Sacred Hearts (24 page)

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Authors: Sarah Dunant

Tags: #Fiction, #Historical, #Literary

BOOK: Sacred Hearts
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“I see.”

“So if she is indeed dying, as infirmary mistress you can perhaps find other ways of caring for her within these rules.”

“And what if …” Zuana hesitates.

“What if?”

“What if God really is talking through her?”

“Then He would do well to find other means,” the abbess says quietly. “Zuana, though you are not the most holy sister in Santa Caterina, you are certainly one of the more astute. This is not gossip I am sharing with you. Nor even old history. I am telling you these things now because once again we are voyaging in stormy waters.”

“But …but I thought the worst was passed. Duchess Renata is long returned to France, we have a new duke, a new pope, and the inquisition has moved on. Surely the city is out of danger now?”

“The reprieve is temporary. Our new Holy Father still has his eye on Ferrara. Without a legitimate heir, the city will return to the Papal States at the duke’s death, though God willing that will not happen. But there is a more immediate threat. You will know that among the final decrees passed by the council at Trento was one directed at convents, to purge them of any impurities or scandals by enclosing all nuns, regardless of their order or status.”

“Yes, but that doesn’t affect us. As Benedictines we are an enclosed order already.”

“That is true. However, it seems that there are meanings and meanings of the word
enclosed
. And what is becoming clear is that the decree was passed so quickly—some might say deliberately— that it is a blunt sword, which, if wielded equally bluntly, could change all our lives.”

Zuana is silent. For most nuns the inner workings of church politics hold more twists than a knotted intestine and there is always another piece of gossip sliding in over the walls, each more scandalous than the last. Which is where a brother in the church proves more reliable—and more useful—than any mystic in a cell.

“I don’t understand. What do you mean?”

“I mean that within the idea of enclosure the decree empowers bishops—should they see fit—to limit or close down almost all contacts between convents and the outside world. It means they can, if they so choose, stop plays or concerts, cut down the number of visits or visitors, and sever trade connections with the outside so that we become dependent on charity rather than our business endeavors. The implications are severe. There is even talk that letter writing should be restricted, ‘as not conducive to the tranquillity of our state.’ ” She pauses. “It does not take much to imagine the impact of such a decree upon us here.”

Except she is wrong—to imagine Santa Caterina so changed, so shrunken, so constricted, is surely impossible. “But …but how can they do that? It is against the understanding on which the women entered.”

“I think that, when faced with the fear of heresy, such
understanding
was of little interest to the good cardinals and bishops who worked at Trento,” the abbess says tartly. “However, a decree is only words on a piece of paper until it is implemented, and not all church officials are so stoked with the fire. For now, at least, Ferrara’s own bishop is open to the entreaties of the city’s great families and is more liable to execute the reforms in the spirit than in the letter. But to make sure of that, we in turn must be seen to be above reproach, avoiding the scrutiny of those who would destroy in order to purify.”

Now, of course, Zuana understands it better: all the subtle changes in atmosphere in the convent over these last months; the abbess’s work to secure even bigger dowries to push the balance books into credit; the insistence on getting the novice settled and singing as fast as possible; the damping down of the more liberal faction in chapter, while holding Umiliana’s fierce fire in equal check. And now the blanket suppression of gossip concerning an ecstatic Magdalena.

It has always been impressive to Zuana, this sharpness of Chiara’s when it comes to the balance between the work of God and the work of man, especially when as an unwilling novice she had found it hard to disentangle the holiness from the hypocrisy of convent life. If she herself is in some ways the product of her father’s teaching, then surely the abbess’s talents, too, were bred in the bone. The names of Chiara’s ancestors run through the history of Santa Caterina like a rich seam of gold in the earth: women of shrewdness and distinction, perpetuating the family influence through a convent rather than children. The only question is—and it is one that Zuana has asked herself before without ever putting it into words—were such a woman to find herself having to choose between God and the power of family, which one would call louder?

“It will, I am sure, be clear to you now how wonderful it is for us to be offering the city a young virgin songbird. The reemergence of a living saint, however, having ecstasies with no proper confessor to control her, would be another thing entirely.” She pauses before picking up her glass from the table. “I hope that lays to rest any worries you might have in this matter.”

God versus family. It seems Zuana has the answer to her question. Perhaps it is not surprising that the realization makes her feel a little feverish.

•    •    •

BY THE TIME
she arrives back in the infirmary, the morning work hour is almost finished. The mist seems to have found its way inside today as the room is gloomier than usual. She glances toward Imbersaga’s empty bed, and for a moment she is back in the still center of that night, the young woman’s face smooth as wax now that the pain has left, with Suora Umiliana’s vibrant devotion all around her, spinning sorrow into joy. Suora Umiliana. How would she feel if the convent was purged according to the letter of the decree? More at home than most of them, no doubt. And what then of Suora Magdalena? If Umiliana were abbess now, would she be so acquiescent in her imprisonment? Ah, these are not questions you are called upon to answer, Zuana, she says to herself firmly. As dispensary sister your calling is to care for the sick, and that is what you will do.

She looks around the room. There are five beds empty now. Perhaps those suffering from the infection would be better tended here, where she could watch them more continually. But what if they infected the others? Three of the four remaining old women will probably die of natural causes soon enough—they are asleep most of the time, anyway—and even Suora Clementia seems to be fading. With the arrival of the pestilence, Zuana has been forced to keep her restrained to prevent her from wandering the cloisters at all hours of the day and night, and the old nun has taken it hard. She spends most of the time now muttering into her bedclothes, but as Zuana passes she raises herself up, suddenly agitated, trying to get off the bed.

