The Adventures of Bindi Girl: (2012) (10 page)

BOOK: The Adventures of Bindi Girl: (2012)
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I scurried off as tears actually welled up in my eyes, determined to skedaddle further up the coastline and find a little piece of peace. Off I trod, squish-squashing in my flip-flops through the slurping sand as a light rain fell upon me and all my belongings. I had marveled at the über-organized Germans on the ferry to the island as they oh-so-practically and preparedly covered their rucksacks with some special, handy-dandy fitted canvas coverings that had somehow evolved in backpacker gear repertoire over the past few years. Oh well, you can’t think of everything. That wouldn’t be adventurous, now would it?

I romped aside millipedes and through mud puddles up the jungly coastal trail. Finally, three bungalow compounds later, I came into a clearing of open space and a humble villa. Jutting up against the forest, fragrant, colorful flowers everywhere, the sea lapping up against the land, on the veranda perched a squat, smiling, older Thai man with his young wife and small child. Could it be the authentic place I was searching for?

“Bungalow?” I asked hopefully.

“One only!” he responded with a grin. “Single, fan only, toilet outside! 100 Baht.”

Now that’s more like it! I inspected the digs first, as I always do, but my gut had known immediately it was the place for me. “I’ll take it!” I told the old man. I would have paid double that price just for the lovely essence of the place. I thanked my lucky stars that these little hovels have survived, even in an overdeveloped island like Koh Phangan. I was so much happier there than in a deluxe resort room. I don’t mean to say that I don’t appreciate luxury; first class suits me just fine at times. But that’s not the type of Asia traveler I wish to be this time around. It’s not the point. Plus, I’m in for the long haul, and saving two or three or four dollars a day goes a long, long way.

Exhausted, I threw off my pack and flung myself down on the bed, too tired to tuck the mosquito netting in. It had been a hard haul from San Francisco, via Taipei, through Bangkok as I had made my way down to the island. I was beat, and very much looking forward to a long, sweaty nap.

The cicadas began their cacophony outside in the pre-sunset heat. I tuned them out and fell into a trance, and had just about dozed off when, suddenly, I became Little Miss Muffet.

Half- asleep, I felt something drop—phwap—onto my left hand. Not wanting to look, but forcing myself, I found myself staring at a big, furry friend—an arachnid, three-inches in diameter.

Welcome to the jungle.

With a loud yelp, I bolted upright and flung the tarantula look-alike into a corner of the hut. Inspecting the room for more spiders, telling myself there was nothing to worry about and it was right-quick time to toughen up, young lady, I finally drifted off to sleep—after coating myself with ultra-toxic DEET (screw citronella—it’s no time for au natural in the tropics!) and, this time, triple-checking the net was securely tucked in.

Sometime in the middle of the night, a complete chorus of brass horns started blowing somewhere in the jungle, just behind my bungalow.
That’s odd. I wonder who’s up and playing jazz in the middle of the night?
I got up, making my way to the outside toilet with the moon as my guide, and looked and looked around the bungalows behind mine. No lights on, nobody home. No one blowing horns and no wayfaring trippers still up with iPods blaring. I shrugged, jetlagged and out of it, and tumbled back to bed. I tightly screwed in my earplugs, figuring I’d investigate in the morning.

The next evening, sometime after supper, I was heading back from the village through the jungle path, when I heard the horns again. This time, smartly outfitted with headlamp, I followed the sound. Determined, I bushwhacked through the palm trees into the next resort, sidestepping the swampy drainage ditches. The sound got louder and I knew my suspicions must be true. I shined the headlamp into the murky depths of a stagnant slough, and there they were! A veritable saxophone symphony, a righteous convention of amphibious musicians! All shapes and sizes of frogs, blowin’ their brass like no tomorrow, mimicking Miles and Coltrane in perfect two-four timing!

Now, that’s why they call them horn-y toads!

It was a fabulous “welcome back to travel!” granted by Mother Nature Herself. After three days of making miserable comparisons to the way things used to be, I realized that this compare and contrast with the past head-trip had to stop immediately. Otherwise, there’d be no way I’d enjoy any part of Thailand, let alone what changes I might come across in India.

