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Hosmer, Harriet G.
Letters and Memories.
New York: Moffat Yard and co., 1912.

Huidekoper, Alfred.
Glimpses of Europe in 1851 and 1867-8.
Meadville PA: Printed for the Author, 1882.

Indianapolis (IN) News.
“Edmonia Lewis, an Interview.” Nov. 18, 1878.

Ingram, J. S. The Centennial Exposition, Described and Illustrated. Philadelphia: Hubbard Bros, 1876. , http://fax.libs.uga.edu/text/ceditxt.txt.

James, Henry.
William Wetmore Story and his Friends.
Boston: Houghton Mifflin, 1903.

Jarves, James Jackson.
The Art-Idea. Sculpture, Painting and Architecture in America.
New York: Hurd and Houghton, 1864.

------.
Art Thoughts.
New York: Hurd and Houghton, 1869.

------. “What American Women Are Doing in Sculpture.”
Art Review
(Mar. 1871): 3-4.

Johnson, William Henry.
Autobiography.
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65 (1998): 300-323.

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The First Woman in the Republic. A Critical Biography of Lydia Maria Child.
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. Sept. 28, 1876. LS.

Langston, John Mercer.
From the Virginia Plantation to the National Capitol.
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Bright Particular Star, Life and Times of Charlotte Cushman.
New Haven, CT: Yale University Press, 1970. Accessed June 30, 2010. http://www.cardinalbook.com/leach/cushman/iso8859/index.htm.

Leeson, Michael A., ed.
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Chicago: Warner, Beers, 1885.

Leininger-Miller, Theresa. “Edmonia Lewis Marble Sculpture, The Bride Of Spring.” In
Fall Americana: Fine and Decorative Art Oct. 12-13, 2007.
Lot 644, 196-199. Cincinnati OH: Cowan’s Auctions, Inc., 2007. http://www.cowanauctions.com/auctions/item.aspx?ItemId=49074

Longfellow, Henry Wadsworth.
Life ... with Extracts from His Journals.
Boston: Ticknor and co., 1886.

------.
The Song of Hiawatha.
Boston: Ticknor and Fields, 1856.

Miller, Joaquin, ed.
An Illustrated History of the State of Montana.
Chicago: Lewis Pub. Co., 1894.

Murray, Freeman Henry Morris.
Emancipation and the Freed in American Sculpture: A Study in Interpretation.
Washington DC: author, 1916.

Nelson, Charmaine A.
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Newark (NJ) Daily Advertiser.
“An Artistic Presentation.” Dec. 27, 1878

New York (NY) Frank Leslie’s Illustrated Newspaper.
“Edmonia Lewis, Sculptor.” Aug. 1, 1868, 316.

New York (NY) Progressive American.
Reprinted in “Edmonia Lewis.” NNEra, Feb. 12, 1874.

NYT. “Roman Studios.” May 17, 1873.

-----. “Seeking Equality Abroad.” Dec. 29, 1878.

-----. Untitled interview. Sept. 25, 1879.

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1909.

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Fine and Decorative Art, Feb. 7, 2009.
Lot 190. Cincinnati: Cowan’s Auctions, 2009.

------. “Edmonia Lewis at McGrawville: The Early Education of a Nineteenth-Century Black Woman Artist.”
Nineteenth-Century Contexts
22 (2000): 239-256.

------. “Edmonia Lewis’ The Death of Cleopatra. Myth and Identity.” International Review of African American Art 12 (1995): 36–52.

------. “Friends and Colleagues: Edmonia Lewis and Her Italian Circle.”
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SFC. “A Colored Sculptress.” Sept. 3, 1873.

------. “Edmonia Lewis.” Aug. 26, 1873.

SFDEB. “Edmonia Lewis.” Aug. 28, 1873.

------. “Edmonia Lewis.” Sept. 6, 1873.

------. “Statuary at the Art Rooms.” Sept. 8, 1873.

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SFEl. “Miss Lewis, the Colored Sculptor.” June 12, 1868.

------. “Miss Edmonia Lewis.” Sept. 6, 1873.

SFPaA. “Miss Edmonia Lewis’ Statuary Exhibition.” Sept. 6, 1873.

------. “Our Distinguished Visitor.” Aug. 30, 1873.

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We Are Your Sisters.
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Willard, Frances E.
Writing Out My Heart. Selections from the Journal … 1855-96.
Urbana: University of Illinois Press, 1995.

Wolfe, Rinna Evelyn.
Edmonia Lewis. Wildfire in Marble.
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Wreford, Henry. “Lady Artists in Rome,” by H. W. A-J. June 1, 1866, 177-178.

