20th Century Ghosts (15 page)

He was still considering how to reply when his attention was caught by a picture frame, slid halfway in under his father's armchair. It was facedown, but he knew what he'd see when he turned it over. It was a sepia-toned calotype print of his mother, posed in the library of their townhouse in Amsterdam. She wore a white straw hat, her ebon hair fluffed in airy curls beneath it. One gloved hand was raised in an enigmatic gesture, so that she almost appeared to be waving an invisible cigarette in the air. Her lips were parted. She was saying something, Max often wondered what. He for some reason imagined himself to be standing just out of the frame, a child of four, staring solemnly up at her. He felt that she was raising her hand to wave him back, keep him from wandering into the shot. If this was so, it seemed reasonable to believe she had been caught forever in the act of saying his name.

He heard a scrape and tinkle of falling glass as he picked the picture frame up and turned it over. The plate of glass had shattered in the exact center. He began wiggling small gleaming fangs of glass out of the frame and setting them aside, concerned that none should scratch the glossy calotype beneath. He pulled a large wedge of glass out of the upper corner of the frame, and the corner of the print came loose with it. He reached up to poke the print back into place ... and then hesitated, frowning, feeling for a moment that his eyes had crossed and he was seeing double. There appeared to be a second print behind the first. He tugged the photograph of his mother out of the frame, then stared without understanding at the picture that had been secreted behind it. An icy numbness spread through his chest, crawling into his throat. He glanced around and was relieved to see Rudy still kneeling at the ottoman, humming to himself, rolling the stakes back up into their shroud of velvet.

He looked back at the secret photograph. The woman in it was dead. She was also naked from the waist up, her gown torn open and yanked to the curve of her waist. She was sprawled in a four-poster bed—pinned there by ropes wound around her throat, and pulling her arms over her head. She was young and maybe had been beautiful, it was hard to tell; one eye was shut, the other open in a slit that showed the unnatural glaze on the eyeball beneath. Her mouth was forced open, stuffed with an obscene misshapen white ball. She was actually biting down on it, her upper lip drawn back to show the small, even row of her upper teeth. The side of her face was discolored with bruises. Between the milky, heavy curves of her breasts was a spoke of white wood. Her left rib cage was painted with blood.

Even when he heard the car in the drive, he couldn't move, couldn't pry his gaze from the photograph. Then Rudy was up, pulling at Max's shoulder, telling him they had to go. Max clapped the photo to his chest to keep his brother from seeing. He said go, I'll be right behind you, and Rudy took his hand off his arm and went on.

Max fumbled with the picture frame, struggling to fit the calotype of the murdered woman back into place ... then saw something else, went still again. He had not until this instant taken note of the figure to the far left in the photograph, a man on the near side of the bed. His back was to the photographer, and he was so close in the foreground that his shape was a blurred, vaguely rabbinical figure, in a flat-brimmed black hat and black overcoat. There was no way to be sure who this man was, but Max
was
sure, knew him from the way he held his head, the careful, almost stiff way it was balanced on the thick barrel of his neck. In one hand he held a hatchet. In the other a doctor's bag.

The car died with an emphysemic wheeze and tinny clatter. He squeezed the photograph of the dead woman into the frame, slid the portrait of Mina back on top of it. He set the picture, with no glass in it, on the end table, stared at it for a beat, then saw with horror that he had stuck Mina in upside down. He started to reach for it.

"Come on!"
Rudy cried.
"Please, Max."
He was outside, standing on his tiptoes to look back into the study.

Max kicked the broken glass under the armchair, stepped to the window, and screamed. Or tried to—he didn't have the air in his lungs, couldn't force it up his throat.

Their father stood behind Rudy, staring in at Max over Rudy's head. Rudy didn't see, didn't know he was there, until their father put his hands on his shoulders. Rudolf had no trouble screaming at all, and leaped as if he meant to jump back into the study.

The old man regarded his eldest son in silence. Max stared back, head half out the window, hands on the sill.

"If you like," his father said, "I could open the door and you could effect your exit by the hallway. What it lacks in drama, it makes up in convenience."

"No," Max said. "No thank you. Thank you. I'm—we're—this is—mistake. I'm sorry."

