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Authors: Mandy Wiener

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Edkins declined to do an interview with us. In a brief response to questions sent to her about the nature of her ongoing relationship with Oscar, she commented: ‘I do not wish to respond to mere allegations, for example, the allegations of Oscar calling me when he and Reeva had a fight or the statement given by Samantha are untrue. It is common knowledge that Oscar and I have remained friends over the years and I do not wish to be involved in any media hype around this terrible situation.'

The only mention of Edkins in Oscar's SMS or WhatsApp conversations with Reeva came on 15 January 2013:

Reeva:
Boo
Reeva:
Was it Jenna edkins or [Jenna] Dover that asked if we together?
Reeva:
Cos Dover is standing right behind me for this movie …
Oscar:
Edkins.
Oscar:
Xx
Reeva:
Haha
Reeva:
Juuuuust checkinggggg
Oscar:
;)
Oscar:
Don't really chat to dover much

On the eve of Valentine's Day, Oscar arrived home to Reeva while still on the phone to Jenna Edkins. It is a conversation the police did not identify and Oscar did not speak about in his evidence – but whatever its substance, Oscar had been in contact with Edkins when he arrived home on the evening of 13 February.

Who was to say what relevance or consequence this could have had to the state's case or if it would have swayed Masipa at all if the police investigations had unearthed it?

Taking the Stand

With the closing of the state's case, the key question was whether Oscar would take the stand in his own defence. His lawyer Barry Roux had told the court in passing that his client would indeed testify, but there was still some doubt that it would happen. Oscar had been extremely emotional in court over the weeks of the state's case, crying and vomiting as evidence was led, and there was doubt as to whether he would be able to maintain his composure for the duration of intense cross-examination.

In reality, Oscar had no choice but to testify and take the court into his confidence. There were only two people on the scene at the time of the shooting – Reeva and Oscar – and he was the only one remaining, the only one who could give the court an account of the events of that morning. It was also crucial that he explain his state of mind to back up his defence of putative private defence. It was up to him to convince the court of what he was thinking, how he felt he was genuinely under threat and why he took the actions he did. If he failed to take the stand, it would amount to an admission to the charges against him.

University of Cape Town law expert Kelly Phelps agreed it was crucial that Oscar take the stand. ‘Officially, no accused person has to testify (there is always a right to remain silent) but pragmatically he had no choice but to testify. This is because of the defence he has raised – putative private defence. This defence is assessed subjectively by the court – in other words, what that particular accused was actually thinking on the night in question, rather than what he should have or could have thought.'

Phelps adds that in the case of Antonio de Oliveira, the immigrant who shot at his employer and his guests (mentioned in a previous chapter), the courts
made it clear that the only real way for the court to know subjectively what the accused was thinking is to hear from that person.

Professor James Grant agrees it wasn't really an option for Oscar to exercise his constitutional right to silence. ‘Some have commented, rightly in my view, that one may remain silent at one's peril. This means that, while one has the right to remain silent, it is not always in one's best interests … There are situations in which, by virtue of the evidence against you, or by virtue of the nature of your own defence, you would be well-advised to testify. Oscar's (original) defence of putative private defence is one, which places in issue what the accused was thinking at the time of the incident. By its nature, his subjective mental state is all-important and he is the best person to explain what he was thinking,' says Grant.

Comparisons were incorrectly drawn between Oscar's potential decision and that of US football star OJ Simpson, who had chosen not to testify in his trial for the murder of his ex-wife Nicole Brown Simpson and had been acquitted. Phelps believes the cases are not comparable, other than for dramatic effect.

‘In OJ's case there was an established track record of violence (as opposed to allegations of one in this case, with little or no evidence to back up the claim) and an abusive relationship between he and the deceased (as opposed to allegations of one with little or no evidence to back up the claim). There was also evidence that OJ planned to murder the deceased in a jealous rage in reaction to her moving on with another romantic partner. The case was not won or lost because he didn't testify – most accused persons will not testify if they can help it because a good cross-examiner can unnerve a saint on the stand and make them look guilty or suspicious,' says Phelps. ‘Another key difference between the cases is that OJ tried to evade justice from the outset – Pistorius handed himself over willingly and never denied shooting Steenkamp; it is his explanation of why that differs from the states version.'

And so it was that on 7 April, after defence pathologist Jan Botha had completed his testimony, that Barry Roux announced to the court: ‘I call Mr Pistorius.' It was what the vast majority of the people in the gallery – reporters – wanted to hear. Like a headline act at a show, the accused was the main attraction and had drawn the crowds. The main courtroom was packed to capacity and so was the overflow facility next door. The world was waiting to hear Oscar's version in Oscar's voice. He appeared tense, experiencing a retching episode during the pathologist's testimony, and was given a little time to compose himself.

Oscar packed away several items into a small bag that he left in the dock, clasped his spectacles and a packet of tissues in his right hand and opened the
little wooden swing door of the dock as Aimee mouthed words of support. Steadying himself with his left hand on the dock, he made his way past his bullet-riddled bathroom door towards the witness box in the front right of the courtroom. His gaze was fixed forward, not once glancing over to the gallery where June Steenkamp and her entourage sat. He had chosen not to have his face televised during his evidence so only his quivering voice was audible as he was sworn in. But what the television viewers couldn't see was Oscar trembling, as he raised his right hand and declared, ‘So help me God.'

