Authors: Tess Sharpe
stars Macy stuck up there. “Is Mina there?” I ask. “She was supposed
to call.”
“I know,” Trev says. “She asked me to call and tell you she’ll talk to
you on Tuesday. She’s all distracted. Mom and I are meeting this new
boyfriend of hers.”
Cold shock spears through me. I sit straight up, so fast that my
back fl ares painfully in protest. “Boyfriend?”
T E S S S H A R P E
167
“Didn’t she tell you? Of course she didn’t. Mina and her secrets.”
Trev’s words are full of fondness. “He’s that blond one who follows her
around like a puppy. Kyle.”
“Kyle Miller,” I croak. I think I’m going to be sick. I almost drop
the phone, but force myself to keep listening.
She never said anything. This entire time, all these months, I’d
been thinking . . .
Oh God. This is Jason Kemp all over again. But it’s so much worse
this time.
“Yeah, that’s it. Is he still a good guy? Or am I gonna have to scare
him off ?”
“Um . . .” What do I say? He’s a man-whore. The biggest asshole in
the world. A chronic cheater. . . any wild lie to get him away from her.
“Soph?”
“He . . . he’s okay, I guess,” I stutter. “Kind of a jock. He’s always
had a crush on her. I guess she’s decided to fi nally give him a chance.”
Macy knocks on my open door, peering in. She taps her watch,
and I nod to show I’m fi nishing up. “I have to go,” I blurt out. My eyes
burn. Any second I’ll start crying, and I’m desperate to hang up before
he catches on. “Trev . . . does she seem happy?”
“Yeah,” he says, unaware what that one word does to me.
“Good, that’s—good. Anyway, I should go. Thanks for calling.”
“I’ll call again,” he says. “And I’ll see you when you get home.”
“Of course.”
I never want to go home now. I want to stay here forever. Hide
from what’s waiting. I’m so angry and hurt, the memory of her touch
still fresh on my skin aft er all this time. I don’t even know what to do.
I put my phone away and sit on my bed.
I want to use.
The thought slips through me, tantalizing, kissing across my
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F A R F R O M Y O U
body. It beckons me.
Just one more time. It’d feel so good, it’d make
you forget, it’d make it better.
And I want to so badly.
Three months. One week. One day.
I can’t.
I won’t.
But, oh, do I want to.
37
NOW (JUNE)
“Are you really gonna make me stay in the car?” Kyle asks
as we drive down the dirt road leading to Rachel’s house. I
park behind her mud-spattered Chevy and get out, trying
to ignore how my legs are still shaking.
“No,” I say reluctantly. “Come on.”
He follows me up the porch steps, and I knock hard on
the door. The impatience that I’ve kept at bay leaps to life
again.
What has she found?
Rachel doesn’t answer, but I hear the rumble of an engine
in the distance, so Kyle and I walk around the house to the
back fi eld. The dogs are lying on the deck, panting in the
heat. Rachel’s riding an ancient mower, cutting swathes of
long, summer-bleached grass in the yard. She waves when
she spots us, cutting the engine and hopping off, walking
toward us.
“Who’s this?” she asks when she gets close to the porch.
“Kyle.”
Rachel raises an eyebrow. “Seriously?”
“I think he’s on our side now,” I say.
“That’s right,” Kyle says. “Hi.” He holds his hand out to
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F A R F R O M Y O U
her, and she takes it, frowning.
“You’re gonna have to fi ll me in later, Sophie,” she says.
“Will do,” I say, trying to conceal my impatience. “Now
what did you fi nd out?”
Rachel wipes at her forehead, sweat beading at her tem-
ples. “Come inside. I’ve got it all set up. It’s better if you
see it.”
She leads us into her living room, where she’s got a lap-
top sitting on the wagon-wheel coffee table. She clicks and
taps for a few seconds, then fl ips the switch of the projec-
tor she’s got rigged next to it. On the wall opposite us, her
desktop appears.
“I’ve got to say, your girl? She was thorough.” Rachel
clicks on a fi le labeled
TL
, and my eyes widen as the fi rst
thing I see is:
September 28: Jackie Dennings disappears while
jogging on Clear Creek Road (approx. 6PM). Mother calls police
when she doesn’t return by dinner (approx. 8PM). Police recover
pink sweater at the side of Clear Creek Road (approx. 9PM).
I scan the rest of the page.
It’s a time line.
My chest is tight with triumph. I’d been right. Mina
chasing after a story got her killed.
“What is this?” Kyle asks.
“They’re Mina’s notes,” I say as Rachel clicks on the
arrow, revealing another date on Mina’s time line:
September
30: Matthew Clarke (Jackie’s boyfriend) is brought in for ques-
tioning.
“This is the real reason we were out at Booker’s
Point. Rachel, are all the fi les on the drive about Jackie
Dennings?”
T E S S S H A R P E
171
“Yeah.” Rachel minimizes the time line and brings up
more fi les, newspaper articles this time, their headlines blar-
ing
Community
Searches for Missing Girl
;
Six Weeks, No Sign of
Local Girl
; and
Two Years Later, Dennings’s Disappearance Still
a Mystery
.
“Fuck,” Kyle says.
“What?” I ask.
“Last year, Mina asked me to get my brother to give
her Amy Dennings’s phone number. Tanner and Amy are
friends.”
“Jackie’s little sister?” I ask.
Kyle nods. “You remember when Jackie disappeared?
We’d just started freshman year. There were all those vigils.”
“Trev was upset,” I say. “He and Jackie were in the same
class.”
