A Mercy (11 page)

She had only to stop thinking and believe. The dry tongue in Rebekka’s mouth behaved like a small animal that had lost its way. And though she understood that her thoughts were disorganized, she was also convinced of their clarity. That she and Jacob could once talk and argue about these things made his loss intolerable. Whatever his mood or disposition, he had been the true meaning of mate.

Now, she thought, there is no one except servants.
The best husband gone and buried by the women he left behind; children rose-tinted clouds in the sky. Sorrow frightened for her own future if I die, as she should be, a slow-witted girl warped from living on a ghost ship. Only Lina was steady, unmoved by any catastrophe as though she has seen and survived everything. As in that second year when Jacob was away, caught in an off-season blizzard, and she, Lina and Patrician after two days were close to starvation. No trail or road passable. Patrician turning blue in spite of the miserable dung fire sputtering in a hole in the dirt floor. It was Lina who dressed herself in hides, carried a basket and an axe, braved the thigh-high drifts, the mind-numbing wind, to get to the river. There she pulled from below the ice enough broken salmon to bring back and feed them. She filled her basket with all she could snare; tied the basket handle to her braid to keep her hands from freezing on the trek back.

That was Lina. Or was it God? Here in an abyss of loss, she wondered if the journey to this land, the dying off of her family, her whole life, in fact, were way-stations marking a road to revelation. Or perdition? How would she know? And now with death’s lips calling her name, to whom should she turn? A blacksmith? Florens?

How long will it take will he be there will she get lost will someone assault her will she return will he and is it already too late? For salvation.

I sleep then wake to any sound. Then I am dreaming cherry trees walking toward me. I know it is dreaming because they are full in leaves and fruit. I don’t know what they want. To look? To touch? One bends down and I wake with a little scream in my mouth. Nothing is different. The trees are not heavy with cherries nor nearer to me. I quiet down. That is a better dream than a minha mãe standing near with her little boy. In those dreams she is always wanting to tell me something. Is stretching her eyes. Is working her mouth. I look away from her. My next sleeping is deep.

Not birdsong but sunlight wakes me. All snow is gone. Relieving myself is troublesome. Then I am going north I think but maybe west also. No, north until I come to where the brush does not let me through without clutching me and taking hold. Brambles spread
among saplings are wide and tall to my waist. I press through and through for a long time which is good since in front of me sudden is an open meadow wild with sunshine and smelling of fire. This is a place that remembers the burning of itself. New grass is underfoot, deep, thick, tender as lamb’s wool. I stoop to touch it and remember how Lina loves to unravel my hair. It makes her laugh, saying it is proof I am in truth a lamb. And you, I ask her. A horse she answers and tosses her mane. It is hours I walk this sunny field, my thirst so loud I am faint. Beyond I see a light wood of birch and apple trees. The shade in there is green with young leaves. Bird talk is everyplace. I am eager to enter because water may be there. I stop. I hear hoofbeats. From among the trees riders clop toward me. All male, all native, all young. Some look younger than me. None have saddles on their horses. None. I marvel at that and the glare of their skin but I have fear of them too. They rein in close. They circle. They smile. I am shaking. They wear soft shoes but their horses are not shod and the hair of both boys and horses is long and free like Lina’s. They talk words I don’t know and laugh. One pokes his fingers in his mouth, in out, in out. Others laugh more. Him too. Then he lifts his head high, opens wide his mouth and directs his thumb to his lips. I drop to my knees in misery and fright. He dismounts and comes close. I smell the perfume of his hair. His eyes are slant, not big and round like Lina’s. He grins while removing a pouch hanging from a cord across his chest. He holds it out to me but I am too trembling to reach so he drinks from it and offers it again. I want it am dying
for it but I cannot move. What I am able to do is make my mouth wide. He steps closer and pours the water as I gulp it. One of the others says baa baa baa like a goat kid and they all laugh and slap their legs. The one pouring closes his pouch and after watching me wipe my chin returns it to his shoulder. Then he reaches into a belt hanging from his waist and draws out a dark strip, hands it to me, chomping his teeth. It looks like leather but I take it. As soon as I do he runs and leaps on his horse. I am shock. Can you believe this. He runs on grass and flies up to sit astride his horse. I blink and they all disappear. Where they once are is nothing. Only apple trees aching to bud and an echo of laughing boys.

