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Authors: O. Henry

41 Stories (47 page)

BOOK: 41 Stories
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The Fool-Killer looked at me grimly and closely.
“You're a queer jag,” said he curiously. “Oh, yes; I see who you are now. You were sitting with him at the table. Well, if I'm not mistaken, I heard you call him a fool, too.”
“I did,” said I. “I delight in doing so. It is from envy. By all the standards that you know he is the most egregious and grandiloquent and gorgeous fool in all the world. That's why you want to kill him.”
“Would you mind telling me who or what you think I am?” asked the old man.
I laughed boisterously and then stopped suddenly, for I remembered that it would not do to be seen so hilarious in the company of nothing but a brick wall.
“You are Jesse Holmes, the Fool-Killer,” I said, solemnly, “and you are going to kill my friend Kerner. I don't know who rang you up, but if you do kill him I'll see that you get pinched for it. That is,” I added, despairingly, “if I can get a cop to see you. They have a poor eye for mortals, and I think it would take the whole force to round up a myth murderer.”
“Well,” said the Fool-Killer, briskly, “I must be going. You had better go home and sleep it off. Good-night.”
At this I was moved at a sudden fear for Kerner to a softer and more pleading mood. I leaned against the gray man's sleeve and besought him:
“Good Mr. Fool-Killer, please don't kill little Kerner. Why can't you go back South and kill Congressmen and clay-eaters and let us alone? Why don't you go up on Fifth Avenue and kill millionaires that keep their money locked up and won't let young fools marry because one of ‘em lives on the wrong street? Come and have a drink, Jesse. Will you never get on to your job?”
“Do you know this girl that your friend has made himself a fool about?” asked the Fool-Killer.
“I have the honor,” said I, “and that's why I called Kerner a fool. He is a fool because he has waited so long before marrying her. He is a fool because he has been waiting in the hopes of getting the consent of some absurd two-million-dollar-fool parent or something of the sort.”
“Maybe,” said the Fool-Killer—“maybe I—I might have looked at it differently. Would you mind going back to the restaurant and bringing your friend Kerner here?”
“Oh, what's the use, Jesse,” I yawned. “He can't see you. He didn't know you were talking to him at the table. You are a fictitious character, you know.”
“Maybe he can this time. Will you go fetch him?”
“All right,” said I, “but I've a suspicion that you're not strictly sober, Jesse. You seem to be wavering and losing your outlines. Don't vanish before I get back.”
I went back to Kerner and said:
“There's a man with an invisible homicidal mania waiting to see you outside. I believe he wants to murder you. Come along. You won't see him, so there's nothing to be frightened about.”
Kerner looked anxious.
“Why,” said he, “I had no idea one absinthe would do that. You'd better stick to Wurzburger. I'll walk home with you.”
I led him to Jesse Holmes's.
“Rudolph,” said the Fool-Killer, “I'll give in. Bring her up to the house. Give me your hand, boy.”
“Good for you, dad,” said Kerner, shaking hands with the old man. “You'll never regret it after you know her.”
“So, you did see him when he was talking to you at the table?” I asked Kerner.
“We hadn't spoken to each other in a year,” said Kerner. “It's all right now.”
I walked away.
“Where are you going?” called Kerner.
“I am going to look for Jesse Holmes,” I answered, with dignity and reserve.
The Moment of Victory
Ben Granger is a war veteran aged twenty-nine-which should enable you to guess the war. He is also principal merchant and postmaster of Cadiz, a little town over which the breezes from the Gulf of Mexico perpetually blow.
Ben helped to hurl the Don from his stronghold in the Greater Antilles; and then, hiking across half the world, he marched as a corporal-usher up and down the blazing tropic aisles of the open-air college in which the Filipino was schooled. Now, with his bayonet beaten into a cheese slicer, he rallies his corporal's guard of cronies in the shade of his well-whittled porch, instead of in the matted jungles of Mindanao. Always have his interest and choice been for deeds rather than for words; but the consideration and digestion of motives is not beyond him, as this story, which is his, will attest.
