Authors: Todd Ritter
He waved his flashlight back and forth between Kat and Emma. “You got that? Five minutes.”
Dutch handed each of them a helmet and demanded that they put them on before going any farther. “You’ll thank me if the ceiling caves in,” he said.
Kat did as she was told. The helmet was heavier than she expected—a weight pressing down from the top of her skull—and did nothing to aid in navigation. It obscured her peripheral vision, forcing her to twist her head to the sides if she wanted to see anything that wasn’t directly in front of her.
Not that there was much to look at in the hallway. Inching through it, Kat saw only a few administrative offices and a meeting room. Still, she could tell that this section of the museum wasn’t nearly as fire-ravaged as the front. Other than the smoke and some puddles of water, everything seemed to be in decent condition. It wasn’t until they reached the end of the hallway, which opened into the main gallery, that Kat saw the extent of the damage.
The gallery, a large room packed floor to ceiling with displays, had been obliterated. Sweeping her flashlight across the room, Kat saw that portions of the floor and most of the ceiling were badly charred. The walls were, too. The one facing the street had been so severely gutted that she could see right through it to the thinning crowd outside. Whatever had been hanging on the wall was now gone. Only warped and blackened frames remained.
In fact, most of the displays in the gallery had been destroyed. Those that weren’t consumed by the fire had been ruined from water damage. Display cases that might have withstood the flames had been knocked over by the pressure of the hoses. The floor was covered with glass shards and water, which combined to make a crunching and sloshing sound that reminded Kat of a pebble beach at high tide.
Roaming the gallery, she noticed random objects among the detritus, some of which she still remembered from her childhood visits. A pocket watch. A woman’s shoe. A blade saw from the mill’s early days. In the corner, a wax figure wore the remains of a Union Army uniform from the Civil War. Drops of water fell from the sleeves, and large holes that resembled cigarette burns marred the fabric. The figure’s face had melted, its misshapen nose oozing down to what had once been its chin.
She looked to the wall opposite the front door. Still hanging there, safe in its frame, was the deed Emma had mentioned earlier. Roughly the same size as a newspaper and written in florid script, it stated that Mr. Irwin Perry now owned a hundred acres of land outside an unnamed village in southeastern Pennsylvania. A year later, the Perry Mill opened, flooding the village with workers. To mark this surge, the village was officially named Perry Hollow. Of all the pieces in the museum, the deed was the most treasured. Seeing that it had been spared made Kat breathe a sigh of relief.
Emma, however, was downright overcome with emotion. Sniffing back tears of gratitude, she hugged both Kat and Dutch.
“You helped save history,” she told them. “You really did.”
“I’ll take it down,” Dutch said. “Then we’ve got to get the hell out of here. I don’t want to press our luck.”
While he removed the frame from the wall, Emma took off her helmet and whipped out her cell phone one more time. “I have to tell Constance. She’ll be thrilled to know the deed survived.”
She dialed and held the phone to her ear. A second later, Kat heard a muffled trilling coming from somewhere inside the museum. It chirped three more times before abruptly going silent.
“She’s still not picking up,” Emma said, flipping her phone shut.
Kat also removed her helmet. “Call her again.”
“Why?”
“Just do it.”
Once again, Emma tapped in the phone number. And once again, Kat heard the electronic trill. She edged to a corner of the room. The sound was slightly louder there, though still muffled. When it chirped again, Kat realized the noise was coming from beneath the floor.
She turned to Emma. “Does the museum have a basement?”
“There’s a crawl space under the gallery. We sometimes use it for storage, although the rest of the collection is up in the attic.”
“How can I get down there?”
“A trapdoor,” Emma said, confused. “You’re standing on it.”
Kat took a step backward, finally seeing several gaps in the floorboards that formed a square. A nickel-sized hole—easy to miss if you weren’t looking for it—sat on one side of the square. Kneeling, Kat jammed an index finger into the hole and raised the trapdoor until she could slide a hand under it.
Seeing what she was doing, Dutch handed the framed deed to Emma. He then knelt next to Kat, aiming the flashlight into the crawl space as she removed the door and peered inside.
