The Mike Hammer Collection (24 page)

“Jack was a cop. Someone always hates cops. Especially a cop that is getting close to him. But Jack didn't know just who he was getting close to until you held a rod on him and pumped one into his intestines. That was it, wasn't it?”

She looked so pathetic standing there. Twin tears welled up and rolled down her cheeks. So pathetic and so helpless. As though she wanted to stop me, to tell me I was wrong—to show me how wrong I was. Her eyes were pools of supplication, begging, pleading. But I went on.

“It was you and Hal at first. No, just you alone. Your profession started it. Oh, you made money enough, but not enough. You are a woman who wanted wealth and power. Not to use it extravagantly, but just to have it. How many times have you gone into the frailty of men and seen their weaknesses? It made you afraid. You no longer had the social instinct of a woman—that of being dependent upon a man. You were afraid, so you found a way to increase your bank account and charge it to business. A way in which you'd never be caught, but a dirty way. The dirtiest way there is—almost.”

“Your clientele. It was wealthy, proud. With your ability and appearance and your constant studies, you were able to draw such a group to you. Yes, you treated them, eased their mental discomfitures—but with drugs. Heroin. You prescribed, and they took your prescription—to become addicts, and you were their only source for the stuff and they had to pay through the nose to get it. Very neat. So awfully neat. Being a doctor, and through your clinic, you could get all the stuff you needed. I don't know how your delivery system worked, but that will come later.

“Then you met Hal Kines. An innocent meeting, but isn't that the way all things start? That's why I had trouble with the answer, it was all so casual. You never suspected him of his true activities, did you? But one day you used him as a subject for an experiment in hypnosis, didn't you? He was a fool to do it, but he had no choice if he wanted to play his role. And while he was under hypnosis you inadvertently brought to light every dirty phase of his life.

“You thought you had him then. You told him what you had discovered and were going to fit him into your plans. But you were fooled. Hal was not a college kid. He was an adult. An adult with a mature, scheming mind, who could figure things out for himself—and he had already caught wise to what you were doing and was going to hold it over your head. All you got out of that was a stalemate. Remember the book on your shelf—Hypnosis as a Treatment for Mental Disorders? It was well thumbed. I knew you were well versed in that angle, but I never caught on until yesterday.”

“You and Hal held on tightly, each waiting for the other to make a break, but there was too much of a risk to take to start anything. That's where Jack came in. He was a shrewd one. That guy had a brain. Sure, he helped Hal out of a small jam, but in doing so something aroused his suspicions, and all the while he pretended to be helping Hal with his work he was really investigating him. Jack found out what Hal was up to, and when by accident he met Eileen, she confirmed it. Jack knew about the show through her, and since Hal was the brains of the outfit, knew, too, that he would be there.

“But let's jump back a little bit. Jack wanted to see you about something during the week. You yourself told me that. No, Jack didn't suspect you, but he thought that since you were connected with him through the school and the clinic, you might be able to keep tab on him.

“But the night of the party you saw the yearbooks Jack had collected and knew why he had them. And you were afraid that if he exposed Hal, the guy would think you had something to do with it and turn you in, too. So you came back. When your maid went back to sleep you simply detached the chime behind the door and left, being careful not to be seen. What did you do, swipe Jack's key to the place before you left? I don't doubt it. Then you got him in the bedroom. You shot him and watched him die. And while he tried to pull himself toward his gun you made a psychological study of a man facing death, telling the story, and drawing the chair back inch by inch until his body gave up. Then you went home. That was it, wasn't it? No, you don't have to answer me because there could be no other way.”

“But in the yearbooks you took from Jack's apartment were notations about Eileen. Her picture was in one, too, with Hal's. You knew that murder didn't stop there and saw how to cover one killing by committing another. You told Hal what you found, and sent him to threaten Eileen, and followed him in. Then, while the show went on, you killed them both, thinking that the murders would have to be hushed and the bodies disposed of by the others in the syndicate if they wanted to continue operation of the call house. You were right there. Somebody would have taken care of the matter if we hadn't come along so fast. When we crashed the joint you saw the madam run for it and followed her, and she never knew it, did she? How damn lucky you were. Coincidence and Lady Fortune were with you all the way Neither Pat nor I thought to query you on an alibi for that night, but I bet you had a honey prepared.

“Let's not leave out George Kalecki. He found out about you. Hal must have gotten drunk and spilled the works. That's why he was surly the night of the party. He was worried and sore at Hal. Hal told you that George knew and you tried to pot him and missed. The only time you did miss. So he moved to town to get closer to the protection of the police. He couldn't tell them why, though, could he? You were still safe. He tried to implicate me to get me on the ball and run the killer down before the killer got to him.

