Hot Shot (2 page)

In the background, Susannah was dimly aware of her maid of honor muttering "Ohgod, ohgod, ohgod" over and over like a mantra. She found herself holding onto Cal's arm as if it were her lifeline. She tried to speak, but the proper words wouldn't form. She began to pull at the choker, and her long, aristocratic fingers shook as she attempted to free it from her neck.

"Don't do this, Suzie," the man on the bike said.

"See here!" her father shouted as he tried to disengage himself from the row of wrought-iron chairs and the rope garland that cordoned off the seats.

She was so anguished that she couldn't even think about the embarrassment she was suffering in front of her guests, the personal humiliation of what was happening. Stay in control, she told herself. No matter what happens, stay in control.

The man on the bike held out his hand toward her. "Come with me."

"Susannah?" Cal said behind her. "Susannah, who is this person?"

"Call the police!" someone else exclaimed.

The man on the Harley continued to hold out his hand. "Come on, Suzie. Climb up on the back of my bike."

The Bennett family choker gave way under Susannah's fingers, and heirloom pearls tumbled down onto the white cloth that had been laid for the ceremony, some even rolling off into the grass. It was her wedding day, she thought wildly. How could such a vulgar, untoward event happen on her wedding day? Her grandmother would have been prostrate.

His arm slashed the air in a contemptuous gesture that took in the garden and the guests.

"Are you going to give cocktail parties for the rest of your life, or are you going to come with me and set the world on fire?"

She pulled away from Cal and pressed her hands over her ears—a shocking, awkward gesture from proper Susannah Faulconer. Words erupted from her throat. "Go away! I won't listen to you. I'm not listening to you." And then she began moving away from the altar, trying to separate herself from all of them.

"Follow me, babe," he crooned. "Leave all this and come with me." His eyes were hypnotizing her, calling to her. "Hop on my bike, babe. Hop on my bike and follow me."

"No." Her voice sounded choked and muffled. "No, I won't do it."

He was a ruffian, a renegade. For years she had kept her life under perfect control. She had done everything properly, followed all the rules, not stepped on a single crack. How could this have happened? How could her life have careened out of her control so quickly?

Behind her stood safe, steady Cal Theroux, her twin, the man who kept the demons away.

Before her stood a street-smart hustler on a Harley-Davidson motorcycle. Impulsively, she turned away from both of them and looked toward her sister, only to see the frozen shock on her face. Paige wouldn't help her. Paige never helped.

Susannah clawed at her neck, but the pearl choker was gone. She felt the old panic grip her, and once again she found herself being drawn back to the horror of that spring day in 1958—the day when she became the most famous child in America.

The memory washed over her, threatening to paralyze her. And then she grew aware of her father freeing himself from the row of chairs, and she summoned all of her strength to shake away the past. She had only an instant, only an infinitesimal fragment of time to act before her father took control.

Calvin Theroux stood to her right, promising love, security, and comfort. A messiah on a motorcycle stood to her left, promising nothing. With a soft cry, proper Susannah Faulconer chose her destiny.

BOOK

ONE

THE

VISION

Whatever you can do, or dream you can, begin it. Boldness has genius, power, and magic in it.

—Goethe

Chapter 1

Susannah's real father wasn't Joel Faulconer, but an Englishman named Charles Lydiard, who met Susannah's mother when he visited New York City in 1949. Katherine "Kay"

Bennett was the beautiful socialite daughter of a recently deceased New York City financier. Kay spotted Lydiard on the afterdeck of a friend's yacht, where he was leaning against the mahogany rail smoking a Turkish cigarette and sipping a Gibson. Kay, always on the lookout for handsome unattached men, immediately arranged an introduction, and before the evening was over, had fallen in love with Lydiard's finely chiseled aristocratic looks and cynical world-weary manner.

Kay was never the most perceptive of women, and it wasn't until a year after their marriage that she discovered her elegant husband was even more attracted to artistic young men than he was to her own seductive body. She immediately gathered up their two-month-old daughter and left him to return to her widowed mother's Park Avenue penthouse, where she threw herself into a frantic round of socializing so she could forget the entire unsavory incident. She also did her best to forget the solemn-faced baby girl who was an unwelcome reminder of her own lack of judgment.

