A Book of Memories (37 page)

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Authors: Peter Nadas

BOOK: A Book of Memories
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In situations like these, we automatically consider and rapidly weigh the most obvious and therefore simplest practical solution; but getting up, kicking his slippers off my feet, putting on my shoes and coat, and leaving seemed impossible, and absurd, for after all, what had happened here? nothing!
—so to do all that would have been just too awkward and tedious, it would have taken too much effort and would have been unbearably dramatic. But it was just as impossible to maintain my relaxed pose on the rug, that would have offended my sense of propriety for another reason; after all, I was lying on his rug, and the question of ownership—let's not forget, it's a measure of being at another's mercy— can be more crucial than our emotions, even in the case of true love; I should go away, I should get up and leave, I kept repeating to myself, as if just saying it would make it happen, but I stayed and pretended to be reading, just as he pretended to be watching the screen.

Neither of us made a move.

He sat with his back to me, in the blue effulgence of the TV screen, and I was leaning over my book; though this may be a trifle, it bothered me more than anything else that I was holding myself stiff, because it gave me away; and although he couldn't see me, I knew that emotionally we were keeping track of each other's moves very precisely, so he was as aware of my feigned nonchalance as I was of his forced concentration on the screen; while pretending to be watching that stupid movie, he was actually watching me, and he knew that I knew; nevertheless, something compelled us to play this transparent little game, which was more offensive than any candid response would have been, yet also, despite its seriousness, quite funny, amusing in fact.

I was waiting, biding my time, and thought he would make use of this funny, amusing quality to find the last opening we could squeeze through and escape the trap of our own pompous gravity; to be more precise, I wasn't actually thinking all this but, rather, sensed that behind the tragic pose there lurked an urge to laugh.

Because this was a game, and now it was his move; a clumsy little game of feelings it was, a transparent, trivial game whose rules nevertheless forced us to observe the measures and proportions needed for human relationship; what makes us play this game is our taste for a fair fight and our eternal desire to get even; and precisely because this was a game in the purest sense of the word, I could no longer be indifferent to him or consider him a stranger; I was playing with him, wasn't I, we were playing together, the joint undertaking was bound to temper my hostility; still, I couldn't move, I couldn't say anything, I had to wait; I'd already had my chance and played my best card when I lied and said I didn't have anything against him; now, according to the rules, it was his turn.

The tense anticipation, a moment of truth hovering in the air, the invisible third person who had touched him and had touched me as well, that certain compelling force that was present but no longer functioning
— and it was hard to say whether it was emanating from me toward him or the other way around, or was simply hanging in the air, making it so dense that it "could be cut with a knife," as people like to quip—it all reminded me of my first night there; we felt it then, too, when he went into the kitchen to get the champagne.

He had left the door open and I should have heard something, little noises, the refrigerator door opening, the muffled thud as he closed it, the clinking of glasses or his footsteps; but later, when we had drifted too far apart for things to make any sense and as a defense began to review our shared experiences and piece together the fragments, he told me that he had stopped by the kitchen window that evening, watching and listening to the rain, and without knowing why could not move away, as if he didn't want to go back to the room but wanted me to sense the dead silence of his helplessness; and I did, I sensed his expectation and indecision; he wanted me to be aware that the rain, the dark rooftops, the very moment itself were more important to him than I was, waiting for him in his room, though he had to admit that my waiting made him very happy; and it was this feeling, so rarely experienced, that he would have liked somehow to share with me.

He got up and, as if now, too, he was just going to the kitchen, started walking toward me.

Though we couldn't yet tell what we would decide to do, we both felt that the decision, whatever it might be, had already been made.

Then suddenly, as if he'd changed his mind and decided not to go to the kitchen, he lowered himself next to me on the rug, supporting himself on his elbows; he put his face comfortably into his hand, he was half lying, half sitting, and we looked into each other's eyes.

It was one of those rare moments when he wasn't smiling.

He looked at me as if from very far away, not really at me but at the phenomenon I had become for him at the moment, just as I was looking at him the way we look at an object whose beauty and worth cannot be denied, in spite of our resistance, but nevertheless which isn't identical with what we could love; the beauty we saw was not the one he loved, or the one I thought I'd loved.

And then he said quietly, This is what it's like.

And I asked him what he had in mind.

What he had in mind, he said, was what I must be feeling.

Hatred, I said. I could say it out loud, because it wasn't quite that anymore.

Why hatred? would I tell him? could I?

A shock of curly blond hair, a forest of hair, a luxuriant mane; the smooth skin taut over the high forehead with its two pronounced bulges; the soft hollow of the temples; dense, dark eyebrows adorned with some longer hairs; although thinner and narrower over the ridge of the nose, the brows met and mingled with lighter hairs as they curved up toward the forehead and then descended in an even lighter, downier arch into the shell-like indentation of the temples, at once shading and accentuating the finely cushioned eyelids, themselves divided by long, curled dark lashes, forming a living and moving frame around the black centers of the pupils dilating and contracting smoothly in the blue of his eyes; what a blue that was! how strong and cold! and how strange the blue eyes seemed, framed in black on the milk-white skin; and the black dissolving into blond with the greatest of ease; all these intrusive colors! the nose, its spine descending in a straight line to the flaring base, blended at a steep angle into the low region of the face, but with an elegant flourish, curling back into itself, it also encircled the dark little caves of the nostrils, only to continue, imperceptibly and under the skin, and protrude in the form of two delicate hillocks above the lips, connecting, symbolically almost, the inner lobes of the nostrils with the rim of the upper lip, bringing into harmony total opposites: the vertical line of the nose with the horizontal of the mouth, the oblong face, the perfectly round head, and the lips! those coupling slabs of flesh, their rawness barely concealed.