Before leading Oscar through his version of events around the shooting, Roux invited Oscar to make the opening remarks he had requested to begin with. He wore a black suit, white shirt and black tie that day; sombre attire as an expression of his grief. The athlete tendered a deeply emotional apology directed at Reeva's parents. Her mother, sitting in the public gallery, stared stoically ahead, her jaw tightly clenched, guarding against any emotion. Next to her, her advocate Dup de Bruyn watched as Oscar crumbled. Aimee and Carl were less composed as the tears streaked down their faces while other Pistorius relatives watched on. Judge Masipa listened attentively, her chin resting on her fist as she focused on the accused:

I would like to take this opportunity to apologise to … Mrs and Mr … Mr and Mrs Steenkamp, to Reeva's family, to those of you who knew her, who are here today, family and friends …

Oscar trailed off. He was overcome with emotion, his voice barely audible, so that Judge Masipa was forced to intervene. ‘Mr Pistorius, I do not like doing this to you, but I can hardly hear you—'

Oscar continued:

I … I … I beg your pardon, My Lady, I will speak up. I would like to apologise and say that there is a lot of moments and there has not been a moment since … since this tragedy happened that I have not thought about your family. I wake up every morning and you are the first people I think of, the first people I pray for. I cannot imagine the pain and the sorrow and the emptiness that I have caused you and your family. I was simply trying to protect Reeva. I can promise that when she went to bed that night, she felt loved. I have tried to put my words on paper many, many times to write to you, but no words would ever suffice …

As Oscar fumbled on, Barry Roux stepped in, reminding him that although he wanted to look at Reeva's mother while he apologised, he had to face the judge so that the microphone could pick up his voice. Roux was speaking softly, compassionately to his client, as if empathising with him in this solemn moment. But the awkward apology had ended and Roux began leading his client through his evidence.

Day one of Oscar on the stand ended early because, said Roux, his client was exhausted. As the judge left the courtroom at the close of proceedings, Oscar slumped back into the chair, leaned his head on his hand and started crying. With Carl and Aimee consoling their sibling, attempts were made to usher him outside, but he sat down on the step leading to the witness box and continued to cry. His psychologist sat beside him, her arm over his shoulder as she whispered into his ear. Pistorius family members formed a huddle around the pair, using their legs to shield the accused from the eyes of the prying media.

This was the start of seven days on the stand for the Blade Runner, with the world hanging onto his every word.

Oscar's Version

Oscar had already given a written version of events at the bail application. He then gave another written version during his plea explanation. On the stand as a witness, he spoke in far more detail. Speaking quietly but rapidly, his advocate led him through the events of 13 February and then on to the fatal Valentine's Day morning:

From the time I arrived home, Reeva was preparing dinner. I was talking to her, and on the iPad I was surfing the net. I was looking at cars that I had wanted to get around to during the day. To have a look at and when I went upstairs as I … as I was drawing the bath, I was on my iPad. I lay on my bed and took off my suit. I then sat in the bath for a while, I cannot remember if I was on it then. And then as I got out of bed, for a short time thereafter I was on it. We went down to dinner, I stopped using it. We were sitting and chatting.

Roux explained that an exhibit would be submitted to show that there was a gap in the website activity from 7:10pm until 8pm. Oscar confirmed this was right.

I started dinner … we started dinner shortly after seven, M'Lady. After dinner we sat … at the dining room table for a while and we chatted about my day and we chatted about Reeva's contract that she was in the process of signing with a new management company … I went through the contract and I made some changes for her on things that I did not think were applicable or things which could be binding for her in a negative way. And then usually after dinner we would have watched TV
downstairs, but I think we both had a taxing day, so we decided to go upstairs. I helped her with the plates. Whilst we were taking the plates off the … from the table, Reeva asked me if I would like anything to drink. Anything warm to drink, I cannot remember if I asked her for coffee or tea or what it was, but I said yes and I went back upstairs and she joined me a short time afterwards. A couple of minutes later.

It must have been around, just before eight or eight o' clock, I came into my room and I … I put the … open the balcony doors. It was a very humid evening. They had been working on my house for some time and the air-conditioning was one of the things that they needed to fix. There was some fault with it. So at the time the air-conditioning was not working.

Judge Masipa intervened to establish which room Oscar was referring to and he confirmed it was located on the first floor. He then picked up where he left off, opening the doors.

From my main room there is a small balcony. I opened the sliding doors onto the balcony. I placed … there is two fans. There is a steel tripod stand fan and there is a small plastic fan. A floor fan. I placed the tripod fan a bit further back with one of the legs on the balcony and the other two legs inside the sliding door. I placed the small fan pretty much between the legs of the larger fan, the tripod standing fan. I then closed the doors [till] they [were] more or less in line with the fans because at night, there is a light on the balcony that attracts insects and they come into my room. So I was trying to get most of the humid warm air out of the room, by having the fans there, they pulled the cool air from outside into the room. I drew the blinds and the curtains so that no bugs could come in from the outside and I had them more or less draped around the side of the standing fan.

Oscar went into great detail about the level of light in the bedroom – this was critical in explaining how he did not see Reeva getting up and going to the bathroom.

When I put curtains up in my home when I moved in, in 2008 I got all the curtains and blinds done. But in my room I got blackouts done on my curtains because of the hours that I travel, I am sometimes home
for a day and a half or half a day, and the hours I sleep are not always usual, so I sometimes sleep during the day. So I got the curtains with this material, this fabric. If the curtains are drawn, you cannot see anything in the room. During the day you can barely see, if they are drawn, what you can see is along the walls, you can see the … not along the walls, I beg your pardon … along the top of the rail, you can see a bit of light coming in. But it is … it is virtually pitch black, even in the day if the curtains are drawn.

I then drew the curtains which were around the fans. I do not think …
I do not think at that time I probably just left the blinds where they were, but I drew the curtain to hang over the … over the fans so that not … no insects could come in. You could see a bit of light through where the top fan was, but very little in the room. At that point the bedside lamp, bedside table lamp was … light was on. Or one of the lights in the room was on, I do not recall if it was the bedside lamp, but one of the lights in the room was on.

BOOK: One Tragic Night
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