The Reincarnationist (2 page)

Rome, Italy—the present
Tuesday, 6:45 a.m
.

S
ixteen feet underground, the carbine lantern flickered, illuminating the ancient tomb's south wall. Josh Ryder was astounded by what he saw. The flowers in the fresco were as fresh as if they'd been painted days before. Saffron, crimson, vermilion, orange, indigo, canary, violet and salmon blossoms all gathered in a bouquet, stunning against the Pompeii-red background. Beneath him, the floor shimmered with an elaborate mosaic maze done in silver, azure, green, turquoise and cobalt: a pool of watery tiles. Behind him, Professor Rudolfo continued explaining the importance of this late fourth-century tomb in his heavily accented English. At least seventy-five, he was still spry and energetic, with lively, coal-black eyes that sparkled with excitement as he talked about the excavation.

He'd been surprised to have a visitor at such an early hour, but when he heard Josh's name, Rudolfo told the guard on duty that yes, it was fine, he was expecting Mr.
Ryder later that morning with the other man from the Phoenix Foundation.

Josh had woken before dawn. He rarely slept well since his accident last year, but last night's insomnia was more likely due to the time change—having just arrived in Rome that day from New York—or the excitement of being back in the city where so many of his memory lurches took place. Too restless to stay in the hotel, he grabbed his camera and went for a walk, not at all sure where he was going. But something happened while he was out.

Despite the darkness and his ignorance of the city's layout, he proceeded as if the route had been mapped out for him. He knew the path, even if he had no idea of his final destination. Deserted avenues lined with expensive stores gave way to narrow streets and ancient buildings. The shadows became more sinister. But he kept going.

If he'd passed anyone else, he hadn't noticed them. And even though it had seemed like a thirty-minute walk, it turned out to have taken more than two hours. Two hours spent in a semitrance. He'd watched the night change from blue-gray to pale gray to a lemony-pink as the sun came up. He'd seen lush green hills develop the way the images in a photograph did in a chemical bath. From nothing to a shadow to a sense of a shape to a real form, but he didn't know if he'd stopped to take any shots of the scenery. The whole episode was both disconcerting and astonishing when it turned out that, seemingly by chance, he'd stumbled onto the very site he and Malachai Samuels had been invited to view later that morning.

Or not by chance at all.

The professor didn't ask why he was so early or question how he'd found the dig. “If it were me, I wouldn't have been able to sleep, either. Come down, come down.”

Content to let the professor assume enthusiasm had brought him there at six-thirty in the morning, Josh breathed deeply and took a first tentative step down the ladder, refusing to allow his mind to dwell on the claustrophobia he'd suffered his whole life and which had intensified since the accident.

Strains of music from
Madame Butterfly
that had first caught Josh's attention and then drawn him up this particular hill were louder now, and he concentrated on the heartbreaking aria as he descended into the dimly lit chamber.

The space was larger than he'd anticipated, and he exhaled, relieved. He'd be able to tolerate being there.

The professor shook his hand, introduced himself, then turned down the volume on the dusty black plastic CD player and began the tour.

“The crypt is—I will do this for you in feet, not meters—eight feet wide by seven feet long. Professor Chase—Gabriella—and I believe it was built in the very last years of the fourth century. Until we have the carbon dating back we can't be positive. But from some of the artifacts here, we think it was 391 A.D., the same year the cult of the Vestal Virgins ended. Such decoration is atypical for this type of burial chamber, so we believe it must have been intended for someone else and then used for the Vestal when her inconstancy was discovered.”

Josh lifted his camera to his eye, but before he took a shot he asked if the professor minded. Nothing short of a bomb had ever stopped him from taking a photo when he was working for the Associate Press. Then six months ago he'd taken a leave of absence to work as a videographer and photographer of children who came to the Phoenix Foundation for help with their past-life regression memories. Since then, he'd gotten used to asking for
permission before shooting. In return, he had access to the world's largest and most private library on the subject of reincarnation as well as the chance to work with the foundation's principals.

