Authors: Tess Sharpe
me causes as his other hand clamps over my mouth, steal-
ing my air.
I manage to open my mouth underneath his hold and
bite down hard on his palm, shaking my head back and
forth like a dog. The fl esh between my teeth tears and he
shouts, yanking his hand away as blood arcs from it.
“Stupid
bitch
!” He reaches forward with both hands,
curls his fi ngers around my throat, and he squeezes.
Kneeling on my stomach, he’s pressing whatever air’s
left out of my lungs as he cuts off the rest at my throat.
Gasping for air where there is none, I try to twist out of his
grip, but he’s too heavy, and I’m still yanking uselessly at
his arms as things go gray around the edges.
My lungs burn as I start to drift, my hands fall away, and
the world fades.
The police are here. It’s over. I can be done now. And
maybe . . . just maybe she was right all along about the
heaven thing.
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Bang.
Coach jerks, and as he slumps to the side and falls off
of me, I suck in air in huge gulps, choking on it. Suddenly,
the darkness of the forest is obliterated—everything’s too
bright, like someone’s just turned on a spotlight. I blink
dazedly up at the sky. There’s a whooshing sound above my
head. I feel a sudden breeze on my face and see the pines
bending and swaying from the chopper hovering above us.
“Sophie!” Someone’s grabbing me, dragging me across
the dirt. I bat at the hands on my wrists, trying to fi ght
again. “Sophie! It’s okay! You’re okay!”
“Where’s Adam?” I croak. “He has a gun.”
“It’s okay,” the guy says again. I’m having trouble focus-
ing on the blurry person in front of me, I’m shaking so
badly. “We got him. It’s okay,” he repeats, and then turns
his head and yells out, “Can I get some EMTs down here?!”
“Where’s Coach?” I mumble. My throat hurts, like some-
one’s dragged a razor through it. Everything hurts. I push
at the cop who’s holding on to me, trying to sit up. There’s a
branch digging into my back. “Is he dead?”
“Sophie, you need to stay still. Wilson!” He spots some-
body in the distance and calls him over. When the blurry
fi gure trots up, he barks, “Where are my EMTs?”
My eyes drift shut. It feels so good to close them.
“No, no, Sophie, stay awake.” Fingers dig painfully into
my jaw, yanking my head up. I struggle to open my eyes,
blinking, fi nally focusing on the face in front of me.
It’s Detective James. He looks scared. It’s weird—cops
shouldn’t look scared.
“S’you,” I say. “Told you . . . told you I was clean.”
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“Yeah, you did,” he says. “Stay awake, okay? Keep talk-
ing to me.”
“Don’t let them give me anything,” I tell him, my eyes
shutting again.
“Sophie! Stay awake!”
But I can’t. It’s too hard. “No drugs,” I say. It’s important.
I don’t want them. Not like last time. “Don’t let them. . . .”
I fall into blackness between one breath and the other,
and nothing is painful and everything is fi ne and I can feel
her, somewhere, somehow . . . and it doesn’t hurt. It just
feels right.
Waking up in the hospital is familiar. The beeping of the
machines, the scratch of the sheets, the smell of antiseptic
and death.
“Mina,” I murmur, still half-caught in a dream. My
hand’s being held, carefully, reverently. I know it’s not her,
but for a moment I keep my eyes closed and pretend.
“Hey, you with me?”
I turn my head to the side. Trev’s sitting there. “Hey.”
I swallow, and then immediately regret it. My throat’s on
fi re; it makes me splutter for air. Trev helps me sit up, rub-
bing my back.
“So I guess you got my text,” I say when I can breathe
again. My voice is barely a husk of sound.
“I did,” he says. “Jesus, Soph, you scared the crap out
of me.”
“I’m sorry,” I say. I lean my head against his shoulder.
His T-shirt feels ridiculously soft against my bruised skin.
“I’m really glad you got it, though.”
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He chokes out of laugh, squeezing my hand. “Yeah, me
too.”
