, but in little ol’ Bliss, Texas.

Now it looked like I’d be making aprons, and I was good with that. Working in the fashion industry in New York taught me to expect surprises. Moving back to my
hometown of Bliss taught me to embrace them. I’d come back home to live in my great-grandmother’s old yellow farmhouse right off the town square. I’d opened up Buttons & Bows, a custom-dressmaking shop, and made two bridal gowns (one for my mother, which was more like a cowgirl dress than a fantasy gown), countless bridesmaid dresses and homecoming frocks, period dresses for the Margaret Moffette Lea Pageant and Ball, and holiday creations for a Christmas fashion show.

But at the moment, surrounded by a bevy of red-hatted, purple-attired women, I was being challenged with something completely different from anything I’d done before.

“Aprons,” I said, contemplating the idea. I was ready for the challenge. Or lack thereof. I homed in on Delta Lea Mobley, my neighbor—and apparently the leader of Bliss’s Red Hat ladies, all of whom currently stood in a half circle around me, looking expectant. Delta Lea was a robust, rosy-cheeked woman with lots of soft curves, but her personality didn’t quite match. Although she looked like a middle-aged Mrs. Claus, there was no twinkle in her eye, no laughter in her voice, and no spring in her step.

Her sisters, Coco and Sherri, on the other hand, had the same huggable curves without the abrasive personality. Unfortunately, though, neither of them happened to be present under the big white tent in the church parking lot, so I was left with Delta. “Yes, aprons. I know you’re a big-shot fashion designer and all, but I thought—” She broke off, then waved her hands at the other Red Hat ladies. “We thought you could probably make aprons, too. Since you come from simple stock, I’m not sure how creative you can get with them. We want something more than burlap coffee sacks, you know.”

Sarcasm dripped from her voice, and I swallowed the anger that had quickly bubbled up. Delta Lea Mobley brought out the worst in me. We’d had a few run-ins since I’d moved back to Bliss, mostly because of Nana’s goats. Delta; her husband, Richard; her daughter, Megan; and her mother, Jessie Pearl, all lived next door to me. Thelma Louise, the grand dam of Nana’s Sundance Kids herd, had led the other goats straight into the Mobley yard on more than one occasion, and I was guilty of letting it happen by simple association. As if Thelma Louise listened to me.
Nana
was the goat whisperer.
My
Cassidy family charm worked through my dressmaking, allowing the deepest desires of the person I designed for to come true. The goats weren’t my domain, not one little bit.

“I’m not a big shot, Delta,” I said, knowing her abrasive attitude didn’t spill over to the other women in her Red Hat group. I hoped they would back me up.

Cynthia Homer, her ginger hair shimmering in the diffused light of the morning, sucked in a bolstering breath. “We’re
hoping
you’ll be able to fit it into your schedule,” she said. She was shooting daggers at Delta as she continued. “We’d be honored if you’ll do our small project, in fact. Just tickled pink.”

I ignored Delta and mustered up a healthy dollop of sweetness, dropping it into my voice. “I’d love to make y’all some aprons,” I said, realizing the moment I spoke that it was absolutely true.

The tense expressions on the women’s faces relaxed. Cynthia clasped her hands together. “Harlow Jane, that’s wonderful.” She extended her index finger and counted the Red Hat women surrounding me, her mouth moving but no words coming out. “With everyone, that’ll be
seven aprons. We need ’em finished by next Friday, in time for our first annual Red Hat progressive dinner. Can you do that?”

I barely stopped myself from sputtering. “Next Friday?”

They were just aprons, but still, with my other obligations, that was a tight deadline.

“That should be a piece of cake for you, Harlow,” Delta said, stepping forward and shouldering Cynthia out of the way. “Especially for something as pedestrian as aprons. Why, I’ve seen you whip out homecoming dresses and those bridal gowns in a matter of days. Aprons have to be the easiest thing on the face of the earth for someone with your sewing finesse.”

