Read Delphi Works of Ford Madox Ford (Illustrated) Online
Authors: Ford Madox Ford
Delphi Works of Ford Madox Ford (Illustrated) (239 page)
“You thought that, living with him, you would have developed nerves! But if you had looked at it in that other way you wouldn’t have been afraid. You wouldn’t have been afraid for your own strength, for it wasn’t his weakness that you feared,
it was your own.
You are cowardly — all you English are cowardly: you are afraid of your own emotions: you are afraid that if you become passionate you will lose dignity. That’s why you insist on maintaining your frigid exteriors.
“But you — you, Eleanor Greville — aren’t frigid. Only by trying to believe that it is your duty to be frigid you have been horribly cruel. For, because you wished to be true to your race, you couldn’t see that you would have been truer still if you had stayed to use your imagination. That! That! That! is your great defect. You are good, you are kind, you are beautiful. You are even splendid, but you chose the easiest course because it was most obvious. But you would, I persist, have been truer to your fine and generous traditions, to your fine and generous self, if you had stayed to see that my dear brother is a noble and a unique invalid whom you might have nursed to health, or to whom you might have splendidly and patiently sacrificed yourself...
“Well, I think that if I write any more I shall cry. It is all finished now. I don’t plead with you to change your view. It would be too dangerous for my poor Don. Heaven knows how soon again you might not come to another of those lamentable wrong decisions. Or how late! For you might come to one after you had united yourself to him. I don’t plead with you. I am trying to wound you — for, after all, I am an Italian, and deep-seated in me there is the passion for revenge — the lust for the vendetta. And you have stabbed my brother. May God forgive you. And if I have succeeded in making you suffer here on earth may it be a means of leading you to repentance and to a shortening of your hours in Purgatory. For you English, even as we Italians, united as we are in our deep hatred for these people, we are the elder brothers. If they hate us it is because we are intellectually oppressive as elder brothers always are: if we hate them we are committing the sin of hating little children. Don was a child and you have injured him!”
Eleanor read this letter three times over: she gave it to her father to read and he returned it to her, neatly folded, and with the remark that it was possible to plead even
too
ingeniously for inaccuracy of mind, which was the only thing he had ever, much, reprehended the Americans for. And eventually Eleanor decided not to answer the letter. She could not see that it would do any good.
THE END
The first edition
‘The Bishop of Rome — —’
Thomas Cranmer began a hesitating speech. In the pause after the words the King himself hesitated, as if he poised between a heavy rage and a sardonic humour. He deemed, however, that the humour could the more terrify the Archbishop — and, indeed, he was so much upon the joyous side in those summer days that he had forgotten how to browbeat.
‘Our holy father,’ he corrected the Archbishop. ‘Or I will say my holy father, since thou art a heretic — —’
Cranmer’s eyes had always the expression of a man’s who looked at approaching calamity, but at the King’s words his whole face, his closed lips, his brows, the lines from his round nose, all drooped suddenly downwards.
‘Your Grace will have me write a letter to the — to his — to him — —’
The downward lines fixed themselves, and from amongst them the panic-stricken eyes made a dumb appeal to the griffins and crowns of his dark green hangings, for they were afraid to turn to the King. Henry retained his heavy look of jocularity: he jumped at a weighty gibe —
‘My Grace will have thy Grace write a letter to his Holiness.’
He dropped into a heavy impassivity, rolled his eyes, fluttered his swollen fingers on the red and gilded table, and then said clearly, ‘My. Thy. His.’
When he was in that mood he spoke with a singular distinctness that came up from his husky and ordinary joviality like something dire and terrible — like that something that upon a clear smooth day will suggest to you suddenly the cruelty that lies always hidden in the limpid sea.
‘To Cæsar — egomet, I mineself — that which is Cæsar’s: to him — that is to say to his Holiness, our lord of Rome — the things which are of God! But to thee, Archbishop, I know not what belongs.’
He paused and then struck his hand upon the table: ‘Cold porridge is thy portion! Cold porridge!’ he laughed; ‘for they say: Cold porridge to the devil! And, since thou art neither God’s nor the King’s, what may I call thee but the devil’s self’s man?’
A heavy and minatory silence seemed to descend upon him; the Archbishop’s thin hands opened suddenly as if he were letting something fall to the ground. The King scowled heavily, but rather as if he were remembering past heavinesses than for any present griefs.
