Sacred Hearts (36 page)

But once the spasms start in earnest, they are so violent and frequent that there is no time for speech, let alone prayer. It is physically exhausting work. The bowls Zuana brings fill and refill. When the diarrhea begins, the girl’s body is racked by double agony. The stench fast becomes almost unbearable. They roll up their sleeves and tuck their habits into their belts to avoid the worst of the contamination. They strip her down to her shift so she will soil herself as little as possible and wrap her hair in a piece of material to keep it from falling over her face into the vomit. But they can do nothing about the sweat that pours off her or the way her limbs shake uncontrollably from the spasms that crack through her body.

There are those who swear to the efficacy of hellebore as an aid to exorcism, since any demon trying to bury itself deeper to escape the burns inflicted by holy water will find its hold on the body severed from within. While Zuana has never had cause to use it in such a way, she has seen it work enough to understand what that might look like: the torso so gripped by spasm that it can go as rigid as wood, lifting the backbone high off the bed as if some spiteful spirit is controlling it from within. But what she has never witnessed before is its effect on top of such a powerful soporific. The battle between a body wanting to let go and the eruptions seizing it from within is truly terrible to watch, so that there are times when the girl feels like a rag doll held between the teeth of a great dog that shakes her to and fro before flinging her down on the ground, only to pick her up and start the whole thing again minutes later.

“Don’t be frightened, Serafina,” she finds herself whispering, as they lift her back up in anticipation of the next wave. “Remember how we said that sometimes one must use a poison to cure a poison? It will not last forever.”

But the poppy and the hellebore have her too deeply in their grip, and it feels as if there is no reaching her. Across the girl’s body, Zuana meets the abbess’s eyes and sees in them a look of such unashamed admiration that she feels almost shy. On the wall above the bed the figure of Christ looks down from a wooden crucifix. Suffering upon suffering. Who is to know how much is enough? Which sins can be forgiven and which remain?

As she falls backward into Zuana’s arms again, the girl murmurs something.

“Srree—m srree.”

Zuana puts her head close to her mouth to try to hear more but it is gone, swallowed up in a long growl of pain as her insides contract again.

Somewhere toward the end of the night the abbess leaves. She will have to appear at Lauds, and before then she must return the stolen costume to the props cupboard, cleanse and dress herself, and get at least some sleep. By now the spasms have become less frequent, and for a while Zuana wonders if the worst may be over. But almost immediately a new wave of vomiting begins, and it is all she can do to manage the girl on her own.

They had pulled the mattress down on the floor to give the girl some respite from the hard stone, and once the spasm has passed she lies flattened on it, her breathing fast and shallow, her skin covered in a mist of sweat that returns however many times Zuana mops her. How successful the hellebore has been will only become clear when the spasms finally stop and she becomes conscious again. But Zuana has no idea if—no, she will not hear that word—
when
that will happen.

“Out of the deep I have called unto Thee, O God. Lord, hear my voice. Let Thine ears be attentive to the voice of my supplication. ”

Outside, rain starts to fall, gentle at first, then much fiercer, with a wind driving the water. Whoever is still out after the madness of Carnival will be chased home by it. Our Lord is washing the streets clean in time for the beginning of Lent. Tomorrow the city will wake with a collective hangover and turn its face to abstinence and repentance. And if the repentance is sincere, then surely He will listen.

“If Thou, O God, shall mark iniquities, then who shall stand unaccused? Yet there is pardon of sin with Thee, that Thou mayest be feared.”

The downpour is so relentless that soon she can hear water from the roof gushing out in streams through gargoyle mouths onto the flagstones in the courtyard beneath. She has a sudden desire to be out in it, to be standing in the middle of the deluge, drowning in its freshness.

