Button, Button: Uncanny Stories (10 page)

BOOK: Button, Button: Uncanny Stories
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Paal, no.

His body shuddered on the bed. Ice frosted his brain. The house fled suddenly, bearing with itself a horrid image of two black figures lying on-

Paal jolted up, staring and rigid. Awareness maelstromed into its hiding place. One thing alone remained. He knew that they were gone. He knew that they had guided him, sleeping, from the house.

Even as they burned.

That night they knew he couldn't speak.

There was no reason for it, they thought. His tongue was there, his throat looked healthy. Wheeler looked into his opened mouth and saw that. But Paal did not speak.

"So that's what it was," the sheriff said, shaking his head gravely. It was near eleven.

Paal was asleep again.

"What's that, Harry?" asked Cora, brushing her dark blond hair in front of the dressing table mirror.

"Those times when Miss Frank and I tried to get the Nielsens to start the boy in school." He hung his pants across the chair back. "The answer was always no. Now I see why."

She glanced up at his reflection. "There must be something wrong with him, Harry," she said.

"Well, we can have Doc Steiger look at him but I don't think so."

"But they were college people," she argued. "There was no earthly reason why they shouldn't teach him how to talk. Unless there was some reason he couldn't."

Wheeler shook his head again.

"They were strange people, Cora," he said. "Hardly spoke a word themselves. As if they were too good for talking-or something." He grunted disgustedly. "No wonder they didn't want that boy to school."

He sank down on the bed with a groan and shucked off boots and calf-high stockings. "What a day," he muttered.

"You didn't find anything at the house?"

"Nothing. No identification papers at all. The house is burned to a cinder. Nothing but a pile of books and they don't lead us anywhere."

"Isn't there any way?"

"The Nielsens never had a charge account in town. And they weren't even citizens so the professor wasn't registered for the draft."

"Oh." Cora looked a moment at her face reflected in the oval mirror. Then her gaze lowered to the photograph on the dressing table-David as he was when he was nine. The Nielsen boy looked a great deal like David, she thought. Same height and build. Maybe David's hair had been a trifle darker but-

What's to be done with him?" she asked.

"Couldn't say, Cora," he answered. "We have to wait till the end of the month, I guess. Tom Poulter says the Nielsens got three letters the end of every month. Come from Europe, he said. We'll just have to wait for them, then write back to the addresses on them. May be the boy has relations over there."

"Europe," she said, almost to herself. "That far away."

Her husband grunted, then pulled the covers back and sank down heavily on the mattress.

"Tired," he muttered.

He stared at the ceiling. "Come to bed," he said.

"In a little while."

She sat there brushing distractedly at her hair until the sound of his snoring broke the silence. Then, quietly, she rose and moved across the hall.

There was a river of moonlight across the bed. It flowed over Paal's small, motionless hands. Cora stood in the shadows a long time looking at the hands. For a moment she thought it was David in his bed again.

It was the sound.

Like endless club strokes across his vivid mind, it pulsed and throbbed into him in an endless, garbled din. He sensed it was communication of a sort but it hurt his ears and chained awareness and locked incoming thoughts behind dense, impassable walls.

Sometimes, in an infrequent moment of silence he would sense a fissure in the walls and, for that fleeting moment, catch hold of fragments-like an animal snatching scraps of food before the trap jaws clash together.

But then the sound would start again, rising and falling in rhythmless beat, jarring and grating, rubbing at the live, glistening surface of comprehension until it was dry and aching and confused.

"Paal," she said.

A week had passed; another week would pass before the letters came.

"Paal, didn't they ever talk to you? Paal?"

Fists striking at delicate acuteness. Hands squeezing sensitivity from the vibrant ganglia of his mind.

"Paal, don't you know your name? Paal? Paal."

There was nothing physically wrong with him. Doctor Steiger had made sure of it. There was no reason for him not to talk.

"We'll teach you, Paal. It's all right, darling. We'll teach you." Like knife strokes across the weave of consciousness. "Paal. Paal."

