Authors: Pearl S. Buck
If afterwards he was ashamed, when he was cooled by daylight and the soberness of school rooms, still he need not tell himself the thing was dangerous for him and he should avoid it, because there was his duty to the lady, and he could say he was helping her.
It was true he did most carefully watch his sister, and at the end of every evening’s pleasure he waited until Ai-lan was ready to come home, and he never asked another maid to go with him, lest he must take her home and leave Ai-lan. Especially was he so careful because he must justify to himself these hours he spent thus, and he was very zealous and the more because it was true that the man Wu did meet Ai-lan very often. This one thing could make Yuan forget the sweet sickness that stole into him sometimes when the music swayed too much and the maid he held clung closely to him, and it was if he saw Ai-lan turn aside to any other room with that one named Wu, or if she sought a balcony for the coolness. Then he could not rest until the dance was ended and he could go and find her and stay near her.
But be sure Ai-lan did not always bear it. Often she pouted at him, and sometimes she cried in anger, “I wish you would not stick so close to me, Yuan! It is time you went alone now and sought out maids for yourself. You do not need me any longer. You dance as well as anyone. I wish you would let me be!”
To this Yuan answered nothing. He would not say out what the lady had told him and Ai-lan would not press the thing too plainly, either, not even in her anger. It was as though she feared to tell something she did not want told, but when she was not angry she could forget and be as merry a play-fellow as ever with him.
At last she grew cunning and even was not angry with him. Rather she laughed and let him follow her as he would, as though she wanted to keep him friendly to her. For everywhere Ai-lan went, the story teller was. He seemed to know the maid’s mother did not like him, for now he never came to her house. But always at other houses, whether public or of friends, there he was near Ai-lan, as if he knew where Ai-lan was to be. And Yuan began to watch Ai-lan dancing with this man, and he saw at these times her little face was grave. This very gravity sat so strangely on her that Yuan was troubled by it often, and once or twice he was about to tell the lady of it. Yet there was nothing true to tell, for Ai-lan danced with many men, and one night when they came home together Yuan asked her why she was so grave with that one man, and she said lightly, laughing while she spoke, “Perhaps I do not like to dance with him!” And she drew down her mouth and thrust out her little red painted lips to Yuan to mock at him.
“Then why do it?” Yuan put to her bluntly, and she laughed and laughed at this, some hidden mischief in her eyes and at last she said, “I can’t be rude, Yuan.” So he let it pass from his mind, though doubtfully, and it remained a darkening on his pleasure.
There was another thing to mar his pleasure, too, a small thing and usual, and yet there it was. Each time Yuan came out of the heated brilliant midnight rooms where flowers were and food and wine spilled out and more than anyone had needed, he seemed to step out into that other world he wanted to forget. For in the darkness or in the grey dawn, the beggars and the desperate poor stood huddled by the doorways, some to try and sleep, but some to steal, like street dogs, into the pleasure houses after the guests were gone, and grovel under tables to snatch at the broken bits of food that were thrown there. It could be but a brief moment only, for the serving men roared and kicked at them and dragged them out by the legs and barred the gates against them. These piteous creatures Ai-lan and her playmates never saw, or if they saw they paid no heed to them and were as used to them as to stray beasts, and they went laughing and calling to each other from their vehicles, and so went gaily to their homes and beds.
But Yuan saw. Even against his will he saw them, and it came to be that even in the midst of the night’s pleasure, in the midst of music and of dancing, he remembered with great dread the moment when he must go into the grey street and see the cringing figures and the wolfish faces of the poor. Sometimes one of these poor stretched out a hand in despair at such deafness as these merry rich people had, and the hand would lay hold upon a lady’s satin robe and cling to it.
Then a man’s lordly voice would shout out, “Your hand away there! How can you lay your filthy hand upon my lady’s satin robe and soil it?” And a policeman of those who stood there would rush forth and beat the taloned filthy hand away.
But Yuan shrank and bent his head and hurried on, because he was so formed in spirit that he felt as upon his own flesh the beating of the wooden club, and it was his own starved hand that winced and fell down broken. At this time of his life Yuan loved pleasure, and he was unwilling to see the poor, and yet he was so shaped within that he saw them all even while he wished he did not.
