Austerity Britain, 1945–51 (109 page)

BOOK: Austerity Britain, 1945–51
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6. Patrick Nuttgens,
The Home Front
(1989), p 67; Holmans, ‘Housing’, p 487; Harriet Jones, ‘“This is Magnificent!”’,
Contemporary British History
(Spring 2000), p 102; Brian Lund,
Housing Problems and Housing Policy
(Harlow, 1996), p 121.

 

7. Peter Mitchell,
Memento Mori
(Otley, 1990), pp 8 (preface by Bernard Crick), 42, 66;
Yorkshire Observer
, 26 September 1949; Alison Ravetz,
Model Estate
(1974), pp 226–9.

 

8.
Seán Damer,
‘Last Exit to Blackhill’
(Glasgow, 1992), pp 32–9.

 

9. Godfrey Winn,
This Fair Country
(1951), pp 109–17.

 

10
.
The Macmillan Diaries: The Cabinet Years,
1950

1957 (2003), pp 23–4;
Picture

 

11
.
Journal of the Town Planning Institute
(Sept–Oct 1949), p 232; Junichi Hasegawa,
Replanning the Blitzed City Centre
(Buckingham, 1992), pp 108–9;
Observer
, 28 Jan 1951.

 

12. Nick Tiratsoo,
Reconstruction, Affluence and Labour Politics
(1990), chap 4;
Coventry Evening Telegraph
, 31 Dec 1949;
Listener
, 1 Dec 1949; Winn,
This Fair
Country
, pp 221–3.

 

13. Nick Tiratsoo, ‘Coventry’, in Tiratsoo et al (eds),
Urban Reconstruction in Britain
and Japan,
1945

1955 (Luton, 2002), pp 24–5; Tiratsoo,
Reconstruction
, p 57;
Coventry Standard
, 16 Mar 1951.

 

14.
New Society
, 8 Feb 1979 (Gordon Cherry);
Evening Standard
, 15 Jan 1951;
Observer
, 28 Jan 1951; C.A.C. Turner, ‘Houses and Flats at Crawley’,
Town and Country
Planning
(Feb 1951), p 83; Harold Orlans,
Stevenage
(1952), pp 120–21;
Daily
Telegraph
, 26 Apr 2003 (Keith Miller);
The Times
, 7 Feb 1950.

 

15. Nick Tiratsoo, ‘The Reconstruction of Blitzed British Cities, 1945–55’,
Contemporary
British History
(Spring 2000), p 40; C. D. Buchanan and D. H. Crompton, ‘Residential Density and Cost of Development’,
Town and Country Planning
(Dec 1950), pp 514–18; Winn,
This Fair Country
, p 222; Paul Elek,
This Other London
(1951), pp 52–3; Orlans,
Stevenage
, p 106;
The Times
, 25 Jun 1949.

 

16. Peter Shapely et al, ‘Civic Culture and Housing Policy in Manchester, 1945– 79’,
Twentieth Century British History
, 15/4 (2004), pp 417–20;
Manchester
Guardian
, 3 Mar 1950; David Byrne, ‘The Reconstruction of Newcastle’, in Robert Colls and Bill Lancaster (eds),
Newcastle upon Tyne
(Chichester, 2001), p 343; Benwell Community Project,
Slums on the Drawing Board
(Newcastle upon Tyne, 1978), p 8; Dan Smith,
An Autobiography
(Newcastle upon Tyne, 1970), p 33.

 

17. Anthony Sutcliffe and Roger Smith,
Birmingham,
1939

1970 (1974), pp 428–9, 431; Anthony Sutcliffe, ‘A Century of Flats in Birmingham, 1875–1973’ in Sutcliffe (ed),
Multi-Storey Living
(1974), p 200; Herbert Jackson, ‘Birmingham’s Planning Problems’,
Town and Country Planning
(Jun 1951), pp 221, 281–2; Sutcliffe, ‘Century’, p 200; Gordon E. Cherry,
Birmingham
(Chichester, 1994), p 170; Miles Glendinning and Stefan Muthesius,
Tower Block
(New Haven, 1994), p 167.

 

18.
Sheffield Telegraph
, 30 Sept 1949, 6 Oct 1949.

 

19
.
Listener
, 21 Dec 1950, 10 May 1951. In general on Churchill Gardens, see: Nigel Glendinning, ‘Art and Architecture for the People?’, in Jim Fyrth (ed),
Labour’s
Promised Land?
(1995), pp 278–9; Nicholas Bullock,
Building the Post-War World
(2002), pp 85–6.

 

20. On Matthew and his department’s takeover at the LCC, see: Miles Glendinning, ‘Teamwork or Masterwork?’,
Architectural History
(2003), pp 311–12; Nicholas Bullock, ‘Ideals, Priorities and Harsh Realities’,
Planning Perspectives
(Jan 1994), pp 97–8; Nuttgens,
Home Front
, pp 68–9.