Charles Lydiard died in a boating accident in 1954. Kay was in San Francisco when it happened. She had recently married Joel Faulconer, the California industrialist, and she was much too preoccupied with keeping her virile young husband happy to dwell on the fate of a disappointing former husband. Nor did she spare any thoughts for the three-year-old daughter she had left her elderly mother to raise on the other side of the continent.

Susannah Bennett Lydiard, with her gray eyes, thin nose, and auburn hair tightly confined in two perfect plaits, grew into a solemn little mouse of a child. By the age of four, she had taught herself to read and learned to move soundlessly through the high-ceilinged rooms of her grandmother's penthouse. She slipped like a shadow past the tall windows with their heavy velvet drapes firmly drawn against the vulgar bustle of the city below.

She passed like a whisper across the deep, old carpets. She existed as silently as the stuffed songbirds displayed under glass domes on the polished tables.

Her Grandmother Bennett was gradually losing her mind, but Susannah was too young to understand that. She only knew that her grandmother had very strict rules, and that breaking any one of them resulted in swift and terrible punishment. Grandmother Bennett said that she had already raised one frivolous child, and she didn't intend to raise another.

Twice a year Susannah's mother came to visit. On those days, instead of walking around the block with one of her grandmother's two elderly servants, Susannah went to tea with Kay at the Plaza. Her mother was very beautiful, and Susannah watched in tongue-tied fascination as Kay smoked one cigarette after another and checked the time on her diamond-encrusted wristwatch. As soon as tea was over, Susannah was returned to her grandmother, where Kay kissed her dutifully on the forehead and then disappeared for another six months. Grandmother Bennett said that Susannah couldn't live with her mother because Susannah was too wicked.

It was true. Susannah was a horribly wicked little girl. Sometimes she touched her nose at the dinner table. Other times she didn't sit up straight. Occasionally she forgot her pleases and thank-yous. For any of these transgressions, she was punished by being imprisoned for not less than one hour in the rear closet. This was done for her own good, her grandmother explained, but Susannah didn't understand how something so horrible could be good.

The closet was small and suffocating, but even more terrifying, it held Grandmother Bennett's old furs. For an imaginative child, the closet became a living nightmare. Dark ugly minks brushed at her pale cheeks, and gruesome sheared beaver coats rubbed against her thin arms. Worst of all was a fox boa with a real head forming its grisly clasp. Even in the dark of the closet she could feel those sly glass fox eyes watching her and she sat frozen in terror, her back pressed rigidly against the closet door, while she waited for those sharp fox teeth to eat her up.

Life took on dark, frightening hues for such a small child. By the time she was five, she had developed the careful habits of a much older person. She didn't raise her voice, seldom laughed, and never cried. She did everything within her limited powers to stay out of the terrifying feral depths of the closet, and she worked so diligently at being good that she would probably have succeeded if—late at night when she was sound asleep—her body hadn't begun to betray her.

She started to wet herself.

She never knew when it would happen. Sometimes several weeks would go by without incident, occasionally an entire month, but then she would awaken one morning and discover that she was lying in her own urine. Her grandmother's paper-thin nostrils wrinkled in distaste when Susannah was brought before her. Even Susannah's wicked mother Katherine had never done anything so odious, she said.

Susannah tried to hide the bedding, but there was too much of it and she was always discovered. When that happened, her grandmother gave her a stinging lecture and then made her wear her soiled nightgown into the closet as punishment. The acrid scent of her own urine mingled with the camphor that permeated the old furs until she couldn't breath.

Furry monsters were all around her, ready to eat her up. She could feel their sharp teeth sinking into her flesh and their strong jaws snapping her tender bones. Bruises, like a string of discolored pearls, formed down the length of her spine from being pressed so hard against the closet door.

