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Authors: Miriam Toews

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Twenty minutes later, Dory and Knute stood in the waiting room, waiting for the news. The doctor was sure Tom was going to die, there was no way he could survive that much trauma to the heart, and, in fact, Tom had been dead for a minute or so, but came back to life.

“If he’d been taken to Winnipeg right off the bat would he survive?” asked Dory.

“He wouldn’t have made it to Winnipeg,” the doctor answered. He told them that Tom had called the hospital himself before he had the heart attack, saying he was feeling very strange, and when they got to him he had been dead, for that minute.

So, there they were. Tom was on a lot of morphine and lay there with his eyes closed, but Dory and Knute squeezed his hands and kissed him and said good-bye. They were in shock, complete shock. Hosea came in for about a minute, that’s all the doctor would allow him, and he touched Tom’s arm and looked at Tom. “I’m so sorry,” he said. “I’m so sorry.” Then he was asked to leave the room.

But then things got weird. Tom wasn’t dying. Knute and Dory could tell Dr. François was getting sort of nervous because he probably figured he should have transferred him to Winnipeg after all. Not that the doctor wanted Tom to die, he just seemed a little confused. So Tom remained alive and eventually Knute even left to get some coffee for herself and Dory. The doctor came in and by then a few doctors had come from other towns, and one from Winnipeg, and they huddled around Tom, speaking in hushed tones, telling Knute and Dory that they had to admit they were puzzled. That the heart had sustained so much damage, they didn’t know how it was capable of functioning. Knute and Dory were still so overwhelmed that they just nodded and stared at Tom and, well, just waited.

Hosea tried to make himself comfortable in the waiting room. The doctor gave him updates on Tom’s condition, but mostly Tom was just still alive. “Still alive?” Hosea would ask, and the doctor would nod and go back into Tom’s room. At one point Dory came out and asked Hosea if he would sit with Tom while she went to the cafeteria to get some more coffee. Knute had left to get Max and Summer Feelin’ and bring them to the hospital. Hosea sat down next to Tom. Suddenly, without opening his eyes, Tom whispered, “What time is the count?” Hosea, startled, grabbed at the front of his shirt and cleared his throat. He looked at Tom, and said, “What? What did you say, Tom?”

Tom, exhausted by the effort he had made to speak, began again. “What … time …” He took a deep breath, and then was quiet for a long time.

Hosea held his hand and squeezed. “… Is the count?” he whispered in Tom’s ear. Tom nodded once.

“At ten o’clock tomorrow morning,” said Hosea. “They called me today from Ottawa … but how did you know … how do you know about the count?” Tom didn’t say anything. He’d heard it all the other night, every word, thought Hosea. He knows the Prime Minister is my father. He knows what’s going on.

“Tom,” he whispered, “you don’t—”

Just then the doctor came into the room with Dory and said to Hosea, “Okay, Hose, let’s not tire him out,” and Hosea nodded and went back to the waiting room.

Tom stayed alive all night, although he had developed a fever. Dory sat in a chair beside his bed, and held his hand and put small flakes of ice between his lips from time to time. Knutie slept on another bed in Tom’s room, Max took S.F. home and tried to console her, doctors and nurses walked in and out quietly, adjusting levels, writing down information, and Hosea curled up as best he could on a sweaty vinyl couch in the lobby of the hospital, where he spent the night alone and dreaming.

