A Colder War (15 page)

He packed the last of the sand over his personal belongings, stood up, and stamped down with his feet. He wasn’t even sure why he was burying things on the beach. So that they could identify him. So that they would know that he was gone. Otherwise someone might walk past in the next few hours and steal the wallet, the ring, the watch. Christidis began to take off his trousers and underpants, his shirt, threw the packet of cigarettes on the sand. Balancing on one leg, he took off first one sock, then the other. He wondered why he was still wearing them. Why hadn’t he taken off his socks? His whole head was suddenly black with the noise of the sea and the night and the fear of what he was about to do.

Christidis stumbled forward. He hoped that somebody was watching him and that they would stop him from moving forward. But nobody came. He walked into the water and felt the sand suddenly subside beneath him, a steep cliff dropping away beneath his feet. He was up to his chest, the sea in his mouth, spluttering and gasping for air. But he began to swim, heading away from the shore. Moving.

All of the alcohol and the dread were suddenly out of him. He was swimming past a boat, heading out into the open water. He almost reached out and touched the stern, but knew that if he did, he would never let go. He went past the boat, turned and looked back at the rocking silhouette. The beach was grades of blacks and browns and Christidis was out of breath. He thought of his clothes on the flat wet sand and the wallet buried in the shallow hole beside them. All of that his past now. His life.

He was treading water, looking back at Chios, the salt in the water crackling in his ear.
Don’t be a coward,
he told himself.
Don’t go back to what you are living through.
He had tried to face the wall of his shame. He had thought that time would make everything all right. But he had been wrong.

He turned and continued swimming. Moving east in the direction of the Turkish coast, taking himself farther and farther away from Chios. Getting tired now. Starting to worry. Getting cold. He knew that was a good thing. He knew that it meant the sea would eventually take him.

21

Kell was sure that it wasn’t Tremayne. He knew next to nothing about Landau or Begg. He wanted to suggest to Amelia that Chater would most probably have had equivalent or superior access to the same CIA intel as Ryan Kleckner and was therefore just as much of a suspect in the molehunt. Almost in the same thought, he wondered if Amelia had instructed a third party to look into Chater’s affairs. That was surely possible. Since Wallinger’s death, Amelia’s behavior had been more than secretive: she had been deliberately opaque, even obstructive. She knew that Kell could not be relied upon to give Chater a fair hearing; she would have asked a trusted comrade to put the watch on the American. But who?

He stopped himself. Kell was in the center of the Galata Bridge, directly above the restaurant where, a few hours earlier, he had eaten breakfast. The same fishermen were probably dropping the same lines over the same southern section of the bridge. And Kell realized that, less than half an hour after listening to Amelia’s theory, he was already lost in Angleton’s wilderness of mirrors, the place where your friend is your enemy, the place where your enemy is your friend.

“Tom?”

Amelia had stopped and turned around a few meters ahead of him. A taxi passed within inches of her extended elbow as she rested her hands on her hips.

“Sorry,” Kell muttered. He moved to catch up. There was an overwhelming smell of landed fish on the bridge.

“I said that Josephine Wallinger is in Istanbul. At the house in Yenikoy. I was going to go and see her.”

“Is that a good idea?”

“You think it’s a
bad
idea?”

You tell me,
Kell thought, and remembered that Amelia possessed that same cold center that he had glimpsed in so many of his colleagues, the chill in the jaded soul. He knew the emotional territory: the quiet, always conscious desire to go face-to-face with an adversary, to prove one’s superiority, often while wearing a mask of kinship and warmth. Amelia had betrayed Josephine time and again. Was that not enough for her? Yet despite all of their shared passion, all of Amelia’s learning and brilliance, her great beauty, her success, Paul had always returned to his wife. Did Amelia feel, finally, humiliated by that? She was as ceaselessly competitive in matters of the heart as she was in matters of the state. This was more than a question of survival. Amelia Levene embodied the nailed-down principle that a pedigree SIS officer should never come off second best.

“I said I’d drop round for a cup of tea at about four.” She glanced at her watch. “It’s already quarter to. Join me?”

“Sure.”

