Cobweb Forest (Cobweb Bride Trilogy) (10 page)

BOOK: Cobweb Forest (Cobweb Bride Trilogy)
3.66Mb size Format: txt, pdf, ePub
ads

Vlau Fiomarre felt a slow groggy relaxation coming over him, a pleasurable fullness of a solid meal and the warm buzz of wine. He did not recall the last time he had eaten so well and drunk so deeply—maybe that supper meal at Grial’s house was the closest approximation, except he recalled eating warily and in a hurry, hardly tasting anything and being on his guard the whole time.

But now—now was a strange suspended moment of animal comfort, an impossible magical time.

He glanced up and saw her watching him still, steady and serene. There was a tiny, barely formed smile on her lips.

And he could not help it. He smiled at her in return, warm and satiated and mindlessly
present
in the moment. . . .

“How was the apple tart?” she said, with a small nod of her head at the tray.

He blinked, recollecting himself because he was warmly mesmerized by the ethereal appearance of her smoke-hued great eyes. “Ah, delicious.”

“You know,” Claere Liguon continued, “I used to love berry tarts. I would always ask for them for supper and with tea and even at breakfast—even though I was sickly and could hardly finish a single one. When I was about seven or eight, I still remember the one time I was punished by my tutors, and sent to bed without a raspberry tart and custard because I refused to properly read and memorize the stupid chapter about the high office and governing differences between the elected Doge of Venice and the hereditary King of France. To make matters worse, after I was left alone, lying furious in my bed, I secretly named him the ‘Dog of Venice’ in a perfectly horrid little girl’s revenge. To this day, when I think of the government of Venice,
La Serenissima
, it is with irritation and a thought to canines, and yes, with some wistful thoughts of raspberry tarts.”

She made a small sound that was almost a laugh, and continued smiling at him.

Vlau glanced at the tray, his first impulse being to offer her a tart, for there were a couple of them remaining on the dish. And then the impossible darkness of reality, the realization struck him.
She
could never eat a tart again.

And oh, how bitterly he wanted to laugh at the simplicity of it, and then cry, and scream, and crawl out of his own skin and simply not be.
 . . . She would
never
again
eat
—she would not—because of what
he
did to her.

His countenance transformed, vertigo striking him, and his full warm stomach was now filled with rocks. Indeed, knives were cutting him.
 . . .

“Oh, no, no!” she said, noting his new terrifying expression and recognizing its cause. “I did not mean to make you feel uncomfortable, Marquis! Please, do not mind my careless words, it was just a passing silly memory! I was making small talk—”

“There can be no small talk between us,” he blurted, and his wonderful meal was now a boulder inside him. He regretted it already, regretted having even a bite.

“It does not have to be this way,” she said. “I was certain—I’d thought that by now, some things were in the past—”

“How can any of it ever be in the past?” he exclaimed, and stood up, pushing back the supper table with brutal force so that the fine china dishes clattered.

The fragile smile left her lips.

In that moment the servants arrived to clear the supper service. As they removed the leftovers of his meal, Vlau stood coldly, wanting to speak, to look at her directly, but frozen in a strange mindful pride.

As soon as they had taken away the dishes, raked the coals in the fireplace, and the door closed behind them, the Infanta said, “Please do me the courtesy of sitting down once more, Marquis.”

“It is wrong,” he said coldly, remaining standing, and no longer meeting her eyes. “I should not be here.”

“Maybe not,” she said. “But did you not say once that there would be
no guilt?
Do you not remember how you said it yourself?”

He frowned, the candlelight emphasizing his black brows, the shadowed hollows of his lean cheeks with their growth of dark stubble, giving him an even more fierce demeanor. “Yes,” he whispered. “I said it then. And I was a fool for having said it. But now—”

“Nothing matters any more.” She said the words softly and then stretched out her hand—thin and white, delicate skin over bone—pointing him back to the sofa. “Please . . .” she whispered. “If you go and leave me now, it would mean that nothing had changed indeed, and that your hate continues to burn at me and my family. If you go—” and her voice went silent.