I couldn’t decide if she was really trying to be nice, and I was just imagining the healthy doses of sarcasm I heard in her voice. Maybe she was trying to butter me up, but somehow I doubted it.

What I couldn’t tell her was that my hesitation wasn’t due to how easy or difficult the aprons themselves would be to make. She was right. I could pull off a complicated dress design in a day if I had to. My hesitation stemmed from my charm. I had to get a sense of a person before I knew what design and textiles to use, and a week and a half wasn’t a lot of time to get a reading on seven women, volunteer at the church tag sale, which I’d already committed to, and execute the aprons with the finesse Delta was ascribing to me.

“Of course, if you
can’t
do it . . .” she said, trailing off.

And instantly I knew that she was challenging me for some reason. She wanted me to fail. “Oh, I can do it,” I said, realizing a second too late that I’d fallen smack into
her trap. She’d baited me, and I’d fallen, hook, line and sinker.

She shook her head and directed her gaze toward the tent’s ceiling, as if she didn’t believe I could make seven individualized aprons. “I don’t know . . .”

“Well, I do,” I said, this time fully aware that I was being played. But I was all in. Delta Lea Mobley would not get the better of me.

Or maybe she already had.

“If you’re sure,” she said, still not sounding convinced.

“Enough, Delta, good Lord.” Cynthia glared at my neighbor. She clenched her firm jaw, her mauve lips thinning with her aggravation. “They’re aprons for a progressive dinner, for pity’s sake, not
Project Runway
extravaganzas.”

“And she said she can do it,” Georgia Emmons said. Georgia looked like a former beauty queen with her thick eyelashes, even thicker auburn hair, and hourglass shape. She was like an ageless Mary Tyler Moore. I feared it would catch up to her all at once, she’d age forty years, and she would completely freak when the wrinkles hit full throttle.

They were talking about me as if I weren’t front and center. I wanted to wave my hands and shout, “I’m right here! I can hear you!” But instead I kept my mouth shut. I got the distinct feeling that I wasn’t the only one Delta Lea Mobley rubbed the wrong way, and the Red Hatters were sticking up for me. Sort of.

“Right,” Bennie Cranford added. “We’re not walking the runway; it’s just dinner.”

Randi Martin hung back, clearly uncomfortable at the direction of the conversation, her upper lip pulled down over her teeth. Her short, spiked blond hair made her
long, narrow face look longer, and her tan skin accentuated the map of wrinkles that crossed the surface. She’d enjoyed too much sun during her youth, and now her skin was paying the price. “You all shouldn’t argue about it,” she finally said, her voice small and a trifle shaky. If someone yelled, “Boo!” I feared she’d clutch her heart and keel over.

“You know me,” Delta said brusquely. “No-holds-barred. Life’s too short not to say what you mean. If Harlow can’t do the job, she just needs to say so.”

“Just because you think you should say every thought you have doesn’t make you right,” Cynthia snapped. “And it doesn’t mean you can’t have some tact and decorum. I’m sure Harlow can manage a few measly aprons—”

“I’m sure I can,” I said, finally butting in so they’d stop acting as if I wasn’t present, but Cynthia continued as if I hadn’t spoken at all.

“—and, Delta, you are the last person who should be giving advice to someone on how they do their job, given your recent—”

“You’d best hold your tongue, Cynthia Homer,” Delta snarled, splotchy red spots appearing on her cheeks.

Randi Martin took a step backward, eyeing Delta’s clenched fists as if she were afraid Delta might let loose and lay an uppercut on Cynthia’s jaw.

“Why? You think people aren’t going to find out? Things in this town have a way of coming out. You have something to hide, you’d best do your business in Granbury or Glen Rose or some such. There aren’t any secrets in Bliss.” Cynthia stepped closer, leaning in and lowering her voice a touch. “And surely you know that man can’t keep a dang thing to himself.”

Delta’s jaw tightened, but she held her tongue, instead turning back to me. “I’ll see you at Buffalo Bill’s at nine tomorrow morning,” Delta said with a jab of her finger in my direction.

