A Joseph Campbell Companion: Reflections on the Art of Living (Collected Works of Joseph Campbell) (31 page)

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Authors: Joseph Campbell

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BOOK: A Joseph Campbell Companion: Reflections on the Art of Living (Collected Works of Joseph Campbell)
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The Joseph Campbell Foundation (JCF)—founded in 1990 to preserve, protect, and perpetuate Campbell's work—has undertaken to create a digital archive of his papers and recordings and to publish
The Collected Works of Joseph Campbell
.

Robert Walter,
Executive Editor
David Kudler,
Managing Editor

THE COLLECTED WORKS OF JOSEPH CAMPBELL

The JCF has undertaken to make Mr. Campbell's unreleased and no-longer-available work—uncollected essays, journals, interviews, lectures, article fragments, etc—available through this thought-provoking series. The works in the on-going series are:

 
Print:

 
Video:

  • The Hero's Journey: A Biographical Portrait
    —This film, made shortly before his death in 1987, follows Campbell's personal quest—a pathless journey of questioning, discovery, and ultimately of delight and joy in a life to which he said, "Yes"
  • Sukhavati: A Mythic Journey
    —This hypnotic and mesmerizing film is a deeply personal, almost spiritual, portrait of Campbell
  • Mythos
    —This series is made up of talks that Campbell himself believed summed up his views on "the one great story of mankind"

 
Audio:

About Joseph Campbell

Over one hundred years ago,
on March 26th in 1904, Joseph John Campbell was born in White Plains, NY. Joe, as he came to be known, was the first child of a middle-class, Roman Catholic couple, Charles and Josephine Campbell.

Joe's earliest years were largely unremarkable; but then, when he was seven years old, his father took him and his younger brother, Charlie, to see Buffalo Bill's Wild West show. The evening was a high-point in Joe's life; for, although the cowboys were clearly the show's stars, as Joe would later write, he "became fascinated, seized, obsessed, by the figure of a naked American Indian with his ear to the ground, a bow and arrow in his hand, and a look of special knowledge in his eyes.”

It was Arthur Schopenhauer, the philosopher whose writings would later greatly influence Campbell, who observed that

…the experiences and illuminations of childhood and early youth become in later life the types, standards and patterns of all subsequent knowledge and experience, or as it were, the categories according to which all later things are classified—not always consciously, however. And so it is that in our childhood years the foundation is laid of our later view of the world, and there with as well of its superficiality or depth: it will be in later years unfolded and fulfilled, not essentially changed.

And so it was with young Joseph Campbell. Even as he actively practiced (until well into his twenties) the faith of his forbears, he became consumed with Native American culture; and his worldview was arguably shaped by the dynamic tension between these two mythological perspectives. On the one hand, he was immersed in the rituals, symbols, and rich traditions of his Irish Catholic heritage; on the other, he was obsessed with primitive (or, as he later preferred, "primal") people's direct experience of what he came to describe as "the continuously created dynamic display of an absolutely transcendent, yet universally immanent,
mysterium tremendum et fascinans
, which is the ground at once of the whole spectacle and of oneself." (
Historical Atlas of World Mythology
, I.1, p. 8)

By the age of ten, Joe had read every book on American Indians in the children's section of his local library and was admitted to the adult stacks, where he eventually read the entire multi-volume
Reports of the Bureau of American Ethnology
. He worked on wampum belts, started his own "tribe" (named the "Lenni-Lenape" after the Delaware tribe who had originally inhabited the New York metropolitan area), and frequented the American Museum of Natural History, where he became fascinated with totem poles and masks, thus beginning a lifelong exploration of that museum's vast collection.

After spending much of his thirteenth year recuperating from a respiratory illness, Joe briefly attended Iona, a private school in Westchester NY, before his mother enrolled him at Canterbury, a Catholic residential school in New Milford CT. His high school years were rich and rewarding, though marked by a major tragedy: in 1919, the Campbell home was consumed by a fire that killed his grandmother and destroyed all of the family's possessions.

Joe graduated from Canterbury in 1921, and the following September, entered Dartmouth College; but he was soon disillusioned with the social scene and disappointed by a lack of academic rigor, so he transferred to Columbia University, where he excelled: while specializing in medieval literature, he played in a jazz band, and became a star runner. In 1924, while on a steamship journey to Europe with his family, Joe met and befriended Jiddu Krishnamurti, the young messiah-elect of the Theosophical Society, thus beginning a friendship that would be renewed intermittently over the next five years.

After earning a B.A. from Columbia (1925), and receiving an M.A. (1927) for his work in Arthurian Studies, Joe was awarded a Proudfit Traveling Fellowship to continue his studies at the University of Paris (1927-28). Then, after he had received and rejected an offer to teach at his high school alma mater, his Fellowship was renewed, and he traveled to Germany to resume his studies at the University of Munich (1928-29).

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