But there were not only such nights in Yuan’s life now. There were the sturdy days of work in school among his fellows, and here he came to know better his cousins Sheng and Meng, whom Ai-lan called the Poet and the Rebel. Here in the school these two were their true selves, and in the classrooms or in throwing a great ball about upon the playground, they all, these three young cousins, could forget themselves. They could sit in the decorous listening rows of desks, or leap and shout at their fellows and roar with laughter at some faulty play, and Yuan came to know his cousins as he never did at home.
For as young men at home among their elders are never their true selves, so were not these two, Sheng always being silent and too good for everybody, and secret as to his poems, and Meng always sulky and prone to knock against some small table or other too full of small toys and bowls of tea, so that his mother cried constantly against him, “I swear no son of mine has ever been so like a young buffalo in my house. Why can you not walk smooth and silent as Sheng does?” And yet when Sheng came home so late from pleasure that he could not rise in time the next morning for his school she would cry at Sheng, “I ever say I am the most suffering mother in the world, and all my sons are worthless. Why can you not stay decently at home at night as Meng does? I do not see him slipping out at night dressed like a foreign devil and going I do not know to what evil place. It is your elder brother leads you wrong, as his own father did lead him. It is your father’s fault at bottom and I always said it was.”
Now the truth was that Sheng never went to the same pleasure houses as his elder brother did, for Sheng liked a daintier sort of pleasure, and Yuan saw him often in the pleasure houses where Ai-lan was. Sometimes he went with Yuan and Ai-lan, but often he went alone with some maid he loved for the time, and they two would dance together the whole evening through in silence and in perfect pleasure.
Thus the brothers went their own ways, each absorbed in some secret life of this great multitudinous city. But, although Sheng and Meng were two such diverse souls that they might easily have quarreled, more easily than either with the elder brother, who was too far older than they were, since there were two between, one dead by hanging himself in his youth, and the other given to the Tiger, yet they did not quarrel, partly because Sheng was a truly gentle laughing youth who held nothing worth a quarrel, and he let Meng have his way, but also because each was in the other’s secret. If Meng knew Sheng went to certain places, Sheng knew Meng was a secret revolutionist and had his own certain hidden meeting places, too, though in a different cause, yet in a more dangerous one. And so the two kept silence for each other and neither defended himself before the mother at the expense of the other. But each, as time went on, came to know Yuan and to like him the more, because he told to neither of them what one might tell to Yuan alone.
And now this school began to be the great pastime of Yuan’s days, for he truly did love learning. He bought his great heap of new books and held them piled beneath his arms, and he bought pencils and at last he proudly bought a foreign pen such as all the other students had, and fastened it upon his coat’s edge, and he laid aside forever his old brush, except when he wrote to his father once a month.
All the books were magic to Yuan. He turned their clean, unknown pages eagerly, and he longed to print each word upon his mind, and learn and learn for very love of learning. He rose at dawn if he could wake and read his books, and he memorized the things he did not understand; whole pages he put to his memory like this. And when he had eaten his early breakfast—solitary, because neither Ai-lan nor his mother rose as soon as he did on school days, he rushed off, walking through the still half-empty streets and was the first to reach his classrooms always. And if a teacher came a little early, too, then Yuan took it as a chance for learning and he overcame his shyness and put what questions that he could. If sometimes a teacher did not come at all, then Yuan did not, as the common students did, rejoice in an hour for holiday. No, rather he took it as a loss he could not happily bear, and spent the hour in studying what the teacher might have taught.
This learning was the sweetest pastime therefore to Yuan. He could not learn enough of history of all the countries of the world, of foreign stories and of verses, of studies of the flesh of beasts; most of all he loved to study the inner shapes of leaves and seeds and roots of plants, to know how the rain and sun can mold the soil, to learn when to plant a certain crop, and how select its seeds, and how increase its harvest. All this and much more did Yuan learn. He begrudged himself the time for food and sleep except that his great lad’s body was always hungry, too, and needing food and sleep. But this the lady mother watched, and while she said nothing, yet she watched him, although he scarcely knew it, and she saw to it that certain dishes which he loved were often set before him.