He was dead. Right after he died, he said, “I don’t want to be put into a box and buried in the dirt,” so they pumped him full of helium and tied a steel cable to his ankle and cranked him up into the sky so he could float around the world and check things out, without getting lost, and losing Algren. He checked out a Mexican circus and New York City and lost tribes and a few hundred wars and a housing project in New Orleans. And then he felt a gentle touch, a hand on his shoulder. He had a short-wave radio with him, propped up on his stomach, and
he lay on his back and floated for a while over mountains somewhere in the world and listened to police calls on his radio, and then Knutie’s voice on the other end saying, “We need you here in Algren, we’re bringing you back,” and the cable jerked on his ankle and the short-wave radio fell off his stomach and they started cranking him back down to earth. Iris Cherniski was squirting a little WD-
40
into the crank machine and saying, “That’s it, that’s it, easy does it,” and Max was there with a microphone and holding S.F. in his arms, saying, “Perfect two-point landing, ladies and gentlemen, thank you for flying with CorpseAir, we hope you enjoyed your flight.” And there were Peej and Euphemia playing concentration on the curb, smiling shyly at each other and ignoring Hosea entirely, and then there was John Baert, standing beside Euphemia, asking if he could play, and Hosea tried to undo the steel cable from his ankle and go over there, “Those’re my folks,” he said to Max. “I gotta get this thing off. Today’s the day. Help me get this thing off.”

“But, Hosea,” said his Aunt Minty, who had just showed up, “you’re still pumped full of helium, if we take it off you’ll float away.”

“Then empty me!” yelled Hosea. “C’mon, help me, Minty!”

“Oh, Hosie,” said Euphemia, finally looking up, “relax, sweetheart, you’re dead.” She smiled sweetly at Peej and John Baert and said, “He’s so dead …”

“Tough shit!” yelled Hosea. “So are you, get this damn thing off me!”

And Minty said, “Well, we could take the head off and let some of the pressure out, but I don’t know …” and she disappeared, and in her place was Lorna. She put her hand out to Hosea to touch him and she said, “You’re so round, you’re so bloated, like me, look,” and Dory brought coffee out for everyone and Hosea could hear Dory say, “I like my stories happy,
the sadness comes creeping out of the cracks in the story like blood, happy stories are the saddest.” And then it began to snow and Max said, “Excellent, Dory! Excellent!”

In the morning Hosea asked if he could see Tom. Dory was asleep in the other bed now and Knutie had gone into the hall to make some phone calls to friends and relatives of Tom. Hosea passed Knute in the hallway, at the payphone, and he was about to say something, but Knute smiled wearily and put her hand up to stop him. “Hello?” she said. “Uncle Jack?” Hosea smiled back and nodded. He pointed to Tom’s room, but Knute had turned her back to him and was talking to Uncle Jack. Hosea went into Tom’s room and stood beside him. He wanted to tell Tom he didn’t have to stay alive if he didn’t want to, if it was too hard, but he knew he couldn’t say these words out loud, not with Dory there, not with the way things were. That is, the way life was, the way life was that precluded us from saying things like that out loud. And besides, what he meant was that Tom didn’t have to do this for him, for his cockeyed plan to see his father. But instead, he leaned over and whispered, “Tom, I’m going to my office now.” He’d wanted to say something more, something poignant and earth-shattering, words that conveyed the love he felt for Tom, and the gratitude. Instead he said, “So long, Tom,” and turned to go. But then he heard Tom’s voice. “Time,” he said, not moving his lips so it sounded like
tie.
Hosea stopped and looked at Tom. “Tie,” he said again.

“Time?” said Hosea. “Well, uh, the time is
9
:
45
, Tom.” He cleared his throat and looked over at Dory who was waking up in the other bed. “It’s
9
:
45
,” he said again.

“Okay, thanks,” said Dory. “My goodness, I slept too long. How is he?” Hosea was about to answer her, then noticed that she was talking to the doctor who had come into the room and
was standing behind him, writing something again, and so he mumbled a garbled good-bye and left Dory and the doctor to discuss Tom’s condition.

Hosea walked out into the beautiful day to meet his census-taker, and do the count. The counter’s name was Anita and she told Hosea she had a sister who was also an official counter and was doing a count somewhere in Nova Scotia as they spoke. “A contender,” she said. The two of them walked the dusty streets of Algren, knocking on doors, getting information from the neighbours of people who weren’t home, and referring to Hosea’s notebook. Anita raised her eyebrows when she saw the orange Hilroy scribbler and said, “Geez, Mr. Funk, you want this bad, don’t you?”

You don’t know the half of it, lady, were words that came to Hosea’s mind, but he smiled and said, “Well, we’d all love to see the Prime Minister come to Algren. It would be a special day for all of us.”

