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Lyubashevski told him to go down into the Pool and report to Director Kozintsev. Chirkov descended in a hand-cranked cage lift and stepped out into a ballroom-sized space. “The Pool” was what people who worked in the spa called the basement where the dead were kept. It had been a swimming bath before the Revolution; there, weary generations of Romanovs plunged through slow waters, the tides of history slowly pulling them under. Supposedly dry since 1916, the Pool was so cold that condensation on the marble floors turned to ice patches. The outer walls were still decorated with gilted plaster friezes, and his bootfalls echoed on the solid floors. He walked around the edge of the pit, looking down at the white-coated toilers and their unmoving clients. The Pool was divided into separate work cubicles and narrow corridors by flimsy wooden partitions that rose above the old water level. A girl caught his eye, blond hair tightly gathered at the back of her neck. She had red lipstick and her coat was rolled up on slender arms as she probed the chest cavity of a corpse, a girl who might once have been her slightly older sister. The dead girl had a neat round hole in her forehead and her hair was fanned over a sludgy discharge Chirkov took to be abandoned brains. He coughed to get the live girl’s attention and inquired as to where he could find the Director. She told him to make his way to the Deep End and climb in, then penetrate the warren of partitions. He couldn’t miss Kozintsev; the Director was dead center.

At the Deep End, he found a ladder into the pool. It was guarded by a soldier who sat cross-legged, a revolver in his lap, twanging on a Jew’s harp. He stopped and told Chirkov the tune was a traditional American folk song about a cowboy killed by a lawyer, “The Man Who Shot Liberty Valance.” The guard introduced himself as Corporal Toulbeyev and asked if Chirkov was interested in purchasing tape cassettes of the music of Mr. Edward Cochran or Robert Dylan. Chirkov had no cassette player but Toulbeyev said that for five thousand rubles he could secure one. To be polite, Chirkov said he would consider the acquisition: evidently a great bargain. Toulbeyev further insinuated he could supply other requisites: contraceptive sheaths, chocolate bars, toothpaste, fresh socks, scented soap, suppressed reading matter. Every unit in the Soviet Union had a Toulbeyev, Chirkov knew. There was probably a secretary on the First Committee of the Communist Party who dealt disco records and mint-flavored chewing gum to the High and Mighty. After a decent period of mourning, Chirkov might consider spending some of Sergeant Trauberg’s rubles on underwear and soap.

Having clambered into the pool, Chirkov lost the perspective on the layout of the workspaces he had from above. It was a labyrinth and he zigzagged between partitions, asking directions from the occasional absorbed forensic worker. Typically, a shoulder shrug would prompt him to a new pathway. Each of the specialists was absorbed in dissection, wielding whiny and smoky saws or sharp and shiny scalpels. He passed by the girl he had seen from above—her name-tag identified her as Technician Sverdlova, and she introduced herself as Valentina—and found she had entirely exposed the rib cage of her corpse. She was the epitome of sophisticated Moscow girl, Chirkov thought: imperturbable and immaculate even with human remains streaked up to her elbows. A straggle of hair wisped across her face, and she blew it out of the way. She dictated notes into a wire recorder, commenting on certain physiological anomalies of the dead girl. There was a rubbery resilience in the undecayed muscle tissue. He would have liked to stay, but had to report to Kozintsev. Bidding her good-bye, he left her cubicle, thumping a boot against a tin bucket full of watches, wedding rings and eyeglasses. She said he could take anything he wanted but he declined. Remembering, he found the bent and broken sunglasses in his trousers pocket and added them to the contents of the bucket. It was like throwing a kopeck into a wishing well, so he made a wish. As if she were telepathic, Valentina giggled. Blushing, Chirkov continued.

He finally came to a makeshift door with a plaque that red
V
.
A. KOZINTSEV, DIRECTOR
. Chirkov knocked and, hearing a grunt from beyond, pushed through. It was as if he had left the morgue for a sculptor’s studio. On one table were moist bags of variously colored clays lined up next to a steaming samovar. In the center of the space, in the light cast by a chandelier that hung over the whole pool, a man in a smock worked on a bust of a bald-headed man. Kozintsev had a neatly trimmed beard and round spectacles. He was working one-handed; long fingers delicately pressing hollows into cheeks; a glass of tea in his other hand. He stood back, gulped tea and tutted, extremely dissatisfied with his efforts. Instantly accepting the newcomer, Kozintsev asked Chirkov for help in going back to the beginning. He set his glass down and rolled up his sleeves. They both put their hands in the soft face and pulled. Clays came away in self-contained lumps: some stranded like muscles, others bunched like pockets of fat. A bare skull, blotched with clay, was revealed. Glass eyes stared hypnotically, wedged into sockets with twists of newspaper. Chirkov realized he had heard of the Director: V. A. Kozintsev was one of the leading reconstruction pathologists in the Soviet Union. He had, layering in musculature and covering the results with skin, worked on the skulls tentatively identified as those of the former Royal Family. He had re-created the heads of Paleolithic men, murder victims and Ivan the Terrible.