I put the dark strip on my tongue and I am correct. It is leather. Yet salty and spicy giving much comfort to your girl.

Once more I aim north through the wood following at a distance the hoofprints of the boys’ horses. It is warm and becoming warmer. Yet the earth is ever moist with cool dew. I make me forget how we are on wet ground and think instead of fireflies in tall dry grass. There are so many stars it is like the day. You hold your hand over my mouth so no one can hear my pleasure startling hens from their sleep. Quiet. Quiet. No one must know but Lina does. Beware she tells me. We are lying in hammocks. I am just come from you aching with sin and looking forward to more. I ask her meaning. She says there is only one fool in this place and she is not it so beware. I am too sleepy to answer and not wanting to. I prefer thoughts of that place under your jaw where your neck meets bone, a small curve deep
enough for a tongue tip but no bigger than a quail’s egg. I am sinking into sleep when I hear her say, rum I told myself it was rum. Only rum the first time because a man of his learning and position in the town would never dishonor himself so if sober. I understand, she is saying, I understand and obey the need for secrecy and when he comes to the house I never look him in the eye. I only look for the straw in his mouth, she is saying, or the stick he places in the gate hinge as the sign of our meeting that night. Sleepiness is leaving me. I sit up and dangle my legs over the hammock. The ropes creak and sway. There is something in her voice that pricks me. Something old. Something cutting. I look at her. Brightness of stars, moon glow, both are enough to see her face but neither is enough to know her expression. Her braid is loose, strands of it escaping the hammock’s weave. She is saying that she is without clan and under a Europe’s rule. There is no rum the second time nor the next, she is saying, but those times he uses the flat of his hand when he has anger, when she spills lamp oil on his breeches or he finds a tiny worm in the stew. Then comes a day when he uses first his fist and then a whip. The Spanish coin is lost through a worn place in her apron pocket and is never found. He cannot forgive this. I am already fourteen and ought to know better, she is saying. And now, she is saying, I do. She tells me how it is to walk town lanes wiping blood from her nose with her fingers, that because her eyes are closing she stumbles and people believe she is in liquor like so many natives and tell her so. The Presbyterians stare at her face and the blood wipes on her clothes but say nothing.
They visit the printer and offer her up for sale. They no longer let her inside their house so for weeks she sleeps where she can and eats from the bowl they leave for her on the porch. Like a dog, she says. Like a dog. Then Sir makes the purchase but not before she slips away and breaks the necks of two roosters and places a head in each of her lover’s shoes. Every step he takes from then on will bring him closer to perpetual ruin.

Listen to me, she is saying. I am your age when flesh is my only hunger. Men have two hungers. The beak that grooms also bites. Tell me, she says, what will it be when his work here is done. I wonder she says will he take you with him?

I am not wondering this. Not then, not ever. I know you cannot steal me nor wedding me. Neither one is lawful. What I know is that I wilt when you go and am straight when Mistress sends me to you. Being on an errand is not running away.

Thinking these things keeps me walking and not lying down on the ground and allowing myself to sleep. I am greatly tired and long for water.

I come into a part where cows are grazing among the trees. If cows are in the woods a farm or village is near. Neither Sir nor Mistress will let their few heads loose like that. They fence the meadow because they want the manure and not a quarrel with neighbors. Mistress says Sir says grazing will soon die in the meadow so he has other business because farming will never be enough in these parts. Black flies alone will kill all hope for it if marauding wildlife does not. Farms live or die by the desire of insects or on the whim of weather.

I see a path and enter. It leads to a narrow bridge past a mill wheel poised in a stream. The creaking wheel and rushing water are what shape the quiet. Hens sleep and dogs forbidden. I hurry down the bank and lap from the stream. The water tastes like candle wax. I spit out the bits of straw that come with each swallow and make my way back to the path. I need shelter. The sun is setting itself. I notice two cottages. Both have windows but no lamp shines through. There are more that resemble small barns that can accept the day’s light only through open doors. None is open. There is no cooksmoke in the air. I am thinking everyone has gone off. Then I see a tiny steeple on a hill beyond the village and am certain the people are at evening prayer. I decide to knock on the door of the largest house, the one that will have a servant inside. Moving toward it I look over my shoulder and see a light farther on. It is in the single lit house in the village so I choose to go there. Stones interfere at each step rubbing the sealing wax hard into my sole. Rain starts. Soft. It should smell sweet with the flavor of the sycamores it has crossed, but it has a burn smell, like pinfeathers singed before boiling a fowl.

