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Authors: Ann Beattie

The New Yorker Stories (5 page)

BOOK: The New Yorker Stories
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“Hello, Elsa,” he says. She can’t possibly hear him above Silas’s barking. Michael leads the barking dog into the bedroom and closes the door. He walks back to the door. Elsa has come into the house and shut the door behind her.

“Hi, Elsa,” he says.

“Hi. I’ve come for you.”

“What do you mean?”

“May I come in? Is this your house? This can’t be your house. Where did you get all the furniture?”

“I’m staying here while some friends are out of town.”

“Did you break into somebody’s house?”

“I’m watching the place for my friends.”

“What’s the matter with you? You look horrible.”

“I’m not too clean. I forgot to take a shower.”

“I don’t mean that. I mean your face. What’s wrong with you?”

“How did you find me?”

“Carlos.”

“Carlos wouldn’t talk.”

“He did, Michael. But let’s argue at home. I’ve come to get you and make you come home and share the responsibility for Mary Anne.”

“I don’t want to come home.”

“I don’t care. If you don’t come home, we’ll move in here.”

“Silas will kill you.”

“I know the dog doesn’t like me, but he certainly won’t kill me.”

“I’m supposed to watch these people’s house.”

“You can come back and check on it.”

“I don’t want to come with you.”

“You look sick, Michael. Have you been sick?”

“I’m not leaving with you, Elsa.”

“O.K. We’ll come back.”

“What do you want me back for?”

“To help me take care of that child. She drives me crazy. Get the dog and come on.”

Michael lets Silas out of the bedroom. He picks up his bag of grass and his pipe and what’s left of the bag of pecans, and follows Elsa to the door.

“Pecans?” Elsa asks.

“My grandmother sent them to me.”

“Isn’t that nice. You don’t look well, Michael. Do you have a job?”

“No. I don’t have a job.”

“Carlos can get you a job, you know.”

“I’m not working in any factory.”

“I’m not asking you to work right away. I just want you in the house during the day with Mary Anne.”

“I don’t want to hang around with her.”

“Well, you can fake it. She’s your daughter.”

“I know. That doesn’t make any impression on me.”

“I realize that.”

“Maybe she isn’t mine,” Michael says.

“Do you want to drive, or shall I?” Elsa asks.

Elsa drives. She turns on the radio.

“If you don’t love me, why do you want me back?” Michael asks.

“Why do you keep talking about love? I explained to you that I couldn’t take care of that child alone anymore.”

“You want me back because you love me. Mary Anne isn’t that much trouble to you.”

“I don’t care what you think as long as you’re there.”

“I can just walk out again, you know.”

“You’ve only walked out twice in seven years.”

“The next time, I won’t get in touch with Carlos.”

“Carlos was trying to help.”

“Carlos is evil. He goes around putting curses on things.”

“Well, he’s your friend, not mine.”

“Then why did he talk?”

“I asked him where you were.”

“I was on the verge of picking up a barmaid,” Michael says.

“I don’t know how I could help loving you,” Elsa says.

“Where are we going, Daddy?”

“To water plants.”

“Where are the plants?”

“Not far from here.”

“Where’s Mommy?”

“Getting her hair cut. She told you that.”

“Why does she want her hair cut?”

“I can’t figure her out. I don’t understand your mother.”

Elsa has gone with a friend to get her hair done. Michael has the car. He is tired of being cooped up watching daytime television with Mary Anne, so he’s going to Prudence and Richard’s even though he just watered the plants yesterday. Silas is with them, in the back seat. Michael looks at him lovingly in the rearview mirror.

“Where are we going?”

“We just started the ride. Try to enjoy it.”

Mary Anne must have heard Elsa tell him not to take the car; she doesn’t seem to be enjoying herself.

“What time is it?” Mary Anne asks.

“Three o’clock.”

“That’s what time school lets out.”

“What about it?” Michael asks.

He shouldn’t have snapped at her. She was just talking to talk. Since all talk is just a lot of garbage anyway, he shouldn’t have discouraged her. He reaches over and pats her knee. She doesn’t smile, as he hoped she would. She is sort of like her mother.