She had flagged down a taxi within seconds. The driver made a jerking, unnecessary chicane through cluttered traffic, lurching north toward the Unkapani Bridge. Kell thought to strap himself in before remembering that no cab in the history of Turkish transportation had ever boasted a functioning rear seat belt. Amelia remained impassive throughout. She had told Kell that she wanted to ask Josephine if Paul had ever mentioned the mole; yet he wondered if he would be party to that conversation when it took place. More likely Amelia wanted him by her side to dilute the intensity of her encounter with Josephine. It was not a question of whether or not Josephine knew about the affair—a wife
always
knows—but simply the extent to which she would be prepared to forgive Amelia for her transgressions.

His cell phone sounded, a text pinging in. Kell took it out and looked at the screen. Claire had replied to his earlier message:

SEEMS LIKE YESTERDAY. WE WERE SO HAPPY, TOM. WHAT HAPPENED? IT ALL SEEMS SUCH A WASTE. X

“You all right?” Amelia asked, seeing the change in his expression. He was familiar with the sudden, parabolic shifts in Claire’s mood. When she was lonely or frightened about the future, she would try to draw close to him; when she was content and happy in her new life with Richard, she would treat Kell as a failed state. Nevertheless, in that moment he felt an extraordinary yearning for his wife, and for what he had lost. Though Kell knew that he wanted a different future, there were still times when he wished that he had been able to resolve his differences with Claire so that they could have lived peaceably together. She was right. It all seemed such a waste.

“I’m fine,” he said. “Just Claire.”

It was another half hour before they located the house, a modest
yali
on the shore of the Bosporus, built by a rich Ottoman trader in the late nineteenth century and then renovated by a faceless landlord who rented it to the Foreign and Commonwealth Office at extravagant cost. They rang the bell, waited for almost two minutes, then heard the fast, light step of someone clipping down a flight of stairs. Kell was certain it was not Josephine. The movements were young, quick, almost weightless.

At first he did not recognize the young woman who opened the door. Her hair was shorter and dyed blond. Her large brown eyes, the lashes dark with mascara, were luminous and kind. Her skin was lightly tanned, so that freckles had begun to appear around her nose and at the tops of her arms. She was wearing a dark blue summer dress; the straps of a cream bra were slightly loose across her shoulders. There was a bracelet around one of her ankles and the toenails of her neat bare feet were painted scarlet red. It was Rachel.

“Hello. I remember you. Amelia.”

“Hello. That’s right. We met in Cartmel.”

The two women shook hands and Rachel turned to look at Kell. He had responded instantly to something in her expression and manner, and felt the chest-shifting surge of attraction. Looking at Rachel’s photographs in the Ankara station, watching her at the funeral, he had felt nothing of this. Rachel was not his type. But there was a force and an honesty in the penetration of her gaze that winded him. Kell had not felt such a thing for months, years even, and it was extraordinary to experience it again. He looked toward Amelia, then back at Rachel, who was studying his face with the calm, almost amused self-assurance of a plastic surgeon wondering which bit to cut first.

“Tom,” said Kell, extending his hand. Against his better judgment, he found that he held her gaze, stirring up the chemistry between them. Perhaps the whole thing was just a mirage. Perhaps Rachel was just fitting his face to the mourners at her father’s funeral, wondering if she had spoken to him, trying to remember if he had offered his condolences. That might explain why she was looking at him so intently.

“Hello, Tom,” she said. She had a radiant, guileless smile that lit up her face; it was as though she had already made up her mind to like him. “I’m Rachel. You’ve come to see Mum.”

“Yes,” said Amelia, before Kell did.

She led them into a hall cluttered with rugs and lamps and pictures. Full-bodied and graceful, a bombshell figure. Kell could smell her perfume as she walked ahead of them and felt as though Amelia was reading his every thought. In another room, he could hear Josephine talking on the telephone. He wanted to keep watching this beautiful woman, to decide if he had imagined what had just occurred or whether his sense of her was correct. Had there been a genuine connection between them or had he simply fallen victim to the trap of beauty? “Mum’s talking to a friend,” she said, turning to look at him. That gaze again. “She won’t be long. Would you like some tea?”