“What is it,” he asked me one moonlit eve, as we sat among his boxes and barrels, “that generally makes men go through dangers, and fire, and trouble, and starvation, and battle, and such recourses? What does a man do it for? Why does he try to outdo his fellow-humans, and be braver and stronger and more daring and showy than even his best friends are? What's his game? What does he expect to get out of it? He don't do it just for the fresh air and exercise. What would you say, now, Bill, that an ordinary man expects, generally speaking, for his efforts along the line of ambition and extraordinary hustling in the market-places, forums, shooting-galleries, lyceums, battlefields, links, cinder-paths, and arenas of the civilized and
vice versa
places of the world?”
“Well, Ben,” said I, with judicial seriousness, “I think we might safely limit the number of motives of a man who seeks fame to three—to ambition, which is a desire for popular applause; to avarice, which looks to the material side of success; and to love of some woman whom he either possesses or desires to possess.”
Ben pondered over my words while a mocking-bird on the top of a mesquite by the porch trilled a dozen bars.
“I reckon,” said he, “that your diagnosis about covers the case according to the rules laid down in the copybooks and historical readers. But what I had in my mind was the case of Willie Robbins, a person I used to know. I'll tell you about him before I close up the store, if you don't mind listening.
“Willie was one of our social set up in San Augustine. I was clerking there then for Brady & Murchison, wholesale dry-goods and ranch supplies. Willie and I belonged to the same german club and athletic association and military company. He played the triangle in our serenading and quartet crowd that used to ring the welkin three nights a week somewhere in town.
“Willie jibed with his name considerable. He weighed about as much as a hundred pounds of veal in his summer suitings, and he had a Where-is-Mary? expression on his features so plain that you could almost see the wool growing on him.
“And yet you couldn't fence him away from the girls with barbed wire. You know that kind of young fellows—a kind of a mixture of fools and angels—they rush in and fear to tread at the same time; but they never fail to tread when they get the chance. He was always on hand when ‘a joyful occasion was had,' as the morning paper would say, looking as happy as a king full, and at the same time as uncomfortable as a raw oyster served with sweet pickles. He danced like he had hind hobbles on; and he had a vocabulary of about three hundred and fifty words that he made stretch over four germans a week, and plagiarized from to get him through two ice-cream suppers and a Sunday-night call. He seemed to me to be a sort of a mixture of Maltese kitten, sensitive plant, and a member of a stranded ‘Two Orphans' company.
“I'll give you an estimate of his physiological and pictorial make-up and then I'll stick spurs into the sides of my narrative.
“Willie inclined to the Caucasian in his coloring and manner of style. His hair was opalescent and his conversation fragmentary. His eyes were the same blue shade as the china dog's in the right-hand comer of your Aunt Ellen's mantelpiece. He took things as they came, and I never felt any hostility against him. I let him live, and so did others.
“But what does this Willie do but coax his heart out of his boots and lose it to Myra Allison, the liveliest, brightest, keenest, smartest, and prettiest girl in San Augustine. I tell you, she had the blackest eyes, the shiniest curls, and the most tantalizing—Oh, no you're off—I wasn't a victim. I might have been, but I knew better. I kept out. Joe Granberry was It from the start. He had everybody else beat a couple of leagues and thence east to a stake and mound. But, anyhow, Myra was a nine-pound, full-merino, fall-clip fleece, sacked and loaded on a four-horse team to San Antone.
“One night there was an ice-cream sociable at Mrs. Colonel Spraggins', in San Augustine. We fellows had a big room upstairs opened up for us to put our hats and things in, and to comb our hair and put on the clean collars we brought along inside the sweat-bands of our hats—in short, a room to fix up in just like. they have everywhere at high-toned doings. A little farther down the hall was the girls' room, which they used to powder up in, and so forth. Downstairs we—that is, the San Augustine Social Cotillion and Merrymakers' Club—had a stretcher put down in the parlor where our dance was going on.