“It's fine, yes, but would you clear it with either Gabriella or me before you show the pictures or release them to anyone? Everything here is still a secret we are trying to keep until we have additional information about exactly what we have discovered. We don't want to create false excitement if we're wrong about our find. Better to be safe, no?”

Josh nodded as he focused and clicked the shutter. “What did you mean by the Vestal's inconstancy?”

“Maybe that is the wrong word, I'm sorry. I meant the breaking of her vows. That's better, no?”

“What vows? Were the Vestals nuns?”

“Pagan nuns, yes. Upon entering the order they took a vow of chastity, and the punishment for breaking that vow was to be buried alive.”

Josh felt an oppressive wave of sadness. As if on autopilot, he depressed the shutter. “For falling in love?”

“You are a romantic. You will enjoy Rome.” He smiled. “Yes, for falling in love or for giving in to lust.”

“But why?”

“You need to understand that the religion of ancient Rome was based on a strict moral code that stressed truthfulness, honor and personal responsibility while demanding steadfastness and devotion to duty. They believed that every creature had a soul, but they were also very superstitious, worshipping gods and spirits who had influence over every aspect of their lives. If all the rituals and sacrifices were performed properly, the Romans believed the gods would be happy and help them. If they weren't, they believed the gods would punish them. Contrary to
public misinformation, the ancient religion was quite humane in general. Pagan priests could marry, and have children and…”

The faint scents of jasmine and sandalwood that usually accompanied his memory lurches teased Josh, and he fought to stay attuned to the lecture. He felt as if he'd always known about these painted walls and the maze beneath his feet but had forgotten them until this moment. The sensations that usually accompanied the waking nightmares he'd been experiencing since the accident were rocking him: the slow drift down, the undulating, the prickles of excitement running up his arms and his legs, the submergence into that atmosphere where the very air was thicker and heavier.

* * *

He ran in the rain. His soaked robe was heavy on his shoulders. Under his feet the ground was muddy. He could hear shouting. He stumbled. Struggled to get up.

Focus
, Josh intoned in some other section of his brain where he remained in the present.
Focus
. He looked through the lens at the professor, who was still talking, using his hands to punctuate his words, causing the light beam to crisscross the tomb wildly, illuminating one corner and then another. As Josh followed with his camera, he felt the grip on his body relax and he let out a sigh of relief before he could stop himself.

“Are you all right?”

Josh heard Rudolfo as if he was on the other side of a glass door.

No. Of course he was not all right.

Sixteen months before, he'd been on assignment here in Rome, which turned out to be the wrong place at the wrong time. One minute he'd been photographing a dispute between a woman with a baby carriage and a
guard, and the next a bomb was detonated. The suicide bomber, two bystanders and Adreas Carlucci—the security guard—were killed. Seventeen people were wounded. No motive had been discovered. No terrorist group had claimed the incident.

The doctors later told Josh they hadn't expected him to live, and when he finally came to in the hospital forty-eight hours later, scattered bits of what seemed like memories started to float to the surface of his consciousness. But they were of people he'd never met, in places he'd never been, in centuries he'd never lived.

None of the doctors could explain what was happening to him. Neither could any of the psychiatrists or psychologists he saw once he was released. Yes, there was some depression, which was expected after an almost-fatal accident such as the one he'd suffered. And of course, post-traumatic stress syndrome could produce flashbacks, but not of the type he was suffering: images that burned into his brain so he had no choice but to revisit them over and over, torturing himself as he probed them for meaning, for reason. Nothing like dreams that fade with time until they're all but forgotten, these were endlessly locked sequences that never changed, never developed, never revealed any of the layers that hid beneath their horrific surface. These were blue-black-scarlet chimeras that came during the day when he was awake. They obsessed him to the point of becoming the final stress in an already-broken marriage and set him apart from an entire phalanx of friends who didn't recognize the haunted man he'd become. All he cared about was finding an explanation for the episodes he'd experienced since the accident. Six full blown, dozens of others he managed to fight back and prevent.