The question took them into a kitchen awash in natural light. High windows, crisscrossed by narrow wooden frames, offered a panoramic view across the Bosporus to the Asian side. The waters were so close it was as though the room were floating on pontoons. Amelia said: “What a beautiful view,” and Kell enjoyed the fact that Rachel made no effort to respond to the observation. Yes, it was a beautiful view. Everybody mentioned that. What else was there to say about it?

He stopped beside a sturdy wooden table on which various books and files had been piled up. Amelia took off her jacket and placed it over the back of a wicker rocking chair that looked as though it had been attacked, over a period of many years, by generations of giant moths.

“Sorry, I should have taken that,” said Rachel, indicating the jacket, though she made no effort to hang it up. Instead, she opened a door out onto a white-painted veranda so that a rush of warm sea air funneled into the house. Then she crossed the room and placed a kettle on a lit ring of gas. All of this captivating to Kell, who was enjoying the sight of a beautiful woman weaving her spell.

“Pappa loved tea,” she said, stretching toward a corner of the kitchen where boxes of Twinings and Williamson teas wrestled for space with glass jars of beans and pasta. That movement—which showed off the curve of her breasts and very slightly raised the hem of her dress so that Kell could see the smooth tanned edge of her thigh—struck him as premeditated, though it could just as easily have been a sign of Rachel’s complete lack of self-consciousness. Nevertheless, he decided that she was being deliberately provocative and told himself to park whatever nascent feelings of lust he was experiencing.

“Have you been out here long?” Amelia asked.

“Two days,” Rachel replied. She appeared to be enjoying the process of being hospitable in her father’s house; protective of Josephine; a first line of defense against visiting mourners. Rachel turned again, rose onto tiptoes, opened a cupboard, and pulled down two china cups. Then she turned and caught Kell staring at her. He held her gaze, letting her know with a glance that he was aware of her beauty, of the game she was playing, and that he was enjoying it.

“Sugar?”

“Two, please,” he said. Amelia, he knew, took it black. She made a comment about how nice it was to be served tea from a mug “in the English fashion,” rather than from a “tiny little glass,” as was the custom in Turkey. Again, Rachel did not respond to the observation. If she had something to say about something, she would say it; if she didn’t, she would not. Kell guessed that she was the sort of person who could very easily sit through an awkward silence. He liked that about her.

“Did you know my father?” she asked, passing him his cup of tea. The mug had a reproduction of the Botticelli
Venus
on one side. A siren singing him onto the rocks.

“Yes,” he replied. “I’m very sorry.”

“What did you think of him?”

Kell felt Amelia’s sliding glance as the question caught them both off guard. Rachel’s tone of voice, allied to the directness of her gaze, demanded an honest answer. She would not want to deal in platitudes; he knew that much about her already.

“He was a good friend. It was the nature of our business that I saw too little of him. He was cultured. He was clever. Always such good company.”

What might he have added? That he thought Paul Wallinger, for all his learning and brilliance, possessed that dangerous streak of selfishness—it was the fashion nowadays to call it narcissism, even sociopathy—that ultimately damaged anyone who came too close to him. Kell might have said that Rachel’s father had taken women for his pleasure, for years and years, discarding them when he was done. That he had allowed Amelia to fall in love with him, thereby jeopardizing her career, but had lacked the will—or perhaps the courage—to break with Josephine and to marry her, despite the fact that they were so well suited. Had he admired Paul for sticking with Josephine, to guarantee the Foreign Office perks, the school fees, while roaming the world as a free man, for all intents and purposes a bachelor at liberty to behave as he pleased? Not particularly. None of it, in final analysis, was Kell’s business. You never knew what private accommodations married couples made with each other.

“Your father was also very good at his job,” he added, because Rachel looked like she wanted to hear more.

“I’ll second that,” Amelia replied, trying to make a smiling eye contact with Rachel, who seemed to be avoiding her gaze. Kell sensed that Amelia wanted to get out of the room and to find Josephine; Rachel was making her feel uneasy.

“So you’re another spook?”