Hotel Midnight (13 page)

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Authors: Simon Clark

BOOK: Hotel Midnight
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The horse’s head rises from the lake behind Dave. A pulpy tumour of darkness. He looks back as it strikes, slamming him into the water. It carries him down, holds him there, until he drowns.

The housebreaker runs down the railroad track something looms out of the night. At first he thinks it’s a locomotive. Only this is eerily silent. He screams when he sees blazing eyes.

Jackie’s attention snapped back to the screens. It had come.

Yes, she thought:
I remember you. You are my avenging angel; you are my dark destroyer.
She understood now as all those repressed memories flooded her mind. That dark shape was as much part of her as her immune system. Activated by her hurt, it flew to her defence.
Take Ben. Yes. Take him now
….

She watched Ben walking along the aisle that would lead to the pod. He was perhaps a hundred paces away. While, moving with the swiftness of a torpedo beneath the white blanket of mist, came the dark shape. Its lines hardened as it rose to the surface. A second later it emerged, a dark horse’s head veined with purple, a mane fluttered, eyes blazed from the shadow face.

‘Ben. Stand still … Ben, I need you to stand there.’

He paused. Behind him the horse’s head rose higher from the mist, and as it rose above him once more, it became that vengeful cobra shape, mouth opening, eyes blazing.

His pause only lasted a moment. Sensing that phantom shape rush at him through the mist he glanced back – then he was running. A wild headlong run with his arms wheeling as if he swam through some spectral ocean.

He cannoned against the aisles. Cans spilled to the floor, sauce cartons exploded beneath his swinging arms as he tried to run faster.

‘I want you to stand still, Ben,’ Jackie whispered, and the
whisper
ran in goblin sighs through frigid air. ‘Stand still, Ben. Don’t prolong it. Let it come to you.’

He screamed, ran harder. Vapour spurted from his lips. The steps to the pod rose out of the mist forty paces away.

On screen, Caitlin’s eyes grew larger as she stared into the darkness. In that gloom she must have been all but blind, but she looked in the direction of the noise beyond the wall that
separated
her from the main part of the store. Her head tilted when she heard Ben’s terrified yell.

Then from a concealed warehouse mic, Jackie heard her
daughter
begin to murmur in a voice that sounded like a prayer:
‘No, not him. Not Ben. Over him. Stride over him into the pod. Go over him into the pod. No, not him.
TAKE HER! TAKE MY MOTHER!’

Jackie roared in anger. The horse’s head, fulminating with purple blooms beneath the dark skin, rose higher. Now it was just five paces behind Ben; it would strike now, surely it would strike. This –
her avenger, her dark destroyer
– kept rising. It flew up out of the mist. Jackie rolled the camera control beneath her palm. Six screens were instantly full of the monstrous head. Staring eyes blazed at her through the cameras. For a split second the ceiling cam flashed on something part horse’s head, part serpent that soared through the air above the supermarket aisles. Then she was looking into that monstrous, demonic face. It filled the screen; grew larger, lost the eyes from the edge of the
monitor
, leaving the mouth that yawned as a pit of darkness: wider, wider….

From the warehouse mic Jackie heard Caitlin for the last time. ‘Mother! I know it, too. I understand it. I’m sorry….’

Jackie cried out as six TV screens burst into jets of shattered glass. She tried to throw herself back from the heads as they swarmed from the monitors. Six duplicate heads that were both cobra and horse, yet somehow neither, spurted out. Bible black. Slick. Purple veins running from blazing eyes to the root of their necks. Six heads lunged.

Each pair of jaws bit deep into her body to take a sixth of her. Then six pairs of jaws bearing six bloody hunks of meat withdrew to whatever abyss that was their domain.

 

Five years slipped by. Fate resolutely balanced the books. And, as in every household, Caitlin and Ben had their share of good luck and bad luck. Business thrived, despite the freak accident with the CCTV monitor console that had exploded with such force it had reduced Jackie Vorliss to something less substantial than ground beef. Caitlin successfully sued the manufacturer in a multi-million dollar negligence suit. The newly married couple moved to a ranch in the hills where along came Eddie, a blue-eyed baby boy with a giggle that could make anyone laugh. He loved the horses they kept there. He’d watch them for hours. Fate dished bad stuff, too. Eddie fell out of his buggy one day, bloodying his nose. Of course, Ben was mortified, telling Caitlin he’d taken their son to see the horses and only left him alone for a minute when he was distracted by a call on his mobile. Caitlin tried to reassure Ben, but, of course, he insisted on strapping the baby into the back of the Mercedes and taking him to hospital. No real damage said the doctor and gave Eddie a lollipop.

