Read Heartland-The Second Book of the Codex of Souls Online
Authors: Mark Teppo
Tags: #Science Fiction
"And the left?" I asked.
He smiled. "I stared too long at the sun of the forge."
"Before or after you became a priest?"
He lifted the covers from the teacups and removed the tea strainers. "Milk or sugar?" he asked. His smile was all the answer I was going to get to my previous question.
"Both," I said.
Once we had both doctored our tea to our satisfaction, he sat across from me, silently, staring at nothing in particular, and sipped his tea. He gave no indication that he was in a rush to talk, and—gradually, grudgingly—I became aware of how noisy I was on the inside.
The Chorus was buzzing in my spine, electric sparks of memory and energy that I couldn't quite control. I wanted to move; I wanted to lay the deck of cards on the table and put the priest's hands on them. I wanted to ask him questions, so many of them fighting for position against my tongue. And part of me still wanted to flee, wanted to run and hide from the magick storm brewing across the leys of the city.
But I sat there, instead, with a modicum of patience, and listened to the micro-ambience of this inner sanctum. I
was
a weary traveler, and without speaking a word, he gave me the space to find some wisdom.
Eventually, the priest gave a small nod, and pushed his cup aside. The sound of the china moving across the laminate surface of the table dispersed the meditative ambience of the tiny apartment.
"It is not an easy task to quiet oneself," he said. "Many of us forget. Your energy is still much too quick, but I can see the impression of its orbit now. There is a lot of history bound to your light."
"I'm impressed," I said. "Most can't see me at all."
He snorted. "Most are blinded by their own light. Too caught up with the glitter of their own thread. All they see is the surface, the forward and backward of their lives."
"But you see deeper than that, don't you? Beneath the Weave."
His hands moved on the table, as if he were re-arranging pieces of a game. "We teach the new ones to call it the 'Weave,' because that is a concept they can readily understand, but it is like teaching a child to play checkers. It's a simple game, two-dimensional really. Only later are they ready to play a richer game on the same board."
"Chess."
He nodded. "The Akashic Weave extends in every direction, and when I gave up my sight, I was to see it more properly. I was able to understand the true nature of how the threads bind together."
"The big picture."
"Yes. There is a balance to all things, and we are too small and mean to want to believe such universal hegemony exists, but that is part of what we must strive toward. An understanding of the reflections and shadows that the unconscious symbols of the Divine leave in their wake. So that we, too, may be creators."
The Chorus caught a slice of memory, and turned it over, spinning it like a coin; it opened up. A small burst of memories exploded: the fiery eye of the glass furnace; the priest pulling and stretching a piece of red glass into a flat sheet; on a nearby table, a rack of colored sheets—green, blue, yellow, white—cooling. The priest wore a modified pair of goggles. Only the left eye was protected from the light of the forge.
"You made all the glass," I said, answering my previous question about his vocation. "From his designs."
The Chorus twisted the images in my head, turning them inside out so as to see a different perspective. A different time, in the same place. The priest, now kneeling before the furnace, sweat and grime staining his naked torso. A pair of hands entered the frame—my hands—and removed his protective goggles so as to firmly grasp his head. I held his face still as he opened the blast cover of the furnace. Tears started from his eyes, droplets like molten glass streaming down his cheeks. In his right eye, the emerald shard of glass glittered; in his left, a howling whiteness devoured his cornea. I could feel the heat from the forge on my hands.
The priest was unafraid, and the expression on his face held no pain.
This was not punishment. This was a reward.
"And when you were done," I said, slowly, the words shivering up from the snarled core of the Chorus, "I took your other eye and gave you your new name: the Visionary."
In speaking those words, in being Philippe for a brief second, a cascade of the Old Man's history fell into place, now anchored by my act of speaking aloud. I knew the priest's name, how Philippe recruited him, his secret training and preparation for the task of making the stained-glass panels, the title given to him by Philippe; all that and more were known to me as if I had always known them. It was a disconcerting moment of vertigo as I flickered between my identity and Philippe's before returning to my—now altered—self.
