her anyway, and ended up repudiating her," Guido Ceronetti writes in The Silence of the Body . "He couldn't stand her stench."
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Touch, taste, smell: in the solicitation of love, no sense is left unseized. And because we are above all a visual species, babies play on this by pleasing the eye by being almost too cute, literally, to bear. During the very last weeks of pregnancy, a human infant lays down a layer of subcutaneous fat. The difference between a slightly premature and a full-term baby is largely a matter of two pounds of fat tissue, and the extra bulk makes the birth harder for the mother. A gorilla baby is born with almost no fat on it and instead starts gaining fat and weight postpartum. Why a human baby arrives prefattened isn't clear; there's no obvious physiological justification for the adipose stores. Some have proposed that the fat is there for the sake of the brain, but if great doses of lipids were needed to stoke the infant's fast-growing brain after birth, we would expect to see a high fat content in human milk. Instead the opposite is true, and human milk is comparatively low in fat. Sarah Blaffer Hrdy suggests that babies are fat to make them look adorable. Fat is an aesthetic epoxy. We are drawn to the sight of a chubby, soft, rounded baby, with its round cheeks, round buttocks, fleshy arms and thighs. The visual seductions of a baby, its cuteness quotient, may magnify its power to win the warmth, the nose, the touch, the low-fat holy water of its mother. What comes round stays around.
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Rounded too is the sound of love, the rising and falling voice with which we coo at babies and at a mate. Babies respond most strongly to a voice modulated in clear highs and lows. They must learn language. They must wrap their brains around language, and they learn through well-defined pitches and ups and downs and each word spoken clearly and spoken to them. If baby talk sounds warm, it is a transfer of another sort of warmth, for through baby talk a parent gives a baby mind food, gives the founder units of language, the surest source of human strength. As adults, we coopt the warmth of baby talk to win a lover's affections. We step ontogenically backward, offering through burbles, coos, swoops, and fey nicknames of our own invention.
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We know when we are in a groove, and it feels good, and it feels as though we can go on with it forever. A loved one sedates us when we are frazzled and elates us when we have lapsed into inertia. A well-bonded pair of old marrieds are synchronized watches. Their faces have become
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