Authors: Sara Craven
'Nao percebo,'
Charlie broke in when he paused for breath. 'I'm
sorry, I don't understand.'
'He says his wife's having her baby,' Philip translated curtly. 'Tell
him you'll send him a cigar, and get this bloody truck moving.'
'But that's Ana Maria!' Charlie exclaimed, distressed. 'Oh, God, that
must be why Pedrinho came to the house this morning—to get
Rosita... because of the baby.'
'These people breed like flies. What's all the fuss about?'
His callousness appalled her. 'Her other babies have died. That's
why she needs Rosita. She's a good midwife. If we hadn't taken the
truck she'd be here now, looking after Ana Maria. And we've
prevented it.'
'You're breaking my heart. Now shift.'
Cold fury hardened her sudden resolution. 'I'll do nothing of the
sort,' she said. 'There's a child's life at stake here. Manoel's a good
man- one of Riago's most trusted workers. He deserves the best care
for his wife that we can give. I'm going back to the
fazenda
to get
Rosita.'
'Oh, no, you're not,' he said savagely. 'I thought you might be
trouble, so I decided to take a hostage. Perhaps this will persuade
you to continue with the journey.' He reached into the pocket of his
shirt and took out the diamond pendant, dangling it tauntingly in
front of her. The sun caught the facets of the stone, turning them to a
blaze of fire.
Her throat tightened in anguish. 'Where did you get that?'
'I saw you weren't wearing it this morning, so I had a look round.'
He was openly triumphant. 'Call it your plane fare out of here.'
'I'm not catching any plane,' she said thickly. 'I wouldn't travel one
more yard with you.'
'Then you're a fool. You want out. I'm prepared to take you along.'
His voice grated. 'But I'm not jeopardising everything for the sake of
some brat. I've got a cache of
brute
diamonds— the commission I
was telling you about—hidden in a safe place, in addition to this
little beauty. We're going to collect them, and then we're going to
catch that plane before that bastard Santana brings the military down
on the lot of us. I heard him on the radio arranging it first thing
today. Well, I'm not interested in spending the next years of my life
in a Brazilian gaol. So drive this truck and get us out of here.'
Charlie shook her head. 'No way,' she said. 'You're on your own.
And I'm thankful your aunt will never know what you've become.'
Philip shrugged. 'Save me the sickly sentiment,' he said harshly.
'Stay and play
dona da casa
if that's what you want. But I'm keeping
the Santana diamond. I reckon you owe it to me— compensation for
the money you wheedled out of Auntie Mary, you bitch.'
He lunged across at her, impelling Charlie towards the open door of
the truck, then hit her full across the face with his open hand. The
pain almost stunned her, and she tasted blood on her mouth as she
lost her balance and fell backwards.
Hands seized her, and dragged her clear of the cabin. Manoel's
voice, oddly fuzzy, cried out,
'Senhorita. Meu Deus, Senhorita
Carlotta.'
She found she was lying on the path. The truck, with Philip at the
wheel, was lurching away, the engine screaming, and Manoel was
running after it, waving his fists and shouting.
She yelled, '
Venha ca, Manoel—
come back,' with all her might.
He obeyed with open reluctance.
'Let him go,' she said, forcing the words from her sore and swollen
mouth as Manoel helped her to her feet. 'Just let him go.'
Manoel was clearly torn between his concern for her and his worry
for Ana Maria.
'Rosita?' he asked, staring round him as if expecting her to
materialise suddenly from the bushes.
'Desculpe, Manoel,
' she said gently. 'She isn't here. She's still at the
house.'
Manoel looked as if he was about to burst into tears. He broke into
another agitated gabble of words, and Charlie put a detaining hand
on his arm.
'We will send someone,' she said haltingly in his own language.
'Onde e Ana Maria?'
Manoel had one of the largest houses in the settlement. It was
sparsely furnished, but spotlessly clean. Ana Maria was on the bed
in the inner room, twisting from side to side, and moaning under her
breath. An elderly woman sat in a corner of the room, jabbering
something which sounded like incantations, and two younger girls
stood by the bed in self-conscious helplessness.
They all gaped at Charlie as she came in. She tried to smile
reassuringly down at the pregnant girl, but her mouth hurt too much.
Manoel had commandeered an elderly jeep and was on his way to
the
fazenda,
although Charlie was sure that Rosita and Pedrinho
would have set off on foot by now.
She tried to tell Ana Maria that help was coming, but the girl just
stared up at her, her eyes glazed with pain and incomprehension, so
she said,
'Calma,'
several times instead.
And, oddly enough, her presence did seem to be having a
tranquillising effect. Ana Maria stopped throwing herself about, and
took hold of Charlie's hand, clinging to it as if it was a lifeline.
In films they always tell people to boil water, she thought. She tried
saying
'agua',
and the old woman grunted and shuffled out, coming
back almost at once with a dipper of cold water.
Well, it was better than nothing, Charlie thought, dampening her
own clean handkerchief and gently wiping Ana Maria's mouth and
forehead with it. The girl was obviously terrified, her swollen body
wet with perspiration, and her breathing shallow.
So many previous disappointments, Charlie thought wretchedly.
And if she loses this baby as well it will be partly my fault.
She bent towards her, gently squeezing her fingers. 'It's going to be
all right, Ana Maria,' she whispered. 'You're going to have a son—a
big, healthy boy who'll probably play football for Brazil. It's going
to be all right.'
