The Chronicles of Narnia -Complete Series- (83 page)

BOOK: The Chronicles of Narnia -Complete Series-
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"Have a care, Rabadash," said Aslan quietly. "The doom is nearer now: it is at the door: it has lifted the latch."

"Let the skies fall," shrieked Rabadash. "Let the earth gape! Let blood and fire obliterate the world! But be sure I will never desist till I have dragged to my palace by her hair the barbarian queen, the daughter of dogs, the -"

"The hour has struck," said Aslan: and Rabadash saw, to his supreme horror, that everyone had begun to laugh.

They couldn't help it. Rabadash had been wagging his ears all the time and as soon as Aslan said, "The hour has struck!" the ears began to change. They grew longer and more pointed and soon were covered with grey hair. And while everyone was wondering where they had seen ears like that before, Rabadash's face began to change too. It grew longer, and thicker at the top and larger eyed, and the nose sank back into the face (or else the face swelled out and became all nose) and there was hair all over it. And his arms grew longer and came down in front of him till his hands were resting on the ground: only they weren't hands, now, they were hoofs. And he was standing on all fours, and his clothes disappeared, and everyone laughed louder and louder (because they couldn't help it) for now what had been Rabadash was, simply and unmistakably, a donkey. The terrible thing was that his human speech lasted just a moment longer than his human shape, so that when he realized the change that was coming over him, he screamed out:

"Oh, not a Donkey! Mercy! If it were even a horse - e'en - a hor - eeh - auh, eeh-auh." And so the words died away into a donkey's bray.

"Now hear me, Rabadash," said Aslan. "Justice shall be mixed with mercy. You shall not always be an Ass."

At this of course the Donkey twitched its ears forward and that also was so funny that everybody laughed all the more. They tried not to, but they tried in vain.

"You have appealed to Tash," said Aslan. "And in the temple of Tash you shall be healed. You must stand before the altar of Tash in Tashbaan at the great Autumn Feast this year and there, in the sight of all Tashbaan, your ass's shape will fall from you and all men will know you for Prince Rabadash. But as long as you live, if ever you go more than ten miles away from the great temple in Tashbaan you shall instantly become again as you now are. And from that second change there will be no return."

There was a short silence and then they all stirred and looked at one another as if they were waking from sleep. Aslan was gone. But there was a brightness in the air and on the grass, and a joy in their hearts, which assured them that he had been no dream: and anyway, there was the donkey in front of them.

King Lune was the kindest-hearted of men and on seeing his enemy in this regrettable condition he forgot all his anger.

"Your royal Highness," he said. "I am most truly sorry that things have come to this extremity. Your Highness will bear witness that it was none of our doing. And of course we shall be delighted to provide your Highness with shipping back to Tashbaan for the - er - treatment which Aslan has prescribed. You shall have every comfort which your Highness's situation allows: the best of the cattleboats - the freshest carrots and thistles -"

But a deafening bray from the Donkey and a well-aimed kick at one of the guards made it clear that these kindly offers were ungratefully received.

And here, to get him out of the way, I'd better finish off the story of Rabadash. He (or it) was duly sent back by boat to Tashbaan and brought into the temple of Tash at the great Autumn Festival, and then he became a man again. But of course four or five thousand people had seen the transformation and the affair could not possibly be hushed up. And after the old Tisroc's death when Rabadash became Tisroc in his place he turned out the most peaceable Tisroc Calormen had ever known. This was because, not daring to go more than ten miles from Tashbaan, he could never go on a war himself: and he didn't want his Tarkaans to win fame in the wars at his expense, for that is the way Tisrocs get overthrown. But though his reasons were selfish, it made things much more comfortable for all the smaller countries round Calormen. His own people never forgot that he had been a donkey. During his reign, and to his face, he was called Rabadash the Peacemaker, but after his death and behind his back he was called Rabadash the Ridiculous, and if you look him up in a good History of Calormen (try the local library) you will find him under that name. And to this day in Calormene schools, if you do anything unusually stupid, you are very likely to be called "a second Rabadash".