I didn’t have time to argue before she had turned on her sensible flats and marched off in the opposite direction.

And don’t miss where it all started for Harlow Cassidy in

PLEATING FOR MERCY

Available now from Obsidian!

Rumors about the Cassidy women and their magic had long swirled through Bliss, Texas, like a gathering tornado. For 150 years, my family had managed to dodge most of the rumors, brushing off the idea that magic infused their handwork, and chalking up any unusual goings-on to coincidence.

But
we
all knew that the magic started the very day Butch Cassidy, my great-great-great-grandfather, turned his back to an ancient Argentinean fountain, dropped a gold coin into it, and made a wish. The Cassidy family legend says he asked for his firstborn child, and all who came after, to live a charmed life, the threads of good fortune, talent, and history flowing like magic from their fingertips.

That magic spilled through the female descendants of the Cassidy line into their handmade tapestries and homespun wool, crewel embroidery and perfectly pieced and stitched quilts. And into my dressmaking. It connected us to our history, and to one another.

His wish also gifted some of his descendants with
their own special charms. Whatever Meemaw, my great-grandmother, wanted, she got. My grandmother Nana was a goat-whisperer. Mama’s green thumb could make anything grow.

Yet no matter how hard we tried to keep our magic on the down-low—so we wouldn’t wind up in our own contemporary Texas version of the Salem Witch Trials—people noticed. And they talked.

The townsfolk came to Mama when their crops wouldn’t grow. They came to Nana when their goats wouldn’t behave. And they came to Meemaw when they wanted something so badly, they couldn’t see straight. I was seventeen when I finally realized that what Butch had really given the women in my family was a thread that connected them with others.

But Butch’s wish had apparently exhausted itself before I was born. I had no special charm, and I’d always felt as if a part of me was missing because of it.

Moving back home to Bliss made the feeling stronger.

Meemaw had been gone five months now, but the old red farmhouse just off the square at 2112 Mockingbird Lane looked the same as it had when I was a girl. The steep pitch of the roof, the shuttered windows, the old pecan tree shading the left side of the house—it all sent me reeling back to my childhood and all the time I’d spent here with her.

I’d been back for five weeks and had worked nonstop, converting the downstairs of the house into my own designer dressmaking shop, calling it Buttons & Bows. The name of the shop was in honor of my great-grandmother and her collection of buttons.

What had been Loretta Mae’s dining room was now
my cutting and work space. My five-year-old state-of-the-art digital Pfaff sewing machine and Meemaw’s old Singer sat side by side on their respective sewing tables. An eight-foot-long white-topped cutting table stood in the center of the room, unused as of yet. Meemaw had one old dress form, which I’d dragged down from the attic. I’d splurged and bought two more, anticipating a brisk dressmaking business, which had yet to materialize.

I’d taken to talking to her during the dull spots in my days. “Meemaw,” I said now, sitting in my workroom, hemming a pair of pants, “it’s lonesome without you. I sure wish you were here.”

A breeze suddenly blew in through the screen, fluttering the butter yellow sheers that hung on either side of the window as if Meemaw could hear me from the spirit world. It was no secret that she’d wanted me back in Bliss. Was it so far-fetched to think she’d be hanging around now that she’d finally gotten what she’d wanted?

I adjusted my square-framed glasses before pulling a needle through the pants leg. Gripping the thick synthetic fabric sent a shiver through me akin to fingernails scraping down a chalkboard. Bliss was not a mecca of fashion; so far I’d been asked to hem polyester pants, shorten the sleeves of polyester jackets, and repair countless other polyester garments. No one had hired me to design matching mother and daughter couture frocks, create a slinky dress for a night out on the town in Dallas, or anything else remotely challenging or interesting.

I kept the faith, though. Meemaw wouldn’t have brought me back home just to watch me fail.