What they saw was Constance Bishop.
She was slumped over a wooden chest, her generous rump raised in the air. Her legs were bent slightly, knees pushing against the wooden chest, and her lifeless arms dangled forward. One of her shoes was missing, revealing the sole of a foot blackened with dirt.
Dutch moved the flashlight beam over her body, which hadn’t been able to escape the fire hoses despite being beneath the floor. Beads of water dotted the pale skin on the back of her legs. Her blouse and skirt, darkened by moisture, clung to her body.
When the light reached the back of her head, Kat saw a flash of crimson. Blood. Just behind her right ear. Tiny bits of white stuck to her hair. Bone fragments, Kat surmised. Or maybe brain matter.
“Sweet Jesus,” Dutch muttered.
“What’s down there?”
It was Emma Pulsifer, stomping toward them with the deed tucked under her arm. Kat stood, trying to block her, but it was too late. Emma peered into the crawl space, spotted Constance, and choked out a strangled cry.
“No! Dear God, no.”
She clamped a palm against her open mouth, the deed slipping from her arms. The frame shattered when it hit the floor—Perry Hollow’s founding document smashed into a hundred pieces.
The noise snapped Kat into action. Returning to the floor, she lowered herself into the crawl space. It was a tight fit, especially with Constance there, but she managed to squeeze herself inside. For once, being short was an advantage. Still, wiggle room was nonexistent, forcing her to stand behind Constance, straddling her lifeless legs.
As Dutch held the light steady from above, Kat leaned forward until her chest was pressed against Constance’s back. She placed two fingers against the side of Constance’s neck, feeling for a pulse.
There wasn’t one.
Not content with the results, Kat pivoted as much as space would allow and reached for Constance’s left arm. Although it was as heavy and unwieldy as wet cardboard, she managed to raise it enough to slip two fingers against her wrist. No pulse there, either.
“She’s dead,” Kat announced.
She swallowed hard, suppressing the sob that threatened to bubble up from deep in her chest. Part of her sadness was, of course, for Constance Bishop, a kind woman whose life had been cut short. The rest of the grief was reserved for her town. She thought the violence had died with the Grim Reaper killer. She was wrong. Murder had once again visited Perry Hollow.
Above her, Emma’s sobs grew louder. They blasted through the hole in the floor and echoed into the smallest recesses of the crawl space until they became tinny and faint. The light above Kat shifted as Dutch apparently turned in an attempt to comfort Emma. The new slant of the flashlight’s beam illuminated the left side of Constance’s head, her shoulder, and part of the arm that Kat was still holding. It also, Kat noticed, shed light on a series of black marks on Constance’s hand.
“Don’t move,” she shouted up to Dutch. “Keep the light right where it is.”
“Why?” he called back.
Kat didn’t answer. Instead, she leaned forward even more, staring at the dark lines on chalky flesh. They were letters, she realized, scrawled in what seemed to be black marker.
Someone had written on Constance Bishop’s hand.
Kat twisted the wrist until all of the words were visible. Fear poked her ribs as she read what had been written across Constance’s skin. It was a fear she had last experienced a year ago. A fear she had hoped to never feel again. But there it was, jabbing at her with an insistence that made her want to scream. It stayed with her as she read the words on Constance’s hand a second time, then a third.
A mere five words long, the message was simple but agonizingly clear.
THIS IS JUST THE FIRST.
2
A
.
M
.
It was the longest journey of his life, if not in distance then in actual travel time. Sixteen hours total. Most of them containing at least one headache.
First was the maddening cab ride through rush hour in Rome—a gridlock of Smart Cars and scooters and curses shouted in Italian. Next came the interminable wait at the airport as his flight was delayed. Twice. Once onboard, it was ten hours in coach, trying to sleep as the college kid sitting next to him exhausted an endless supply of gadgets: iPad, iPod, iPhone.
After they landed in Philadelphia, it took an hour to get through customs, although he was still an American citizen. He chalked that up to his face. People tended not to trust a face like his. As annoying as it was, he couldn’t blame them.