Paal. It was himself; he sensed that much. But it was different in the ears, a dead, depressive sound standing alone and drab, without the host of linked associations that existed in his mind. In thought, his name was more than letters. It was him, every facet of his person and its meaning to himself, his mother and his father, to his life. When they had summoned him or thought his name it had been more than just the small hard core which sound made of it. It had been everything interwoven in a flash of knowing, unhampered by sound.

"Paal, don't you understand? It's your name. Paal Nielsen. Don't you understand?"

Drumming, pounding at raw sensitivity. Paal. The sound kicking at him. Paal. Paal. Trying to dislodge his grip and fling him into the maw of sound.

"Paal. Try, Paal. Say it after me. Pa-al. Pa-al."

Twisting away, he would run from her in panic and she would follow him to where he cowered by the bed of her son.

Then, for long moments, there would be peace. She would hold him in her arms and, as if she understood, would not speak. There would be stillness and no pounding clash of sound against his mind. She would stroke his hair and kiss away sobless tears. He would lie against the warmth of her, his mind, like a timid animal, emerging from its hiding place again-to sense a flow of understanding from this woman. Feeling that needed no sound.

Love-wordless, unencumbered, and beautiful.

Sheriff Wheeler was just leaving the house that morning when the phone rang. He stood in the front hallway, waiting until Cora picked it up.

"Harry!" he heard her call. "Are you gone yet?"

He came back into the kitchen and took the receiver from her. "Wheeler," he said into it. "Tom Poulter, Harry," the postmaster said. "Them letters is in."

"Be right there," Wheeler said and hung up.

"The letters?" his wife asked.

Wheeler nodded.

"Oh," she murmured so that he barely heard her.

When Wheeler entered the post office twenty minutes later, Poulter slid the three letters across the counter. The sheriff picked them up.

"Switzerland," he read the postmarks, "Sweden, Germany."

"That's the lot," Poulter said, "like always. On the thirtieth of the month."

"Can't open them, I suppose," Wheeler said.

"Y'know I'd say yes if I could, Harry," Poulter answered. "But law's law. You know that. I got t'send them back unopened. That's the law."

"All right." Wheeler took out his pen and copied down the return addresses in his pad. He pushed the letters back. "Thanks."

When he got home at four that afternoon, Cora was in the front room with Paal. There was a look of confused emotion on Paal's face-a desire to please coupled with a frightened need to flee the disconcertion of sound. He sat beside her on the couch looking as if he were about to cry.

"Oh, Paal," she said as Wheeler entered. She put her arms around the trembling boy. "There's nothing to be afraid of, darling."

She saw her husband.

"What did they do to him?" she asked, unhappily.

He shook his head. "Don't know," he said. "He should have been put in school though."

"We can't very well put him in school when he's like this," she said.

"We can't put him anywhere till we see what's what," Wheeler said. "I'll write those people tonight."

In the silence, Paal felt a sudden burst of emotion in the woman and he looked up quickly at her stricken face.

Pain. He felt it pour from her like blood from a mortal wound.

And while they ate supper in an almost silence, Paal kept sensing tragic sadness in the woman. It seemed he heard sobbing in a distant place. As the silence continued he began to get momentary flashes of remembrance in her pain-opened mind. He saw the face of another boy. Only it swirled and faded and there was his face in her thoughts. The two faces, like contesting wraiths, lay and overlay upon each other as if fighting for the dominance of her mind.

All fleeing, locked abruptly behind black doors as she said, "You have to write to them, I suppose."

"You know I do, Cora," Wheeler said.

Silence. Pain again. And when she tucked him into bed, he looked at her with such soft, apparent pity on his face that she turned quickly from the bed and he could feel the waves of sorrow break across his mind until her footsteps could no longer be heard.

And, even then, like the faint fluttering of bird wings in the night, he felt her pitiable despair moving in the house.

What are you writing?" she asked.

Wheeler looked over from his desk as midnight chimed its seventh stroke in the hall. Cora came walking across the room and set the tray down at his elbow. The steamy fragrance of freshly brewed coffee filled his nostrils as he reached for the pot.

"Just telling them the situation," he said, "about the fire, the Nielsens dying. Asking them if they're related to the boy or know any of his relations over there."