The cloth of her habit is stiff with vomit and traces of feces, and the smell is so pungent that the girl’s condition will surely become obvious to everyone as soon as they wake. She turns her on her side in case another spasm should take her and quickly slips out of the cell into the courtyard, taking the bowls with her. She puts them on the ground and the water hammers down into them. She washes them out as best she can and lets them fill again as she lifts her face to the rain. The night is black, the half-moon that was there before engulfed in thick cloud. Within minutes she is soaked, gasping with the cold. But she is also awake. On the river the wind will be smashing the rowboat against the dock, the convent doors behind closed and locked. But then nothing happened there tonight, did it?
Did it? She
will not think about that now.

She goes back into the cell with the fresh water and washes the girl as best she can.

“Purge Thou me with hyssop and I shall be clean; wash Thou me, and I shall be whiter than snow. Turn Thy face from my sins and wipe out all my misdeeds, make Thou unto me a clean heart, O Lord, and renew a right spirit within me. ”

There are a dozen other psalms she could recite: verses of supplication, cries of shame and guilt, calls for repentance, for forgiveness, for God’s boundless mercy. But sitting over the novice’s unconscious body, she is suddenly no longer sure about their efficacy; while the words are fine enough, none of them say what really needs to be said here.

The truth is that forgiveness can come only to those who are repentant. Yet the girl lying on the pallet is sixteen years old, in love, and incarcerated against her will. What if, when she wakes and finds herself back in her cell for the rest of her life, she is not sorry for what she has done, only sorry that she has failed in the doing of it? The list of her sins is long: deceit, cunning, rage, lies, lust, disobedience. But the worst is surely despair. Sworn to silence now, where will she go for relief? Without the intervention of God’s grace as well as His penance, what reason will she have not to fall prey to desperation?

“Forgive me, Lord, for not seeing what was in front of my eyes. ”

The girl is not the only one in need of grace and forgiveness. Zuana bows her head on her own behalf.

“Forgive me for not recognizing her despair. For thinking only of my own sadness when I should have been listening to that of others. For not keeping guard over the poppy syrup in the dispensary. For my loss of concentration during the play. Forgive me for being too proud or too blind or too busy. For all these sins send me penance and, in Your infinite mercy, if it be possible, save this young woman from further torment.”

After a while she notices a muddy line of light under the door of the cell; dawn has come, muted this morning by the rain. She hears the bell for Lauds, followed by the watch sister’s steps and the slapping of sandals on the soaked stone. She sits back against the wall and closes her eyes.

She has no idea of how long she sleeps. The day has already begun when the sound of groaning and the smell of fresh feces wake her.

Outside, the sisters go about their daily business, moving quietly around them. The news has traveled fast. Santa Caterina’s songbird has been taken ill with sudden fitting and from where a lovely voice once came, now there is only a river of vomit. Her condition is grave. There is talk of how the cell itself is cursed; of how its predecessor, Suora Tommasa, had been healthy—and sweet-voiced also—until one day she was found throwing up her life all over the walls. This story is given more credence by the fact that the cell, even the cloister corridor close to it, has been placed strictly out of bounds, as if there were indeed some hideous contagion at work there.

Before the midday meal the abbess returns, bringing Zuana a change of robes and food and fresh water from the kitchen. She stands looking down at the girl. The face is calm now, the mouth slack, lips blistered where the poison has scorched them.

“When was the last spasm?”

“A while ago. Half an hour, maybe longer.”

“So the remedy has worked?”

“I don’t know.”

The abbess glances up at her. “But she is not going to die?”

“I don’t know.”

“She is not going to die,” she says firmly, the words as matter-of-fact as the announcement of the menu for a feast day. How wonderful, Zuana thinks, to be so certain of everything. How wonderful and how terrible. “I will sit with her if you want to rest.”

“No. I must watch still.”

After the abbess leaves, the girl’s breathing becomes noisy through her parched mouth. Zuana puts a few drops of rosemary essence into the water and lifts her head while she moistens her lips, then pours a little gently down her throat. It is her father’s remedy. Once the body has no more to evacuate, one must start to put something back, for with so much liquid gone the organs will dry up and no longer work properly. The girl chokes on it and this time does not throw it back up again immediately. But there is no sign of regained consciousness.