I look at the article Rachel’s projector beams onto the
wall. Jackie Dennings’s face smiles at me, her straight blond
hair brushing her shoulders, blue eyes full of warmth.
What had Mina found that made her chase after this so
recklessly?
“What else do the notes say?” I ask Rachel.
“Jackie Dennings has been missing for almost three
years,” Rachel says. “They never found any trace of her. No
sightings. She’s just . . .
gone
. I don’t mean to sound all dire
or anything, but she’s almost defi nitely dead. And Mina
thought so, too.” Rachel taps on the keyboard for a few sec-
onds, and the newspaper articles disappear, replaced with
a map of the county. There’s a big circle drawn around the
northwest corner, and when I look closer, I see that right at
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F A R F R O M Y O U
the center of the circle is Clear Creek Road, where Jackie
disappeared.
“Was she looking for places where Jackie’s body might
be?” I ask, feeling sick to my stomach.
“Well, yeah,” Rachel says. “I mean, I don’t know if she
was going off in the woods with a shovel, but she mapped
it out. Estimated how far whoever took Jackie would be able
to get before the police put up road blocks. Mina’s theory
was that Jackie got abducted on Clear Creek Road and then
taken to a second location, killed there, and dumped.”
“West of town, he had half the Trinities to choose from.”
I shake my head.
“And the lake’s only ten miles away,” Rachel says. “The
ideal place to dump a body. No one’s gonna be fi nding it.”
“So you’re saying that whoever took and probably killed
Jackie Dennings three years ago killed Mina, too?” Kyle
asks.
“Well, if she was meeting someone for a story, it was
most certainly
this
story,” Rachel says. “And she was inter-
viewing people connected to the case. There are three audio
fi les of her interviewing Jackie’s family members and the
boyfriend. That’s probably why she wanted Amy’s number
from you, Kyle. Amy’s interview is on the thumb drive.”
My breath catches in my throat and something twists
inside me, a weird mix of dread and wonder. “There’s . . .
her voice . . . It’s Mina talking?” I ask.
Rachel reaches over and squeezes my hand. “Do you
want me to play them?”
A sickening heat fl oods me, half want, half protest.
T E S S S H A R P E
173
I’m not ready.
“No,” I say quickly. “No. Please. Don’t.”
There’s an exhalation of breath behind me, a relieved
sigh from Kyle.
“She had a lot of material,” Rachel says. “I swear she
saved every article ever written about Jackie. And her sus-
pect list is so detailed—she was good at this.”
“Too good,” I say. “She got too close. She was gonna fi g-
ure it out. And he stopped her so she wouldn’t tell.”
“There’s one thing,” Rachel says. “I think the killer tried
to warn her. Tried to get her to back off.”
“What?” Kyle and I say at the same time.
“Seriously, look.” Rachel brings forward Mina’s time
line again, paging forward. “The time line’s huge; it spans
years. The most recent entry is December, just a few months
before Mina was killed. Look at what it says.”
December 5: Warning note received. Sender’s been tipped off
(Accidentally? On purpose?)
December 20: Note #2 received. Going to lie low for a while.
Just to be safe.
I’m paralyzed for a moment with anger, consumed by it.
Why did she have to be so secretive all the time? She
should’ve known better. Should’ve known she wasn’t invul-
nerable. I hate her for being so reckless. For not bothering to
think about all of us, left in her wake.
“That’s what the killer meant,” I whisper. “That night.
He said ‘I warned you’ before he shot her.”
“She was getting threatening notes and she didn’t tell
us?” Kyle looks bewildered. “She would’ve told the police,”
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F A R F R O M Y O U
he adds, but he sounds uncertain, because deep down he
knows he’s wrong. He’s trying to hide, to forget, what she
was really like. How she’d existed half in this world and
half in her own, and how when she’d break the rules, it’d
be so beautiful to be a part of it that you’d play along, fol-
low her anywhere, just to bask in her glow. “Or Trev?” he
suggests, when Rachel and I say nothing. “Maybe she told
Trev?”
“If she had told Trev she was being threatened, trust me,
we wouldn’t even be having this discussion,” I say. “She’d
be alive right now. Because Trev would’ve locked her in her
room and called the cops. That’s why she didn’t tell him.
That’s why she didn’t tell anyone.”
Kyle looks out the window at nothing as Rachel bites
her lip, her gaze fl itting back and forth between the two
of us.
“She wouldn’t have gone out there that night if she
thought she was meeting the person who sent those notes,
though,” Kyle says, breaking the uncomfortable lull. This
time, there’s no uncertainty in his voice.
“Are you sure about that?” Rachel asks, and she’s look-
ing more at me than Kyle.
I almost shrug, but Kyle beats me to it. “No,” he says
fi rmly. “Not with Sophie there. If she thought it would be
dangerous, she would’ve come up with an excuse to leave
Sophie at home.”
“She didn’t treat me—”
“You don’t know how much she worried about you
relapsing— she always talked to me about it. She wouldn’t
have put you in danger.”
T E S S S H A R P E
175
Heat crawls along my cheeks, and the silence goes on
too long, until Rachel clears her throat.
“So that means it was someone she didn’t suspect,” I say.
“It means more than that,” Kyle says. “It means it was
someone she trusted.”
Kyle’s right, of course. It makes me sick that she just
walked into it. That the killer gained her trust, manipulated
her into meeting him out there, and she’d gone, because she
had that hunger to
know
.
“There aren’t any scans or photos of the warning notes
she got?” I ask.
Rachel shakes her head. “No. She would’ve kept them,
though, right?”
“Defi nitely,” I say.
“But the police searched her room,” Kyle says.