He shouldn't be angry with me, that's all I was asking.

And the only way I could prove that I meant what I'd said was to kiss him, but this was no longer the mouth but just another mouth, and mine, too, was just a mouth, so this wasn't going to work.

Why should he be angry; he wasn't angry.

Maybe it wasn't even his features but the movements of his lips, parting and closing as they formed words, the mechanical motion itself that, for all his calm, exhaled an infinite coolness, or could I myself have been so cold at the time? or both of us? but everything, everything changed! his face, his mouth, mostly his mouth, opening and closing, and my arm feeling the weight of my body, the strain of being in that position turning it numb, and his hand as he propped himself up, as though all this was but the mechanics of that unfamiliar force manifesting itself in the physical properties of our bodies, we might have possessed this compelling force, but our every move was defined by those properties, everything was determined by them; to put it another way, I may feel God residing in me, yet no motion can be other than what is prescribed by my physical form, every gesture must take place within the limits set by this form, which also sets the patterns for that compelling force; thus, the effect produced by a gesture can be only a signal, an allusion, nothing more than the perception of the purposeful functioning of these physical forms; I may take pleasure in perceiving a familiar pattern realized, and take it to be a real feeling, but it's nothing but self-enjoyment; I am not enjoying him, I merely see a form, a pattern, not him, but a signal, an allusion; the only thing we enjoy in each other is that our bodies function in similar ways, his movements elicit identical patterns in me, immediately making it clear what he is after; amusing ourselves with mirrors, that's all we were doing, the rest was self-deception; and this realization then was as if in the middle of enjoying a piece of music I'd suddenly started paying attention to the physical workings of the instruments, to the strings and hammers, and the musical sounds themselves grew distant.

I said I was sorry, but I didn't understand anything.

Why must I understand, he asked, what was there to understand?

I told him not to be angry with me, but there was nothing else I could say; maybe now I'd be able to tell him what I'd kept quiet about last time because I'd thought it was too sentimental, and although he had been most curious to hear it, I'd feared ruining something then; but now, I hoped, he wouldn't be offended, I could tell him that even his movements were not that important to me, it just didn't matter anymore that he could touch me or I him, because whatever we might do
—and there was nothing we couldn't do—it had been arranged this way and that's all there was to it! and somehow we had been together, he and I, long before we became acquainted, only we didn't know it; would he believe it if I told him that we had been together for almost thirty years? that was my obsession, my
idée fixe,
and now I could say it: I believed he was my brother.

He burst into hearty laughter, he guffawed, and as soon as I said the word I had to laugh, too; to take the edge off his guffaw, he touched my face with the tips of his fingers, gently, patiently; and the reason we had to laugh, I was laughing, too, was not only that what I had said, in a voice charged with emotion, was embarrassingly gauche
—not to mention that it was not at all what I had meant to say—but also that the word itself, "brother," in his language, and in our particular situation, did not mean the same thing it did in mine; as soon as the word slipped out, I noticed my error, because one immediately had to think of the little adjective "warm," which had to be attached to the word "brother" if one wanted to say "queer,"
warmer Bruder,
in his language; so what I had said to him, in a voice charged with emotion, was that he was my little faggot, which may have been a witty wordplay, if only I hadn't said it so emotionally, but this way it was like mentioning rope in a hanged man's house, a well-intentioned gesture gone laughably awry, and we did laugh, he in particular laughed so hard his eyes filled with tears, and it was no use explaining to him that in the Hungarian word for brother,
testvér,
blood and body are linked, and that's what I had in mind.

When he had calmed down a bit, and the little afterbursts of laughter were coming at longer intervals, I realized we had drifted even further apart.

He seemed to have assumed again that air of superiority with which he had looked me over on our first night together.

I told him quietly that what I had said before was not what I'd wanted to say.

He held my face, he forgave my silly slip, but his forgiveness, already past the laughter, made him appear even more superior.

What I wanted to tell him, I said, what I really wanted to tell him was something we hadn't talked about before, because I didn't want to hurt him, but now I felt this whole thing to be hopeless, and please don't be offended, I felt I was locked up in jail.

Why should he be offended; there was no reason to be offended.

Perhaps, I said, we should stop seeing each other for a while.

Well, yes, that's why he'd said before that this is what it's like, now I could see it for myself, but then I'd pretended not to understand.

I didn't.

The truth was, he continued, he hadn't thought about it either, for once, with me, he also forgot that this is what it's like, and just a few minutes earlier, when he sensed on my hand that it was over, he was surprised, and terrified; but he assumed that this was how long the thing was meant to last, and not longer; and while he was pretending to watch TV, he had to realize that if I felt that way, he would just have to accept it, and that made him feel better, because
—I had to believe him—he knew from experience that two men, or as I was kind enough to put it before, two brothers—and he let out one more tiny burst of laughter, though it could have been a sob, too—two men simply cannot take it for long, and there were no exceptions; what I had tried to do was to force on our relationship the emotional standards I'd been used to with women, and he couldn't help it if I had such a muddled past, but I shouldn't forget that with a woman, which ruled out both of us, it was possible to make something of the relationship even if I knew there was no chance, for no disqualifying circumstance could upset the chances of natural continuity; between two men, however, what you had was always just what you had, no more, no less; and for this reason, in a situation like this, the best thing to do was to get up, stop playing games, find some excuse, and clear out quickly and gracefully, and never come back, never even look back; what I could take with me this way would be more precious to both of us than if I tried to deceive myself; with all due respect, him I couldn't deceive; he didn't mean to rub it in, but he was beyond all that, he knew these routines all too well, so really, the only sensible thing to do was not to give him another thought, ever.

I said he was trying to play the ruthless male, not to mention the fascist, just a little too transparently.

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