A few hours later Suora Umiliana comes to the cell, given permission by the abbess to say prayers over her most troublesome novice. Her distress at the sight that meets her is palpable. She sinks to the floor, hands clasped, lips moving almost before her old knees have found purchase on the hard ground.

Zuana feels a lurch in her stomach. Does Umiliana see something she does not? Perhaps she knows the girl is dying, senses it as she did with Imbersaga. Has she missed some change, some sign within the body? But the girl’s pulse, when she finds it, is still the same weak but steady beat.

The room settles around the novice mistress’s whispered intercession: God’s love, His horror of our sins, the depth of His suffering, the wonder of a sinner returned to the fold. The joy of the final reunion even in death, the power of the light, the pull of the boundless, boundless sea of love.

Zuana listens, mesmerized by the older nun’s flow. If only I could pray like that, she thinks: pray with my whole being poured into each and every word. Pray as if I could hear Him listening.

The prayers end, and Umiliana leans over and puts her finger gently on the girl’s forehead before rising. “Shall I ask the abbess to bring Father Romero?”

“No.” Zuana’s voice is clear. “She is not going to die.” The abbess’s words have become her own. “This reaction to the remedy is to be expected. She will wake soon.”

But while Umiliana has been praying, Serafina’s face has moved from pale to a kind of gray, and though her lips are open it is hard to know if she is still breathing. It was too much, Zuana thinks. If not the poppy, then the hellebore. I gave her too much …God help me.

“We must keep praying for her. That is all we can do.” The novice mistress takes hold of Zuana’s fingers and squeezes them. “Do not despair,” she says, as if she knows that this is one of Zuana’s darkest temptations. “You have done all that could be asked of you. He will know that.”

Oh, but I haven’t, Zuana thinks. Not at all. And He will know that, too.

Time passes. She strokes the girl’s head and pulls a cover over her. The bell sounds for supper, and once more she hears the shuffle of feet across the cloisters. She pinches herself to stay awake.

There is nothing more to be done, Faustina
.

She shakes her head. “There has to be. There has to be something.”

You are only a healer. There comes a point when you must give it up to God
.

“Ha! You sound like Umiliana.”

Why don’t you leave her for a while? Walk out in the air. Maybe take something to give you energy. Do you keep infusion of angelica root? I think you must
.

“Yes. Yes, I do.”

Then take a dose of it, with some mint essence. Make it strong. It will help you get through the night. But before you go, give her some more rosemary water
.

“What if she vomits it back up while I am gone?”

If she does, there will be only a little bile. Not enough to choke on if she is on her side. At least it will show some sign of life
.

“Papa, Papa, I don’t want her to die.”

I’m afraid you have grown too fond of her, child. It does not make for good healing. Go now. You have done all you can
.

IT SEEMS DAYS
since she was last in the infirmary. The two elder nuns are asleep, while Clementia lies in her bed, singing quietly to herself. The room is clean, the floor washed, the hanging baskets fresh, and the night candle already prepared on the small altar. Letizia has done a good job. Life, it seems, must go on. The very thought makes her want to cry. You are tired, Zuana, she says to herself sternly. And too much tiredness makes one maudlin.

In the dispensary she finds the angelica root and mixes it with a little wine and peppermint. It has kept her awake before and it will do so again. She swallows the preparation and feels it moving into her stomach. It will take a while to work. She transfers more to another vial. She will need something for the second night, if indeed there is going to be one.

The bell marking the end of supper is already ringing as she leaves the room. She must hurry. The sisters will be returning to their cells and this is not the time to meet anyone, however kind and sympathetic.

But as she crosses back over the courtyard she sees something that makes her heart pound. In the corner of the cloisters, the door to the girl’s cell that she had closed so carefully behind her is now wide open.

There is no way the girl could have done it herself. So who is in there? Has the abbess returned, bringing her supper? In which case why hasn’t she closed the door?

She runs across the courtyard, regardless of the rules. As she nears the open door she hears something—more a sound than a voice—a whining, like a line of taut thread vibrating in the air.