2007 - The Brief Wondrous Life of Oscar Wao (30 page)

BOOK: 2007 - The Brief Wondrous Life of Oscar Wao
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Every summer Santo Domingo slaps the Diaspora engine into reverse, yanks back as many of its expelled children as it can; airports choke with the overdressed; necks and luggage carousels groan under the accumulated weight of that year’s cadenas and paquetes, and pilots fear for their planes — overburdened beyond belief — and for themselves; restaurants, bars, clubs, theaters, malecones, beaches, resorts, hotels, moteles, extra rooms, barrios, colonias, campos, ingenios swarm with quisqueyanos from the world over. Like someone had sounded a general reverse evacuation order: Back home, everybody! Back home! From Washington Heights to Roma, from Perth Amboy to Tokyo, from Brijeporr to Amsterdam, from Lawrence to San Juan; this is when basic thermodynamic principle gets modified so that reality can now reflect a final aspect, the picking-up of big-assed girls and the taking of said to moteles; it’s one big party; one big party for everybody but the poor, the dark, the jobless, the sick, the Haitian, their children, the bateys, the kids that certain Canadian, American, German, and Italian tourists love to rape — yes, sir, nothing like a Santo Domingo summer. And so for the first time in years Oscar said, My elder spirits have been talking to me, Ma. I think I might accompany you. He was imagining himself in the middle of all that ass-getting, imagining himself in love with an Island girl. (A brother can’t be wrong forever, can he?)

So abrupt a change in policy was this that even Lola quizzed him about it. You
never
go to Santo Domingo. He shrugged. I guess I want to try something new.

THE CONDENSED NOTEBOOK OF A RETURN TO A NATIVELAND

Family de León flew down to the Island on the fifteenth of June. Oscar scared shitless and excited, but no one was funnier than their mother, who got done up like she was having an audience with King Juan Carlos of Spain himself: If she’d owned a fur she would have worn it, anything to communicate the distance she’d traveled, to emphasize how not like the rest of these dominicanos she was. Oscar, for one, had never seen her looking so dolled-up and elegante. Or acting so comparona.

Belicia giving
everybody
a hard time, from the check-in people to the flight attendants, and when they settled into their seats in first class (she was paying) she looked around as if scandalized: These are not gente de calidad!

It was also reported that Oscar drooled on himself and didn’t wake up for the meal or the movie, only when the plane touched down and everybody clapped.

What’s going on? he demanded, alarmed.

Relax, Mister. That just means we made it.

The beat-you-down heat was the same, and so was the fecund tropical smell that he had never forgotten, that to him was more evocative than any madeleine, and likewise the air pollution and the thousands of motos and cars and dilapidated trucks on the roads and the clusters of peddlers at every traffic light (so dark, he noticed, and his mother said, dismissively, Maldito haitianos) and people walking languidly with nothing to shade them from the sun and the buses that charged past so overflowing with passengers that from the outside they looked like they were making a rush delivery of spare limbs to some far-off war and the general ruination of so many of the buildings as if Santo Domingo was the place that crumbled crippled concrete shells came to die — and the hunger on some of the kids’ faces, can’t forget that — but also it seemed in many places like a whole new country was materializing atop the ruins of the old one: there were now better roads and nicer vehicles and brand-new luxury air-conditioned buses plying the longer routes to the Cibao and beyond and U.S. fast-food restaurants (Dunkin’ Donuts and Burger King) and local ones whose names and logos he did not recognize (Pollos Victorina and El Provocón NO.4) and traffic lights everywhere that nobody seemed to heed. Biggest change of all? A few years back La Inca had moved her entire operation to La Capital — we’re getting too big for Baní — and now the family had a new house in Mirador Norte and six bakeries throughout the city’s outer zones. We’re capitalenos, his cousin, Pedro Pablo (who had picked them up at the airport), announced proudly.