“Oh, you are back. The angel of the gardens is waiting for you. She is with us again,” she says, waving her arms in the direction of the dispensary, straining against the straps around her chest.

“Shhh. There is no need to shout. I can hear you well enough.”

“No—but I think she is wounded. She came in so quietly. Her wings must be broken. You must let her fly again. We need her to keep us safe at night.” Since the restraints went on, her mind has been fracturing into even smaller pieces.

“Don’t worry.” Zuana is by her now, gently pressing her down onto the bed. “There are angels enough already to guard over you.”

“No, look. There! I told you she had come. See—see—the night angel is returned.”

Zuana turns in time to see Serafina coming out from the dispensary door, her newly washed headscarf a white halo against her head. An angel with broken wings? Hardly. But a novice with broken rules, certainly.

“What are you doing here?”

“Oh. I have been waiting for you. I looked everywhere but no one knew where you were.” She pauses. “I …I brought you back the book I borrowed. I wasn’t sure where to put it so I left it on the workbench.”

“You should never have gone in there on your own. You are no longer working with me, and it is strictly against the rules.”

“Oh—I’m sorry. I didn’t know. Suora Clementia said it would be in order.”

And the girl smiles at the old woman, who waves back happily, madly. “The angel—I told you—the angel is returned to us.”

“Be quiet, sister. You will upset the others,” Zuana says tersely. “And you”—she nods at Serafina—“I will speak to you inside.”

With the door closed, Zuana casts a quick glance around the room. Everything seems in its place, apart from the book, which is on the worktop. Clementia’s celebration continues in muted tones through the wood behind them.

“What did you say to her?”

“Nothing. Nothing, I swear. I thought she was sleeping so I came in quietly, but then she woke up.”

“Why are you here, anyway? You should be in choir.”

“Suora Benedicta let us go early. She is working with the lute players on some new arrangements. She is very excited about them.”

So excited that she, too, thinks nothing of bending the rules. “In which case you should have gone back to your cell.”

“I am sorry. Please—I meant no harm. I told you. I just brought back the book. I thought you might need it now.”

Zuana stares at her. Ten weeks ago she did not even know of the existence of this young woman. She worked alone amid her plants and her remedies and kept her thoughts, such as they were, to herself. But now her whole life—even that of the convent, it seems—is full of her, as if the journey of this single novice is somehow a test in which they must all participate.

“The dispensary is out of bounds to everyone but myself. What you have done is a reportable offense. You could find yourself with grave penance upon you again.”

“Then you must report me for it,” she says quietly, the slightest of tremors in her voice. They stand for a few seconds in silence. “I know I did wrong but …I mean …I also came because I wanted to ask if I could help. So many people are ill now. I know there is just you and the conversa, and you cannot do it all alone. I could tend them with you. You have taught me something of fevers and vomiting.”

Zuana sighs. “It is charitable of you to think such things—”

“No, it isn’t charity. Well, I mean, I hope it is. But you helped me. Now I would like to help you.”

If I felt better would this be easier? Zuana thinks. What am I do to with her? What is for the best?

“I …I wondered if you had thought of using the cochinilla.”

“What?”

“The dye. We talked of it, remember? About its powers. Wasn’t that one of the things you said? That as well as turning the world red it could be used to break fevers.”

“You have a remarkable memory, Serafina.”

The girl bows her head. “The things you said interested me. Is it a good idea?”

“No, it is …it is an untried remedy. But I thank you for the thought. You have the makings of a good dispensary assistant.”

There is the beat of a pause before Serafina looks up and says, “I wondered if you might have asked for me again.”

Only now is Zuana visibly taken aback by the pride implicit in the comment.

“Enough! Your presence is required in chapel. That is the abbess’s decision. And you are her novice.”

The girl drops her head again. “I am sorry. I just …well, I do not understand why but—but I miss it here.”

“I am sure Suora Umiliana will be able to help you with that.” She takes a breath. “If you are lucky you will get back to your cell before the Sext bell.”

The novice’s eyes slip upward. “Does that mean you won’t report me? I really didn’t mean any harm.”

Zuana closes her eyes with impatience. She thinks back to the madrigals in the girl’s chest and her unbidden arrival in Suora Magdalena’s cell. There are those who would say that ignoring the transgression of others is a transgression in oneself. “Just go now. Go.”

The girl does not need telling again. Zuana hears the door closing behind her.

In heaven, they say, the body of a saved soul is so pure and with powers so alien to those on earth that not only can it travel faster than lightning across the sky, but its senses are so heightened, so crystal-clear, that it can hear the beat of a bird’s wing a hundred miles away and see through the densest of forms as if they were made of air itself. It is almost a shame, then, that Zuana is still mortal. For it means that she does not hear the noisy sigh of relief that Serafina blows from her lips as she closes the door behind her, or see that under her robe her right hand is clasped over a bottle of dark liquid.

As she moves through the infirmary, Clementia calls out plaintively to this unlikely angel, who passes her by without even a sideways glance.

CHAPTER TWENTY

AH! SHE CAN
barely breathe with the thumping in her chest. Her chest and her head. She runs her fingers over the rim of the bottle under her robe to make sure the stopper is still in place. It would not do to be leaking poppy syrup in her wake.

This is not how she had planned it. She had intended to decant some of the liquid into another vial so as not to leave a gap on the shelves but she could not find any empty ones. There had to be a store of them somewhere but for the life of her she could not remember Zuana ever using one, so frugal is she with all her supplies. As it was, when she heard the voices outside she had barely had enough time to rearrange the other bottles and slide it into her pocket before propelling herself out the door.

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