Soon as I knock a woman opens the door. She is much taller than Mistress or Lina and has green eyes. The rest of her is a brown frock and a white cap. Red hair edges it. She is suspicious and holds up her hand, palm out, as though I might force my way in. Who hath sent you she asks. I say please. I say I am alone. No one sends me. Shelter calls me here. She looks behind me left and right and asks if I have no protection, no companion? I say No Madam. She narrows her eyes and asks
if I am of this earth or elsewhere? Her face is hard. I say this earth Madam I know no other. Christian or heathen, she asks. Never heathen I say. I say although I hear my father may be. And where doth he abide, she asks. The rain is getting bigger. Hunger wobbles me. I say I do not know him and my mother is dead. Her face softens and she nods saying, orphan, step in.

She tells me her name, Widow Ealing, but does not ask mine. You must excuse me, she says, but there is some danger about. What danger I ask. Evil, she says, but you must never mind.

I try to eat slowly and fail. Sopping hard bread into lovely, warm barley porridge, I don’t lift my head except to say thank you when she ladles more into my bowl. She places a handful of raisins next to it. We are in a good-size room with fireplace, table, stools and two sleeping places, a box bed and a pallet. There are two closed doors to other parts and a closet-looking place, a niche, at the rear where jugs and bowls are. When my hunger is quiet enough I notice a girl lying in the straw of the box bed. Under her head is a blanket roll. One of her eyes looks away, the other is as straight and unwavering as a she-wolf’s. Both are black as coal, not at all like the Widow’s. I don’t think I should begin any words so I keep eating and wait for the girl or the Widow to say something. At the foot of her bed is a basket. A kid lies there too sick to raise its head or make a sound. When I finish the food down to the last raisin the Widow asks what is my purpose traveling alone. I tell her my mistress is sending me on an errand. She turns her lips down saying it must be vital to risk a female’s life in
these parts. My mistress is dying I say. My errand can save her. She frowns and looks toward the fireplace. Not from the first death, she says. Perhaps from the second.

I don’t understand her meaning. I know there is only one death not two and many lives beyond it. Remember the owls in daylight? We know right away who they are. You know the pale one is your father. I think I know who the other ones may be.

The girl lying in straw raises up on her elbow. This be the death we have come here to die, she says. Her voice is deep, like a man’s, though she looks to have my age. Widow Ealing doesn’t reply and I do not want to look at those eyes anymore. The girl speaks again. No thrashing, she says, can change it, though my flesh is cut to ribbons. She stands then and limps to the table where the lamp burns. Holding it waist high she lifts her skirts. I see dark blood beetling down her legs. In the light pouring over her pale skin her wounds look like live jewels.

This is my daughter Jane, the Widow says. Those lashes may save her life.

It is late, Widow Ealing is saying. They will not come until morning. She closes the shutters, blows out the lamp and kneels by the pallet. Daughter Jane returns to her straw. The Widow whispers in prayer. The dark in here is greater than the cowshed, thicker than the forest. No moonlight seeps through a single crack. I lie near the sick kid and the fireplace and my sleep breaks into pieces from their voices. Silence is long and then they talk. I can tell who it is not only by the direction of the sound but also because Widow Ealing says words in a
way different from her daughter. A more singing way. So I know it is Daughter Jane who says how can I prove I am not a demon and it is the Widow who says sssst it is they who will decide. Silence. Silence. Then back and forth they talk. It is the pasture they crave, Mother. Then why not me? You may be next. At least two say they have seen the Black Man and that he … Widow Ealing stops and does not say more for a while and then she says we will know comes the morning. They will allow that I am, says Daughter Jane. They talk fast to each other. The knowing is theirs, the truth is mine, truth is God’s, then what mortal can judge me, you talk like a Spaniard, listen, please listen, be still lest He hear you, He will not abandon me, nor will I, yet you bloodied my flesh, how many times do you have to hear it demons do not bleed.