 

21
. Nicholas Day, ‘The Role of the Architect in Post-War State Housing’ (PhD, University of Warwick, 1988), pp 257–8.

 

22. Bryan Appleyard,
The Pleasures of Peace
(1989), pp 26–7; Lionel Brett, ‘Post-War Flats in Britain’,
Architectural Review
(Nov 1949), p 315; Bullock,
Building
, pp 57– 8;
Architectural Review
(May 1951), p 299.

 

23.
The Times
, 13 Feb 1950; Osborn, p 185;
Town and Country Planning
(Apr 1951), pp 151–2.

 

24
.
Spectator
, 27 Jan 1950; Frank Worsdall,
The Tenement
(Edinburgh, 1979), p 145. 25. Seán Damer,
Glasgow
(1990), p 189; Gerard Mooney, ‘Living on the Periphery’

 

25
(PhD, University of Glasgow, 1988), pp 220, 229–32, 240–51, 253; Thomas A. Markus, ‘Comprehensive Development and Housing, 1945–75’, in Peter Reed (ed),
Glasgow
(Edinburgh, 1993), p 153.

 

14 That Dump?

 

1. Alison Ravetz,
Model Estate
(1974), pp 134, 135; Peter Mitchell,
Memento Mori
(Otley, 1990), p 84;
Yorkshire Evening Post
, 17 Apr 1951.

 

2.
Yorkshire Evening Post
, 9 Apr 1951;
Sunderland Echo
, 10 Apr 1951; Mark Lewisohn,
Funny, Peculiar
(2002), pp 176–7;
Daily Mirror
, 10 Apr 1951.

 

3.
The New Yorker
, 28 Apr 1951;
The Macmillan Diaries: The Cabinet Years,
1950

57 (2003), pp 62–3; Philip M. Williams,
Hugh Gaitskell
(1979), pp 255–6; Langford, 10 Apr 1951; John Campbell,
Nye Bevan
(1997), p 238; Tony Benn,
Years of Hope
(1994), pp 147–8.

 

4. V. S. Naipaul,
Letters Between a Father and Son
(1999), p 85;
Barrow News
, 14 Apr 1951; M-O A, D 5353, 12 Apr 1951.

 

5.
Yorkshire Evening Post
, 13 Apr 1951; BBC WA,
Any Questions?
, 13 Apr 1951; Langford, 14 Apr 1951; Alan Bullock,
Ernest Bevin: Foreign Secretary,
1945

1951 (Oxford, 1983), p 835;
Daily Express
, 16 Apr 1951.

 

6.
Macmillan Diaries
, p 64; M-O A, D 5353, 16 Apr 1951;
Daily Mirror
, 17 Apr 1951;
Daily Express
, 17/18 Apr 1951.

 

7.
Govan Press
, 20 Apr 1951;
Daily Mirror
, 18 Apr 1951; Jack Dash,
Good Morning,
Brothers!
(1969), pp 86–7. In general on the case of ‘the Seven’, see: Jim Phillips, ‘The Postwar Political Consensus and Industrial Unrest in the Docks, 1945–55’,
Twentieth Century British History
, 6/3 (1995), pp 309–10; Nina Fishman, ‘“A Vital Element in British Industrial Relations”’,
Historical Studies in Industrial Relations
(Autumn 1999), pp 70–71.

 

8. Langford, 18 Apr 1951; Haines, 19 Apr 1951;
News of the World
, 22 Apr 1951; Dilwyn Porter, ‘Amateur Football in Britain, 1948–63: The Pegasus Phenomenon’, in Adrian Smith and Dilwyn Porter (eds),
Amateurs and Professionals in Post-War
British Sport
(2000), pp 1–30;
The Times
, 23 Apr 1951; Langford, 21 Apr 1951.

 

9. Kenneth Harris,
Attlee
(1982), pp 477, 480;
Macmillan Diaries
, p 66; Campbell,
Nye Bevan
, pp 244–5;
The New Yorker
, 19 May 1951.

 

10
. Ben Pimlott,
Harold Wilson
(1992), pp 162, 168; Streat, p 579; Brian Brivati,
Hugh
Gaitskell
(1996), p 117; Campbell,
Nye Bevan
, p 250; Gaitskell, p 257.

 

11
.
Daily Express
, 24 Apr 1951; Preston, 24 Apr 1951;
Leeds Guardian
, 27 Apr 1951.

 

12
.
The Times
, 28/30 Apr 1951;
Newcastle Journal
, 30 Apr 1951; Mike Kirkup (ed),
Charlie Crowe’s Newcastle United Scrapbook
(Seaham, 2001), pp 35, 37;
The Times
, 30 Apr 1951.