‘Why,’ he said, ‘I am growing an old man. It is time I redded up my house.’
It was as if he thought he could take his time, for his heavily pursed eyes looked down at the square tips of his fingers where they drummed on the table. He was such a weighty man that the old chair in which he sat creaked at the movement of his limbs. It was his affectation of courtesy that he would not sit in the Archbishop’s own new gilded and great chair that had been brought from Lambeth on a mule’s back along with the hangings. But the other furnishings of that Castle of Pontefract were as old as the days of Edward IV — even the scarlet wood of the table had upon it the arms of Edward IV’s Queen Elizabeth, side by side with that King’s. Henry noted it and said —
‘It is time these arms were changed. See that you have here fairly painted the arms of my Queen and me — Howard and Tudor — in token that we have passed this way and sojourned in this Castle of Pontefract.’
He was dallying with time as if it were a luxury to dally: he looked curiously round the room.
‘Why, they have not housed you very well,’ he said, and, as the Archbishop shivered suddenly, he added, ‘there should be glass in the windows. This is a foul old kennel.’
‘I have made a complaint to the Earl Marshal,’ Cranmer said dismally, ‘but ‘a said there was overmuch room needed above ground.’
This room was indeed below ground and very old, strong, and damp. The Archbishop’s own hangings covered the walls, but the windows shot upwards through the stones to the light; there was upon the ground of stone not a carpet but only rushes; being early in the year, no provision was made for firing, and the soot of the chimney back was damp, and sparkled with the track of a snail that had lived there undisturbed for many years, and neither increasing, because it had no mate, nor dying, because it was well fed by the ferns that, behind the present hangings, grew in the joints of the stones. In that low-ceiled and dark place the Archbishop was aware that above his head were fair and sunlit rooms, newly painted and hung, with the bosses on the ceilings fresh silvered or gilt, all these fair places having been given over to kinsmen of the yellow Earl Marshal from the Norfolk Queen downwards. And the temporal and material neglect angered him and filled him with a querulous bitterness that gnawed up even through his dread of a future — still shadowy — fall and ruin.
The King looked sardonically at the line of the ceiling. He had known that Norfolk, who was the Earl Marshal, had the mean mind to make him set these indignities upon the Archbishop, and loftily he considered this result as if the Archbishop were a cat mauled by his own dog whose nature it was to maul cats.
The Archbishop had been standing with one hand on the arm of his heavy chair, about to haul it back from the table to sit himself down. He had been standing thus when the King had entered with the brusque words —
‘Make you ready to write a letter to Rome.’
And he still stood there, the cold feet among the damp rushes, the cold hand still upon the arm of the chair, the cap pulled forward over his eyes, the long black gown hanging motionless to the boot tops that were furred around the ankles.
‘I have made a plaint to the Earl Marshal,’ he said; ‘it is not fitting that a lord of the Church should be so housed.’
Henry eyed him sardonically.
‘Sir,’ he said, ‘I am being brought round to think that ye are only a false lord of the Church. And I am minded to think that ye are being brought round to trow even the like to mine own self.’
His eyes rested, little and twinkling like a pig’s, upon the opening of the Archbishop’s cloak above his breastbone, and the Archbishop’s right hand nervously sought that spot.
‘I was always of the thought,’ he said, ‘that the prohibition of the wearing of crucifixes was against your Highness’ will and the teachings of the Church.’
A great crucifix of silver, the Man of Sorrows depending dolorously from its arms and backed up by a plaque of silver so that it resembled a porter’s badge, depended over the black buttons of his undercoat. He had put it on upon the day when secretly he had married Henry to the papist Lady Katharine Howard. On the same day he had put on a hair shirt, and he had never since removed either the one or the other. He had known very well that this news would reach the Queen’s ears, as also that he had fasted thrice weekly and had taken a Benedictine sub-prior out of chains in the tower to be his second chaplain.
‘Holy Church! Holy Church!’ the King muttered amusedly into the stiff hair of his chin and lips. The Archbishop was driven into one of his fits of panic-stricken boldness.
‘Your Grace,’ he said, ‘if ye write a letter to Rome you will — for I see not how ye may avoid it — reverse all your acts of this last twenty years.’
‘Your Grace,’ the King mocked him, ‘by your setting on of chains, crucifixes, phylacteries, and by your aping of monkish ways, ye have reversed — well ye know it — all my and thy acts of a long time gone.’
He cast himself back from the table into the leathern shoulder-straps of the chair.