Chirkov reported for duty and the Director told him to find something useful to do. Kozintsev was depressed to lose three days’ work and explained in technical detail that the skull wasn’t enough. There had to be some indication of the disposition of muscle and flesh. As he talked, he rolled a cigarette and stuck it in the corner of his mouth, patting his smock pockets for matches. Chirkov understood this was one of Kozintsev’s historical projects: high-profile work sanctioned by the Ministry of Culture, unconnected to the main purpose of the Spa—which, just now, was to determine the origins and capabilities of the Amerikans—but useful in attracting attention and funds. While the Director looked over charts of facial anatomy, puffing furiously on his cigarette, Chirkov picked up the discarded clays and piled them in a lump on the table. On a separate stand was a wigmaker’s dummy head under a glass dome: it wore a long but neat black wig and facsimile wisps of eyebrows, mustache and beard. Once the skull was covered and painted to the correct skin tone, hair would be applied. He asked Kozintsev to whom the skull belonged and, offhandedly, the Director told him it was Grigory Rasputin. There had been trouble getting glass eyes with the right quality. Contemporary memoirs described the originals as steely blue, with pupils that contracted to pinpoints when their owner was concentrating on exerting his influence. Chirkov looked again at the skull and couldn’t see anything special. It was just bare bone.

Each evening at nine, the Director presided over meetings. Attendance was mandatory for the entire staff, down to Chirkov. He was billeted in the Spa itself, in a small room on the top floor where he slept on what had once been a masseur’s table. Since food was provided (albeit irregularly) by a cafeteria, there was scarce reason to venture outside. At meetings, Chirkov learned who everyone was: the ranking officer was Captain Zharov, who would rather be put in the streets fighting but suffered from a gimpy knee; under Kozintsev, the chief coroner was Dr. Fedor Dudnikov, a famous forensic scientist often consulted by the police in political murder cases but plainly out of his depth with the Spa’s recent change of purpose. The Director affected a lofty disinterest in the current emergency, which left the morgue actually to be run by a conspiracy between Lyubashevski, an administrator seconded from the Ministry of Agriculture, and Toulbeyev, who was far more capable than Captain Zharov of keeping greased the wheels of the military machine.

Chirkov’s girl, Valentina, turned out to be very eminent for her years, a specialist in the study of Amerikans; at each meeting, she would report the findings of the day. Her discoveries were frankly incomprehensible, even to her colleagues, but she seemed to believe the Amerikans were not simple reanimated dead bodies. Her dissections and probings demonstrated that the Amerikans functioned in many ways like living beings; in particular, their musculature adapted slowly to their new state even as surplus flesh and skin sloughed off. Those portions of their bodies that rotted away were irrelevant to the functioning of the creatures. She likened the ungainly and stumbling dead creatures to a pupal stage, and expressed a belief that the Amerikans were becoming stronger. Her argument was that they should be categorized not as former human beings but as an entirely new species, with its own strengths and capabilities. At every meeting, Valentina would complain she could only manage so much by examining doubly dead bodies and that the best hope of making progress would be to secure “live” specimens and observe their natural progress. She had sketched her impressions of what the Amerikans would eventually evolve into: thickly muscled skeletons like old anatomical drawings.