“Are you going to get a haircut, too?” she asks.

“Daddy doesn’t have to get a haircut, because he isn’t trying to get a job.”

Mary Anne looks out the window.

“Your great-grandma sends Daddy enough money for him to stay alive. Daddy doesn’t want to work.”

“Mommy has a job,” Mary Anne says. His wife is an apprentice bookbinder.

“And you don’t have to get your hair cut, either,” he says.

“I want it cut.”

He reaches over to pat her knee again. “Don’t you want long hair, like Daddy?”

“Yes,” she says.

“You just said you wanted it cut.”

Mary Anne looks out the window.

“Can you see all the plants through that window?” Michael says, pulling up in front of the house.

He is surprised when he opens the door to see Richard there.

“Richard! What are you doing here?”

“I’m so sick from the plane that I can’t talk, man. Sit down. Who’s this?”

“Did you and Prudence have a good time?”

“Prudence is still in Manila. She wouldn’t come back. I just had enough of Manila, you know? But I don’t know if the flight back was worth it. The flight back was really awful. Who’s this?”

“This is my daughter, Mary Anne. I’m back with my wife now. I’ve been coming to water the plants.”

“Jesus, am I sick,” Richard says. “Do you know why I’d feel sick after I’ve been off the plane for half a day?”

“I want to water the plants,” Mary Anne says.

“Go ahead, sweetheart,” Richard says. “Jesus—all those damn plants. Manila is a jungle, did you know that? That’s what she wants. She wants to be in the jungle. I don’t know. I’m too sick to think.”

“What can I do for you?”

“Is there any coffee?”

“I drank it all. I drank all your liquor, too.”

“That’s all right,” Richard says. “Prudence thought you’d do worse than that. She thought you’d sell the furniture or burn the place down. She’s crazy, over there in that rain jungle.”

“His girlfriend is in Manila,” Michael says to his daughter. “That’s far away.”

Mary Anne walks off to sniff a philodendron leaf.

Michael is watching a soap opera. A woman is weeping to another woman that when her gallbladder was taken out Tom was her doctor, and the nurse, who loved Tom, spread
rumors
, and . . .

Mary Anne and a friend are pouring water out of a teapot into little plastic cups. They sip delicately.

“Daddy,” Mary Anne says, “can’t you make us real tea?”

“Your mother would get mad at me.”

“She’s not here.”

“You’d tell her.”

“No, we wouldn’t.”

“O.K. I’ll make it if you promise not to drink it.”

Michael goes into the kitchen. The girls are squealing delightedly and the woman on television is weeping hysterically. “Tom was in line for chief of surgery once Dr. Stan retired, but
Rita
said that he . . .”

The phone rings. “Hello?” Michael says.

“Hi,” Carlos says. “Still mad?”

“Hi, Carlos,” Michael says.

“Still mad?” Carlos asks.

“No.”

“What have you been doing?”

“Nothing.”

“That’s what I figured. Interested in a job?”

“No.”

“You mean you’re just sitting around there all day?”

“At the moment, I’m giving a tea party.”

“Sure,” Carlos says. “Would you like to go out for a beer? I could come over after work.”

“I don’t care,” Michael says.

“You sound pretty depressed.”

“Why don’t you cast a spell and make things better?” Michael says. “There goes the water. Maybe I’ll see you later.”

“You’re not really drinking tea, are you?”

“Yes,” Michael says. “Goodbye.”

He takes the water into the living room and pours it into Mary Anne’s teapot.

“Don’t scald yourself,” he says, “or we’re both screwed.”

“Where’s the tea bag, Daddy?”

“Oh, yeah.” He gets a tea bag from the kitchen and drops it into the pot. “You’re young, you’re supposed to use your imagination,” he says. “But here it is.”

“We need something to go with our tea, Daddy.”

“You won’t eat your dinner.”

“Yes, I will.”

He goes to the kitchen and gets a bag of M&Ms. “Don’t eat too many of these,” he says.