“What?” he said, permitting himself once more to look at her. “If I go, then what?”

“Then I will be all alone in this room, in silence, with the candles softly dying and the fire eventually all gone out, in the dark . . . in the
grave
.”

And at that word, his heart was stilled. He heard her, and he sat down once more, where he had been, across from her in her high-backed chair.

“I will . . . stay,” he said. And his eyes did not blink—could not—for they were welling with liquid, and if he blinked, it would pool and run . . . and she would
see
it.

“Thank you,” said Claere, and her hands were once more folded in her lap.

There was a long pause of silence. The fire crackled in the hearth, and the light of the candelabras cast a soft buttery radiance at the well-appointed furnishings of the chamber, the brocade of the upholstery and the fine curtains.

Outside the glass window, in the darkness, against the mosaic of city lights, snow began to fall. Large white snowflakes floated down near the window, and brushed the glass with their cobweb pallor before sinking away out of sight.

“Tell me a story,” said Claere suddenly. “Tell me your favorite story of childhood, the one told to you when you were a little boy. The one that made you laugh and smile just before you fell asleep.”

Hearing her calm, soothing voice, his stiff posture eased somewhat. Vlau inhaled a deep breath, and then sat back against the fine cushions of the sofa. He tried to think—he thought back to what curious tales of magical desert kingdoms and flying carpets and clever genii his mother used to tell him and his sister and brothers as they lay down each night—back in the early days. Then he remembered one in particular, and with it a fragile warmth returned to his insides, slowly filling the dark places, turning eventually into a soothing flow of comfort and security and long-forgotten laughter.

And he started telling the story.

 

 

I
t was several hours past midnight. The candles in the candelabras had burned down into puddles of wax, and the wicks had ceased smoking a while ago. The fireplace too had faded into ruddy coals which had winked out one by one, until the room was submerged in darkness—all but for the light outside the window where the
sfumato
moon was a delicate blot of haze in the sky, while below everything was
chiaroscuro
contrast as the city lanterns continued to cast their cheerful golden dots into the sea of deep blue all around.

Claere sat motionless in the tall-backed chair, sometimes gazing out through the window at the twinkling cityscape of night. But mostly she looked at the man who was on the sofa, fast asleep. He had slid down against the cushions and pillows, at some point having fallen asleep while seated upright, but now was lying back, with his head lolling on one shoulder.

She watched his face slackened in sleep, seeing possibly for the first time how he could appear when not harboring a tense frown on his handsome features, or not glaring with intensity. And what she saw was a young man with circles of exhaustion under his eyes, a soft cast to his features, woefully unshaven cheeks and longish raven-black hair tousled around his forehead and ears.

Claere looked at him with a kind of gentle, painful, previously unknown affection that tugged at her and made her almost
feel
the place within her chest where once she had a beating heart.

Here was her murderer, the man who had struck a knife blade into that very place in her chest, and she should be feeling hatred and a desire for retribution. Instead, she could only look at him and feel pity, sympathy, and overwhelming excruciating warmth.

Earlier that night, after she had asked him for a story, just to get his mind off their grim reality, he had complied and started speaking. He talked non-stop, telling one tale, then another, and the tales turned into history and the story of his siblings and parents and his ancestral home, and outrageous childish pranks, and the grapevines laden with fruit so ripe it was nearly black, and the hot summer sun in a vibrant blue sky. . . .

His voice had been like music, its rich expressive cadence, its narrative, both soothing and invigorating in a strange dichotomy of living imagery. It filled her imagination with a distant world that was no longer—a world of happy innocence and bright colors, of fragrant breezes and dappled sunlight.