 

Afterword

 

1.
Woman
, 5 May 1951.

 

Acknowledgements

 

I am grateful to the following for kindly allowing me to reproduce copyright material: Evelyn Abrams (Mark Abrams); Dannie Abse (
Farewell to the Twentieth Century
, Pimlico, 2001); Gillon Aitken Associates (Copyright
V. S. Naipaul 1951, Copyright
V. S. Naipaul 1999); Pat Arlott (John Arlott); Ouida V. Ascroft (Florence Speed); Don Bachardy (Christopher Isherwood): Lady Diana Baer (Mollie Panter-Downes); Joan Bakewell; Stuart Ball; Michael Banton; Correlli Barnett; BBC Written Archives Centre; Prue Bellak (Julian Critchley); Tony Benn; Birmingham City Archives (Mary King); Michael Blake-more; Michael Bloch (James Lees-Milne); The Robert Bolt Estate; Mark Bostridge and Rebecca Williams (Vera Brittain’s literary executors, for quotations from her
Wartime Chronicle
); Veronica Bowater (Vere Hodgson); Lady Florette Boyson (Sir Rhodes Boyson); E. R. Braith-waite; British Library of Political and Economic Science (Crosland papers); Robin Bruce Lockhart (Sir Robert Bruce Lockhart); Sue Bruley; Michael Burns; John Campbell; Rene and Michael Chaplin (Sid Chaplin); Jonathan Clowes Ltd (
Letters
Copyright
2001 Kingsley Amis,
Memoirs
1991 Kingsley Amis, on behalf of the Literary Estate of Kingsley Amis; Copyright
1998 Doris Lessing, 1961 Doris Lessing, 2002 Doris Lessing, on behalf of Doris Lessing); The Estate of Cyril Connolly (extracts from
Horizon
magazine, copyright
1945, 1947 Cyril Connolly, reproduced by permission of the Estate of Cyril Connolly, c/o Rogers Coleridge & White Ltd, 20 Powis Mews, London W11 1JN); Curtis Brown Group Ltd (on behalf of the Estate of Pamela Hansford Johnson, copyright
Pamela Hansford Johnson 1948); Renée Daly (Lawrence Daly); Seán Damer; The Dartington Hall Trust Archive; Hunter Davies; Norman Dennis; Faber and Faber Ltd (Steven Berkoff,
Autobiography
; T. S. Eliot,
Notes towards the Definition of
Culture
); Fabian Society; Margaret Fenton (Frederic Osborn); Annemarie Flanders (Allan Flanders); Howard Ford (Erica Ford); Margaret Forster; Enid Grant (Enid Palmer); Rachel Gross (Geoffrey Gorer); Sir Peter Hall; Bill Hamilton, Literary Executor of the Estate of the late Sonia Brownell Orwell, and Secker and Warburg Ltd (extracts from the published writings of George Orwell, copyright
George
Orwell); Lord Hattersley; Trustees of HM Book Trust (Harold Macmillan); Pamela Hendicott (Judy Haines); David Higham Associates (Arthur Bryant, John Lehmann, Malcolm Muggeridge, Dylan Thomas); Donald Hinds (
Journey to an Illusion
); Hazel Holt (Barbara Pym); Steve Humphries (
The Making of Modern London,
1945

1985); Institution of Mechanical Engineers (Lord Hinton of Bankside); Islington Local History Centre (Gladys Langford); Ian Jack (
Before
the Oil Ran Out
, Secker & Warburg, 1987); Dan Jacobson; Jackie Jones (Mervyn Jones); Lynn Jones (Lynn Creedy); P. J. Kavanagh (Ted Kavanagh); Dora L. Kneebone (Rose Uttin); Lawrence & Wishart (Jack Dash,
Good Morning, Brothers!
); Sir Michael Levey (John Brophy); Alison Light (Estate of Raphael Samuel, for extract from
The Lost
World of British Communism
, Verso, 2006); Liverpool University Press (John Barron Mays); Arthur McIvor; Trustees of the Mass-Observation Archive; Gerry Mooney; Jane Moser (Joan Waley); Jamie Muir and Denis Norden (Frank Muir and Denis Norden Archive); John Murray Ltd (‘Business Girls’ by John Betjeman, from
Collected Poems
, copyright
The Estate of John Betjeman); News International Archive and Record Office (Papers of the John Hilton Bureau); Juliet Nicolson (Harold Nicolson); Jill Norman (Elizabeth David); The Joe Orton Estate; Peter Pagnamenta; Angela Partington; The Estate of Frances Partridge (extracts from
Everything to Lose
, copyright
1985 Frances Partridge, first published in 1985 by Victor Gollancz, reproduced by permission of the Estate of Frances Partridge, c/o Rogers Coleridge & White, 20 Powis Mews, London W11 1JN); PFD (extracts from
The Sea and the Land
, copyright

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