127 Hours: Between a Rock and a Hard Place (29 page)

Time has lost its meaning. Counting up the hours and days is now simply record-keeping. The exercise evokes no emotional response, only a matter-of-fact acknowledgment: “Oh, OK, so that’s how long I’ve been here.” By midmorning, I am not checking my watch anymore. I don’t want to see how quickly the day is passing, because I know what will come tonight, and I’m hardly looking forward to it. It seems best that I ignore time. I can’t speed it up or slow it down; I can only absorb the surreal impressions that swirl in my head, delayed imprints of the walls, telltale trails of the mental claustrophobia that comes with such a long time without sleep, constricting my thinking and shutting down my rational processes one by one.

Suddenly, I have a new idea—what about using a rock as a wrecking ball to smash into the chockstone and potentially remove more of the sandstone from above my hand? Or maybe this is an old idea. Have I thought of this already? I can’t remember. It is brute force compared to the tactical precision with which I could peck at the boulder with my multi-tool, and that lends a positive angle to the theory. At least it’s something different.

I extract a melon-sized rock from the pile at my feet. While supporting my body with my left arm pressing against the escarpment of the canyon wall, I use my legs to roll the bowling ball up onto the ledge at my knees. Once I realize its awkward mass, I’m hesitant. If I lose control of the stone, it will fall directly into my lap or even onto my foot. At twenty-plus pounds, it’s unreasonably large for the job, but I make an attempt, first hoisting it onto my left shoulder and then heaving it forward onto the chockstone in a pulverizing explosion of grit and chalky sandstone. Sure enough, the rock bounces off the chockstone and lurches with the push of gravity for my feet. I jerk my legs out of the way, and it falls back into the pile. The smart thing is probably to leave it there. The stone’s impact did little to demolish the chockstone; the majority of the dust raised by the collision came from the rock I threw, not from the boulder. I need a rock of harder composition than the chockstone. I hunt around and discard from contention each of the remaining rocks near my shoes. This is the obstacle that halted my brainstorming efforts three days ago.

Sometimes when I am climbing, I get stuck at a difficult section because I keep trying the same move the same way and, not surprisingly, keep failing. At that point, I often realize I’m not seeing all my options—I seized upon an obvious choice without taking in the full spectrum of possibilities. Looking around, I might see a foothold that allows me to position my body higher, or a handhold that was previously out of my field of vision.

What am I missing here? What have I ignored because it wasn’t obvious? Arching my head back until I’m upside down, I can see several palm-sized stones lodged over my head in the debris compacted around the large chockstone behind me. There, slate black with a slight reddish tint, an egg-shaped stone stands out from the others; it doesn’t seem to be sandstone but a mineralized layer. Though it may not be harder than the chockstone, it’s more likely to be of similar hardness, and there’s the chance it will be the break I need. Reaching up above my head into the kangaroo rat’s chockstone nest, I pull out the rock. Another stone falls and almost hits me on the head, glancing off my shoulder.

Damn falling rocks. There should be a sign.

The black rock in my hand is the weight of a shot put. It’s perfect. I can lift it without straining myself, and smash it into the boulder without letting go of it. Why it took me so long to turn around and look in the nest for such an opportunity, I can only attribute to the lethargic numbness that diverts and confounds me. Still, taking new action is an accomplishment in itself.

My left hand quickly bruises from absorbing the recoil of each blow of my handheld hammer. After dozens of hits, I have to stop. The damage to my left hand is too great.

Calculating that the diminishing likelihood of my survival has reached its bottom limit, I pick up my video camera to tape my last requests. I begin speaking, my voice taut; I can hear the exhaustion plaguing my efforts to remain coherent.

“It’s two
P.M.
on Wednesday afternoon. It’s getting close to four days since I dropped in this hole. Some logistics still to talk about. Cremation is probably a good idea, considering what will probably be low-quality remains after this is over. If it’s still appropriate to have pallbearers, I’d like for my friends Jon Heinrich, Erik Johnson, Erik Zsemlye, Brandon Rigo, Chip Stone, Norm Ruth to be pallbearers, and Mark Van Eeckhout as well.” I have named most of my closest friends, more than will be necessary to carry me to my final resting place, but I want to include as many as I can.

While I’m considering whether I have anything else to say, the tape runs out. I rewind it and then start it playing from the beginning. The images enthrall me, and I enter a rapturous state, like a child watching
Sesame Street.
I have a miniature television in my hands! I entertain myself for an entire hour with the tape that I’ve made. The subject matter is rather dismal, but I enjoy watching the moving pictures of myself, though for some reason my mind critiques my messages to my family, correcting and editing as though I’m going to do a second take. What an inane concept. I image directing myself: “OK, that was good, Aron, but this time say it with
feeling.
” Ridiculous.

I stop the unit and then rewind it a second time so I can record again, taping over my footage from Mount Sopris with a more urgent message about dividing my remains to be scattered at some of my favorite and special places across the United States.

“I was talking about a ceremony and a cremation, and I’d like to do ashes spreadings among destinations that have been dear or special places. I know that, um, I’d like if it’s possible for my family to have some. And then for—I haven’t got this figured out yet—I’d like for some of it to go with Erik back to California and maybe even take it to the coast, Big Sur, where we had that great trip where we went down to Santa Barbara and that was excellent. Some of it can go maybe with Jon to the East Coast, and if there’s places out there, maybe at Mount Greylock in the vicinity where we almost hit that porcupine, just to spread me around out there. Sonja, if you take a little bit of me to Havasupai, if you ever go there again, that would be really special. Mark, for you to take some of me and do a little spreading ceremony at the top of Sandia Peak, that would be cool.