“Well, then,” said Anita, “let’s hope this one’s a promise he keeps.” She laughed and said, “I’m kidding.”

And Hosea laughed, too, and said, “Good one.”

That evening it was on the news. Algren was the winner with an uncanny fifteen hundred exactly. How did it happen? It doesn’t matter, it did. It was the last item on the news, the feelgood piece to put people to bed with, to leave them with the impression that not all was as bad as it seemed.

Tom died that night, too. His last words were, “Where is …” and something Dory couldn’t understand, but sounded like “… horses.”

Max said he’d heard Tom say “Damn ticker” once just before he died, but Dory said he wouldn’t have used either of those words.

S.F. was sure he’d been trying to sing, and Knute was sure he’d told her he loved her.

At
5
A.M. on July first, anyone floating over Algren would have been impressed. All along Main Street, Canadian flags in the form of red and white petunias sparkled with dew and reflected the sun, which was beginning to rise. The new Algren Feed Mill Summer Theatre, at least the outside of it, really looked like a theatre, and over at the edge of town a white horse flew through the sky. For a few minutes, anyway, until the colour of the sky changed and the water tower became visible and the horse was revealed as a decal. But it was an interesting few minutes of optical illusion, and why not? Surrounding the little town were fields of yellow and blue so that if you were floating over you could pretend you were on a sandy beach in Rio. Nobody was out and about in Algren at that time except a black dog who stood next to a farmhouse on the edge of town, jumping up from time to time and snapping at a few bugs, and a little girl who sat on the front step of that farmhouse, stretching and yawning and laughing at the dog, and waiting for her mom and dad to get out of bed.

Hosea didn’t hear the phone ring because he was fast asleep, too, with his arms around Lorna and his face buried in her hair. He slept until the sun was well up and so bright that the white horse on the water tower was all but obliterated by its rays. Later in the day he returned the phone message from Ottawa with one of his own.

“Hosea Funk here, not to worry, things come up, maybe next year. Please wish him a Happy Canada Day from the mayor of Algren.”

MIRIAM TOEWS
is the author of three novels:
Summer of My Amazing Luck
(nominated for the Stephen Leacock Award and winner of the John Hirsch Award),
A Boy of Good Breeding
(winner of the McNally Robinson Book of the Year Award) and
A Complicated Kindness
(winner of the Governor General’s Award for Fiction, and finalist for the Giller Prize) and one work of non-fiction:
Swing Low: A Life
(winner of the McNally Robinson Book of the Year Award and the Alexander Kennedy Isbister Award for Non-Fiction). She has written for CBC,
This American Life
(NPR),
Saturday Night, Geist, Canadian Geographic, Open Letters
, and
The New York Times Magazine
, and received the National Magazine Awards Gold Medal for Humour. Miriam Toews lives in Winnipeg, Manitoba.

VINTAGE CANADA EDITION, 2005

Revised Edition Copyright ©
2005
Miriam Toews
Original Copyright ©
1998
Miriam Toews

All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review.

Published in Canada by Vintage Canada, a division of Random House of Canada Limited, Toronto. First edition published in Canada by Stoddart Publishing Co. Limited in 1998. Distributed by Random House of Canada Limited, Toronto

Vintage Canada and colophon are trademarks of Random House of Canada.

www.randomhouse.ca

Lyrics to “Heaven Only Knows,” by Paul Kennerley, © 1989 Rondor Music (London) Ltd. (PRS). All rights in the United States and Canada administered by Irving Music, Inc. All rights reserved. Used by permission of Warner Bros.
Publications U.S. Inc., Miami, FL 33014.

LIBRARY AND ARCHIVES CANADA CATALOGUING IN PUBLICATION

Toews, Miriam, 1964–
A boy of good breeding : a novel / Miriam Toews. —
2
nd ed.

Originally published: Toronto : Stoddart,
1998
.
eISBN: 978-0-307-37560-5

I. Title.

PS8589.O6352B69 2005          C813′.54          C2004-906459-2

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