Authors: Nora Roberts
The fact that her dismissal stung surprised him. But he only shrugged and lapsed into silence.
"I'm sorry." Now she did close her eyes. She wanted peace. Couldn't everyone just give her a moment's peace? "That was rude of me."
"Forget it." He didn't need her problems in any case, he reminded himself. Then he glanced at her and swore under his breath. She looked exhausted. "I want to make a stop."
She started to object, then kept her eyes and mouth closed. He'd been good enough to drive her, she reminded herself. She could certainly bear a few minutes longer before she buried all this tension in work.
He didn't speak again. He was driving on instinct, hoping the choice he made would bring the color back to her cheeks and the warmth to her voice.
She didn't open her eyes again until he braked and shut the engine off. Then she merely stared at the castle ruins. "You needed to stop here?"
"I wanted to stop here," he corrected. "I found this my first day here. It's playing a prominent part in my book. I like the feel of it."
He got out, rounded the hood, and opened her door. "Come on." When she didn't move, he leaned down and unfastened her seat belt himself. "Come on. It's great. Wait till you see the view from the top."
"I've wash to do," she complained and heard the sulkiness of her own voice as she stepped out of the car.
"It's not going anywhere." He had her hand now and was tugging her over the high grass.
She didn't have the heart to point out that the ruins weren't likely to go anywhere, either. "You're using this place in your book?"
"Big murder scene." He grinned at her reaction, the uneasiness and superstition in her eyes. "Not afraid are you? I don't usually act out my scenes."
"Don't be foolish." But she shivered once as they stepped between the high stone walls.
There was grass growing wild on the ground, bits of green pushing its way through chinks in the stone. Above her, she could see where the floors had been once, so many years ago. But now time and war left the view to the sky unimpeded.
The clouds floated silently as ghosts.
"What do you suppose they did here, right here?" Gray mused.
"Lived, worked. Fought."
"That's too general. Use your imagination. Can't you see it, the people walking here? It's winter, and it's bone cold. Ice rings on the water barrels, frost on the ground that snaps like dry twigs underfoot. The air stings with smoke from the fires. A baby's crying, hungry, then stops when his mother bares her breast."
He drew her along with him, physically, emotionally, until she could almost see it as he did.
"Soldiers are drilling out there, and you can hear the ring of sword to sword. A man hurries by, limping from an old wound, his breath steaming out in cold clouds. Come on, let's go up."
He pulled her toward narrow, tight winding stairs. Every so often there would be an opening in the stone, a kind of cave. She wondered if people had slept there, or stored goods. Or tried to hide, perhaps, from the enemy who would always find them.
"There'd be an old woman carrying an oil lamp up here, and she has a puckered scar on the back of her hand and fear in her eyes. Another's bringing fresh rushes for the floors, but she's young and thinking of her lover."
Gray kept her hand in his, stopping when they came to a level midway. "It must have been the Cromwellians, don't you think, who sacked it. There'd have been screams, the stench of smoke and blood, that nasty thud of metal hacking into bone, and that high-pitched shriek a man makes when the pain slices him. Spears driving straight through bellies, pinning a body to the ground where the limbs would twitch before nerves died. Crows circling overhead, waiting for the feast."
He turned, saw her eyes were wide and glazed-and chuckled. "Sorry, I get caught up."
"It's not just a blessing to have an imagination like that." She shivered again and fought to swallow. "I don't think I want you to make me see it so clear."
"Death's fascinating, especially the violent type. Men are always hunting men. And this is a hell of a spot for murder -of the contemporary sort."
"Your sort," she murmured.