She went on talking quietly, keeping her voice level, almost
hypnotic, as the minutes dragged past. The room was getting like a
sauna, and she could feel beads of sweat trickling down her nose,
and running between her breasts and shoulder- blades. The other
women had retired to the doorway, and stood watching, so she and
Ana Maria were virtually alone.
She talked about her life in England, the impulse that had brought
her here, and the unresolved conflict which had forced her to
remain.
'And now, just when I have the chance to leave, I blow it—because I
feel responsible. Because I suddenly seem to care about what goes
on here on the plantation. And I can't afford to care. I could have
gone, and I should have done. So why am I still here? Tell me that.'
Ana Maria moaned, then cried out, her body twisting awkwardly.
Charlie swallowed nervously, stroking her forehead, smoothing
back the damp hair. 'It's OK,' she soothed. 'Rosita will be here soon.
She only has to come from the house. She can't take much longer.'
Ana Maria, of course, didn't understand a word she was saying, so
just who was she trying to convince? she asked herself.
Meanwhile, even her untrained eyes could see that a new phase in
the girl's labour was beginning. She tried desperately to remember
all the things that her sister Sonia had told her self- importantly
about Christopher being born. She wished now she'd paid more
attention to Sonia's complacent stories about being the star of her
natural childbirth classes in the first instance, and subsequently
about her stoical endurance during the actual heroic struggle to
bring Christopher into the world.
But that had been with all the resources a private nursing home
could provide. Sonia's experiences would hardly correlate with Ana
Maria's in this two-roomed house in the rain forest. No gas and air
here, or sterile conditions, and no incubator for a baby in trouble.
Ana Maria's hand convulsively tightened its grip on hers. She was
grunting, trying to sit up, her eyes glassy with a new and powerful
concentration, the veins standing out on her forehead.
Oh, God, Charlie thought despairingly. The baby's coming. It's
coming now. What can I do?
She turned, gesturing frantically at the old woman, who began to
rock backwards and forwards, making strange wailing noises.
'A lot of help you are,' Charlie snapped, her nerves fraying.
'Venha
ca,
" she commanded the women in the doorway, but they backed
away, hands pressed to their mouths.
Ana Maria gave a kind of feral roar, halfway between a scream of
agony and a shout of triumph. Charlie moved frantically to the end
of the bed, just in time to receive the baby- crimson, slippery and a
boy—in her shaking hands. For a moment the child lay, his limbs
moving almost questingly, as if missing the warmth and security of
the womb, then his mouth opened and a cry of wavering outrage
filled the room.
Through a blur of swift tears Charlie wiped his nose and mouth
clean, and put him in Ana Maria's arms.
There was a sudden hubbub in the outer room, and Rosita flew in,
with Manoel behind her, checking as she saw the girl on the bed, her
pale, weary face alight with joy as she offered her son her breast.
Then she took in Charlie's presence, and a squawk of dismay
escaped her. Exclamations and commands began issuing from her
like a rattle of machine-gun fire, and Charlie found herself being
hustled out of the way as the older woman took charge.
She went without protest, feeling totally limp. She was thankful she
wasn't being called on to cut the umbilical cord, or perform any
further service, because she wasn't sure she could cope. As it was,
the events of the past half-hour were certainly some of the most
telling in her life so far, and she was grateful for having shared
them.
Agenor came to her side.
'Senhorita—
you are here.' His face was
bewildered. 'The
patrao—he
think you gone. He follow—go search
with many soldiers.'
She said gently, 'It's all right, Agenor. I'm quite safe, as you see.'
In a little while Manoel came to her. Beaming with pride, he took
her hand and kissed it, and burst into impassioned speech.
'He wishes to thank you,
senhorita,
for the safety of his son,' Agenor
translated. 'Also Ana Maria, if you will go to her.'
'But I didn't do anything,' Charlie protested. 'I was just—here.'
She was ushered back into the inner room. Ana Maria was cradling
the baby in her arms, her face worshipful.
'Obrigada, senhorita,'
she whispered, holding up the small bundle.
Charlie stared down at the baby's angry, puckered face. She put out
a finger, and felt the tiny hand grasp it firmly. And in that moment
she knew, instinctively and unquestionably, that she was indeed
carrying Riago's child inside her. Her throat tightened
uncontrollably.
What can I do? she thought. Oh, God, what can I do?
CHARLIE
was very quiet during the jeep ride back to the house. Her
companions were subdued as well, their elation over the safe birth
of Manoel's son clearly tempered by concern for Riago.
Although she'd redeemed herself to some extent by acting as
emergency midwife to Ana Maria, Charlie was conscious that she
was in disgrace for helping Philip Hughes—'that worthless one', as
Agenor, his dark eyes openly censorious, had called him—to
escape, and therefore exposing the
patrao
to the risks of hunting
him down in the rain forest.
Without her intervention Philip, she was given to understand, would
simply have been detained at th
e fazenda
without danger to anyone.
And if she had not been seen to accompany him Riago would have
had no reason to take an active role in the search for him.
Now there were fears, Agenor told her, that he might be caught in
the crossfire in the vicious little war which had been raging for
months between the
garimpeiros
and the wealthy gem dealers in
Manaus. A war in which Philip Hughes had been wounded, several
others had died, and which the military authorities were determined
to end, along with the wholesale smuggling of uncut stones.