His name was David Cristobel. Once: an itinerant laborer; a student of the arts; a glass-blower. Now: parish priest, and one of the secret masters of the society. The Architect known as the Visionary.
Father Cristobel bowed his head. "Our Father," he whispered, "who art in—"
I stopped him. "No, not yet."
He hesitated for a moment, and then nodded. "Yes, of course." He raised his head and looked directly at me, Seeing me. "It is a bold binding, and he hides you well." He wasn't speaking to me; he was talking to the spirit of the Old Man, as if he was—
"He isn't hiding," I said. "Philippe is dead, but some of his . . . personality hasn't faded yet."
He stared at me more, and the ever-present tear finally slipped from the corner of his right eye. "The Lightbreaker," he said. It was his turn to name me. "You knew all along, didn't you?"
"Knew what?"
A small laugh jerked free of his chest. "You are far more trusting than I, old friend. Your vision is, indeed, deep and distant."
"Father Cristobel," I said. "You and the Hierarch had an understanding of the threads that defies my feeble grasp, and I'm glad you're impressed with the Old Man's plotting, but he told me very little. And he's gone. All I have left are fragments of his memory, and I can't control how and when they offer themselves to me. I am, for lack of a better word, a bit
blind
here."
He smiled at that, but the motion quickly died on his face. "Yes," he said, staring at a point behind me. "There are many knots in the fabric itself, and much . . . that obscures the Record. It is difficult to see very far. Or very clearly." A shake of his head wiped the rest of the humor from his face. "The Hierarch wound tight and far, Lightbreaker, and trusted—perhaps too much—that the threads would move in the manner of his suggestion."
"Endgame," I said. "All the knots, coming undone."
"But will they unravel to his design, or someone else's?" Father Cristobel wondered. "How strong was his Vision?"
"That's the big question, isn't it?"
Father Cristobel stood and retrieved a bottle of whisky from the cupboard. He got two more glasses and filled each with a finger of liquor, nudged one toward me, and raised the other one. "Now is not the time for tea," he said, raising his glass. "To Philippe Emonet. My father, in spirit and in my heart."
Our Father. Holy Spirit. My Son. A confusion of histories overwhelmed my tongue and I settled for tapping my glass against his. The whisky was heavy, filled with the earthy taste of peat, and it went down like a hot coal.
Father Cristobel coughed. "Ah," he said, after taking a second sip. "It has been a while."
I turned the bottle so I could see the label. "A Lagavulin 16," I said. "It's a little mean when you first come back."
"Most things are," he said, pouring another portion for himself. "How long have you been away from the family?"
"A while." There was no point in denying it. I was starting to See how far back Philippe's planning went. "A little over five years."
"Ah, yes," he said, nodding. "Before the Upheaval." He set his glass down. "I know you. You are the rogue who left us, taking a hand and a heart with you."
I knocked back the whisky in my glass, the peaty burn killing the words in my throat. The fire of the scotch rose up from my stomach and inflamed my lungs.
"Markham," he said. "Yes, that is who you are. 'Michael,' she called you, but it isn't your Christian name."
"Landis," I said, my tongue burning.
She.
Such familiarity. I exhaled, fiery exhaust from the whisky, and memory turned in my head.
A small baby, wrapped in white linen.
Marielle.
A nocturnal baptism, here in this church, the glass Christ hovering overhead like a watchful angel. A younger Cristobel and Philippe, their hands suspending the tiny child over the basin of purified water. The glistening stroke of a wet finger across the child's forehead.
Cristobel was Marielle's godfather.
She watched them, unafraid. Aware of what they were doing. Aware of the pulsating energy emanating from both men. The flow of life moving into the basin and then into her body. A secret ritual, hidden away from other witnesses.
Father Cristobel seemed unaware of my sudden realization, the tumult of memory happening in the blink of an eye. "You were a useful tool," he continued, "hidden away before the fracture made itself known. You didn't know your part to play in his grand game, did you?"
I shook my head. "No. I thought I was . . . free." That was a lie, but I had thought I was free of Paris.
Evidently not
. "But that's not the case, and I need to know what my role truly is."