“Willie Robbins and me happened to be up in our—cloakroom, I believe we called it—when Myra Allison skipped through the hall on her way downstairs from the girl's room. Willie was standing before the mirror, deeply interested in smoothing down the blond grassplot on his head, which seemed to give him lots of trouble. Myra was always full of life and devilment. She stopped and stuck her head in our door. She certainly was good-looking. But I knew how Joe Granberry stood with her. So did Willie; but he kept on ba-a-a-ing after her and following her around. He had a system of persistence that didn't coincide with pale hair and light eyes.
“ ‘Hello, Willie!' says Myra. ‘What are you doing to yourself in the glass?'
“ ‘I'm trying to look fly,' says Willie.
“ ‘Well, you never could be fly,' says Myra with her special laugh, which was the provokingest sound I ever heard except the rattle of an empty canteen against my saddle-horn.
“I looked around at Willie after Myra had gone. He had a kind of a lily-white look on him which seemed to show that her remark had, as you might say, disrupted his soul. I never noticed anything in what she said that sounded particularly destructive to a man's ideas of self-consciousness; but he was set back to an extent you could scarcely imagine.
“After we went downstairs with our clean collars on, Willie never went near Myra again that night. After all, he seemed to be a diluted kind of a skim-milk sort of a chap, and I never wondered that Joe Granberry beat him out.
“The next day the battleship
Maine
was blown up, and then pretty soon somebody—I reckon it was Joe Bailey, or Ben Tillman, or maybe the Government—declared war against Spain.
“Well, everybody south of Mason & Hamlin's line knew that the North by itself couldn't whip a whole country the size of Spain. So the Yankees commence to holler for help, and the Johnny Rebs answered the call. ‘We're coming, Father William, a hundred thousand strong—and then some,' was the way they sang it. And the old party lines drawn by Sherman's march and the Kuklux and nine-cent cotton and the Jim Crow street-car ordinances faded away. We became one undivided country, with no North, very little East, a good-sized chunk of West, and a South that loomed up as big as the first foreign label in a new eight-dollar suitcase.
“Of course the dogs of war weren't a complete pack without a yelp from the San Augustine Rifles, Company D, of the Fourteenth Texas Regiment. Our company was among the first to land in Cuba and strike terror into the hearts of the foe. I'm not going to give you a history of the war; I'm just dragging it in to fill out my story about Willie Robbins, just as the Republican party dragged it in to help out the election in 1898.
“If anybody ever had heroitis, it was that Willie Robbins. From the minute he set foot on the soil of the tyrants of Castile he seemed to engulf danger as a cat laps up cream. He certainly astonished every man in our company, from the captain up. You'd have expected him to gravitate naturally to the job of an orderly to the colonel, or typewriter in the commissary—but not any. He created the part of the flaxen-haired boy hero who lives and gets back home with the goods, instead of dying with an important despatch in his hands at his colonel's feet.
“Our company got into a section of Cuban scenery where one of the messiest and most unsung portions of the campaign occurred. We were out every day capering around in the bushes, and having little skirmishes with the Spanish troops that looked more like kind of tired-out feuds than anything else. The war was a joke to us, and of no interest to them. We never could see it any other way than as a howling farce-comedy that the San Augustine Rifles were actually fighting to uphold the Stars and Stripes. And the blamed little senors didn't get enough pay to make them care whether they were patriots or traitors. Now and then somebody would get killed. It seemed like a waste of life to me. I was at Coney Island when I went to New York once, and one of them down-hill skidding apparatuses they call ‘roller-coasters' flew the track and killed a man in a brown sack-suit. Whenever the Spaniards shot one of our men, it struck me as just about as unnecessary and regrettable as that was.
“But I'm dropping Willie Robbins out of the conversation.
“He was out for bloodshed, laurels, ambitions, medals, recommendations, and all other forms of military glory. And he didn't seem to be afraid of any of the recognized forms of military danger, such as Spaniards, cannon-balls, canned beef, gunpowder, or nepotism. He went forth with his pallid hair and china-blue eyes and ate up Spaniards like you would sardines
à
la canopy. Wars and rumbles of wars never flustered him. He would stand guard-duty, mosquitoes, hard-tack, treat, and fire with equally perfect unanimity. No blondes in history ever come in comparison distance of him except the Jack of Diamonds and Queen Catherine of Russia.
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