21st Century Science Fiction (11 page)

“Look, Ong,” he says. “I like what you do.” He puts his hand around my shoulder. For a moment, I think he’s about to try to rub my head with affection and I have to force myself not to wince, but he’s sensitive and instead takes his hand away. “Look, Ong. We both know you’re terrible at this kind of work. We’re in the news business, here. And you’re just not cut out for it.”

“My visa says I have to remain employed.”

“Yeah. Janice is a bitch for that. Look.” He pauses. “I’ve got this thing with Double DP going down in Mexico. But I’ve got another story brewing. An exclusive. I’ve already got my bonus, anyway. And it should push up your average.”

“I do not think that I can write Double DP sidebars.”

He grins. “It’s not that. And it’s not charity; you’re actually a perfect match.”

“It is about government mismanagement?”

He laughs, but I think he’s not really laughing at me. “No.” He pauses, smiles. “It’s Kulaap. An interview.”

I suck in my breath. My fellow countryperson, here in America. She came out during the purge as well. She was doing a movie in Singapore when the tanks moved, and so she was not trapped. She was already very popular all over Asia, and when Khamsing turned our country into a black hole, the world took note. Now she is popular here in America as well. Very beautiful. And she remembers our country before it went into darkness. My heart is pounding.

Marty goes on. “She’s agreed to do an exclusive with me. But you even speak her language, so I think she’d agree to switch off.” He pauses, looks serious. “I’ve got a good history with Kulaap. She doesn’t give interviews to just anyone. I did a lot of exposure stories about her when Laos was going to hell. Got her a lot of good press. This is a special favor already, so don’t fuck it up.”

I shake my head. “No. I will not.” I press my palms together and touch them to my forehead in a nop of appreciation. “I will not fuck it up.” I make another nop.

He laughs. “Don’t bother with that polite stuff. Janice will cut off your balls to increase the stock price, but we’re the guys in the trenches. We stick together, right?”

• • • •

In the morning, I make a pot of strong coffee with condensed milk; I boil rice noodle soup and add bean sprouts and chiles and vinegar, and warm a loaf of French bread that I buy from a Vietnamese bakery a few blocks away. With a new mix of Kulaap’s music from DJ Dao streaming in over my stereo, I sit down at my little kitchen table, pour my coffee from its press pot, and open my tablet.

The tablet is a wondrous creation. In Laos, the paper was still a paper, physical, static, and empty of anything except the official news. Real news in our New Divine Kingdom did not come from newspapers, or from television, or from handsets or ear buds. It did not come from the net or feeds unless you trusted your neighbor not to look over your shoulder at an Internet cafe and if you knew that there were no secret police sitting beside you, or an owner who would be able to identify you when they came around asking about the person who used that workstation over there to communicate with the outside world.

Real news came from whispered rumor, rated according to the trust you accorded the whisperer. Were they family? Did they have long history with you? Did they have anything to gain by the sharing? My father and his old classmates trusted one another. He trusted some of his students, as well. I think this is why the security police came for him in the end. One of his trusted friends or students also whispered news to official friends. Perhaps Mr. Intha-chak, or Som Vang. Perhaps another. It is impossible to peer into the blackness of that history and guess at who told true stories and in which direction.

In any case, it was my father’s karma to be taken, so perhaps it does not matter who did the whispering. But before then—before the news of my father flowed up to official ears—none of the real news flowed toward Lao TV or the
Vientiane Times
. Which meant that when the protests happened and my father came through the door with blood on his face from baton blows, we could read as much as we wanted about the three thousand schoolchildren who had sung the national anthem to our new divine monarch. While my father lay in bed, delirious with pain, the papers told us that China had signed a rubber contract that would triple revenue for Luang Namtha province and that Nam Theun Dam was now earning BT 22.5 billion per year in electricity fees to Thailand. But there were no bloody batons, and there were no dead monks, and there was no Mercedes-Benz burning in the river as it floated toward Cambodia.