He considered every roadblock an omen, telling him to turn around. He certainly had considered it. Many times. The words
I shouldn’t be doing this
ran through his mind more often than not. It was a bad idea, clearly. Anyone could see that. Yet he pressed on, exiting the airport and stepping once again onto American soil.
Since he didn’t have a driver’s license, in the U.S. or in Italy, he had to plead with a cabbie to drive him forty-five minutes into the middle of nowhere. When begging didn’t work, cash did. An exorbitant amount that he had to pay up front before he could even open the passenger door. Reaching town, he found a very familiar police car blocking the street his hotel was on, forcing him to carry his luggage several blocks on foot, through a crowd, in front of a fire.
A fitting end to his journey, really. And, he thought, yet another reason why he should have stayed where he was. But now it was too late to turn back. Now he couldn’t blame the traffic or the delayed flights or the snide jackass at customs.
Now, whether he wanted to be or not, Henry Goll was back in Perry Hollow.
He was staying at the Sleepy Hollow Inn, a three-story bed-and-breakfast that was the only game in town as far as hotels went. His room was on the top floor, and while surprisingly large, it left a lot to be desired. It was too antique, too flowery, and smelled too much like cheap soap. All that pastel and potpourri was suffocating—like being hugged too tightly by an old woman.
As he unpacked, Henry considered finding another place to stay. His options, though, were limited. He knew exactly one person who would put him up for the night, and she was two blocks away dealing with a fire.
Henry had heard Chief Kat Campbell shout his name through the crowd of onlookers. For a moment, he had almost stopped and greeted her with the warmth and kindness she deserved. Instead, he ignored her, escaping the crowd unseen while the chief was occupied with some tall man she had just bumped into.
It’s not that he didn’t want to see Kat. He was genuinely looking forward to catching up and hearing how both she and James were doing. But tonight wasn’t the right time. She was busy, and Henry was—well, he wasn’t happy to be here.
He never thought he’d be back in Perry Hollow. He had had no desire to return. There were too many bad memories of the last time he was here. The thread pulling through his skin. The scalpel at his throat. The fire and chaos and blood that followed. Moving to Italy had dulled the memories, but Henry was afraid seeing Kat would bring many of them back. That trip down memory lane, he decided, could wait until later.
When Henry finished unpacking, he looked at his watch, which was still set to Italian time. It was after eight
A.M.
there. Dario would definitely be awake. Which meant it was time to call home.
Henry’s phone barely got out one ring before it was answered with a terse
“Pronto.”
“Sono Henry.”
“Henry! How was your flight?”
Although Henry was fluent in Italian, Dario Giambusso insisted on speaking English with him. Henry suspected his editor was trying to show off. Or maybe his Italian was that bad, and Dario was tired of hearing him butcher his native tongue. Either way, whenever they spoke, English was the language of choice.
“The flight was”—Henry grasped for the right word—“long. But I’m here.”
“Very good. Now you should relax. It’s early there, no?”
Dario’s voice was almost drowned out by a loud whirring noise. It was accompanied by the rhythmic slapping of bare feet on a hard surface. He was on his treadmill. Other than knowing English, a love of exercise was the only thing Henry and his editor had in common.
“It
is
early,” Henry said. “But relaxation isn’t on the agenda. I have a lot of background information to go through before I start contacting my sources.”
“Don’t run yourself ragged. You need sleep, too.”
“I slept on the plane.”
“Then maybe you can visit that lady friend of yours,” Dario said, voice thick with innuendo. “Does she still live in town?”
He was talking about Deana, Henry’s girlfriend before everything went to hell. Of course Dario knew about her. Most of the world did, just as they knew about what had happened to Henry. His story wasn’t a secret. It was the reason, in fact, he had been sent to Perry Hollow instead of the reporter who usually covered this beat. Henry certainly didn’t volunteer for the assignment. No, he had been handpicked by Dario, who thought Henry’s history with the town was something he could exploit.
“Seeing Deana Swan isn’t on my agenda,” Henry said. “I just want to do my job and go home.”
“That’s very noble, Henry.” The slapping noises got faster. Dario had just kicked up his speed. “But, in a way, you already are home.”