"And what if his relations don't do any better than his parents?"

"Now, Cora," he said, pouring cream, "I thought we'd already discussed that. It's not our business."

She pressed pale lips together.

"A frightened child is my business," she said angrily. "Maybe you-"

She broke off as he looked up at her patiently, no argument in his expression.

"Well," she said, turning from him, "it's true."

"It's not our business, Cora." He didn't see the tremor of her lips.

"So he'll just go on not talking, I suppose! Being afraid of shadows!"

She whirled. "It's criminal!" she cried, love and anger bursting from her in a twisted mixture.

"It's got to be done, Cora," he said quietly. "It's our duty."

"Duty." She echoed it with an empty lifelessness in her voice.

She didn't sleep. The liquid flutter of Harry's snoring in her ears, she lay staring at the jump of shadows on the ceiling, a scene enacted in her mind.

A summer's afternoon; the back doorbell ringing. Men standing on the porch, John Carpenter among them, a blanket-covered stillness weighing down his arms, a blank look on his face. In the silence, a drip of water on the sunbaked boards-slowly, unsteadily, like the beats of a dying heart. He was swimming in the lake, Miz Wheeler and-

She shuddered on the bed as she had shuddered then-numbly, mutely. The hands beside her were a crumpled whiteness, twisted by remembered anguish. All these years waiting, waiting for a child to bring life into her house again.

At breakfast she was hollow-eyed and drawn. She moved about the kitchen with a willful tread, sliding eggs and pancakes on her husband's plate, pouring coffee, never speaking once.

Then he had kissed her goodbye and she was standing at the living room window watching him trudge down the path to the car. Long after he'd gone, staring at the three envelopes he'd stuck into the side clip of the mailbox.

When Paal came downstairs he smiled at her. She kissed his cheek, then stood behind him, wordless and watching, while he drank his orange juice. The way he sat, the way he held his glass; it was so like-

While Paal ate his cereal she went out to the mailbox and got the three letters, replacing them with three of her own-just in case her husband ever asked the mailman if he'd picked up three letters at their house that morning.

While Paal was eating his eggs, she went down into the cellar and threw the letters into the furnace. The one to Switzerland burned, then the ones to Germany and Sweden. She stirred them with a poker until the pieces broke and disappeared like black confetti in the flames.

Weeks passed; and, with every day, the service of his mind grew weaker.

"Paal, dear, don't you understand?" The patient, loving voice of the woman he needed but feared. "Won't you say it once for me? Just for me? Paal?"

He knew there was only love in her but sound would destroy him. It would chain his thoughts-like putting shackles on the wind.

"Would you like to go to school, Paal? Would you? School?"

Her face a mask of worried devotion.

"Try to talk, Paal. Just try."

He fought it off with mounting fear. Silence would bring him scraps of meaning from her mind. Then sound returned and grossed each meaning with unwieldy flesh.

Meanings joined with sounds. The links formed quickly, frighteningly. He struggled against them. Sounds could cover fragile, darting symbols with a hideous, restraining dough, dough that would be baked in ovens of articulation, then chopped into the stunted lengths of words.

Afraid of the woman, yet wanting to be near the warmth of her, protected by her arms. Like a pendulum he swung from dread to need and back to dread again.

And still the sounds kept shearing at his mind.

We can't wait any longer to hear from them," Harry said. "He'll have to go to school, that's all."

"No," she said.

He put down his newspaper and looked across the living room at her. She kept her eyes on the movements of her knitting needles.

"What do you mean, no?" he asked, irritably. "Every time I mention school you say no. Why shouldn't he go to school?"

The needles stopped and were lowered to her lap. Cora stared at them.

"I don't know," she said, "it's just that-" A sigh emptied from her. "I don't know," she said.

"He'll start on Monday," Harry said.

"But he's frightened," she said.

"Sure he's frightened. You'd be frightened too if you couldn't talk and everybody around you was talking. He needs education, that's all."

"But he's not ignorant, Harry. I-I swear he understands me sometimes. Without talking." "How?"

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