Valentina’s leading rival, A. Tarkhanov, countered that her theories were a blind alley. In his opinion, the Spa should concentrate on the isolation of the bacteriological agent responsible for the reanimations with a view to the development of a serum cure. Tarkhanov, a Party member, also insisted the phenomenon had been created artificially by American genetic engineers. He complained the monster-makers of the United States were so heavily financed by capitalist cartels that this state-backed bureaucracy could hardly compete. The one common ground Valentina held with Tarkhanov was that the Spa was desperately underfunded. Since everyone at the meetings had to sit on the floor, while Director Kozintsev was elevated cross-legged on a desk, chairs were deemed a priority, though all the scientists also had long lists of medical supplies and instruments without which they could not continue their vital researches. Lyubashevski would always counter these complaints by detailing his repeated requests to appropriate departments, often with precise accounts of the elapsed time since the request had been submitted. At Chirkov’s third meeting, there was much excitement when Lyubashevski announced that the Spa had received from the Civil Defense Committee fifty-five child-sized blankets. This was unrelated to any request that had been put in, but Toulbeyev offered to arrange a trade with the Children’s Hospital, exchanging the blankets either for vegetables or medical instruments.

At the same meeting, Captain Zharov reported that his men had successfully dealt with an attempted invasion. Two Amerikans had been found at dawn, having negotiated the slippery steps, standing outside the main doors, apparently waiting. One stood exactly outside the doors, the other a step down. They might have been forming a primitive queue. Zharov personally disposed of them both, expending cartridges into their skulls, and arranged for the removal of the remains to a collection point, from which they might well be returned as specimens. Valentina moaned that it would have been better to capture and pen the Amerikans in a secure area—she specified the former steam bath—where they could be observed. Zharov cited standing orders. Kozintsev concluded with a lengthy lecture on Rasputin, elaborating his own theory that the late Tsarina’s spiritual advisor was less mad than popularly supposed and that his influence with the Royal Family was ultimately instrumental in bringing about the Revolution. He spoke with especial interest and enthusiasm of the so-called Mad Monk’s powers of healing, the famously ameliorative hands that could ease the symptoms of the Tsarevich’s hemophilia. It was his contention that Rasputin had been possessed of a genuine paranormal talent. Even Chirkov thought this beside the point, especially when the Director wound down by admitting another failure in his reconstruction project.

With Toulbeyev, he drew last guard of the night; on duty at three
A.M
., expected to remain at the post in the foyer until the nine o’clock relief. Captain Zharov and Lyubashevski could not decide whether Chirkov counted as a soldier or an experimental assistant; so he found himself called on to fulfill both functions, occasionally simultaneously. As a soldier, he would be able to sleep away the morning after night duty, but as an experimental assistant, he was required to report to Director Kozintsev at nine sharp. Chirkov didn’t mind overmuch; once you got used to corpses, the Spa was a cushy detail. At least corpses here
were
corpses. Although, for personal reasons, he always voted, along with two other scientists and a cook, in support of Technician Sverdlova’s request to bring in Amerikans, he was privately grateful she always lost by a wide margin. No matter how secure the steam bath might be, Chirkov was not enthused by the idea of Amerikans inside the building. Toulbeyev, whose grandmother was Moldavian, told stories of
wurdalaks
and
vryolakas
and always had new anecdotes. In life, according to Toulbeyev, Amerikans had all been Party members: that was why so many had good clothes and consumer goods. The latest craze among the dead was for cassette players with attached headphones; not American manufacture, but Japanese. Toulbeyev had a collection of the contraptions, harvested from Amerikans whose heads were so messed up soldiers were squeamish about borrowing from them. It was a shame, said Toulbeyev, that the dead were disinclined to cart video players on their backs. If they picked up that habit, the staff in the Spa would be millionaires; not rouble millionaires, dollar millionaires. Many of the dead had foreign currency. Tarkhanov’s pet theory was that the Amerikans impregnated money with a bacteriological agent, the condition spreading through contact with cash. Toulbeyev, who always wore gloves, did not seem unduly disturbed by the thought.

Just as Toulbeyev was elaborating upon the empire he could build with a plague of video players, a knock came at the doors. Not a sustained pounding like someone petitioning for entry, but a thud as if something had accidentally been bumped against the other side of the oak. They both shut up and listened. One of Toulbeyev’s tape machines was playing Creedence Clearwater Revival’s “It Came Out of the Sky” at a variable speed; he turned off the tape, which scrunched inside the machine as the wheels ground, and swore. Cassettes were harder to come by than players. There was a four-thirty-in-the-morning Moscow quiet. Lots of little noises: wind whining around the slightly warped door, someone having a coughing fit many floors above, distant shots. Chirkov cocked his revolver, hoping there was a round under the hammer, further hoping the round wasn’t a dud. There was another knock, like the first. Not purposeful, just a blunder. Toulbeyev ordered Chirkov to take a look through the spyhole. The brass cap was stiff but he managed to work it aside and look through the glass lens.