He saw his cousins often, too, and they were daily more a part of Yuan’s life, for Sheng was in a classroom with him, and often had his verses or his writing read aloud and praised. At such times Yuan looked with humble envy at him, and wished his verses were as smoothly rhymed, although Sheng looked down most modestly and pretended it was nothing to him to be praised. And he might have been believed, except that on his pretty mouth a little smile of pride sat very often and betrayed him when he did not know it. As for Yuan, at this time he wrote very little verse, because he lived too occupied for any dreaming, and if he did write, the words came roughly and he could not make them grouped and as they used to be. It seemed to him that his thoughts were too big for him, unshaped, not easily to be grasped and caught into a form of words. Even when he smoothed and polished and wrote them over many times, his old scholar teacher often said, “It interests me, it is fair enough, but I do not catch just what you mean.”
Thus he paused one day when Yuan had written a poem about a seed, and Yuan could not say what his meaning was exactly, either, and he stammered out, “I meant—I think I meant to say that in the seed, in that last atom of the seed, when it is cast into the ground, there is an instant, a place perhaps, when seed becomes no longer matter, but a sort of spirit, an energy, a kind of life, a moment between spirit and material, and if we could catch that transmuting instant, when the seed begins to grow, understand the change—”
“Ah, yes,” the teacher said, doubtfully. A kindly, aged man he was who kept his spectacles low on his nose and stared across them now at Yuan. He had taught so many years he knew exactly what he wanted and so what was right, and now he laid Yuan’s verses down and he pushed his spectacles and said half-thinkingly, and picking up the next paper, “Not very clear, I fear, in your mind. … Now, here’s a better one, called ‘A Walk on a Summer’s Day’—very nice—I’ll read it.” It was Sheng’s verse for that day.
Yuan fell to silence and kept his thoughts to himself, listening. He envied Sheng his pretty, swiftly running thoughts and pure rhymes; yet it was not bitter envy, either, but very humble and admiring envy, even as Yuan loved secretly his cousin’s handsome looks, so much more clearly handsome than his own.
Yet Yuan never knew Sheng’s self, for with all his smiling courteous seeming openness, none ever knew Sheng well. He could give anywhere the gentlest words of praise and kindness, but though he spoke often and easily, yet what he said never told his inner thought. Sometimes he came to Yuan and said, “Let us go and see a picture today after school—there is a very good foreign picture at the Great World Theatre,” yet when they both had walked there together and sat three hours through and come away again, and though Yuan had liked being with his cousin, still when he thought of it he could not remember that Sheng had said anything. He only could remember in the dim theatre Sheng’s smiling face and his shining, strangely oval eyes. Only once Sheng said of Meng and his cause, “I am not one of them—I never shall be a revolutionist. I love my life too well, and I love only beauty. I am moved only by beauty. I have no wish to die in any cause. Some day I shall sail across the sea, and if it is more beautiful there than here, it may be I shall never come back again—how do I know? I have no wish to suffer for the common people. They are filthy and they smell of garlic. Let them die. Who will miss them?”
This he said in the most tranquil pleasantness while they sat in the gilded theatre and looked about upon the well-dressed men and women there, all eating cakes and nuts and smoking foreign cigarettes, and he might have been the voice of all of them speaking. Yet though Yuan liked his cousin very well, he could not but feel a coldness in him at the calmness of these words, “Let them die.” For Yuan still did hate death, and though at this time in his life the poor were not near him, he did not want them to die, nevertheless.
But these words of Sheng’s that day prompted Yuan to ask another time more concerning Meng. Meng and Yuan had not talked very often together, but they played on one side of the game of ball, and Yuan liked the fierceness of Meng’s thrust and leaping. Meng had the hardest tightest body of them all. Most of the young men were pale and slackly hung and they wore too many clothes they did not take off easily, so that they ran anyhow as children do, and fumbled at the ball, or threw it sidewise as a girl might, or kicked it mildly so that it rolled along the ground and stopped very soon. But Meng sprang at the ball as though it were his enemy and he kicked it with his hard leather-shod foot, and up it soared and came down with a great bound and flew up again, and all his body hardened at the play, and Yuan liked this as well as he liked Sheng’s beauty.