He talked thus, deep into the night, as the candles burned down, and he was eventually burned out along with them, his passionate words quenched, and his memories cast forth before them like a jumbled deck of cards. She listened to him, responding occasionally in her soft voice, nodding at other times, smiling when it was called for, but mostly allowing him to vent his intensity in the quiet solitude of this room. Finally he went silent, and paused, saying that he needed to rest his eyes, and then he exhaled in peace and was asleep in an instant, like a young boy.

Claere exhaled also, letting go of the mechanical breath she had held in reserve in her lungs so that she could make human living speech and hold a conversation with him. She then sat thus in stillness and silence, letting him rest, and watching his living peace
 . . . it was almost her own peace, or so she could let herself imagine. For, he had stayed in the room with her and thus made it a place of the living instead of her solitary grave.

And for that alone she was grateful.

As the fireplace burned down and the darkness in the room deepened by the time the moon finally sank beyond the horizon—though never reaching full pitch-black, for the city lights were too bright for that—there was nothing, no sound left, only his regular deep breathing. She listened to its comforting rhythm and watched the endless armies of snowflakes coming down outside the window.

At some point she wanted to rise and approach him, to sit down at his side—to look closer at the sheen of his olive skin and to observe his eyelids over eyes that occasionally moved rapidly in sleep, long dark lashes fluttering against his cheek.

But she refrained, for on some strange human level she did not want to frighten him, recalling herself, knowing full well what she now was—nothing more than an animated
corpse
. How would he feel, what jolt of primal terror, were he to wake suddenly and see her thus leaning over him, or simply nearby, staring at him with her cold, fixed,
dead
eyes?

And as Claere pondered this, seated primly in her chair—exactly as she had been for the last several hours, never having moved even a finger since he had fallen asleep—he suddenly awoke with a shudder and came to himself in the soft imperfect darkness.

“Ah!” he muttered, then said thickly in a sleep-laden voice, “Claere. . . .”

He had never once used her given name before, only called her “Liguon” or “Your Imperial Highness,” in each case speaking with disdain or with hints of mockery. Indeed, he had never spoken in her presence like this, not with this strange, raw inflection, and revealing such peculiar vulnerability.
 . . .

Such
need
.

“Claere!”

This time, because his utterance was a desperate cry—
he was calling her!
—she got up, stiffly and awkwardly, and moved to cross the distance in the room between them, and she leaned slightly over him, keeping her dead balance with some difficulty. “Yes, I am here . . .” she said, after refilling her lungs, and shaping the words into a whisper.

But he was sitting up now, his shadowed face wild with the moment of transition between waking and sleep, an instant of incomprehension and then sharp awareness.

Awareness of
her
.

With a gasp he moved forward then, toward her in the darkness.
 . . . And in the next instant she felt his hands taking rough hold of her own in a powerful desperate grip that would have been painful, had she been able to feel anything beyond a remote discernment of physical contact through the usual cotton thickness of her dead flesh.

Then he was coming down before her, falling, falling—kneeling on the floor, in the shadowed darkness, grasping her legs, her feet, the folds of her skirt, a mess of his limbs enclosing hers while somehow she remained standing upright. From the floor, he looked up at her, his upturned face faintly illuminated by the night’s glow seeping from the window, his black liquid eyes in agony. Finally her gripped her around the waist, pulling her small fragile body close to him as she stood stiffly. And stilling thus, he placed his forehead against her solar plexus, and then slid lower, against her silent womb.
 . . .

BOOK: Cobweb Forest (Cobweb Bride Trilogy)
3.66Mb size Format: txt, pdf, ePub
ads

Other books

Now You See Her by Linda Howard
The Bitter Tea of General Yen by Grace Zaring Stone
Children of a Dead Earth Book One by Patrick S Tomlinson
The Seventh Daughter by Frewin Jones
Flickering Hope by Naomi Kinsman
In Bed with Jocasta by Richard Glover
Sweet but Sexy Boxed Set by Maddie James, Jan Scarbrough, Magdalena Scott, Amie Denman, Jennifer Anderson, Constance Phillips, Jennifer Johnson