------. “A Negro Sculptress,” by H. W.
Athenæum
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------. The Studios of Rome, by H. W. A-J. May 1, 1870, 141-142.

Figure 55.
Harry Henderson (left) and Romare Bearden

Harry and Romie first met in the 1940s at a studio that Romie shared with photographer Sam Shaw. Photo: Frank Stewart.

NOTES

 

 

[1]
Suggested cataloging:

Henderson, Harry Brinton, Jr.,
(1914-2003)

The Indomitable Spirit of Edmonia Lewis. A Narrative Biography / Harry Henderson and Albert Henderson.

Includes illustrations, maps, bibliographical references, list of work
s
.

1.
Mary Edmonia Lewis, 1844-1907. 2. Sculptors – United States – Biography. 3. Women sculptors – United States – Biography. 4. Expatriate sculptors – Italy – Rome – Biography. 5. Afro-American art. 6. Afro-American artists – Biography.

I. Henderson, Albert (Kossack), 1938-
II. Title

ISBN 978-1-58863-451-1 (PDF electronic book)

ISBN 978-1-58863-452-8 (EPUB electronic book)

 

730.92

NB237 L487

 

 

NOTES FOR INTRODUCTION

[2]
See also Albert and Joseph Henderson, “Romare Bearden and Harry B. Henderson, Jr.,”
100 Fine Works on Paper,
Swann, public sale 2049, Sept. 15, 2005, opp. Item 64; Harry Henderson, biography, http://harryhenderson.com/bio.

[3]
Veronica Chambers, book review,
Los Angeles (CA) Times Book Review,
Jan. 2, 1994, and Barbara Chase-Riboud, book review,
African American Review
30 (Spring, 1996), 115-116, both described
A History
as a “ landmark work.” See also Ruth Fine,
The Art of Romare Bearden
(Washington, DC: National Gallery of Art / Harry N. Abrams, Inc., 2003), 188-189, who termed it “an invaluable reference.”

[4]
Bearden and Henderson,
A History,
54-77, 485-489, covers Edmonia Lewis and offers a number of illustrations not duplicated here.

 

NOTES FOR PROLOGUE

[5]
“Colored” was the most common usage found in print with our subject.

[6]
We found evidence Edmonia returned to America in 1869, 1870, 1872, 1873, 1875, 1876, 1878, 1879, 1898, and possibly 1886 and 1899.

[7]
SFC, Aug. 26, 1873.

[8]
See Lydia Maria Child [hereafter “Child”], letter to the editor,
New York (NY) Independent,
Apr. 5, 1866; Sampson, “Doing the Centennial.”

[9]
The reforms included the Thirteenth Amendment to the Constitution banning slavery (ratified 1865); the Fourteenth guaranteeing citizenship, due process, equal protection of law, and representative government (1868); and the Fifteenth prohibiting the use of race in determining who could vote (1870).

[10]
Murray,
Emancipation,
20-23.

[11]
Passenger list,
SS Ville de Paris
(French Line), which arrived in New York July 1, 1875, from Le Havre. The word of choice at the time, “emigrants” (rather than “immigrants”), emphasized foreign origins.

[12]
Fletcher,
A History,
II, 553. Unless indicated otherwise, historical details about the College come from this work, James Harris Fairchild,
Oberlin: Its Origin, Progress, and Results
(Oberlin: Shankland and Harmon, 1860), the U. S. Census, or Oberlin College,
General Catalogue
(1909). Of the village’s 2,915 people, twenty-five per cent were colored, the highest proportion of any northern city or settlement. Three to four percent of the student body were colored.

[13]
Oberlin College Archives. Edmonia attended Oberlin College’s preparatory course 1859 to 1860 and continued with the ladies’ course 1860 to 1863, including optional winter courses to study algebra, botany, composition, and rhetoric when the College was officially closed. She did not complete the 1863 term.

[14]
Anne Whitney [hereafter “Whitney”] to Adeline M. Manning, Aug. 9, 1864, Payne MSS: 511-512.

[15]
Leeson,
History of Montana,
254, 1141; Miller,
An Illustrated History,
374-376;
Bozeman (MT) Courier,
Apr. 6, 1896. Unless otherwise indicated, biographical details of Edmonia’s brother come from these three sources and the U. S. census.

[16]
Suggesting members of the Lewis family continued living in Newark, a New Jersey death certificate dated Dec. 19, 1882, recorded “Hannah M. Lewis” age 4 years, 10 months, colored, born in Newark, father black teamster Henry F. Lewis, and wife Cinderella.

BOOK: The Indomitable Spirit of Edmonia Lewis
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