Because Philippe won't tell me, and that's part of his design too. That's the difference between knowing and Knowing, and when the hard choice comes, he's going to want me to truly Know.
"Yes." Father Cristobel sighed, and seemed to weigh some decision for a few moments. "I will assume that your blindness extends to the events of the last few years within the family. You wouldn't—" He hesitated, as if he were mentally preparing himself for a task, one he knew had been coming, but hadn't expected it to arrive today. Hadn't expected it to ever come, but here it was.
"It has been . . . a few years now," he continued, sliding into the role he knew was his. "Call them the 'Opposition,' for lack of a better term. They've been plotting a long time, but it was only recently we realized they were more than a bunch of idle dreamers.
"U.S. foreign policy had become even more of a disaster than we anticipated. Washington's cadre of radical capitalists had gutted their own economy and were turning their greedy eyes toward the EU. With this attention came a legion of tin-star despots who wreaked havoc at a bureaucratic level. Our influence in the U.S. became problematic. Every effort we made to control affairs vanished into a black hole, this vortex of uncertainty. Then, shortly after the last U.S. election, we lost an Architect."
Emile Frobai-Cantouard,
the Chorus offered, having just come up from the basement with this nugget of information. The Cantouards had ties to the vineyards of Champagne, and Emile had fought in the Foreign Legion. Sub-Sahara revolutions. His magick came from the desert. Most of the memories of the man were dim and distorted, like film that had been rescued from a fire. Philippe was much younger in these memories, a time before he became Hierarch. Distant memories that were starting to fade, history being subsumed into the muck of my soul.
"The Hermit," I said, recalling Emile's Architect title.
"Yes," Cristobel said. "Emile Frobai-Cantouard. Do you know him?"
I shook my head. "No. I have some recollection of the rank, almost like a dossier on some members, but I don't know which ones or how much data there is to be gleaned until I actually need it. It's a frustrating side effect of the process."
"Do you know the others?" The question was casual, but the Chorus reacted to an underlying tension in his words.
"Who?" I asked.
"There are nine Architects, and I know the identity of three. I assume the others are equally—if not more so—ignorant of the others."
"What do you mean?"
"Each of the nine has a distinct title, separate from his rank. Some of them recognize specialization, some of them are historical titles that bind them to a specific aspect of the Akashic Weave. As an organization, we have been consumed with secrecy for so long that the true masters have become faceless. We are just names, no longer real flesh and blood. The Architects cannot be held responsible for their actions and directives because they cannot be found."
"Like . . . the Secret Masters of the Illuminati," I said.
He smiled. "That is one of our names."
In my gut, something twisted, and the Chorus dove after the elusive strand of thought. But they couldn't catch it, and any sense I had of Philippe floating near the surface of their boiling energy vanished. Something was wrong; something Cristobel had said wasn't true. Was he lying to me? The Chorus flexed, and strands of memory flared into arrays of white light. No, Cristobel was telling me what he thought was true.
"Someone knows," I said. "Someone knows who all of the Architects are."
"Of course. The one who chose them. The Hierarch."
And those names were hidden. I had a feeling they were there, down in the bowels of my subconscious, locked away in the secret vault Philippe had inserted in my head. A vault to which I had no key.
"What happened to Frobai-Cantouard?" I asked. The Chorus kept digging, sifting through uncatalogued memory.
Father Cristobel chewed on the inside of his cheek for a moment. He couldn't see my face, but he could read my confusion. My energy signature was in flux. "He vanished. When Philippe could not find the end of his thread, he came to me. I can't wind the threads like he can, but I can chart them better. Over the next few weeks, as I searched for signs of Emile's thread, I noticed his history was being dissolved. Somehow, the morphic fields were breaking down his thread, almost as if there was some sort of unnatural decay devouring his presence. He couldn't be removed from the Akashic Record, but it was becoming more and more difficult to discern his history."
"He wasn't dead?" I asked.
"No, in death, a thread withers, but it remains in the Weave. The next generation is laid on top of the last. In that way, the Weave is organic, a field that never becomes fallow. Each death provides nutrients from which new threads emerge.