A Confederacy of Dunces (14 page)

My innovation in connection with the filing system must remain secret for the moment, for it is rather revolutionary, and I shall have to see how it works out. In theory the innovation is magnificent. However, I will say that the brittle and yellowing papers in the files constitute a fire hazard. A more special aspect that may not apply in all cases is that my files apparently are a tenement for assorted vermin. The bubonic plague is a valid Medieval fate; I do believe, though, that contracting the plague in this dreadful century would be only ludicrous.

Today our office was at last graced by the presence of our lord and master, Mr. G. Levy. To be quite honest, I found him rather casual and unconcerned. I brought to his attention the sign (Yes, reader, it has finally been painted and posted; a rather imperial fleur-de-lis now gives it added significance.), but that, too, elicited little interest on his part. His stay was brief and not at all businesslike, but who are we to question the motives of these giants of commerce whose whims rule the course of our nation. In time he will leam of my devotion to his firm, of my dedication. My example, in turn, may lead him to once again believe in Levy Pants.

La Trixie still keeps her own counsel, thereby proving herself even wiser than I had thought. I suspect that this woman knows a great deal, that her apathy is a fa9ade for her seeming resentment against Levy Pants. She grows more coherent when she speaks of retirement. I have noticed that she needs a new pair of white socks, her current pair having grown rather gray. Perhaps I shall gift her with a pair of absorbent white athletic socks in the near future; this gesture may affect her and lead her to conversation. She seems to have grown fond of my cap, for she has taken to wearing it rather than her celluloid visor on occasion.

As I have told you in earlier installments, I was emulating the poet Milton by spending my youth in seclusion, meditation, and study in order to perfect my craft of writing as he did; my mother's cataclysmic intemperance has thrust me into the world in the most cavalier manner; my system is still in a state of flux. Therefore, I am still in the process of adapting myself to the tension of the working world. As soon as my system becomes used to the office, I shall take the giant step of visiting the factory, the bustling heart of Levy Pants. I have heard more than a little hissing and roaring through the factory door, but my presently somewhat enervated condition precludes a descent into that particular inferno at the moment.

Now and then some factory worker straggles into the office to illiterately plead some cause (usually the drunkenness of the foreman, a chronic tosspot). When I am once again whole, I shall visit those factory people; 1 have deep and abiding convictions concerning social action. I am certain that I can perhaps do something to aid these factory folk. I cannot abide those who would act cowardly in the face of a social injustice.

I believe in bold and shattering commitment to the problems of our times.

Social note: I have sought escape in the Prytania on more than one occasion, pulled by the attractions of some technicolored horrors, filmed abortions that were offenses against any criteria of taste and decency, reels and reels of perversion and blasphemy that stunned my disbelieving eyes, that shocked my virginal mind, and sealed my valve.

My mother is currently associating with some undesirables who are attempting to transform her into an athlete of sorts, depraved specimens of mankind who regularly bowl their way to oblivion. At times I find carrying on my blossoming business career rather painful, suffering as I do from these distractions at home.

Health note: My valve did close quite violently this afternoon when Mr. Gonzalez asked me to add a column of figures for him. When he saw the state into which I was thrown by the request, he thoughtfully added the figures himself. I tried not to make a scene, but my valve got the better of me. That office manager could, incidentally, develop into something of a nuisance.

Until later,

Darryl, Your Working Boy

Ignatius read what he had just written with pleasure. The Journal had all sorts of possibilities. It could be a contemporary, vital, real document of a young man's problems. At last he closed the looseleaf folder and contemplated a reply to Myrna, a slashing, vicious attack upon her being and worldview. It would be better to wait until he had visited the factory and seen what possibilities for social action there were there. Such boldness had to be handled properly; he might be able to do something with the factory workers which would make Myrna look like a reactionary in the field of social action. He had to prove his superiority to the offensive minx.

Picking up his lute, he decided to relax in song for a moment.

His massive tongue rolled up over his moustache in preparation and, strumming, he began to sing, "Tarye no longer; toward thyn heritage, Hast on thy weye, and be of ryght good chere."

"Shut up!" Miss Annie hollered through her closed shutters.