Things change. I’ve changed. The world is changing—rapidly. Globalization: it’s hard to accept. Still, how can I judge the desire of a developing nation to grow, to modernize, to seek comforts of the West? How can I expect them to preserve their traditional ways, staying poor and rudimentary just for my sake? It’s a complex issue, one I am sure I will be forced to confront throughout my journey.

To be sure, the comparison trip can be a real devil when traveling, especially upon returning to a place you’ve visited before. I suppose one way I can bypass this trickster to some extent is to go to new places as much as possible. Certainly, that’s got its pluses and minuses as well—part of the draw to return to India is to revisit some of the spots that I consider “home,” at least spiritually. We shall see.

All things considered, I dare say: if you haven’t yet traveled to the East, and feel the call:

Go. Now.

Jai Maa Kali

27th of October, New Delhi

Oh me, oh my. Where to begin? My heart is simply
bursting
with joy.

I have landed, with grace, back in India. The essence of the Divine Mother seeps from every pore of the nation. The arms of this country embrace me truly, as if I were a child returning home after an overly long absence. The energy is powerful. I feel
love
in indescribable ways.

Instantly upon arrival at Indira Gandhi International Airport, I knew I was on the right track in each and every way, as I guided three frightened young women travelers to share my prearranged awaiting taxi. Coming straight from the beaches of Thailand themselves, and it being their first time in India, they were understandably intimidated at the prospect of finding rooms and navigating the chaos upon landing late at night in Delhi.

As these young women—one from Beijing, two from Brazil—approached me at the customs exit (did I have a look that said “old India hand” written on my face?), I took them under my wing: “No worries, girls. Now cover up those spaghetti straps with some clothing, and follow me into the dirtiest, craziest, most wonderful, beautiful slurry of activity—the Main Bazaar of Pahar Ganj—and we’ll get you some rooms.”

I explained to the prearranged taxi coordinator that he would have to fit all four of us, bags and all. Of course he had no problem, no problem at all, when he learned there was an extra 300 rupees in the pot for him.

And, to my sheer GLEE, as the minivan taxi pulled up next to us curbside, on the windshield was a huge banner decal stating “JAI MAA KALI.”

Maa Kali is the fierce goddess that watches my back. An incarnation of the ultimate Mother, Kali is the divine slayer of illusion, and a great protector and source of guidance for me. Of course She would be the chosen guardian of my very first Indian transport-chariot! Perfect. My heart sang, as I spontaneously repeated the words aloud, with gusto, into the hazy Delhi night, “Jai Maa Kali!”

Surprised, the taxi man turned to look at me, a foreign girl who’d just joyfully sent a prayer to the heavens aloud. But the Indian didn’t miss a beat; with a great white, toothy grin beaming from his beautiful brown face, he repeated after me:

“Jai Maa Kali!”

And off we went, a group of girls piled into the minicab, braving the INSANE driving behavior of India, whirling into the dusty, sparkling, chaotic, colorful, fantastic adventures that India—and Maa Kali—has in store.

Natural Woman

28
th
of October, New Delhi

Here, in the capital of the nation, I made a family of friends before I even unzipped my bag.

Last night, at the rooftop restaurant of our hotel, I sat drinking chai after chai for hours with a cavalcade of travelers—English, Dutch, American, French, Palestinian, Swiss, Italian, Japanese, Chinese, and Israeli. Along the way, someone discovered that I love to sing.

And I do love to sing. I do, I do! So, at their prodding and gentle encouragement, I serenaded the dark, smoky skies of Delhi, as a few leftover fireworks from the recent Diwali holiday exploded into the inky night. A complete
a cappella
rendition of Carole King’s “Natural Woman”(made famous by Aretha Franklin of course) spilled forth from my soul. Almost effortless, it was as if the muse of India Herself coaxed and coddled the song from my heart, from my core. Even as I was singing, with the requisite multi-accented backup team on chorus, there wasn’t a shred of self-consciousness. None at all. Rather, it was the most natural feeling in the whole, wide, glorious world.

Today, a group of us are off for a whirlwind of fun in the bazaars of Old Delhi—the tiny, mazelike streets of Chandi Chowk and the Thieves Market. And tonight, I head west via bus to Pushkar, for the Camel Fair, in the deserts of Rajasthan.

