A Bend in the River (42 page)

I sat at a table in the centre, and the soldier soon appeared in the doorway. He remained there for a while, nervous of the fat man. But then, overcoming his nervousness, he came to my table, leaned over and whispered,
“C’est moi qui a réglé votre affaire.
I fixed it for you.”

It was a smiling request for money, from a man who might soon have to fight a battle. I did nothing; the fat man stared. The soldier felt the fat man’s stare and began to back away, smiling, saying with his gestures that I was to forget his request. But I took care after that not to show myself.

We left at about midday. The passenger barge was not towed behind these days—that was now considered a colonial practice. Instead, the barge was lashed to the forward part of the steamer. The town was soon past. But for some miles that bank, though overgrown, still showed where in colonial days people had laid out estates and built great houses.

After the morning heat it had turned stormy, and in the silver storm light the overgrown, bushy bank was brilliant green against the black sky. Below this brilliant green the earth was bright red. The wind blew, and ruffled away reflections from the river surface near the bank. But the rain that followed didn’t last long; we sailed out of it. Soon we were moving through real forest. Every now and then we passed a village, and market dugouts poled out to meet us. It was like that all through the heavy afternoon.

The sky hazed over, and the sinking sun showed orange and was reflected in a broken golden line in the muddy water. Then we sailed into a golden glow. There was a village ahead—you could tell from the dugouts in the distance. In this light the silhouettes of the dugouts and the people in them were blurred, not sharp. But these dugouts, when we came to them, had no produce to sell. They were desperate only to be tied up to the steamer. They were in flight from the riverbanks. They jammed and jostled against the sides of the steamer and the barge, and
many were swamped. Water hyacinths pushed up in the narrow space between the steamer and the barge. We went on. Darkness fell.

It was in this darkness that abruptly, with many loud noises, we stopped. There were shouts from the barge, the dugouts with us, and from many parts of the steamer. Young men with guns had boarded the steamer and tried to take her over. But they had failed; one young man was bleeding on the bridge above us. The fat man, the captain, remained in charge of his vessel. We learned that later.

At the time what we saw was the steamer searchlight, playing on the riverbank, playing on the passenger barge, which had snapped loose and was drifting at an angle through the water hyacinths at the edge of the river. The searchlight lit up the barge passengers, who, behind bars and wire guards, as yet scarcely seemed to understand that they were adrift. Then there were gunshots. The searchlight was turned off; the barge was no longer to be seen. The steamer started up again and moved without lights down the river, away from the area of battle. The air would have been full of moths and flying insects. The searchlight, while it was on, had shown thousands, white in the white light.

July 1977–August 1978

V. S. Naipaul was born in Trinidad in 1932. He went to England on a scholarship in 1950. After four years at Oxford he began to write, and since then he has followed no other profession. He is the author of more than twenty books of fiction and nonfiction and the recipient of numerous honors, including the Nobel Prize in 2001, the Booker Prize in 1971, and a knighthood for services to literature in 1990. He lives in Wiltshire, England.