“You okay?” I ask.
He looks at me, then down at my hand that he’s holding.
“No,” he says. “I’m not okay.”
I want to pull back the blankets to let him crawl into bed
with me, but I don’t. He’ll keep it together, because that’s
who he is. That’s what he always does. But we take a min-
ute, just one, of silence, where I hold his hand and hope that
it’s all right, that it helps in some small way, because both of
us have to be strong for her just a little longer.
“Where are my parents?” I ask fi nally, when his grip on
my hand loosens. I pull back from him, leaning against the
pillows.
“They’re talking to the doctors. I snuck in.”
“How long has it been?”
“Day and a half. You should go back to sleep. Everything
else can wait until tomorrow.”
I can’t rest or wait, even though every muscle in my
body aches and my head is killing me.
Trev’s thumb rubs my fi ngers gently.
“They won’t let them out on bail, right?” I blurt out. It’s
silly, but last time I woke up in the hospital, I woke up to
people not believing a word I said. I can’t help but be scared
of that happening all over again. “Detective James shot
Coach—is he still alive?”
“Got him in the shoulder. He’ll live to be charged.
Adam’s already confessed,” Trev says, his jaw rigid. “He
cracked the second they started questioning him. You were
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right: he killed Mina and planted the drugs so everyone
would think it was your fault. Coach Rob says he didn’t
know Adam was doing any of it. He’s lawyered up. Won’t
say a thing about Jackie. But it doesn’t matter. There are
enough charges to lay on him . . . on both of them. They’re
gonna be in prison for a long time.” The satisfaction in his
voice is so thick, I can almost taste it.
“Adam saw her,” I say. “When he was fourteen. He saw
Jackie get into Coach’struck that day. And he never told
anyone. Oh, God—Kyle.” I look up at Trev. “Adam is—
was—his best friend. How is he?”
Trev shakes his head. “Kyle’s in shock. The whole town’s
in shock. I think every girl who ever played soccer is get-
ting grilled by her parents about Coach and if he messed
with any of them. He’s lucky he’s in custody; he wouldn’t
last a day loose in town.”
I shudder, wondering if there are any more girls Coach
had “loved.” Ones who were lucky enough not to get
pregnant.
“My mom keeps asking me how this could be,” Trev
says. “How no one could know what was going on between
him and Jackie, and I don’t know what to tell her.” He looks
up at me with so much pain in his eyes, I need to look away.
“He sent us a fucking fruit basket after Mina died, Sophie. I
remember writing the thank-you note for it, signing Mom’s
name.”
I swallow, hoping I’ll feel less sick. All it does is make
my throat hurt more.
“Bastard,” I say. I see the same rage simmering back at
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me in Trev’s eyes. But the word doesn’t begin to encompass
what we feel toward them. I’m not sure I want to examine
it too closely, how clear everything was in those moments
when the zip tie had gouged into Adam’s neck, cutting off
his breath.
Prison is enough. They can both rot there.
I have to repeat it to myself, like it’ll convince me that
it’s a fair trade.
It’s not.
It never will be.
But we have to live with the loss. Shape our lives
around it.
Trev’s hand tightens around mine, and I squeeze back,
trying to be reassuring. But there isn’t enough reassurance
in the world for the two of us. There’s no more hiding. Mina
is gone, and it’s just him and me, who we are and what we
did and what lies ahead.
That’s the most terrifying thought of all.
“And Matt?” I ask. I feel horrible for confronting him at
the church the way I did. If it were me, fi nding out I came
from a family of killers, that they took the love of my life
away, I’d be halfway to an OD by now.
“I tried calling. The phone’s disconnected. They probably
unplugged it because of the reporters, probably. They did
the same thing about Mina—” He stops, because there’s a
top on my hospital room door and then my mom comes in.
“Sweetheart,” she says when she sees I’m awake. Trev
lets go of my hand and gets up. “No, it’s all right, Trev,” she
says. “You can stay if you’d like.”