Indian Dream

30
th
of October, Pushkar

Even after a jolting, jarring, fifteen-hour tourist bus ride to Pushkar, Rajasthan—a journey that takes less than five hours by car, I still can’t peel the smile off my face. My perma-grin reveals: “I’m so grateful to be here. I’m so happy to be “home” again, a part of this global family.”

The past days, I’ve been exploring the hustle and bustle of trading camels, horses, and dust of the Camel Fair. I’ve also been “adopted” by a tailor’s family living along the ghats of Brahma’s holy lake—laughing with the kids, eating
chapati
,
dal
, and
subji
on the floor, receiving beautiful henna tattoos on my hands. Evenings, I’d hike up the hill to watch the sunset from the sacred Saraswati temple.

And—
Ram Ram Jaya Ram—
I was given an Indian name
by a Hindu priest called Maharaji Shiva. It was at an evening
puja
on the holy lake. I was minding my own business, watching the Full Moon ceremonies, when a white-clad priest, who was clearly after donations, offered to give me an Indian name. Sure, I thought. Why not? Randomness is as good as anything.

Swami pulled pen and name out of a hat and wrote it down in my notebook:
Sapna
. I laughed and laughed when he told me the meaning: DREAM. “Nice,
Ji
. I’ll go with that,” I said as I gave him a big smile and fifty rupees for his creativity. Yes, that’s me—just plain
dream
-y.

“Sapna” is much easier for the locals to remember than “Erin,” and the Hindi name brings a smile to their faces. “Mera naam Sapna hai!” I say.
My name is Sapna

“Sapna! Good name!” they respond, with an exaggerated, head-wobbling nod of approval.

As if to remind me of the perfection of the cosmos, the next morning I received emails from two separate friends back in the U.S. relaying in-depth dreams they’d had that night about me, in India.

Sapna. A dream traveler. Walking through the Indian dreamtime.

Gypsies, Tramps, and Thieves

31
st
of October, Pushkar

I am sitting in Bedouin-style desert tent with a tribal family, somewhere in the middle of the vast Camel Fair trading zone. The young gypsy daughter whom I met at the edge of the grounds has led me here, to her family’s abode. I know she’s eventually going to hit me up for money, but I’m willing to deal with it in exchange for indulging curiosity.

Inside the tent, the girl’s old father and teenage brother play regional instruments made of bamboo, coconut, and horsetail hair, and the daughter sings for me in local Rajasthani language. It’s more of a wail than a melodic pleasure, but I don’t mind. I thank them for the song.

Poorer than dirt, this family offers me all they can—steaming chai from their eternal fire. The mother—who hasn’t moved from her squatting position the entire time I’ve been there—reaches through the smoke to give me the tea with leathery, hardworking hands. As I prepare to take the first sip, the old man begins coughing vociferously, hacking up a lung. I pause with the clay tea cup just before my lips. With yellowing eyes, the old man reaches under a dirty blanket and pulls out a brown bottle of unidentifiable substance, followed by a crumpled paper. He hands it to me. I read that the nondescript bottle is medicine. The typed statement, in English, indicates he is being treated for tuberculosis.

The scam is clear:
Money for medicine, madame?
I’m sorry, I can’t drink TB-ridden tea, even if it is a ploy. I quickly pantomime that I have a stomach ache, and politely ask that the wife instead please drink the chai she has just gifted me.

I’m a hard-core traveler, but not sure I want to push it, even if I am in
Push
kar. And I am off like a herd of camels.

Here, during festival time, everyone is a friend, and everyone is a con. It’s fair time, and tourists are “fair game.” As long as you keep in mind that you’re constantly being eyed as a “walking wallet,” you’ll be fine.

Sab Kuch Milega

8
th
of November, New Delhi

Faster than the speed of enlightenment, my world is changing.

Post-Pushkar camel chaos, I made a much needed “meditation tune-up” pause in Jaipur. After three days of blessed silence in a short Vipassana course, I’ve returned to the righteous urban rubble, the megacity mayhem of Delhi.
Sab kuch milega
.

“Sab kuch milega”—you’ll hear this Hindi phrase thrown around everywhere on the subcontinent. Translation: “Everything is available.” Backpackers like to think of it as “everything is possible,” for indeed, in India, that is a truism—and it’s likely that everything is possible
all at the same time
.

BOOK: The Adventures of Bindi Girl: (2012)
8.03Mb size Format: txt, pdf, ePub
ads

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