"Mistake is not knowing capital of Portugal on a geography test. This is something else." He paused, lowering his head, his face stony. Then he released Rudy, and turned away, opening a hand and pointing it at the yard in a gesture that seemed to mean,
step this way
. "We will discuss what at later date. Now if it is no trouble, I will ask you to leave my office."

Max stared. His father had never before delayed punishment—breaking and entering his study at the least deserved a vigorous lashing—and he tried to think why he would now. His father waited. Max climbed out, dropped into the flower bed. Rudy looked at him, eyes helpless, pleading, asking him what they ought to do. Max tipped his head towards the stables—their own private study—and started walking slowly and deliberately away. His little brother fell into step beside him, trembling continuously.

Before they could get away, though, his father's hand fell on Max's shoulder.

"My rules are to protect you always, Maximilian," he said. "Maybe you are tell me now you don't want to be protect any longer? When you were little I cover your eyes at the theater, when come the murderers to slaughter Clarence in
Richard
. But then, later, when we went to
Macbeth
, you shove my hand away, you
want
to see. Now I feel history repeats, nuh?"

Max didn't reply. At last his father released him.

They had not gone ten paces when he spoke again. "Oh I almost forget. I did not tell you where or why I was gone and I have piece of news I know will make sad the both of you. Mr. Kutchner run up the road while you were in school, shouting doctor, doctor, come quick, my wife. As soon as I see her, burning with fever, I know she must travel to Dr. Rosen's infirmary in town, but alas, the farmer come for me too late. Walking her to my car, her intestines fall out of her with a
slop
." He made a soft clucking sound with his tongue, as of disapproval. "I will have our suits cleaned. The funeral is on Friday."
 

Arlene Kutchner wasn't in school the next day. They walked past her house on the way home, but the black shutters were across the windows, and the place had a too-silent, abandoned feel to it. The funeral would be in town the next morning, and perhaps Arlene and her father had already gone there to wait. They had family in the village. When the two boys tramped into their own yard, the Ford was parked alongside the house, and the slanted double doors to the basement were open.

Rudy pointed himself towards the barn—they owned a single horse, a used-up nag named Rice, and it was Rudy's day to muck out her stable—and Max went into the house alone. He was at the kitchen table when he heard the doors to the cellar crash shut outside. Shortly afterwards his father climbed the stairs, appeared in the basement doorway.

"Are you work on something down there?" Max asked.

His father's gaze swept across him, but his eyes were deliberately blank.

"Later I shall unfold to you," he said, and Max watched him while he removed a silver key from the pocket of his waistcoat and turned it in the lock to the basement door. It had never been used before, and until that moment, Max had not even known a key existed.

Max was on edge the rest of the afternoon, kept looking at the basement door, unsettled by his father's promise:
Later I shall unfold to you.
There was of course no opportunity to talk to Rudy about it over dinner, to speculate on just
what
might be unfolded, but they were also unable to talk afterwards, when they remained at the kitchen table with their schoolbooks. Usually, their father retired early to his study to be alone, and they wouldn't see him again until morning. But tonight he seemed restless, always coming in and out of the room, to wash a glass, to find his reading spectacles, and finally, to light a lantern. He adjusted the wick, so a low red flame wavered at the bottom of the glass chimney, and then set it on the table before Max.

"Boys," he said, turning to the basement, unlocking the bolt. "Go downstairs. Wait for me. Touch nothing."

Rudy threw a horrified, whey-faced look at Max. Rudy couldn't bear the basement, its low ceiling and its smell, the lacy veils of cobwebs in the corners. If Rudy was ever given a chore there, he always begged Max to go with him. Max opened his mouth to question their father, but he was already slipping away, out of the room, disappearing down the hall to his study.

Max looked at Rudy. Rudy was shaking his head in wordless denial.

"It will be all right," Max promised. "I will take care of you."

