Authors: Dante
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Confessions
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Took.1997.1
Took, John, “ ‘Diligite iustitiam qui iudicatis terram’: Justice and the Just Ruler in Dante,” in
Dante and Governance
, ed. John Woodhouse (Oxford: Clarendon, 1997), pp. 137–51.
Toyn.1902.1
Toynbee, Paget,
Dante Studies and Researches
(Port Washington, N.Y.: Kennikat Press, 1971 [1902]).
Toyn.1905.1
Toynbee, Paget, “Of the Legend of St. John the Evangelist (
Par.
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Trov.1995.1
Trovato, Mario, “
Paradiso
XI,” in
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Lectura Dantis [virginiana]
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Tulo.2000.1
Tulone, Giampiero, “Gli ‘invidiosi veri’ nella
Commedia
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Lettere Italiane
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Ture.2004.1
Turelli, Federico, “ ‘Dopo il dosso / ti stea un lume’ (
Par.
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Uitt.2005.1
Uitti, Karl D., “The
Codex Calixtinus
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Uliv.1982.1
Ulivi, Ferruccio, “San Francesco e Dante,”
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Vale.2003.1
Valerio, Sebastiano, “Lingua, retorica e poetica nel canto XXVI del
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,”
L’Alighieri
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Vall.1967.1
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Vall.1989.1
Vallone, Aldo, “Il Canto XXX,” in
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Van Uytfanghe, Marc, “Le latin et les langues vernaculaires au Moyen Age: un aperçu panoramique,” in
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Varese, Claudio, “Il canto trentesimo del
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Vazzana, Steno, “Il Canto XXVII,” in
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Veglia, Marco, “Per un’ardita umiltà: L’averroismo di Dante tra Guido Cavalcanti, Sigieri di Brabante e San Francesco d’Assisi,”
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Vett.2004.1
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Poets of Divine Love: Franciscan Mystical Poetry of the Thirteenth Century
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Vianello, Nereo, “Canto XVII,” in
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Vick.1983.1
Vickers, Nancy, “Seeing Is Believing: Gregory, Trajan, and Dante’s Art,”
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Vill.2001.1
Villa, Claudia, “
Comoedia: laus in canticis dicta?
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Wilkins, Ernest Hatch, “Voices of the
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Wingell, Albert E., “The Forested Mountaintop in Augustine and Dante,”
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Witk.1959.1
Witke, Edward C., “The River of Light in the
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Wood.1977.1
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Dante Studies
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Wood.1997.1
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ROBERT HOLLANDER
, her husband, taught Dante’s
Divine Comedy
to Princeton students for forty-two years, and is the author of a dozen books and more than seventy articles on Dante, Boccaccio, and other Italian authors. He is Professor in European Literature Emeritus at Princeton and the founding director of both the Dartmouth Dante Project and the Princeton Dante Project. He has received many awards, including the gold medal of the city of Florence and the gold florin of the Dante Society of America, in recognition of his work on Dante.
JEAN HOLLANDER
has taught literature and writing at Brooklyn College, Columbia University, Princeton University, and the College of New Jersey, where she was director of the Writers’ Conference for twenty-three years. She recently published her third book of poems.
“The Hollanders’ [translation] is probably the most finely accomplished and may well prove the most enduring.”
—R. W. B. Lewis,
Los Angeles Times
“This is the translation for our time and probably beyond.”
—
National Review
“The virtues of prose raised to a quiet, sometimes stunning elegance.… Reading Dante with Hollander could become addictive.”
—The Providence Journal
“There has seldom been such a useful [version] …. The Hollanders … act as latter-day Virgils, guiding us through the Italian text that is printed on the facing page.”
—The Economist
“[The Hollander
Inferno
] makes the poem accessible to the lay reader and appealing to the specialist: the translation is both faithful to the original and highly readable; the introduction and notes are dense without being overly scholarly.… A highly worthy new
Inferno
that is the mature fruit of years of scholarly, pedagogical, and creative work.”
—Choice
“A distinguished act of poetry and scholarship in one and the same breath, the Hollander Dante, among the strong translations of the poet, deserves to take its own honored place.”
—Robert Fagles, translator of
The Illiad
and
The Odyssey
“The new
Inferno
… is both majestic and magisterial and the product of a lifelong devotion to Dante’s poetry and to the staggering body of Dante scholarship.… The Hollanders’ adaptation is not only an intelligent reader’s Dante, but it is meant to enlighten and move and ultimately to give us a Dante so versatile that he could at once soar to the hereafter and remain unflinchingly earthbound.”
—André Aciman, author of
Out of Egypt
“A brisk, vivid, readable—and scrupulously subtle—translation, coupled with excellent notes and commentary. Every lover of Dante in English should have this volume.”
—Alicia Ostriker
“This new version of the
Inferno
wonderfully captures the concision, directness, and pungency of Dante’s style.… A grand achievement.”
—Richard Lansing, Professor of Comparative Literature, Brandeis University
“English-speaking lovers of Dante are doubly in the Hollanders’ debt: first for this splendidly lucid and eminently readable version of Dante’s Hell, and second, for the provocative, elegantly written commentary.”
—John Ahern, Antolini Professor of Italian Literature, Vassar College
“This new Hollander translation deserves to sweep the field.… [The Hollanders] have produced an English text of remarkable poetic sensitivity while never traducing the original Italian or pretending to supplant Dante’s poem with one of their own.”
—John Fleming, Professor of English and Comparative Literature, Princeton University
“The Hollanders have rendered both the supple lyricism and the rich imagery of the
Purgatorio
with an admirably informed expertise.… A model for all translators.”
—Literary Review
Inferno
Purgatorio
ALSO BY JEAN HOLLANDER
Crushed into Honey: Poems
Hugo von Hoffmansthal,
The Woman Without a Shadow
(translator)
I Am My Own Woman: The Outlaw Life of Charlotte Von Mahlsdorf, Berlin’s Most Distinguished Transvestite (translator)
Moondog: Poems
Organs and Blood: Poems
ALSO BY ROBERT HOLLANDER
Allegory in Dante’s Commedia
Walking on Dante: Poems
Boccaccio’s Two Venuses
Studies in Dante
Il Virgilio dantesco: Tragedia nella “Commedia”
André Malraux,
The Temptation of the West
(translator)
Giovanni Boccaccio,
Amorosa Visione
(translated with Timothy Hampton and Margherita Frankel)
Boccaccio’s Last Fiction: Il Corbaccio
Dante and Paul’s “five words with understanding”
Dante’s Epistle to Cangrande
Boccaccio’s Dante and the Shaping Force of Satire
Dante: A Life in Works