La Inca too had changed since Oscar’s last visit. She had always seemed ageless, the family’s very own Galadriel, but now he could see that it wasn’t true. Nearly all her hair had turned white, and despite her severe unbent carriage, her skin was finely crosshatched with wrinkles and she had to put on glasses to read anything. She was still spry and proud and when she saw him, first time in nearly seven years, she put her hands on his shoulders and said, Mi hijo, you have finally returned to us.

Hi, Abuela. And then, awkwardly: Bendición.

(Nothing more moving, though, than La Inca and his mother. At first saying nothing and then his mother covering her face and breaking down, saying in this little-girl voice: Madre, I’m home. And then the both of them holding each other and crying and Lola joining them and Oscar not knowing what to do so he joined his cousin, Pedro Pablo, who was shuttling all the luggage from the van to the patio de atrás.)

It really was astonishing how much he’d forgotten about the DR: the little lizards that were everywhere, and the roosters in the morning, followed shortly by the cries of the plataneros and the bacalao guy and his do Carlos Moya, who smashed him up that first night with shots of Brugal and who got all misty at the memories he had of him and his sister. But what he had forgotten most of all was how incredibly beautiful Dominican women were.

Duh, Lola said.

On the rides he took those first couple of days he almost threw his neck out. I’m in Heaven, he wrote in his journal. Heaven? His cousin Pedro Pablo sucked his teeth with exaggerated disdain. Esto aquí es un maldito
infierno
.

EVIDENCE OF A BROTHER’S PAST

In the pictures Lola brought home there are shots of Oscar in the back of the house reading Octavia Buder, shots of Oscar on the Malecón with a
bottle
of Presidente in his hand, shots of Oscar at the Columbus lighthouse, where half of Villa Duarte used to stand, shots of Oscar with Pedro Pablo in Villa Juana buying spark plugs, shots of Oscar trying on a hat on the Conde, shots of Oscar standing next to a burro in Baní, shots of Oscar next to his sister (she in a string bikini that could have blown your corneas out). You can tell he’s trying too. He’s smiling a lot, despite the bafflement in his eyes.

He’s also, you might notice, not wearing his fat-guy coat.

OSCAR GOES NATIVE

After his initial homecoming week, after he’d been taken to a bunch of sights by his cousins, after he’d gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he’d forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says
You do not belong
, after he’d gone to about fifty clubs and because he couldn’t dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he’d explained to people a hundred times that he’d been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he’d given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he’d watched shirtless shoeless seven-year-olds fighting each other for the scraps he’d left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you’re Haitian — La única haitiana aquí eres ru, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny; after his sister had said, You think that’s bad, you should see the bateys, after he’d spent a day in Baní (the campo where La Inca had been raised) and he’d taken a dump in a latrine and wiped his ass with a com cob — now
that’s
entertainment, he wrote in his journal — after he’d gotten somewhat used to the surreal whirligig that was life in La Capital — the guaguas, the cops, the mind-boggling poverty, the Dunkin’ Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica da Silva novelas where home-girl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their broke-down shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being pile-drived into the comer of a concho by the combined weight off our other customers, the music, the new tunnels driving down into the bauxite earth, the signs that banned donkey carts from the same tunnels — after he’d gone to Boca Chica and Villa Mella and eaten so much chicharrones he had to throw up on the side of the road — now
that
, his tío Rudolfo said, is entertainment — after his tío Carlos Moya berated him for having stayed away so long, after his abuela berated him for having stayed away so long, after his cousins berated him for having stayed away so long, after he saw again the unforgettable beauty of the Cibao, after he heard the stories about his mother, after he stopped marveling at the amount of political propaganda plastered up on every spare wall — Iadrones, his mother announced, one and all-after the touched-in-the-head tío who’d been tortured during Balaguer’s reign came over and got into a heated political argument with Carlos Moya (after which they both got drunk), after he’d caught his first sunburn in Boca Chica, after he’d swum in the Caribbean, after tío Rudolfo had gotten him blasted on marijuana de marisco, after he’d seen his first Haitians kicked off a guagua because niggers claimed they ‘smelled,’ after he’d nearly gone nuts over all the bellezas he saw, after he helped his mother install two new air conditioners and crushed his finger so bad he had dark blood under the nail, after all the gifts they’d brought had been properly distributed, after Lola introduced him to the boyfriend she’d dated as a teenager, now a capitaleño as well, after he’d seen the pictures of Lola in her private-school uniform, a tall muchacha with heartbreak eyes, after he’d brought flowers to his abuela’s number-one servant’s grave who had taken care of him when he was little, after he had diarrhea so bad his mouth watered before each detonation, after he’d visited all the rinky-dink museums in the capital with his sister, after he stopped being dismayed that everybody called him gordo (and, worse, gringo), after he’d been overcharged for almost everything he wanted to buy, after La Inca prayed over him nearly every morning, after he caught a cold because his abuela set the air conditioner in his room so high, he decided suddenly and without warning to stay on the Island for the rest of the summer with his mother and his tío. Not to go home with Lola. It was a decision that came to him one night on the Malecón, while staring out over the ocean. What do I have waiting for me in Paterson? he wanted to know. He wasn’t teaching that summer and he had all his notebooks with him. Sounds like a good idea to me, his sister said. You need some time in the patria. Maybe you’ll even find yourself a nice campesina. It felt like the right thing to do. Help clear his head and his heart of the gloom that had filled them these months. His mother was less hot on the idea but La Inca waved her into silence. Hijo, you can stay here all your life. (Though he found it strange that she made him put on a crucifix immediately thereafter.)