‘And if,’ he continued with sardonic good-humour, ‘my fellow and servant may reverse my acts — videlicet, the King’s — wherefore shall not I — videlicet, the King — reverse what acts I will? It is to set me below my servants!’
‘I am minded to redd up my house!’ he repeated after a moment.
‘Please it, your Grace — —’ the Archbishop muttered. His eyes were upon the door.
The King said, ‘Anan?’ He could not turn his bulky head, he would not move his bulky body.
‘My gentleman!’ the Archbishop whispered.
The King looked at the opposite wall and cried out —
‘Come in, Lascelles. I am about cleaning out some stables of mine.’
The door moved noiselessly and heavily back, taking the hangings with it; as if with the furtive eyes and feathery grace of a blonde fox Cranmer’s spy came round the great boards.
‘Ay! I am doing some cleansing,’ the King said again. ‘Come hither and mend thy pen to write.’
Against the King’s huge bulk — Henry was wearing purple and black upon that day — and against the Archbishop’s black and pillar-like form, Lascelles, in his scarlet, with his blonde and tender beard had an air of being quill-like. The bones of his knees through his tight and thin silken stockings showed almost as those of a skeleton; where the King had great chains of gilt and green jewels round his neck, and where the Archbishop had a heavy chain of silver, he had a thin chain of fine gold and a tiny badge of silver-gilt. He dragged one of his legs a little when he walked. That was the fashion of that day, because the King himself dragged his right leg, though the ulcer in it had been cured.
Sitting askew in his chair at the table, the King did not look at this gentleman, but moved the fingers of his outstretched hand in token that his crook of the leg was kneeling enough for him.
‘Take your tablets and write,’ Henry said; ‘nay, take a great sheet of parchment and write — —’
‘Your Grace,’ he added to the Archbishop, ‘ye are the greatest penner of solemn sentences that I have in my realm. What I shall say roughly to Lascelles you shall ponder upon and set down nobly, at first in the vulgar tongue and then in fine Latin.’ He paused and added —
‘Nay; ye shall write it in the vulgar tongue, and the Magister Udal shall set it into Latin. He is the best Latinist we have — better than myself, for I have no time — —’
Lascelles was going between a great cabinet with iron hinges and the table. He fetched an inkhorn set into a tripod, a sandarach, and a roll of clean parchment that was tied around with a green ribbon.
Upon the gold and red of the table he stretched out the parchment as if it had been a map. He mended his pen with a little knife and kneeled down upon the rushes beside the table, his chin level with the edge. His whole mind appeared to be upon keeping the yellowish sheet straight and true upon the red and gold, and he raised his eyes neither to the Archbishop’s white face nor yet to the King’s red one.
Henry stroked the short hairs of his neck below the square grey beard. He was reflecting that very soon all the people in that castle, and very soon after, most of the people in that land would know what he was about to say.
‘Write now,’ he said. ‘“Henry — by the grace of God — Defender of the Faith — King, Lord Paramount.”’ He stirred in his chair.
‘Set down all my styles and titles: “Duke Palatine — Earl — Baron — Knight” — leave out nothing, for I will show how mighty I am.’ He hummed, considered, set his head on one side and then began to speak swiftly —
‘Set it down thus: “We, Henry, and the rest, being a very mighty King, such as few have been, are become a very humble man. A man broken by years, having suffered much. A man humbled to the dust, crawling to kiss the wounds of his Redeemer. A Lord of many miles both of sea and land.” Why, say —
‘“Guide and Leader of many legions, yet comes he to thee for guidance.” Say, too, “He who was proud cometh to thee to regain his pride. He who was proud in things temporal cometh to thee that he may once more have the pride of a champion in Christendom — —”’
He had been speaking as if with a malicious glee, for his words seemed to strike, each one, into the face of the pallid figure, darkly standing before him. And he was aware that each word increased the stiff and watchful constraint of the figure that knelt beside the table to write. But suddenly his glee left him; he scowled at the Archbishop as if Cranmer had caused him to sin. He pulled at the collar around his throat.
‘No,’ he cried out, ‘write down in simple words that I am a very sinful man. Set it down that I grow old! That I am filled with fears for my poor soul! That I have sinned much! That I recall all that I have done! An old man, I come to my Saviour’s Regent upon earth. A man aware of error, I will make restitution tenfold! Say I am broken and aged and afraid! I kneel down on the ground — —’
