Authors: Peter Carey
I should have got on the bus to Wollongong as I had planned. I was in much too confused a state to meet my son. I was a man descending on to a busy railway platform in a strange city with a battered old suitcase tied with string. I was jolted by impatient travellers, bumped by porters while I worried about whether my ticket was in my wallet or my fob pocket when it was in neither.
I held out my hand to him before I knew I’d done it. At first he thought me a stranger congratulating him. He shook the hand while he looked over his shoulder and shouted to someone else.
“Charles,” I said. “It’s Daddy.” I did not know the weakness of the string that kept my emotional baggage together because there,
in Pitt Street, the fucking thing broke, and everything I owned came spilling out of me, tangled pyjama pants, dirty socks, love letters, toilet rolls and old silk stockings. I hugged my boy and bawled into his deaf ear. I am not a big one for hugging men, I swear it. I never did it before that day. But I embraced my boy Charles Badgery in Pitt Street, Sydney, and frightened the bejesus out of him until he realized who I was.
It was a warm day, but I was shivering. I started to apologize for the knob in his ear. Don’t smirk—I meant it—you should have seen it, the great ugly lump of bakelite sticking out of his ear-hole. He was too young a man to have to tolerate it.
Charles wasn’t interested in apologies. He was pleased to see me.
“Have you seen the shop?” He led me towards it by the elbow. The doors were big and solid. Nothing quivered or evaporated. If Goldstein had invented it she had done a damn good job for it looked as solid as the real McCoy. “Crikey, this is wonderful. I always imagine you coming to look at it. I always wonder what you’d think. And here you are, I can’t believe it.”
He took me around the shop and introduced me to his staff, each one, by name, explaining the sapphire miner, loading me up with drink coasters. He was not ashamed of my ill-fitting suit or the tear marks on my cheeks. He took me into a large cage, all full of logs and ferns and running water and at the back he showed me a female lyrebird he had incubated himself. She was building a nest, he said, and was ready to mate. He was happy, because this meant he had cared for it well, but he was sad because there was no male to give her.
You could feel such a well of tenderness in the boy that I was affected by it too. A bower-bird came and perched by my shoulder and, for a moment or two, I could almost feel myself to be a nice man.
On the third gallery, we ran into a fellow, a seed importer from the Haymarket who wanted to go for a spin in the Holden. So we all clattered down those wide wooden stairs—light-coloured and worn in the centre of the treads, black on the edges—making as much noise as schoolkids let out early on a summer’s afternoon, bathers in their hands, towels around their necks. Twenty-four hours before I had been in H M Prison, Rankin Downs.
At the front desk Charles remembered his family and despatched a wizened little fellow to bring “them” downstairs. I never imagined Goldstein was up there. I was trying to get rid of
my knife, but Charles wanted me to get in his car. The birdseed importer came along. I got in the middle, and the importer got the window seat. And now, thank God, I could undo my tie. My companion took too much of an interest in my activities, so I merely loosened it off. I had no intentions about that knife one way or the other. I was preparing my plan to get myself put up.
It was too important a matter to leave vulnerable to the chancy winds of human emotions.
Mr Lo confessed to no one how he longed to walk the streets of Sydney as a free man and he felt this need most strongly on days like this one-grey, hot steaming February days whose humidity and colour reminded him of Penang, of Sundays when you could stroll out by the sea wall with Old Mother, his sisters, his worldly brother-in-law, Old Mother flicking her fan—he could still hear the noise it made, like a clock—and he, Mr Lo, would always buy them those little glutinous rice cakes wrapped in banana leaf although he was a poor student and had less than all the others.
He would die and never see Penang again, unless it was as a ghost, alone on the sea wall looking for the cake-sellers who were home in bed.
But Mr Lo did not dwell on this. He tried to be optimistic. He dreamed, not of Penang, but of the more attainable streets in Sydney. Just the same, when the invitation was made for him to ride in Charles’s new car, he declined, with thanks.
“I will hold the fort,” he said, pleased with his colloquialism. “Please.”