Meanwhile at Anvard everyone was very glad that he had been disposed of before the real fun began, which was a grand feast held that evening on the lawn before the castle, with dozens of lanterns to help the moonlight. And the wine flowed and tales were told and jokes were cracked, and then silence was made and the King's poet with two fiddlers stepped out into the middle of the circle. Aravis and Cor prepared themselves to be bored, for the only poetry they knew was the Calormene kind, and you know now what that was like. But at the very first scrape of the fiddles a rocket seemed to go up inside their heads, and the poet sang the great old lay of Fair Olvin and how he fought the Giant Pire and turned him into stone (and that is the origin of Mount Pire - it was a two-headed Giant) and won the Lady Liln for his bride; and when it was over they wished it was going to begin again. And though Bree couldn't sing he told the story of the fight at Zalindreh. And Lucy told again (they had all, except Aravis and Cor, heard it many times but they all wanted it again) the tale of the Wardrobe and how she and King Edmund and Queen Susan and Peter the High King had first come into Narnia.

And presently, as was certain to happen sooner or later, King Lune said if was time for young people to be in bed. "And tomorrow, Cor," he added, "shalt come over all the castle with me and see the estres and mark all its strength and weakness: for it will be thine to guard when I'm gone."

"But Corin will be the King then, Father," said Cor.

"Nay, lad," said King Lune, "thou art my heir. The crown comes to thee."

"But I don't want it," said Cor. "I'd far rather-"

"'Tis no question what thou wantest, Cor, nor I either. 'Tis in the course of law."

"But if we're twins we must be the same age."

"Nay," said the King with a laugh. "One must come first. Art Corin's elder by full twenty minutes. And his better too, let's hope, though that's no great mastery." And he looked at Corin with a twinkle in his eyes.

"But, Father, couldn't you make whichever you like to be the next King?"

"No. The king's under the law, for it's the law makes him a king. Hast no more power to start away from thy crown than any sentry from his post."

"Oh dear," said Cor. "I don't want to at all. And Corin - I am most dreadfully sorry. I never dreamed my turning up was going to chisel you out of your kingdom."

"Hurrah! Hurrah!" said Corin. "I shan't have to be King. I shan't have to be King. I'll always be a prince. It's princes have all the fun."

"And that's truer than thy brother knows, Cor," said King Lune. "For this is what it means to be a king: to be first in every desperate attack and last in every desperate retreat, and when there's hunger in the land (as must be now and then in bad years) to wear finer clothes and laugh louder over a scantier meal than any man in your land."

When the two boys were going upstairs to bed Cor again asked Corin if nothing could be done about it. And Corin said:

"If you say another word about it, I'll - I'll knock you down."

It would be nice to end the story by saying that after that the two brothers never disagreed about anything again, but I am afraid it would not be true. In reality they quarrelled and fought just about as often as any other two boys would, and all their fights ended (if they didn't begin) with Cor getting knocked down. For though, when they had both grown up and become swordsmen, Cor was the more dangerous man in battle, neither he nor anyone else in the North Countries could ever equal Corin as a boxer. That was how he got his name of Corin Thunder-Fist; and how he performed his great exploit against the Lapsed Bear of Stormness, which was really a Talking Bear but had gone back to Wild Bear habits. Corm climbed up to its lair on the Narnian side of Stormness one winter day when the snow was on the hills and boxed it without a time-keeper for thirty-three rounds. And at the end it couldn't see out of its eyes and became a reformed character.

Aravis also had many quarrels (and, I'm afraid, even fights) with Cor, but they always made it up again: so that years later, when they were grown up, they were so used to quarrelling and making it up again that they got married so as to go on doing it more conveniently. And after King Lune's death they made a good King and Queen of Archenland and Ram the Great, the most famous of all the kings of Archenland, was their son. Bree and Hwin lived happily to a great age in Narnia and both got married but not to one another. And there weren't many months in which one or both of them didn't come trotting over the pass to visit their friends at Anvard.