So, after Lola flew back to the States (Take good care of yourself, Mister) and the terror and joy of his return had subsided, after he settled down in Abuela’s house, the house that Diaspora had built, and tried to figure out what he was going to do with the rest of his summer now that Lola was gone, after his fantasy of an Island girlfriend seemed like a distant joke — Who the fuck had
he
been kidding? He couldn’t dance, he didn’t have loot, he didn’t dress, he wasn’t confident, he wasn’t handsome, he wasn’t from Europe, he wasn’t fucking no Island girls — after he spent one week writing and (ironically enough) turned down his male cousins’ offer to take him to a whorehouse like fifty times, Oscar fell in love with a semi-retired puta.

Her name was Ybón Pimentel. Oscar considered her the start of his
real life
.

LA BEBA

She lived two houses over and, like the de Leóns, was a newcomer to Mirador Norte. (Oscar’s moms had bought their house with double shifts at her two jobs. Ybón bought hers with double shifts too, but in a window in Amsterdam.) She was one of those golden mulatas that French-speaking Caribbeans call chabines, that my boys call chicas de oro; she had snarled, apocalyptic hair, copper eyes, and was one whiteskinned relative away from jaba.

At first Oscar thought she was only a visitor, this tiny; slightly paunchy babe who was always high-heeling it out to her Pathfinder. (She didn’t have the Nuevo Mundo wannabe American look of the majority of his neighbors.) The two times Oscar bumped into her — during breaks in his writing he would go for walks along the hot, bland cul-de-sacs, or sit at the local café — she smiled at him. And the third time they saw each other — here, folks, is where the miracles begin — she sat at his table and said: What are you reading? At first he didn’t know what was happening, and then he realized:
Holy Shit!
A female was talking to
him
. (It was an unprecedented change in fortune, as though his threadbare Skein of Destiny had accidentally gotten tangled with that of a doper, more fortunate brother.) Turned out Ybón knew his abuela, gave her rides whenever Carlos Moya was out making deliveries. You’re the boy in her pictures, she said with a sly smile. I was little, he said defensively. And besides, that was before the war changed me. She didn’t laugh. That’s probably what it is. Well, I have to go. On went the shades, up went the ass, out went the belleza. Oscar’s erection following her like a dowser’s wand.

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