Read Oscar Micheaux: The Great and Only Online
Authors: Patrick McGilligan
Michaux, William (brother), 7, 16, 18â19
Micheaux, Alice B. Russell (second wife), 222â25, 230, 239, 240, 242â43, 249, 263, 265, 297, 320, 330, 332
after death of OM, 346
death of, 347
jobs of, during making of movies, 304â5
Micheaux, Orlean McCracken (first wife), 61â62, 64, 66â68
death of, 111â12
finding investors for
The Homesteader,
120â24
first article in
Chicago Defender,
68â69
marriage of, 69â71, 73
pregnancy of, 77â79
return to Chicago after miscarriage, 79â82
separation from OM, 86â87
Micheaux, Oscar ambiguities/mysteries of, 1â3, 14
attempt to return to movie making after World War II, 327â31
attempts to get married, 60â61
bankruptcy filing of, 232
beginning of “talkies” and, 227
birth of, 7
censors and, 238
cinematic skills of, 142â43
cities and, 26
closing of Chicago office, 220â21
Communism and, 299â301
consensus about darkness of skin of, 14
on control of pictures, 266â67
criticism of black community and, 12â13
death of, 344â45
dreams/premonitions and, 142
drought of 1911
and, 82â86
early Chicago jobs of, 18â20
education of, 10â11
experiences traveling in South of, 169â70
falling in love with Scottish blonde, 52â55
falling out with Swan Micheaux, 230â32
family history of, 3â9
Fayette Pictures and, 249â50
as filmmaker, 127â28, 163
films of, 2.
See also
specific film final years of, 343â44
finances of, 225â26
fondness for Chicago, 26
ghost films of, 190â91, 262
Harlem Renaissance and, 247â49
headstone for, 348
hitting bottom in 1932, 270â72
as homesteader, 37â42, 45â52
“Jessie” and, 16â17, 34, 35â36, 44, 58â59
Jews and, 100â103, 167â68
job as porter with Pullman
Company, 20â26
Hubert Julian and, 305â9
lawsuit with father-in-law, 95â98
Leo Frank trial and, 100â103
marriage to Alice B. Russell, 222â25
marriage to Orlean McCracken, 69â71
messages in films of, 142
motivations of, as filmmaker, 273
move to Chicago, 15â21
move to New York City, 150â52
as moviegoer, 107â8
musical tastes of, 36
new recognition of, 348â49
novels of.
See
specific novel n-word and, 135
partnership with Brechner and Schiffman, 249â50
politics of, 298â99
profitability of films of, 144â46
purchase of land on Rosebud
Reservation, 27â34
rediscovery of, 346â50
relationship with father-in-law, 74â77
religion and, 8, 134
Alfred Sack and, 286â90
as salesman, 12â13, 131â35, 290â91
separation from Orlean, 86â87
Sioux City, Iowa and, 104â5
as storyteller, 142
talent for casting, 277â79
travel as tonic for, 135â39
Lorenzo Tucker and, 260.
See also
Tucker, Lorenzo views of, on black population, 266
visit to South America by, 34â35
World War II novels of, 322
Micheaux, Swan (brother), 148â49, 152, 169, 174â75, 184, 196â97, 220
falling out with OM, 230â32
final years of, 238
Micheaux Book and Film Company, 121, 131
Midnight Ace, The
(film), 234â35, 237
Miller, Flournoy, 190, 191
Millionaire, The
(film), 226â27, 231
Mills, Florence, 178, 288
Mills, Jerry, 123
Molitor, R. H., 91
Moore, Charles S., 127, 241, 243, 252, 254
Morrell, Stanleigh, 252
Moses, Ethel, 288, 290, 297
Moss, Carlton, 7, 248, 265â67, 315
Muse, Clarence, 302
Musser, Charles, 204
Â
National Association for Advancement of Colored People (NAACP), 221, 350
Neuforth, Karen P., 5
Newsome, Carman, 291, 297, 301, 304, 308
Newsome, Nora, 252, 259, 278
Noisette, Katherine, 239, 243, 252, 277â78
Norman, Richard E., 159, 178, 183, 228â29, 247, 290
Norman Film Manufacturing
Concern, 159, 178
Notorious Elinor Lee, The
(film), 306â10, 311
n-word, OM and, 135
Â
Olcott, Chauncy, 36
Oney, Steve, 101, 281
Oscar Micheaux Award, 349
Ottley, Roi, 319
Ovington, Mary White, 221
Â
Page, O. J., 4
Parks, Gordon, 349
Pathé Exchange, 195
Peele, Walley, 198
Pekin Stock Company, 124
Peterson, Bernard L., 190