At night she struggled against sleep. She read books from her grandmother's library and pinched her legs to keep awake. But she was only five years old, and no matter how hard she tried, she eventually slipped into unconsciousness. That was when the fox-eyed monster crept into her bedroom and dug his sharp teeth into her flesh until her small bladder emptied on the bedclothes.

Each morning she awakened to fear. Afraid to move. Afraid to inhale, to touch the sheets.

On those occasions when she discovered that the bed was dry, she was filled with a sense of joy so sharp it made her queasy. Everything about the day seemed brighter—the view of Park Avenue from the front windows, the shiny red apple she ate with her breakfast, the funny way her solemn little face was reflected in her grandmother's silver coffeepot.

When the bed was wet, she wished she were old enough to die.

And then several days after her sixth birthday, it all changed. She was huddled in the closet with the smell of urine stinging her nostrils and fear clogging her throat. Her wet nightgown clung to her calves, and her feet were tangled in the soiled bedclothes her grandmother had ordered be put into the closet with her. She kept her eyes fixed, staring through the darkness at exactly the spot where she knew the fox head was hanging.

Her concentration was so intense she didn't hear the noise at first. Only gradually did the piercing sound of her grandmother's voice sink into her consciousness, along with a deeper male voice that was unrecognizable. She knew so few men. The doorman called her "little miss," but the voice didn't sound like it belonged to the doorman. There was a man who fixed the bathroom sink when it leaked, the doctor who had given her a shot last year. She saw men on the street when she took her walks, but she wasn't one of those dimple-cheeked little moppets who attracted the attention of adults, so few of them ever spoke to her.

Through the thick door she could hear the male voice coming closer. It was loud. Angry.

She sprang back in fear and the furs caught her. The mink, the beaver—their dead skins swung against her. She cried out as the grisly fox head struck her cheek.

The door flew open, but she was sobbing in fear and she didn't notice.

"Good God!"

The angry male voice penetrated her consciousness. Panicked, she pushed herself deeper into the suffocating depths of the furs, instinctively seeking a known terror instead of an unknown one.

"Good God," the voice repeated. "This is barbaric."

She stared into the malevolent face of the fox and whimpered.

"Come here, sweetheart," the voice said, speaking more softly this time. "Come here."

Slowly she turned, blinking against the light. She turned toward that soft, crooning voice, and her eyes drank in their first sight of Joel Faulconer.

He was big and golden in the light, with powerful shoulders and a large, handsome head.

Like a magic prince in one of her books, he smiled at her and held out his hand. "Come here, sweetheart. I'm not going to hurt you. I won't let anyone hurt you."

She couldn't move. She wanted to, but her feet were tangled in the wet bedcovers, and the fox head was butting against her cheek. He reached for her. She winced instinctively and drew back into the coats. He began crooning to her as he pulled her free of the furs. "It's all right. It's all right, sweetheart."

He lifted her into his strong arms and held her against his chest. She waited for him to recoil when he felt her damp nightgown and smelled her acrid scent, but he didn't.

Instead, he clasped her tightly against his expensive suit coat and carried her into her bedroom, where he helped her to dress. Then he took her away from the Park Avenue penthouse forever.

"That stupid, stupid bitch," he murmured as he led her from the building.

Not until much later did she realize that he wasn't talking about her grandmother.

Joel Faulconer wasn't a sentimental man, so nothing in his experience had prepared him for the surge of emotion that had overtaken him when he had seen Susannah huddled like a frightened animal in his mother-in-law's moth-eaten furs. Now, six hours later, he glanced over at her strapped into the airplane seat at his side and his heart turned over.

Her enormous gray eyes were set in a small, angular face, and her hair was skinned into braids so tight her skin seemed as if it might split over her fragile bones. She stared straight ahead. She had barely spoken since he had taken her from the closet.

Joel took a sip of the bourbon he had ordered from the stewardess and tried not to think about what would have happened to Susannah if he hadn't given in to the vague impulse that had taken him to his mother-in-law's doorstep that morning. Kay didn't like her mother, so he had only met the woman a few times in social settings and had never spoken with her long enough to realize that she was mentally ill. But Kay should have known.