Rudy carried the lantern, and let Max go ahead of him down the stairs. The reddish-bronze light of the lamp threw shadows that leaned and jumped, a surging darkness that lapped at the walls of the stairwell. Max descended to the basement floor and took a slow, uncertain look around. To the left of the stairs was a worktable. On top of it was a pile of something, covered in a piece of grimy white tarp—stacks of bricks maybe, or heaps of folded laundry, it was hard to tell in the gloom without going closer. Max crept in slow, shuffling steps until he had crossed most of the way to the table, and then he stopped, suddenly knowing what the sheet covered.

"We need to go, Max," Rudy peeped, right behind him. Max hadn't known he was there, had thought he was still standing on the steps. "We need to go right now." And Max knew he didn't mean just get out of the basement, but get out of the house, run from the place where they had lived ten years and not come back.

But it was too late to pretend they were Huck and Jim and light out for the territories. Their father's feet fell heavily on the dusty wood planks behind them. Max glanced up the stairs at him. He was carrying his doctor's bag.

"I can only deduce," their father began, "from your ransack of my private study, you have finally develop interest in the secret work to which I sacrifice so much. I have in my time kill six of the Undead by my own hand, the last the diseased bitch in the picture I keep hid in my office—I believe you have both see it." Rudy cast a panicked look at Max, who only shook his head,
Be silent.
Their father went on: "I have train others in the art of destroying the vampire, including your mother's unfortunate first husband, Jonathan Marker, Gott bless him, and so I can be held indirectly responsible for the slaughter of perhaps fifty of their filthy, infected kind. And it is now, I see, time my own boys learn how it is done. How to be sure. So you may know how to strike at those who would strike at you."

"I don't want to know," Rudy said.

"He didn't see picture," Max said at the same time.

Their father appeared not to hear either of them. He moved past them to the worktable, and the canvas-covered shape upon it. He lifted one corner of the tarp and looked beneath it, made a humming sound of approval, and pulled the covering away.

Mrs. Kutchner was naked, and hideously withered, her cheeks sunken, her mouth gaping open. Her stomach was caved impossibly in beneath her ribs, as if everything in it had been sucked out by the pressure of a vacuum. Her back was bruised a deep bluish violet by the blood that had settled there. Rudy moaned and hid his face against Max's side.

Their father set his doctor's bag beside her body, and opened it.

"She isn't, of course, Undead. Merely dead. True vampires are uncommon, and it would not be practicable, or advisable, for me to find one for you to rehearse on. But she will suit for purposes of demonstration." From within his bag he removed the bundle of stakes wrapped in velvet.

"What is she doing here?" Max asked. "They bury her tomorrow. "

"But today I am to make autopsy, for purposes of my private research. Mr. Kutchner understand, is happy to cooperate, if it mean one day no other woman die in such a way." He had a stake in one hand, a mallet in the other.

Rudy began to cry.

Max felt he was coming unmoored from himself. His body stepped forward, without him in it; another part of him remained beside Rudy, an arm around his brother's heaving shoulders. Rudy was saying,
Please I want to go upstairs.
Max watched himself walk, flat-footed, to his father, who was staring at him with an expression that mingled curiosity with a certain quiet appreciation.

He handed Max the mallet, and that brought him back. He was in his own body again, conscious of the weight of the hammer, tugging his wrist downwards. His father gripped Max's other hand and lifted it, drawing it towards Mrs. Kutchner's meager breasts. He pressed Max's fingertips to a spot between two ribs, and Max looked into the dead woman's face. Her mouth open as to speak.
Are you doctorin' me, Max Van Helsing?

"Here," his father said, folding one of the stakes into his hand. "You drive it in here. To the hilt. In an actual case, the first blow will be follow by wailing, profanity, a frantic struggle to escape. The accursed never go easily. Bear down. Do not desist from your work until you have impale her and she has give up her struggle against you. It will be over soon enough."

Max raised the mallet. He stared into her face and wished he could say he was sorry, that he didn't want to do it. When he slammed the mallet down, with an echoing bang, he heard a high, piercing scream and almost screamed himself, believing for an instant it was her, still somehow alive; then realized it was Rudy. Max was powerfully built, with his deep water-buffalo chest and Dutch farmer's shoulders. With the first blow he had driven the stake over two-thirds of the way in. He only needed to bring the mallet down once more. The blood that squelched up around the wood was cold and had a sticky, viscous consistency.