"How dare you!" Ignatius replied, ripping open his own shutters and looking out into the dark, cold alley. "Open up there. How dare you hide behind those shutters."

He ran furiously to the kitchen, filled a pot with water, and rushed back to his room. Just as he was about to throw the water on Miss Annie's still unopened shutters, he heard a car door slam out on the street. Some people were coming down the alley. Ignatius closed his shutters and turned off the light, listening to his mother speaking to someone. Patrolman Mancuso said something as they passed under his window, and a woman's hoarse voice said, "It looks safe to me, Irene.

There ain't no lights on. He must of gone to the show."

Ignatius slipped his overcoat on and ran down the hall to the front door as they were opening the kitchen door. He went down the front steps and saw Patrolman Mancuso's white Rambler parked before the house. Bending over with great effort, Ignatius stuck a finger into the valve of one of the tires until the hissing stopped and the tire's bottom pancaked across the brick gutter. Then he walked down the alley, which was just wide enough for his bulk, to the rear of the house.

Bright lights were burning in the kitchen, and he could hear his mother's cheap radio through the closed window. Ignatius climbed the back steps silently and looked in through the greasy glass of the back door. His mother and Patrolman Mancuso were sitting at the table around an almost full fifth of Early Times. Patrolman Mancuso looked more downtrodden than ever, but Mrs. Reilly was tapping one foot on the linoleum and laughing shyly at what she was watching in the center of the room. A stocky woman with kinky gray hair was dancing alone on the linoleum, shaking her pendulous breasts, which were slung in a white bowling blouse. Her bowling shoes pounded the floor purposefully, carrying the swinging breasts and rotating hips back and forth between the table and the stove.

So this was Patrolman Mancuso's aunt. Only Patrolman Mancuso could have something like that for an aunt, Ignatius snorted to himself.

"Whoo!" Mrs. Reilly screamed gaily. "Santa!"

"Watch this, kids," the gray-haired woman screamed back like a prizefight referee and began shaking lower and lower until she was almost on the floor.

"Oh, my God!" Ignatius said to the wind.

"You gonna bust a gut, girl," Mrs. Reilly laughed. "You gonna go through my good floor."

"Maybe you better stop, Aunt Santa," Patrolman Mancuso said morosely.

"Hell, I ain't stopping now. I just got here," the woman answered, rising rhythmically. "Who says a grammaw can't dance no more?"

Holding her arms outward, the woman bumped across the linoleum runway.

"Lord!" Mrs. Reilly said and guffawed, tipping the whiskey bottle to her glass. "What if Ignatius comes home and sees this."

"Fuck Ignatius!"

"Santa!" Mrs. Reilly gasped, shocked but, Ignatius noticed, slightly pleased.

"You people cut it out," Miss Annie screamed through her shutters.

"Who's that?" Santa asked Mrs. Reilly.

"Cut it out before I ring up the cops," Miss Annie's muffled voice cried.

"Please stop," Patrolman Mancuso pleaded nervously.

Five

Darlene was pouring water into the half-filled liquor bottles behind the bar.

"Hey, Darlene, listen to this shit," Lana Lee commanded, folding the newspaper and weighting it down with her ashtray.

" 'Frieda Club, Betty Bumper, and Liz Steele, all of 796 St.

Peter St., were arrested from El Caballo Lounge, 570

Burgundy St., last night and booked with disturbing the peace and creating a public nuisance. According to arresting officers, the incident started when an unidentified man made a proposal to one of the women. The woman's two companions struck the man, who fled from the lounge. The Steele woman threw a stool at the bartender, and the other two women menaced customers in the lounge with stools and broken beer bottles.

Customers in the lounge said that the man who fled was wearing bowling shoes.' How's about that? People like that are ruining the Quarter. Some honest Joe tries to make off with one of those dykes and they try to beat him up. Once upon a time it was nice and straight around here. Now it's all dykes and fairies. No wonder business stinks. I can't stand dykes. I can't!"

"The only people we get in here at night anymore is plainclothesmen," Darlene said. "How come they don't get a plainclothesman after women like that?"