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“It’s okay, I’ve gotta tell Rachel and Kyle that Sophie’s
awake,” he says. “Check in with my mom. I’ll be back later.”
My mom sits on the bed next to me, watching me with
red eyes. “I’m so glad you’re awake. Your Dad ran home for
a few minutes,” she says. “He said you’d want your yoga
pants when you woke up. How are you feeling?”
“Tired. Hurt.”
“I didn’t let them give you any opiates,” she says. “I’m
sorry, honey, I wish I could—”
“No,” I interrupt. “Thank you. I don’t want any of that
stuff.”
She holds my hand between both of hers. “I wish I could
make you hurt less,” she says.
“It’s okay,” I say. “I’m fi ne. I’ll be fi ne. It’s over now.”
I need to hear that out loud. I need it to sink in, but it
hasn’t yet.In a little while the nurse shoos my mom out
and turns the lights off, ordering me to rest. I’ve got three
broken ribs, a bruised throat, and enough stitches holding
my stomach and face together to feel like Frankenstein’s
monster; fortunately, most of the injuries are superfi cial.
But even those hurt like hell when you can’t have anything
stronger than an aspirin.
I don’t sleep yet. It hurts too much and I’m afraid of what
I’m going to dream about. Afraid that the second I close my
eyes, I’ll be back in Adam’s car, back in Coach’s grip, back
at Booker’s Point.
I can’t stop pressing my fi ngers against the raw skin of
my wrists where the zip tie had dug in.
All I can think about is Mina and how I wish I were like
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her, because then I could believe she was looking down at
me right now, happy that we’d fi gured it out, brought her
and Jackie some justice.
But I can’t believe that. All I can do is feel what I feel: a
vague sense of relief, dulled by shock and the spacey haze
that’s stolen over me.
Now it’s only me keeping the monsters at bay: I have
no mission, no crusade, nothing else. Mina’s memory will
sustain me for only so long. It scares me, how easy it could
be to fall back down that hole I’d worked so hard to climb
out of.
Ten months. One week.
I want Aunt Macy. I grab the cell phone my parents left
for me and punch in her number with shaking hands.
“I’m on my way right now,” she says when she picks up.
“I’ll be there in a few hours.”
I let out a shuddery breath. “It’s over,” I say into the
phone.
“Yes it is. Remind me to kick your ass later for putting
yourself in so much danger,” Macy says, the relief in her
voice robbing the threat of all of its power. “This almost-
dying thing is getting to be a habit with you. Not good.”
“I guess I just take after you,” I say.
Macy laughs shakily. “Hell, I hope not.”
I’m quiet for a long time, listening to the buzz of Macy’s
radio, the occasional honk of an eighteen-wheeler as it
passes her car. She’s on the highway, driving to me. Just the
sound of it soothes me in a way nothing else could.
“I’m scared,” I say, breaking my silence.
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“I know you are,” she says, her voice ringing out over
the traffi c noise. “But you’re brave, babe. You’re strong.”
“I want . . .” I stop. “I really want to shut down right
now,” I confess. It’s sharp in my gut, that need to numb
myself, to bury every worry about the future, avoid all the
hard choices I have to make.
“They didn’t give you anything, did they?”
“No,” I say. “Mom wouldn’t let them. I don’t want any.”
“That’s smart.”
We’re quiet again, and eventually I fall asleep, the phone
cradled against my ear.
Around two in the morning, the click of the door closing
wakes me. I sit up, expecting the nurse, but it’s Kyle.
“What are you doing here?” I ask.
“Charmed the nurse into letting me in.” Kyle sits down
at the foot of the bed, dropping a handful of candy on my
lap. “I raided the vending machine.”
He looks as bad as I feel. His eyes are all puffy and red,
and he’s careful not to meet my eyes as he pushes a pack of
licorice toward me.
I sit up, tearing the bag open and popping a piece in my
mouth. “I don’t know what to say,” I tell him.
Kyle makes a sound in the back of his throat, an almost