“And after Hal's death, when we were walking along the park and George tried his hand with a gun, he wasn't shooting at me as I thought. It was you whom he wanted. He tailed me figuring I'd lead him to you. He knew he would be next on your list unless he got you first. George wanted out, but before he could blow he had to try to get the evidence Hal compiled or else take a chance on being sent to the chair if the stuff was ever found. Tough. I got him first. If he hadn't shot at me I wouldn't have killed him and he would have talked. I would have loved to make him yell his lungs out. Once more you were lucky.”

“Then Bobo Hopper. You didn't plan his death. It was an accident. Coincidence again that he had a former connection with George Kalecki. He had a job that he was proud of. He worked in your neighborhood running errands, delivering messages and sweeping floors. Only a simple moron who worked for nickels, but a happy egg. A guy that wouldn't step on ants and kept a beehive for a hobby. But one day he dropped a package he was delivering for you—a prescription, you told him. He was afraid he'd lose his job, so he tried to get the prescription refilled at a druggist, and it turned out to be heroin that you were sending to a client. But meanwhile the client called you and said the messenger hadn't shown up. I was there in your apartment that day, remember ? And when I went for a haircut, you hurried out in your car, followed the route Bobo would have taken and saw him go in the drugstore, waited, and shot him when he came out.

“No, your alibi is shot. Kathy was home and never saw or heard you leave. You pretended to be in your darkroom, and no one ever disturbs a person in a darkroom. You detached the chimes and left, and came back without Kathy being any the wiser. But in your hurry you forgot to reconnect the chimes. I did it. Remember that, too? I came back for my wallet and there you were, a perfect alibi.

“Even then I didn't get it. But I started narrowing it down. I knew there was a motive that tied the thing up. Pat has a list of narcotic addicts. Someday, when they are cured, we'll get something from them that will lay it at your feet.

“Myrna was next. Her death was another accident. You didn't plan this one, either, but it had to be. And when I left you at the tennis game it gave you the chance. When did the possibilities of the consequence of her leaving occur to you? Immediately, I bet, like Bobo. You have an incredible mind. Somehow you think of everything at once. You knew how Bobo's mind would work and what might have happened, and you knew the woman, too. That comes as a result of being a psychiatrist. I was asleep when you arrived at the Bellemy place. You had a coat the same color as Myrna's, but with a fur collar. And you knew, too, that women have a bad habit of trying on each other's clothes in private. You couldn't afford that chance because you had a deck of heroin in your coat pocket, or possibly traces of the stuff. And you were delivering it to Harmon Wilder and Charles Sherman—that's why they ran, because they had some of the junk on them.

“Yes, you were a little too late. Myrna found the stuff in your pocket. She knew what it was. She should. Until Jack came along she lived on the stuff. You found her with it in her hand and shot her. Then you took off your coat, threw it on the bed with the others, and put Myrna's on her while she lay there on the floor. As for powder burns, simple. Pull the nose out of a slug and fire the gun at her body as a blank. You even dropped the slug that went through her in the folds of the coat. Have you burned your coat yet? I bet—since it had powder burns on it. But some of the blue fibers were still under her fingernails, from a coat the same color as yours. That and the mirror was the final clue. That and the heroin you missed. A girl stands in front of a mirror for just one thing, especially in a room full of clothes.

“I don't know where you get your luck, Charlotte. You came in while the bartender went for a drink, but you couldn't afford to be seen going out. Not after you committed a murder. So you took the ledge around the building to the fire escape like a human fly. I was too broad to make it, but you weren't. You took your shoes off, didn't you? That's why there were no scratches in the cement. During the excitement of the game no one noticed you leave or return. Some kind of mass psychology, right?

“No, Charlotte, no jury would ever convict you on that, would they? Much too circumstantial. Your alibis were too perfect. You can't break an alibi that an innocent person believes is true. Like Kathy, for instance.

“But I would, Charlotte. And later we can take our time to worm out the truth without the interference of a court trial. We won't have to worry about a smart lawyer cracking our chains of circumstance and making them look foolish to a jury. We will know the answer as we do the problem, but the solution will take time. A trial wouldn't give us that time.

“No, Charlotte, I'm the jury now, and the judge, and I have a promise to keep. Beautiful as you are, as much as I almost loved you, I sentence you to death.”

The roar of the .45 shook the room. Charlotte staggered back a step. Her eyes were a symphony of incredulity, an unbelieving witness to truth. Slowly, she looked down at the ugly swelling in her naked belly where the bullet went in. A thin trickle of blood welled out.

I stood up in front of her and shoved the gun into my pocket. I turned and looked at the rubber plant behind me. There on the table was the gun, with the safety catch off and the silencer still attached. Those loving arms would have reached it nicely. A face that was waiting to be kissed was really waiting to be splattered with blood when she blew my head off. My blood. When I heard her fall I turned around. Her eyes had pain in them now, the pain preceding death. Pain and unbelief.