Real news came on the wings of rumor, stole into our house at midnight, sat with us and sipped coffee and fled before the call of roosters could break the stillness. It was in the dark, over a burning cigarette that you learned Vilaphon had disappeared or that Mr. Saeng’s wife had been beaten as a warning. Real news was too valuable to risk in public.

Here in America, my page glows with many news feeds, flickers at me in video windows, pours in at me over broadband. It is a waterfall of information. As my personal news page opens, my feeds arrange themselves, sorting according to the priorities and tag categories that I’ve set, a mix of Meung Lao news, Lao refugee blogs, and the chatting of a few close friends from Thailand and the American college where I attended on a human relief scholarship.

On my second page and my third, I keep the general news, the arrangements of
Milestone
, the
Bangkok Post
, the
Phnom Penh Express
—the news chosen by editors. But by the time I’ve finished with my own selections, I don’t often have time to click through the headlines that these earnest news editors select for the mythical general reader.

In any case, I know far better than they what I want to read, and with my keyword and tag scans, I can unearth stories and discussions that a news agency would never think to provide. Even if I cannot see into the black hole itself, I can slip along its edges, divine news from its fringe.

I search for tags like Vientiane, Laos, Lao, Khamsing, China-Lao friendship, Korat, Golden Triangle, Hmong independence, Lao PDR, my father’s name. . . . Only those of us who are Lao exiles from the March Purge really read these blogs. It is much as when we lived in the capital. The blogs are the rumors that we used to whisper to one another. Now we publish our whispers over the net and join mailing lists instead of secret coffee groups, but it is the same. It is family, as much as any of us now have.

On the maelstrom, the tags for Laos don’t even register. Our tags bloomed brightly for a little while, while there were still guerrilla students uploading content from their handsets, and the images were lurid and shocking. But then the phone lines went down and the country fell into its black hole and now it is just us, this small network that functions outside the country.

A headline from Jumbo Blog catches my eye. I open the site, and my tablet fills with the colorful image of the three-wheeled taxi of my childhood. I often come here. It is a node of comfort.

Laofriend posts that some people, maybe a whole family, have swum the Mekong and made it into Thailand. He isn’t sure if they were accepted as refugees or if they were sent back.

It is not an official news piece. More, the idea of a news piece. SomPaBoy doesn’t believe it, but Khamchanh contends that the rumor is true, heard from someone who has a sister married to an Isaan border guard in the Thai army. So we cling to it. Wonder about it. Guess where these people came from, wonder if, against all odds, it could be one of ours: a brother, a sister, a cousin, a father. . . .

After an hour, I close the tablet. It’s foolish to read any more. It only brings up memories. Worrying about the past is foolish. Lao PDR is gone. To wish otherwise is suffering.

• • • •

The clerk at Novotel’s front desk is expecting me. A hotel staffer with a key guides me to a private elevator bank that whisks us up into the smog and heights. The elevator doors open to a small entryway with a thick mahogany door. The staffer steps back into the elevator and disappears, leaving me standing in this strange airlock. Presumably, I am being examined by Kulaap’s security.

The mahogany door opens, and a smiling black man who is forty centimeters taller than I and who has muscles that ripple like snakes smiles and motions me inside. He guides me through Kulaap’s sanctuary. She keeps the heat high, almost tropical, and fountains rush everywhere around. The flat is musical with water. I unbutton my collar in the humidity. I was expecting air-conditioning, and instead I am sweltering. It’s almost like home. And then she’s in front of me, and I can hardly speak. She is beautiful, and more. It is intimidating to stand before someone who exists in film and in music but has never existed before you in the flesh. She’s not as stunning as she is in the movies, but there’s more life, more presence; the movies lose that quality about her. I make a nop of greeting, pressing my hands together, touching my forehead.

She laughs at this, takes my hand and shakes it American-style. “You’re lucky Marty likes you so much,” she says. “I don’t like interviews.”

I can barely find my voice. “Yes. I only have a few questions.”

“Oh no. Don’t be shy.” She laughs again, and doesn’t release my hand, pulls me toward her living room. “Marty told me about you. You need help with your ratings. He helped me once, too.”