They did not try to persuade him any more. He watched Leah put on her big white hat and struggle into her shoes. He saw Emma make some last adjustment to her face, while little Hissao, his good friend, whom he entertained with ghost stories and Old Mother’s songs, picked up his favourite Dinky toy and stuffed it into his bulging pockets.
Mr Lo smiled and showed them great happiness, but when the door was shut behind them and he had carefully locked it, he sighed, and his eyes lost their fraudulent gloss in an instant, like cheap baubles from the thieves’ market which tarnish in their wrapping on the way home.
Once, only once, had he ventured out into the street. But he
had only gone a block before he was overcome with his vulnerability, his illegal status, the thought that there was nothing to protect him from questioning, officials, exportation, a gaol sentence in Penang and, finally, conscription to fight the communists in the jungle.
So he returned, and stayed, and did not try to go out again, sad to be locked away from the world and fearful lest he be forced into it.
Mr Lo was an intelligent young man. His teachers had all remarked on his understanding and his diligence. Things did not need to be explained to him twice. Yet he could not, in his present situation, ever understand how he was permitted to stay or what function he had in the workings of Mr Badgery’s establishment. He had asked and been answered, but he had not understood and he behaved as he had when, as a child, when his father was still alive, he had gone fishing. He was too young to understand fishing, but he followed the example of his father and uncles. When they jiggled their lines, he did likewise. When they changed bait, so did he. But he did not understand. So it was in Mr Badgery’s emporium: he did his somersaults and spoke in languages, but he could be overcome, mid-somersault, with a panic that there was no meaning to his antics. He no longer imagined that he was to be sold. That misconception had not lasted a week, and he had been relieved to realize it, and yet he also dreamed of the day when a beautiful young lady would come through the door—it did not even matter if she was not beautiful, or even if she was no longer young—and she would see him: neat, clever, nimble and she would fall helplessly in love with him. She would not even notice Mrs Badgery and if she did would not be so impolite as to laugh or point. She would stand shyly and lower her eyes, and he would speak to her. On the first visit she would not answer, but she would return, and sooner or later she would speak. She would want to marry him, but he would have to ask her, of course. And then they would walk the streets of Sydney together. He would buy her rice cakes, bright red ones wrapped in green leaf.
Mr Lo began to straighten chairs. He unlocked the little nest of wooden legs that Hissao had made into a “Ghosts’ Cage” and lined the chairs neatly along the rail of the gallery. When he had done this he took out his handkerchief and dusted the seats. Then he sat down. He thought optimistic thoughts.
I have never been a great one for returning to my past and thus experiencing that giddy gap between past and present where, in a second, you trip and teeter and, with arms flailing, fingernails scraping against egg-smooth walls, you fall through twenty years.
Yet on that day in Sydney, that muggy steaming day, I breathed the odour of my little boy’s manly sweat and plunged and soared in the turbulent air of time.
I met the mad woman. I looked into Hissao’s eyes and saw my lost daughter, for whatever Emma had made of him, there was no mistaking that similarity, that sweet nature, that pretty face.
Charles, I assume, introduced me once again to Leah, but there was such a commotion in my mind that I did not hear. I did not recognize her and so wondered at the particular attention this handsome woman bestowed on me.
The birdseed importer had a fat bum and took up too much of the front seat. It was hard to turn. I was blocking Charles’s view in the rear-vision mirror. We roared up George Street and headed towards the bridge. Charles was shouting various facts about the car and its performance, accelerating, braking, and showing off. He drove no better than Jack McGrath.
“Mother is in Sydney,” he shouted.
“Who?”
“Phoebe, your wife. My mother is in Sydney.”
“Oh,” I said. I did not wish to hear about wives. I was taken by the handsome woman in the back seat. I wanted to turn so I could see her wedding finger, but the birdseed importer was trying to question me about my business and Charles wanted a coin for the bridge toll. I got my hand into my pocket, gave him the two bob, and saw it safely into the tollkeeper’s hand, and then, as we lurched savagely on to that ugly steel structure all Australia is so proud of, I managed to squirm free of the importer’s attention and turn in my seat to look at the woman.