Peterson, Bernard L., Jr., 226
n
Peyton, Dave, 129
Phagan, Mary, 100â101, 275
Phantom of Kenwood, The
(film), 262, 271
“pink slip” pictures, 133
Poitier, Sidney, 349
Preer, Evelyn, 126, 138
n,
178, 186, 194, 205, 212, 227â28, 229â30, 259, 297
in
Birthright,
198
in
The Brute,
147â48
death of, 277
in
Deceit,
172â73
in
The Gunsaulus Mystery,
167â68
in
Within Our Gates,
141â42
premonitions, Micheaux and, 142
Pullman, George, 21
Pullman Palace Car Company, 20â21
Â
race pictures, 113, 120, 218â20
banner year for, 302
costs of doing business for, 183â84
during Depression, 284
World War II and, 328
racial intermarriage, 54
Reagan, Ronald, 349
Regester, Charlene, 206, 348, 349
Reid, Tim, 349
religion, in Micheaux films, 134
relinquishment system, 63â64
Reol Productions, 159, 247
Rhinelander, Leonard K., 206â7, 234
Roanoke, Virginia, 174â76
filming in, 179
OM establishes branch in, 171
Robeson, Paul, 181, 190, 203â4, 205, 206, 222, 347
Robinson, Bill “Bojangles,” 284
Rosebud Reservation, 29â30
Rosenwald, Julius, 101
Royal Gardens Film Company, 159, 247
Russell, Alice B.
See
Micheaux, Alice
B. Russell (second wife)
Russell, Julia Theresa, 205, 222, 223
Russell, Mary Malloy, 223
Russell, Sylvester, 149, 219â20, 235
Â
Sack, Alfred N., 285â86, 311
Sack, Lester, 285, 311
Sack Amusement Enterprises, 273, 284, 286â90, 290, 302, 347
Sanborn, Gertrude, 259
Santino, Jack, 22
Savini, R. M., 340
Schiffman, Frank, 219, 249, 257â58, 260, 267, 270
Selig Polyscope studios, 123, 123
n
Sewell, Alma, 180
Sharp, Saundra, 350
Shuffle Along
(musical), 190â91
Sioux City, Iowa, 104â5
Sissle, Noble, 190, 262
Slaughter, E. Bismarck, 127
Slide, Anthony, 109
Smith, Grace, 226, 268
Smith, Inez, 126
Smith, Lillian (Eugenia), 319
Snelson, Floyd G., Jr., 247
Son of Satan, A
(film), 191, 202â3
Spaulding, C. C., 266
Spence, Louise, 138
n,
143â44
Spider's Web, The
(film), 213â15
remake of, 268â69
Spoor, George K., 329
Spoor, Marvin, 329
Stanton, Myra, 330, 334
Stewart, Thomas W., 122
Story of Dorothy Stanfield, The
(Micheaux) (novel), 291, 320â22
Strausbaugh, John, 63
Strenge, Walter, 254
Stribling, T. S., 191â93, 297
Sutton, Susie, 252
Swing!,
292â93, 298
Symbol of the Unconquered, The
(film), 215
censors and, 155â56
discovery of copy of, 348
filming of, 154â55
plot of, 152â54
Â
talkies, 227
for black audiences, 229
black-audience theaters and, 246â47
Tatum, E. G., 147, 226
Taylor, Clyde, 247, 284
Temptation
(film), 286â88
Ten Minutes to Live
(film), 263â65, 267, 268
Thirty Years Later
(film), 231, 233â34
Thomas, D. Ireland, 117, 181, 182, 184, 196
Thompson, Edward, 228, 229
Thompson, Sister Francesca, 125
n,
126, 229
Thompson, Walker, 154
Thompson, William H., 109
Thurman, Wallace, 151
Tolliver, C. Tiffany, 174, 199, 212
Townsend, Babe, 262
Tribble, Andrew, 254
Tucker, Lorenzo, 235â37, 239, 240â42, 249, 252, 259, 260â61, 263, 264, 265, 287, 291, 319â20, 328, 343
OM and, 260
Tutt, J. Homer, 198, 234, 252, 297
Tyler, George, 255
Â
Ulrich, Lenore, 228
Underworld
(film), 288â90
Universal Negro Improvement
Association, 158
Â
Van Engle, Dorothy, 263, 278, 279
VanEpps-Taylor, Beti Carol, 12, 15, 96â97, 167
Vann, Robert L., 117, 145
Veiled Aristocrats
(film), 260â62, 268
Veiled Aristocrats
(Sanborn) (novel), 259
Verwayen, Percy, 212
Virgin of Seminole, The
(film), 178, 182â83
Â
Wade, John, 158
Wages of Sin, The
(film), 237â38, 264
Walton, Lester A., 149
Washington, Booker T., 7â8, 66, 99, 298
Waters, Ethel, 226
Webb, Frank J., 111
Webster, Freddie, 291
West, Cornel, 349
West Coast Lafayette Players, 228, 229
Wexler, Haskell, 308
When Men Betray
(film), 239, 264
Whipper, Leigh, 154, 229
White, Dana F., 100, 158
White, James W., 96
White, Walter, 344
Whitney, Salem Tutt, 194, 198, 234, 245, 252, 297
“Wilderness Trail, The.”