She’s frightening. She is of my people, but she has adapted better to this place than I have. She seems comfortable here. She walks differently, smiles differently; she is an American, with perhaps some flavor of our country, but nothing of our roots. It’s obvious. And strangely disappointing. In her movies, she holds herself so well, and now she sits down on her couch and sprawls with her feet kicked out in front of her. Not caring at all. I’m embarrassed for her, and I’m glad I don’t have my camera set up yet. She kicks her feet up on the couch. I can’t help but be shocked. She catches my expression and smiles.

“You’re worse than my parents. Fresh off the boat.”

“I am sorry.”

She shrugs. “Don’t worry about it. I spent half my life here, growing up; different country, different rules.”

I’m embarrassed. I try not to laugh with the tension I feel. “I just have some interview questions,” I say.

“Go ahead.” She sits up and arranges herself for the video stand that I set up.

I begin. “When the March Purge happened, you were in Singapore.”

She nods. “That’s right. We were finishing
The Tiger and the Ghost
.”

“What was your first thought when it happened? Did you want to go back? Were you surprised?”

She frowns. “Turn off the camera.”

When it’s off she looks at me with pity. “This isn’t the way to get clicks. No one cares about an old revolution. Not even my fans.” She stands abruptly and calls through the green jungle of her flat. “Terrell?”

The big black man appears. Smiling and lethal. Looming over me. He is very frightening. The movies I grew up with had falang like him. Terrifying large black men whom our heroes had to overcome. Later, when I arrived in America, it was different, and I found out that the falang and the black people don’t like the way we show them in our movies. Much like when I watch their Vietnam movies, and see the ugly way the Lao freedom fighters behave. Not real at all, portrayed like animals. But still, I cannot help but cringe when Terrell looks at me.

Kulaap says, “We’re going out, Terrell. Make sure you tip off some of the papcams. We’re going to give them a show.”

“I don’t understand,” I say.

“You want clicks, don’t you?”

“Yes, but—”

She smiles. “You don’t need an interview. You need an event.” She looks me over. “And better clothes.” She nods to her security man. “Terrell, dress him up.”

• • • •

A flashbulb frenzy greets us as we come out of the tower. Papcams everywhere. Chase cycles revving, and Terrell and three others of his people guiding us through the press to the limousine, shoving cameras aside with a violence and power that are utterly unlike the careful pity he showed when he selected a Gucci suit for me to wear.

Kulaap looks properly surprised at the crowd and the shouting reporters, but not nearly as surprised as I am, and then we’re in the limo, speeding out of the tower’s roundabout as papcams follow us.

Kulaap crouches before the car’s onboard tablet, keying in pass codes. She is very pretty, wearing a black dress that brushes her thighs and thin straps that caress her smooth bare shoulders. I feel as if I am in a movie. She taps more keys. A screen glows, showing the taillights of our car: the view from pursuing papcams.

“You know I haven’t dated anyone in three years?” she asks.

“Yes. I know from your Web site biography.”

She grins. “And now it looks like I’ve found one of my countrymen.”

“But we’re not on a date,” I protest.

“Of course we are.” She smiles again. “I’m going out on a supposedly secret date with a cute and mysterious Lao boy. And look at all those papcams chasing after us, wondering where we’re going and what we’re going to do.” She keys in another code, and now we can see live footage of the paparazzi, as viewed from the tail of her limo. She grins. “My fans like to see what life is like for me.”

I can almost imagine what the maelstrom looks like right now: there will still be Marty’s story, but now a dozen other sites will be lighting up, and in the center of that, Kulaap’s own view of the excitement, pulling in her fans, who will want to know, direct from her, what’s going on. She holds up a mirror, checks herself, and then she smiles into her smartphone’s camera.

“Hi everyone. It looks like my cover’s blown. Just thought I should let you know that I’m on a lovely date with a lovely man. I’ll let you all know how it goes. Promise.” She points the camera at me. I stare at it stupidly. She laughs. “Say hi and good-bye, Ong.”

“Hi and good-bye.”

She laughs again, waves into the camera. “Love you all. Hope you have as good a night as I’m going to have.” And then she cuts the clip and punches a code to launch the video to her Web site.