"This place is turning into a goddam precinct. All I'm putting on is a benefit show for the Policemen's Benevolent Association," Lana said disgustedly. "A lotta empty space and few cops throwing signals at each other. Half the time I gotta watch you, brain, to see you don't try to sell them a drink."

"Well, Lana," Darlene said. "How I'm supposed to know who's a cop? Everybody looks the same to me." She blew her nose.

"I try to make a living."

"You tell a cop by his eyes, Darlene. They're very self-assured.

I been in this business too long. I know every dirty cop angle.

The marked bills, the phony clothes. If you can't tell by the eyes, then take a look at the money. It's full of pencil marks and crap."

"How I'm supposed to see the money? It's so dark in here I can hardly see the eyes even."

"Well, we're gonna have to do something about you. I don't want you sittin out here on my stools. You're gonna try to sell a double martini to the chief of police one of these nights."

"Then let me get on the stage and dance. I got a socko routine."

"Oh, shut up," Lana hollered. If Jones knew about the police in the place at night, then goodbye, discount porter. "Now look here, Darlene, don't tell that Jones we suddenly got the whole force in here at night. You know how colored people feel about cops. He might get scared and quit. I mean, I'm trying to help the boy out and keep him off the streets."

"Okay," Darlene said. "But I ain't making no money I'm so afraid the guy on the next stool is the police. You know what we need in here to make money?"

"What?" Lana asked angrily.

"What we need in here is a animal."

"A what? Jesus Christ."

"I ain cleanin up after no animal," Jones said, bumping his mop noisily against the legs of the bar stools.

"Come on over and check under these stools," Lana called to him.

"Oh! Whoa! Where I miss a spot? Hey!"

"Look in the paper, Lana," Darlene said. "Almost every other club on the street's got them an animal."

Lana turned to the entertainment pages and through Jones's fog studied the nightclub ads.

"Well, little Darlene's on the ball. I guess you'd like to become the manager of this club, huh?"

"No, ma'm."

"Well, remember that," Lana said and ran a finger along the ads. "Look at this. They got a snake at Jerry's, got them some doves at the 104, a baby tiger, a chimp . . ."

"And that's where the people are going," Darlene said. "You gotta keep up with things in this business."

"Thanks a lot. Since it's your idea, you got any suggestions?"

"I suggest we vote unanimous agains changing over to a zoo."

"Keep on the floor," Lana said.

"We could use my cockatoo," Darlene said. "I been practicing a smash dance with it. The bird's very smart. You oughta hear that thing talk."

"In color bars peoples all the time tryina keep birds out."

"Give the birds a chance," Darlene pleaded.

"Whoa!" Jones said. "Watch out. Your orphan frien just pullin in. It's humanitaria time."

George was slouching through the door in a bulky red sweater, white denims, and beige flamenco boots with slim-pointed toes. On both his hands there were tattoos of daggers drawn with ball-point pen.

"Sorry, George, nothing for the orphans today," Lana said quickly.

"See that? Well them orphan they better star ap-plyin to the United Fun," Jones said and blew some smoke on the daggers.

"We having trouble with salary as it is. Chariddy begin at home."

"Huh?" George asked.

"They sure keeping a buncha hoods in the orphanages these days," Darlene observed. "I wouldn't give him nothing, Lana.

He's operating some kinda shakedown racket, if you ast me. If this kid's a orphan, I'm the queen of England."

"Come here," Lana said to George and led him out onto the street.

"Whatsa matter?" George asked.

"I can't talk in front of those two jerks," Lana said. "Look, this new porter's not like the old one. This smartass has been asking me about this orphan crap since he first saw you. I don't trust him. I got cop trouble already."

"Then get yourself a new jig. There's plenty around."

"I couldn't get a blind Eskimo for the salary I'm paying him. I got him on something of a deal, like discount price. And he thinks if he tries to quit, I can get him arrested for vagrancy.

The whole thing's a deal, George. I mean, in my line of business, you gotta keep your eye peeled for a bargain.

Understand?"

"But what about me?"

"This Jones goes out to lunch from twelve to twelve-thirty. So you come around about twelve-forty-five."

"What am I supposed to do with them packages all afternoon?