I groan out loud to remember what I did. I tipped my hat, although there was little room to do it, “Herbert Badgery,” I said, “I don’t believe we’ve been introduced.”
For answer I received a whack across the face.
Leah Goldstein had a lovely face. All the angles had become rounded, like a river rock that is so smooth that all you wish to do is place it in your hand, and once it is there it gives you a comfort and a happiness you could not begin to explain, that such a smooth sun-warm rock should fit your cupped palm so perfectly.
We sat on the Argyle steps beneath a Morton Bay fig which is still there today, and I unstrapped the tie and gave her the knife. God, it was an ugly thing—there was no elegance to the weapons made in Rankin Downs. I never did say what it was I planned to do with that blade, but I always assumed she understood. Perhaps she never did, but merely saw it as a symbol of my criminality, something that could be discarded as easily as the dank gaol smell which—she told me later—permeated my clothes and my skin. In any case we dropped the knife into Darling Harbour that afternoon and I wept, for the fourth time that day, and Goldstein wept with me, but perhaps she did not understand. I thought about this often, later. I wondered if I should not make it more clear. When we were lovers again I would be stricken by visions that would make me groan. I would touch her chest or feel her lovely ribcage or lie with my head against her breast listening to her beating heart (it had an odd skip to it, that heart) and think of that steel blade with its grubby rag-and-string glued handle.
I did not ask why she had told me lies so long. All I cared about was the future. I undid my shirt on the Argyle steps. I told you I was a vain man, but I had less to be vain about than I once had. The quacks had been through my back, mining for a kidney stone they never found, but what damage they had done was nothing to what I had done myself in my quest for frailty. I showed her the crêpe-skin around my neck, and the place where my biceps had once been tight before I so cleverly dissolved them in the acid of my lying mind.
I swear to God I will never understand Goldstein’s criteria about skin, for she found nothing wrong with mine. She touched it and looked at me with her velvety cat’s eyes. She did not flinch. She smiled. So did an old lady who was standing on the wrought-iron balcony above those narrow steps. She was hanging out her washing between her canary and the wall and she stopped, with wooden pegs in her mouth, and smiled.
Once the skin was settled, we moved on. My back hurt like hell, but I did not confess it. There were pains shooting up my legs and my teeth set up an ache as vague and persistent as people talking in the next room. I drew myself up and tried to tell myself I was a young man. I drew up my forearms a fraction and imagined myself on the sand at Bondi Beach. But you do not slough off a shuffle so quickly, and I soon had to admit that I would be an old fellow for a little while and that I could not match the dancer’s walk beside me.
At sixty-five years of age, women do not see you. You are invisible. Until, that is, you walk down George Street with a young woman with a dancer’s walk and then you go from invisible (flip-flop) to neon-signed and you are, take my word for it, a celebrity, a ballet master, a painter, a famous anarchist, a free-thinker, a revolutionary, an inventor of note, a criminal of power and influence, but look at me, I am only Herbert Badgery and once I was shy about my legs and now all I want is to lie down on my bed and take an Aspro and hope my toothache will go away.
I should have quietly withdrawn myself, gone back alone to my hotel, read an uncensored newspaper and gone to bed early. Charles, however, was busy arranging my life for me.
In all her fifty years Phoebe had never once worked for money. She was not ashamed of this. On the contrary. She had, after all, given her life to art and as for money, it always turned up somehow. Visitors to her little flat would look around at the pretty walls, the small works by famous artists, the rugs on the floor, the view of the harbour out the window and—feeling themselves steeped in nasty compromises, pot-boilers, jobs with newspapers, unpleasant sinecures with the Education Department—not only envied her but admired her.
Her poetry, of course, was little known, but by the end of the war she had begun the little magazine that historians now talk about so seriously—
Malley’s Urn
, a private joke amongst the literati at the time and if you don’t get the joke, don’t worry—it was never very funny.
There were those who imagined her to have inherited wealth, but if Phoebe even smelt a whiff of this misunderstanding, she set it straight—her mother had left five coal mines to the Catholic Church. Imagine!