“So, um, last requests, I guess, oh, that…Actually, Chip and Norm, maybe you could take some of me with Erik and take it down to the Rio Grande in the Bosque, in the river, flowing. That covers kind of the oceans and rivers and forests and hilltops.

“I haven’t mentioned Dan and Julia, they’ve been really special to me. And if Dan and you and Mark and Jason and Allison and Steve Patchett and the guys from search and rescue, on a powder day, maybe there’s a little left of me to spread around at Pajarito or Wolf Creek.”

Realizing I haven’t spoken of my all-time favorite concert experiences, I push past my labored and shallow breathing to say, “I don’t think I could let it go without mentioning Japan 2000 and Bonnaroo and Horning’s, some of the best times I’ve ever had with my friends seeing music. There’s so many that are up there, too. New Year’s with Phish at Big Cypress, New Year’s with String Cheese in Portland—night of the space cowboy. Thanks for all those.”

Wrapping up once more, I feel somewhat more upbeat about my longevity, but I know I’m on my last legs. Looking straight into the lens, I bid one last adieu: “I’m holding on, but it’s really slowing down, the time is going really slow. So again, love to everyone. Bring love and peace and happiness and beautiful lives into the world in my honor. It would bestow the greatest meaning for me. Thank you. I love you.”

A rack of light clouds moves in through the afternoon, muting the normal ten-degree rise in temperature in the canyon. My watch indicates that the day’s high temperature so far has been 57 degrees. The clouds spread out across the Robbers Roost plateau and then disappear as evening comes around. With the lowest high temperature of the past five days coming today, tonight promises to be the coldest and most difficult night. My strength is diminished, and my body’s resources are utterly depleted. Even in the early evening, I can’t keep from shivering. I cut off a strand of my anchor webbing from behind the knot and wrap it loosely a half-dozen times around my neck, just to add some fabric to cover the exposed skin. Maybe that will keep me half a degree warmer, I figure.

I want to keep smashing at the chockstone with my hammer rock, but I can’t bear the suffering it imposes on my left hand. It’s like punching a brick wall again and again. I have an idea to use my left sock around the rock as a pad between it and my hand. Each smashing impact still damages my left hand, but I am making tremendous progress compared to hacking with my ineffective knife. With the series of attacks I’ve made over the course of the afternoon, I have removed more material from the boulder than in the first four days put together. The debris is plentiful enough that I’ve laid the black camera sack I was using as a long sleeve for my left arm over the bandage on my right arm to protect my knife wound from the pulverized grit. Just after six
P.M.,
I take a break to relax my aching left hand and pull out the digital camera again. I take a picture of my right forearm covered with the debris of my effort—an inch-thick layer of sand and rock chips. Putting the camera down, I brush off the rubble, trying to keep the day-old stab wound clear of dirt. A rushing sense of hopelessness overtakes me. Even at this accelerated rate, I can’t possibly obliterate the chockstone to the point where it will release my hand. Not before I die. And that’s even assuming that I could keep up the demolition, which has already caused enough pain in my left hand that I think I might have broken my pinky and ring fingers, or perhaps a bone in my palm above their highest joints. I look forlornly at the hammer rock, wearing my gray SmartWool sock like a stocking cap, and decide to abandon the effort yet again.

Let it go, Aron. Leave the rock there. Why cause yourself any more pain when it’s a futile endeavor to begin with?

I put my sock back on my foot and pull it as high as it will stretch on my calf, knowing I can’t afford to lose any of its insulating effect during the coming night. Somewhere inside my mind, I know I won’t survive tonight in Blue John Canyon. It’s not something I debate or internally discuss, but when I consider that I am going to die in a matter of hours, it rings true. Contrasting my burst of anger earlier during my entrapment, when I lashed out and hit the boulder with the palm of my hand, I accept this statement with a peaceful sense of acknowledgment that I am not in control of this situation. If my time is up, then it is up, and there’s not a thing I can do to stave it off any longer. And if my time isn’t up, then it’s not, and there’s nothing further I need to worry about. But I think the former is much more likely than the latter. I understand that this is the end, that I won’t survive the night, and the thought does not stir me, because I have stopped fighting for control. Letting go of my desire to dictate the outcome of my entrapment releases a disconnected feeling of lightheartedness that vaguely approximates bliss. I wonder if this is what rapture feels like, that mystical experience when each soul relinquishes its earthly embodiment and connects with the divine. It’s not the same as when I have my out-of-body trances, and it’s not apathy or resignation, it’s more like I’ve let go of a spiritual burden. I feel like I’ve recognized a great truth: Some other marvelous force is in control, and has been all along. Give it whatever name I want, all I know for sure is that I don’t have to sweat it out anymore, because I’m not in charge.

Clammy supernatural breezes suck the heat from my body, and my shivering escalates intensely. The canyon is an ice box. Each night has been progressively harder, but these are the killing winds.

Counting from dusk till dawn, I get through only two of the painfully frigid nine hours before I decide it is time to make a final annotation. My watch confirms that it is April 30, for another hour, at least. I had lost interest in time during the afternoon, but now every minute seems important, as any one of them could be my last. I re-etch my name in the sandstone wall over my left shoulder, tracing over the letters I carved with my knife on Saturday after I wrote “Geologic Time Includes Now.” Above the four capitalized letters of my first name, “ARON,” I scratch into the red rock, “OCT 75.” Below my name, I make the complementary scratching “APR 03.” It doesn’t occur to me to write “May,” as I am certain I won’t see the dawn at the far end of this hideously cold night. I finish the epitaph by carving “RIP” above my name and birth month, then I lean back in my harness and set the knife on top of the chockstone before I slip off into a trance.