“I’ve got to get out of this town,” the woman on television is saying. “You know I’ve got to go now, because of Tom’s dependency on Rita.”

Mary Anne carefully pours two tiny cups full of tea.

“We can drink this, can’t we, Daddy?”

“I guess so. If it doesn’t make you sick.”

Michael looks at his daughter and her friend enjoying their tea party. He goes into the bathroom and takes his pipe off the window ledge, closes the door and opens the window, and lights it. He sits on the bathroom floor with his legs crossed, listening to the woman weeping on television. He notices Mary Anne’s bunny. Its eyebrows are raised with amazement at him. It is ridiculous to be sitting in the bathroom getting stoned while a tea party is going on and a woman shrieks in the background. “What else can I do?” he whispers to the bunny. He envies the bunny—the way it clutches the bar of soap to its chest. When he hears Elsa come in, he leaves the bathroom and goes into the hall and puts his arms around her, thinking about the bunny and the soap. Mick Jagger sings to him: “All the dreams we held so close seemed to all go up in smoke . . .”

“Elsa,” he says, “what are your dreams?”

“That your dealer will die,” she says.

“He won’t. He’s only twenty years old.”

“Maybe Carlos will put a curse on him. Carlos killed his godfather, you know.”

“Be serious. Tell me one real dream,” Michael says.

“I told you.”

Michael lets her go and walks into the living room. He looks out the window and sees Carlos’s car pull up in front of the walk. He goes out and gets into Carlos’s car. He stares down the street.

“Don’t feel like saying hello, I take it,” Carlos says.

Michael shakes his head.

“Hell,” Carlos says, “I don’t know what I keep coming around for you for.”

Michael’s mood is contagious. Carlos starts the car angrily and roars away, throwing a curse on a boxwood at the edge of the lawn.

Wolf Dreams

W
hen Cynthia was seventeen she married Ewell W. G. Peterson. The initials stood for William Gordon; his family called him William, her parents called him W.G. (letting him know that they thought his initials were pretentious), and Cynthia called him Pete, which is what his Army buddies called him. Now she had been divorced from Ewell W. G. Peterson for nine years, and what he had been called was a neutral thing to remember about him. She didn’t hate him. Except for his name, she hardly remembered him. At Christmas, he sent her a card signed “Pete,” but only for a few years after the divorce, and then they stopped. Her second husband, whom she married when she was twenty-eight, was named Lincoln Divine. They were divorced when she was twenty-nine and a half. No Christmas cards. Now she was going to marry Charlie Pinehurst. Her family hated Charlie—or perhaps just the idea of a third marriage—but what she hated was the way Charlie’s name got mixed up in her head with Pete’s and Lincoln’s. Ewell W. G. Peterson, Lincoln Divine, Charlie Pinehurst, she kept thinking, as if she needed to memorize them. In high school her English teacher had made her memorize poems that made no sense. There was no way you could remember what came next in those poems. She got Ds all through high school, and she didn’t like the job she got after she graduated, so she was happy to marry Pete when he asked her, even if it did mean leaving her friends and her family to live on an Army base. She liked it there. Her parents had told her she would never be satisfied with anything; they were surprised when it turned out that she had no complaints about living on the base. She got to know all the wives, and they had a diet club, and she lost twenty pounds, so that she got down to what she weighed when she started high school. She also worked at the local radio station, recording stories and poems—she never knew why they were recorded—and found that she didn’t mind literature if she could just read it and not have to think about it. Pete hung around with the men when he had time off; they never really saw much of each other. He accused her of losing weight so she could attract “a khaki lover.” “One’s not enough for you?” he asked. But when he was around, he didn’t want to love her; he’d work out with the barbells in the spare bedroom. Cynthia liked having two bedrooms. She liked the whole house. It was a frame row house with shutters missing downstairs, but it was larger than her parents’ house inside. When they moved in, all the Army wives said the same thing—that the bedroom wouldn’t be spare for long. But it stayed empty, except for the barbells and some kind of trapeze that Pete hung from the ceiling. It was nice living on the base, though. Sometimes she missed it.

BOOK: The New Yorker Stories
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