"Mmm. He'll toy with the victim first," Gray began as he started to climb again. He was caught up in his own mind, true, but he could see Brianna was no longer worrying over whatever had happened at her mother's. "Let the atmosphere and those smoky ghosts stir into the fear like a slow poison. He won't hurry-he likes the hunt, craves it. He can scent the fear, like any wolf, he can scent it. It's the scent that gets in his blood and makes it pump, that arouses him like sex. And the prey runs, chasing that thin thread of hope. But she's breathing fast. The sound of it echoes, carries on the wind. She falls-the stairs are treacherous in the dark, in the rain. Wet and slick, they're weapons themselves. But she claws her way up them, air sobbing in and out of her lungs, her eyes wild." "Gray-" "She's nearly as much of an animal as he, now. Terror's stripped off layers of humanity, the same as good sex will, or true hunger. Most people think they've experienced all three, but it's rare even to know one sensation fully. But she knows the first now, knows that terror as if it was solid and alive, as if it could wrap its hands around her throat. She wants a bolt hole, but there's nowhere to hide. And she can hear him climbing, slowly, tirelessly behind her. Then she reaches the top."
He drew Brianna out of the shadows onto the wide, walled ledge where sunlight streamed. "And she's trapped."
She jolted when Gray swung her around, nearly screamed. Roaring with laughter, he lifted her off her feet. "Christ, what an audience you are." " Tisn't funny." She tried to wiggle free. "It's wonderful. I'm planning on having him mutilate her with an antique dagger, but..." He hooked his arm under Brianna's knees and carried her to the wall. "Maybe he should just dump her over the side."
"Stop!" Out of self-preservation she threw her arms around him and clung.
"Why didn't I think of this before? Your heart's pounding, you've got your arms around me." "Bully."
"Got your mind off your troubles, didn't it?" "I'll keep my troubles, thank you, and keep out of that twisted imagination of yours."
"No, no one does." He snuggled her a little closer. "That's what fiction's all about, books, movies, whatever. It gives you a break from reality and lets you worry about someone else's problems." "What does it do for you who tells the tale?" "Same thing. Exactly the same thing." He set her on her feet and turned her to the view. "It's like a painting, isn't it?" Gently, he drew her closer until her back was nestled against him. "As soon as I saw this place, it grabbed me. It was raining the first time I came here, and it almost seemed as if the colors should run." She sighed. Here was the peace she'd wanted after all. In his odd roundabout way he'd given it to her. "It's nearly spring," she murmured.
"You always smell of spring." He bent his head to rub his lips over the nape of her neck. "And taste of it." "You're making my legs weak again." "Then you'd better hold on to me." He turned her, cupped a hand at her jaw. "I haven't kissed you in days." "I know." She built up her courage, kept her eyes level. "I've wanted you to."
"That was the idea." He touched his lips to hers, stirred when her hands slipped up his chest to frame his face.
She opened for him willingly, her little murmur of pleasure as arousing as a caress. With the wind swirling around them, he drew her closer, careful to keep his hands easy, his mouth gentle.
All the strain, the fatigue, the frustration had vanished. She was home, was all that Brianna could think. Home was always where she wanted to be.
On a sigh she rested her head on his shoulder, curved her arms up his back. "I've never felt like this."
Nor had he. But that was a dangerous thought, and one he would have to consider. "It's good with us," he murmured. "There's something good about it."
"There is." She lifted her cheek to his. "Be patient with me, Gray."
"I intend to. I want you, Brianna, and when you're ready..." He stepped back, ran his hands down her arms until their fingers linked. "When you're ready."
Chapter Nine
Gray wondered if his appetite was enhanced due to the fact that he had another hunger that was far from satisfied. He thought it best to take it philosophically-and help himself to a late-night feast of Brianna's bread-and-butter pudding. Making tea was becoming a habit as well, and he'd already set the kettle on the stove and warmed the pot before he scooped out pudding into a bowl.
He didn't think he'd been so obsessed with sex since his thirteenth year. Then it had been Sally Anne Howe, one of the other residents of the Simon Brent Memorial Home for Children. Good old Sally Anne, Gray thought now, with her well blossomed body and sly eyes. She'd been three years older than he, and more than willing to share her charms with anyone for smuggled cigarettes or candy bars.
At the time he thought she was a goddess, the answer to
a randy adolescent's prayers. He could look back now with pity and anger, knowing the cycle of abuse and the flaws in the system that had made a pretty young girl feel her only true worth was nestled between her thighs.
He'd had plenty of sweaty dreams about Sally Anne after lights out. And had been lucky enough to steal an entire pack of Marlboros from one of the counselors. Twenty cigarettes had equaled twenty fucks, he remembered. And he'd been a very fast learner.