As if they were made of fire, the hallucinations burned
and singed and scorched his ability to be who he'd always been, to function, to sustain some semblance of normalcy. Too often, when he caught sight of himself in a mirror, he blanched. His smile didn't work right anymore. The lines in his face had deepened seemingly overnight. The worst of it was in his eyes, as if someone else was in there with him waiting, waiting, to get out. He was haunted by the thoughts he couldn't stop from coming, like a great rising flood.

He lived in fear of his own mind, which projected the fragmented kaleidoscopic images: of a young, troubled man in nineteenth-century New York City, of another in ancient Rome caught up in a violent struggle and of a woman who'd given up everything for their frightening passion. She shimmered in moonlight, glistening with opalescent drops of water, crying out to him, her arms open, offering him the same sanctuary he offered her. The cruelest joke was the intensity of his physical reaction to the visions. The lust. The rock-hard lust that turned his body into a single painful craving to smell her scent, to touch her skin, to see her eyes soaking him up, to feel her taking him into her, looking down at her face softened in pleasure, insanely, obscenely hiding nothing, knowing there was nothing he was holding back, either. They couldn't hold back. That would be unworthy of their crime.

No, these were not posttraumatic stress flashbacks or psychotic episodes. These shook him to his core and interfered with his life. Tormented him, overpowered him, making it impossible for him to return to the world he'd known before the bombing, before the hospital, before his wife ultimately gave up on him.

There was a possibility, the last therapist said, that there was something neurological causing the hallucinations. So
Josh visited a top neurologist, hoping—as bizarre as it was to hope such a thing—that the doctor would find some residual brain trauma as a result of the accident, which would explain the waking nightmares that plagued him. He was disconsolate when tests showed none.

Josh was out of choices—nothing was left but to explore the impossible and the irrational. The quest exhausted him, but he couldn't give up; he needed to understand even if it meant accepting something that he couldn't imagine or believe: either he was mad, or he'd developed the ability to revisit lives he'd lived before this one. The only way he would know was to find out if reincarnation was real, if it was truly possible.

That was what brought him to the Phoenix Foundation's Drs. Beryl Talmage and Malachai Samuels, who, for the past twenty-five years, had recorded more than three thousand past-life regressions experienced by children under the age of twelve.

Josh took another photograph of the south corner of the tomb. The smooth, cold metal case felt good in his hands, and the sound of the shutter was reassuring. Recently he'd given up digital equipment and had been using his father's old Leica. It was a connection to real memories, to sanity, to support, to logic. The way a camera worked was simple. Light exposed the image onto the emulsion. Developing the film was basic chemistry. Known elements interacted with paper treated with yet other known elements. A facsimile of an actual object became a new object—but a real one—a photograph. A mystery unless you understood the science. Knowledge. That was all he wanted. To know more—to know everything—about the two men he had been channeling since the accident. Damn, he hated that word and its association with New Age psychics and shamans. Josh's black-
and-white view of the world, his need to capture on film the harsh reality of the terror-filled times, did not jibe with someone who channeled anything.

“Are you all right?” the professor asked again. “You look haunted.”

Josh knew that, had seen it when he looked in the mirror; glimpsed the ghosts hiding in the shadows of his expression.

“I'm amazed, that's all. The past is so close here. It's incredible.” It was easy enough to say because it was the truth, but there was more he hadn't said that was amazing. As Josh Ryder, he'd never before stood in that crypt sixteen feet under the earth. So then how did he know that behind him, in a dark corner of the tomb the professor hadn't yet shown him or shone the light on, there were jugs, lamps and a funerary bed painted with real gold?

He tried to peer into the darkness.

“Ah, you are like all Americans.” The professor smiled.