That autumn Ben took Eddie (a consummate little walker now) for a stroll down through the red-dressed trees to the lake. With the wind suddenly blowing cold, Caitlin followed, carrying Eddie’s hat with the droopy doggy ears to keep his own ears warm.

She saw the pair through the trees.

Ben sounded angry. He was raging at little Eddie who wept into the palms of his hands. ‘Listen to me, stupid. Don’t do that!’ He lifted his fist above the boy’s head. Caitlin clenched her own fists and, as the horse’s head rose from the shore, she hissed, ‘Come now … take Ben now.’

And that was the moment Ben screamed.

THE WHITBY EXPERIENCE
 
 

‘I won’t be long.’

‘Don’t be. The pizza will be ready in twenty minutes.’

‘Red or white?’

‘Go crazy: buy both. We’re on holiday, aren’t we?’

‘Don’t forget to lock the door.’

‘Afraid Dracula will get me?’

‘Lock it, Ingrid.’

‘OK … now, do you remember the way to the supermarket?’

‘Roughly.’

‘Don’t get lost; those little streets are a maze out—’

‘Ingrid, trust me. I’ll be fine.’

‘OK. Get a move on. I’m going to put the pizza in now.’

‘Oh, there’s just one more thing.’

‘What’s that?’

‘When I come back and you open the door for me?’

‘Yes?’

‘Be naked.’

‘Fat chance, mister.’

‘Aw …’ He grinned, looking every inch a mischievous little boy. ‘This is a second honeymoon, isn’t it? The kids are with grandma; the dogs are with Uncle Bob; work’s a million miles away, and I’m feeling as raunchy as a—’

She found herself grinning back at him as he stood there at the turn in the stairs. ‘Be back in fifteen minutes.’ She adopted a sexily husky voice. ‘And you’ll see what this old girl can do.’

His eyes flashed. ‘Just watch me move.’ With that he went down the stairs two at a time.

‘Oh, Ben,’ she called down after him. ‘Try and remember the scented candles.’

His voice came softly back up to her, promising that he would. A moment later she heard the door of the apartment block shut far below. For a moment she leaned over the banister, looking down through the twists and turns of the stairwell, half expecting him to come running back up the stairs to say he’d forgotten his wallet or simply to kiss her, and suggest they forget pizza in favour of slipping under the bedclothes. But a silence quickly settled on the stair, she couldn’t even hear muffled TV sounds or voices from the other apartments below.

She was on the point of returning to the apartment, when she noticed what appeared to be a brown ball resting on the banister maybe two or three floors below. A misshapen ball set with two pieces of glass that….

Eyes
.

‘I’m sorry,’ she said startled. ‘I was just looking for my husband.’

God, she sounded a total idiot, she realized, apologizing to the old man who looked up at her. But the truth of the matter was that his sudden appearance like that, gazing up with those
glass-splinter
eyes had startled her. Feeling more idiotic, she gave him another smile, then backed through the apartment door before closing and locking it.

The poor guy had probably heard the two of them calling up and downstairs and simply come out to see what all the noise was about. No doubt permanent residents here must have had a
bellyful
of here-today-gone-tomorrow holidaymakers who tramped up the steps calling to one another, playing music too loud, leaving sand all over the stair carpets and generally behaving like
inconsiderate
slobs.

Still with a twinge of guilt Ingrid went through into the lounge to look out of the window. She thought she might catch sight of Ben as he headed off in that long stride of his toward the seafront before cutting off to the supermarket, where it lay in a tangle of narrow streets and ancient cottages. But no. The mist that had been seeping in off the ocean all day had thickened so much she couldn’t even see their car parked on the road four storeys below. It now appeared as if their apartment floated on a lake of
streaming
white.

Through the glass she heard the soulful call of the foghorn. Being a city dweller the sound was alien to her; gravely mournful, too. She couldn’t escape the notion that she heard some primeval creature that lay dying on the shore as it called to its long lost mate.