Over the years, he'd learned quite a bit more, from girls his own age, and from professionals who plied their trade out of darkened doorways that smelled of stale grease and sour sweat.
He'd been barely sixteen when he'd broken free of the orphanage and hit the road with the clothes on his back and twenty-three dollars worth of loose change and crumpled bills in his pocket.
Freedom was what he'd wanted, freedom from the rules, the regulations, the endless cycle of the system he'd been caught in most of his life. He'd found it, and used it, and paid for it.
He'd lived and worked those streets for a long time before he'd given himself a name, and a purpose. He'd been fortunate enough to have possessed a talent that had kept him from being swallowed up by other hungers.
At twenty he'd had his first lofty, and sadly autobiographical, novel under his belt. The publishing world had not been impressed. By twenty-two, he'd crafted out a neat, clever little whodunit. Publishers did not come clamoring, but a whiff of interest from an assistant editor had kept him holed up in a cheap rooming house battering at a manual typewriter for weeks.
That, he'd sold. For peanuts. Nothing before or since had meant as much to him.
Ten years later, and he could live as he chose, and he felt he'd chosen well.
He poured the water into the pot, shoveled a spoonful of pudding into his mouth. As he glanced over at Brianna's door, spotted the thin slant of light beneath it, he smiled.
He'd chosen her, too.
Covering his bases, he set the pot with two cups on a tray, then knocked at her door.
"Yes, come in."
She was sitting at her little desk, tidy as a nun in a flannel gown and slippers, her hair in a loose braid over one shoulder. Gray gamely swallowed the saliva that pooled in his mouth.
"Saw your light. Want some tea?"
"That would be nice. I was just finishing up some paperwork."
The dog uncurled himself from beside her feet and walked over to rub against Gray. "Me, too." He set down the tray to ruffle Con's fur. "Murder makes me hungry."
"Killed someone today, did you?"
"Brutally." He said it with such relish, she laughed.
"Perhaps that's what makes you so even tempered all in all," she mused. "All those emotional murders purging your system. Do you ever-" She caught herself, moving a shoulder as he handed her a cup.
"Go ahead, ask. You rarely ask anything about my work."
"Because I imagine everyone does."
"They do." He made himself comfortable. "I don't mind."
"Well, I was wondering, if you ever make one of the characters someone you know-then kill them off."
"There was this snotty French waiter in Dijon. I garotted him."
"Oh." She rubbed a hand over her throat. "How did it feel?"
"For him, or me?"
"For you."
"Satisfying." He spooned up pudding. "Want me to kill someone for you, Brie? I aim to please."
"Not at the moment, no." She shifted and some of her papers fluttered to the floor.
"You need a typewriter," he told her as he helped her gather them up. "Better yet, a word processor. It would save you time writing business letters."
"Not when I'd have to search for every key." While he read her correspondence, she cocked a brow, amused. " 'Tisn't very interesting."
"Hmm. Oh, sorry, habit. What's Triquarter Mining?" "Oh, just a company Da must have invested it. I found the stock certificate with his things in the attic. I've written them once already," she added, mildly annoyed. "But had no answer. So I'm trying again."
"Ten thousand shares." Gray pursed his lips. "That's not chump change."
"It is, if I think I know what you're saying. You had to know my father-he was always after a new moneymaking scheme that cost more than it would ever earn. Still, this needs to be done." She held out a hand. "That's just a copy. Rogan took the original for safekeeping and made that for me."
"You should have him check it out."
"I don't like to bother him with it. His plate's full with the new gallery-and with Maggie."
He handed her back the copy. "Even at a dollar a share, it's fairly substantial."
"I'd be surprised if it was worth more than a pence a share. God knows he couldn't have paid much more. More likely it is that the whole company went out of business."
"Then your letter would have come back."
She only smiled. "You've been here long enough to know the Irish mails. I think-" They both glanced over as the dog began to growl. "Con?"
Instead of responding, the dog growled again, and the fur on his back lifted. In two strides Gray was at the windows. He saw nothing but mist.