See Symbol of the Unconquered, The
(film) Wilkes, Mattie, 154
Wilkes, Mattie V., 213
Williams, Clarence, 279
Williams, Ethel, 262
Williams, Frances, 303, 304
Williams, Gladys, 308, 332
Williams, Spencer, 284â85
Wilson, Frank, 262
Wind from Nowhere, The
(Micheaux) (novel), 313â15, 319
Wister, Owen, 25
Within Our Gates
(film), 137â39, 141â44, 156
censors and, 140â41
discovery of copy of, 347
filming of, 139â40
overview of, 141â44
Wright, Richard, 248, 299, 321
Wyeth, Sidney (alter ego of OM), 8, 99, 103, 150, 167, 190, 280, 308, 316, 321
P
ATRICK
M
C
G
ILLIGAN'S
biographies include the Edgar-nominated
Alfred Hitchcock: A Life in Darkness and Light
and the
New York Times
Notable Books
Fritz Lang: The Nature of the Beast
and
George Cukor: A Double Life
. He has also penned biographies of Clint Eastwood, Jack Nicholson, Robert Altman, and James Cagney, along with the oral history
Tender Comrades: A Backstory of the Hollywood Blacklist
(with Paul Buhle). McGilligan lives in Milwaukee, Wisconsin.
Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins author.
“It's rare that any life can make such a fascinating story, and Patrick McGilligan's
Oscar Micheaux
packs as much narrative thrust and foolhardy behavior as a biographer (or even novelist) could hope for.”
â
Time Out
(New York)
“[An] exceptional new biographyâ¦. [McGilligan] leaves no source untapped in his comprehensive account.”
â
BookPage
“Amazingâ¦. Opens a door into a secret past, the world of black Hollywood.”
âAllen Barra,
American Heritage
“As Micheaux's films have been unearthed in such far-flung places as Brussels and Tyler, Texas, it is hoped that more may be discovered. For now we have this book, with its compelling perspective on his life and career.”
âDavid Ehrenstein,
Los Angeles Times
“In Patrick McGilligan's riveting biographyâ¦Micheaux's story is told in voluminous and intricate detail. McGilliganâ¦uses public and private records to get into the mind of the legendary black filmmaker.”
âEugene Kane,
Milwaukee Journal Sentinel
“A culminating work.”
âCarl Rollyson,
New York Sun
“Highly recommended.”
â
Library Journal
“McGilligan does a fine job of reaffirming Micheaux's significance beyond the appreciation of cineastes.”
â
Publishers Weekly
“Micheaux, as this thorough text makes clear, was far ahead of his time.”
â
Pittsburgh Post-Gazette
“A well-researched, passionately felt, and endlessly fascinating look at a singular American life.”
â
Kirkus Reviews
(starred review)
“McGilligan has made this incredible, half-forgotten life newly available to us all.”
â
Guardian
(London)
“In the skilled hands of Patrick McGilligan, Oscar Micheaux's life story bristles and takes flight.”
âPearl Bowser, coauthor of
Writing Himself into History
:
Oscar Micheaux
,
His Silent Films
,
and His Audiences
“An enormously moving and compelling account of a quixotic life defined by arduous toil and perpetual optimism.”
â
DGA Quarterly
“Patrick McGilligan's absorbing and compulsively readable biographyâ¦is an impressive feat of period reconstruction that dares to disentangle the myths of this vital and woefully neglected filmmakerâ¦.
The Great and Only
is a valuable addition to Micheaux scholarship.”
â
Stop Smiling
magazine