THE MAGICIAN'S NEPHEW

BY

C. S. LEWIS

CHAPTER ONE

THE WRONG DOOR

This is a story about something that happened long ago when your grandfather was a child. It is a very important story because it shows how all the comings and goings between our own world and the land of Narnia first began.

In those days Mr Sherlock Holmes was still living in Baker Street and the Bastables were looking for treasure in the Lewisham Road. In those days, if you were a boy you had to wear a stiff Eton collar every day, and schools were usually nastier than now. But meals were nicer; and as for sweets, I won't tell you how cheap and good they were, because it would only make your mouth water in vain. And in those days there lived in London a girl called Polly Plummer.

She lived in one of a long row of houses which were all joined together. One morning she was out in the back garden when a boy scrambled up from the garden next door and put his face over the wall. Polly was very surprised because up till now there had never been any children in that house, but only Mr Ketterley and Miss Ketterley, a brother and sister, old bachelor and old maid, living together. So she looked up, full of curiosity. The face of the strange boy was very grubby. It could hardly have been grubbier if he had first rubbed his hands in the earth, and then had a good cry, and then dried his face with his hands. As a matter of fact, this was very nearly what he had been doing.

"Hullo," said Polly.

"Hullo," said the boy. "What's your name?"

"Polly," said Polly. "What's yours?"

"Digory," said the boy.

"I say, what a funny name!" said Polly.

"It isn't half so funny as Polly," said Digory.

"Yes it is," said Polly.

"No, it isn't," said Digory.

"At any rate I do wash my face," said Polly, "Which is what you need to do; especially after -" and then she stopped. She had been going to say "After you've been blubbing," but she thought that wouldn't be polite.

"Alright, I have then," said Digory in a much louder voice, like a boy who was so miserable that he didn't care who knew he had been crying. "And so would you," he went on, "if you'd lived all your life in the country and had a pony, and a river at the bottom of the garden, and then been brought to live in a beastly Hole like this."

"London isn't a Hole," said Polly indignantly. But the boy was too wound up to take any notice of her, and he went on "And if your father was away in India - and you had to come and live with an Aunt and an Uncle who's mad (who would like that?) - and if the reason was that they were looking after your Mother - and if your Mother was ill and was going to - going to - die." Then his face went the wrong sort of shape as it does if you're trying to keep back your tears.

"I didn't know. I'm sorry," said Polly humbly. And then, because she hardly knew what to say, and also to turn Digory's mind to cheerful subjects, she asked:

"Is Mr Ketterley really mad?"

"Well either he's mad," said Digory, "or there's some other mystery. He has a study on the top floor and Aunt Letty says I must never go up there. Well, that looks fishy to begin with. And then there's another thing. Whenever he tries to say anything to me at meal times - he never even tries to talk to her - she always shuts him up. She says, "Don't worry the boy, Andrew" or "I'm sure Digory doesn't want to hear about that" or else "Now, Digory, wouldn't you like to go out and play in the garden?"

"What sort of things does he try to say?"

"I don't know. He never gets far enough. But there's more than that. One night - it was last night in fact - as I was going past the foot of the attic-stairs on my way to bed (and I don't much care for going past them either) I'm sure I heard a yell."

"Perhaps he keeps a mad wife shut up there."

"Yes, I've thought of that."

"Or perhaps he's a coiner."

"Or he might have been a pirate, like the man at the beginning of Treasure Island, and be always hiding from his old shipmates."

"How exciting!" said Polly, "I never knew your house was so interesting." .

"You may think it interesting," said Digory. "But you wouldn't like it if you had to sleep there. How would you like to lie awake listening for Uncle Andrew's step to come creeping along the passage to your room? And he has such awful eyes."

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