The booming cry came again; a dark rhythm embedded with such a ghostly resonance it bordered on the funereal. She
shivered
. Now, alone in the apartment for the first time since her arrival, it suddenly became a grave and lonely place, where empty bedrooms were haunted by shadows that might—

‘OK, enough,’ she told herself firmly, as her imagination began to slide insidious little movements into the corner of her eye. ‘Dracula’s hardly likely to come popping out of the wardrobe, is he?’

Even so, she quickly turned on every light in every room, before returning to the living-room where she switched on the TV. All channels were blank. Great … now the set was on the fritz. But they’d been watching it not ten minutes ago when they’d run the fruits of their harem scarem camcorder work from the last few days. The video camera was still plugged into the TV; so instead of having to sit on the sofa listening to the mournful call of the foghorn she hit the ‘play’ button. First came a jogging shot of the village of Staithes just a few miles north of Whitby. Little more than a rock shelf on the sea’s edge, it was home to a few dozen cottages and a couple of inns that were achingly picturesque. An October sun shone brilliantly on red tiled roofs; flocks of seagulls wheeled, crying raucously; fishing boats bobbed in the estuary. Ingrid smiled at the TV screen as Ben’s face appeared, ‘Have you heard the local legend, Ingrid?’ he was saying in his best Boris Karloff impression yet. ‘Ingrid, dear. On the last Friday of October those terrible … those dreadful hell birds come down and carry off the first blonde lady they see….’

Then came shots of Whitby: the ancient abbey on the cliff that had been ruined even further by a few stray shots from a U-boat in World War I. After that, the church of St Mary’s surrounded by a graveyard full of headstones weathered into fantastically weird shapes. More views: the famous 199 steps that cascade down to the old town where streets are so narrow it’s a struggle for a single car to pass between the rows of tiny sixteenth-century cottages; the Banwick Arms with its whalebone rafters; the marvellously named Town Of A Magic Dream coffee house where Jim Morrison painted the ‘Crazy Horse’ ceiling mural of
counter-culture
legend; then across the River Esk to Whitby’s more modern half, complete with Woolworth’s, the Gothic storefront of The Dracula Experience (displaying the cape that Christopher Lee once wore) and a gaggle of amusement arcades full of
flashing
, honking slot machines. Ben had insisted on videoing her standing outside the house on Royal Crescent where they were staying over Halloween weekend.

They’d chosen the apartment by sheer chance at the tourist office. Soon they discovered that a hundred years or so before, the house had played host to a famous guest. Ingrid watched the TV as her own face filled the screen. Off camera, Ben was asking her to get closer to the plaque. Now she watched her own blonde-framed face smile back into the camera. ‘It’s too high.’

‘Stand on tiptoe.’

‘Can you get it in now?’

‘Just … wait, the top of your head’s covering the bottom half.’

‘This better?’ She’d lowered her head a little.

Now, comically standing on her head like a blue crown, was the wall plaque:

WHITBY CIVIC SOCIETY

BRAM STOKER (1847-1912)

AUTHOR OF
DRACULA
STAYED HERE

1890-1896

 

‘My God, does it get any better than this?’ Ben’s voice soared from the TV as he’d filmed the inside of the apartment. ‘Bram Stoker dreamt up Dracula here. We’re even sleeping in the great man’s bedroom.
Jesus. Just look at the view
.’

Smiling, Ingrid dueted her own voice from the TV: ‘But it’s changed a bit since then.’

‘Just a bit,’ Ben said zooming the camera through the open doorway to reveal the hi-fi, TV and modern artwork on the walls. ‘Nice décor. Post-modern minimalist, would you say?’

‘Absa-bloody-lutely.’

A wavering shot of the square windows accompanied by Ben’s Karloff voice. ‘Bram Stoker climbs the fifty-eight steps to his apartment where he gazes out to the ghost-rich sea and thinks: I know I’ll write a story about a foreign gentleman who goes round biting people on the neck. He shuns daylight, detests garlic—’

‘Pizza … damn, he’ll be back any minute.’

‘– the only way to kill him is to hammer a chunk of wood through his evil old heart. Little did he know—’

Ingrid stabbed the ‘off’ button then went through into the kitchen where she slid the pizza into a now smoky oven. Great, a second honeymoon and your husband will come back to find you reeking of cooker-smoke.

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