As I finished the last stitch and tied off the thread, a
flash of something outside caught my eye. I looked past the French doors that separated my work space from what had been Meemaw’s gathering room and was now the boutique portion of Buttons & Bows. The window gave a clear view of the front yard, the wisteria climbing up the sturdy trellis archway, and the street beyond. Just as I was about to dismiss it as my imagination, the bells I’d hung from the doorknob on a ribbon danced in a jingling frenzy and the front door flew open. I jumped, startled, dropping the slacks but still clutching the needle.

A woman sidled into the boutique. Her dark hair was pulled up into a messy but trendy bun and I noticed that her eyes were red and tired-looking despite the heavy makeup she wore. She had on jean shorts, a snap-front top that she’d gathered and tied in a knot below her breastbone, and wedge-heeled shoes. With her thumbs crooked in her back pockets and the way she sashayed across the room, she reminded me of Daisy Duke—with a muffin top.

Except for the Gucci bag slung over her shoulder. That purse was the real deal and had cost more than two thousand dollars, or I wasn’t Harlow Jane Cassidy.

A deep frown tugged at the corners of her shimmering pink lips as she scanned the room. “Huh—this isn’t at all what I pictured.”

Not knowing what she’d pictured, I said, “Can I help you?”

“Just browsing,” she said with a dismissive wave. She sauntered over to the opposite side of the room, where a matching olive green–and–gold paisley damask sofa and love seat snuggled in one corner. They’d been the nicest
pieces of furniture Loretta Mae had owned and some of the few pieces I’d kept. I’d added a plush red velvet settee and a coffee table to the grouping. It was the consultation area of the boutique—though I’d yet to use it.

The woman bypassed the sitting area and went straight for the one-of-a-kind Harlow Cassidy creations that hung on a portable garment rack. She gave a low whistle as she ran her hand from one side to the other, fanning the sleeves of the pieces. “Did you make all of these?”

“I sure did,” I said, preening just a tad. Buttons & Bows was a custom boutique, but I had a handful of items leftover from my time in L.A. and New York to display and I’d scrambled to create samples to showcase.

She turned, peering over her shoulder and giving me a once-over. “You don’t
look
like a fashion designer.”

I pushed my glasses onto the top of my head so I could peer back at her, which served to hold my curls away from my face. Well,
she
didn’t look like she could afford a real Gucci, I thought, but I didn’t say it. Meemaw had always taught me not to judge a book by its cover. If this woman dragged around an expensive designer purse in little ol’ Bliss, she very well might need a fancy gown for something,
and
be able to pay for it.

I balled my fists, jerking when I accidentally pricked my palm with the needle I still held. My smile tightened—from her attitude as well as from the lingering sting on my hand—as I caught a quick glimpse of myself in the freestanding oval mirror next to the garment rack. I looked comfortable and stylish, not an easy accomplishment. Designer jeans. White blouse and color-blocked black-and-white jacket—made by me. Sandals with two-inch heels that probably cost more than this woman’s
entire wardrobe. Not that I’d had to pay for them, mind you. Even a bottom-of-the-ladder fashion designer employed by Maximilian got to shop at the company’s end-of-season sales, which meant fabulous clothes and accessories at a steal. It was a perk I was going to sorely miss.

I kept my voice pleasant despite the bristling sensation I felt creep up inside me. “Sorry to disappoint. What does a fashion designer look like?”

She shrugged, a new strand of hair falling from the clip at the back of her head and framing her face. “Guess I thought you’d look all done up, ya know? Or be a gay man.” She tittered.

Huh. She had a point about the gay-man thing. “Are you looking for anything in particular? Buttons and Bows is a custom boutique. I design garments specifically for the customer. Other than those items,” I said, gesturing to the dresses she was flipping through, “it’s not an off-the-rack shop.”

Before she could respond, the bells jingled again and the door banged open, hitting the wall. I made a mental note to get a spring or a doorstop. There were a million things to fix around the old farmhouse. The list was already as long as my arm.

A woman stood in the doorway, the bright light from outside sneaking in around her, creating her silhouette. “Harlow Cassidy!” she cried out. “I didn’t believe it could really be true, but it is! Oh, thank God! I desperately need your help!”