The King's Mistress: The True & Scandalous Story of the Woman Who Stole the Heart of George I (34 page)

BOOK: The King's Mistress: The True & Scandalous Story of the Woman Who Stole the Heart of George I
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Melusine’s magnificent staircase at Kensington Palace.

Notes on Illustrations

1. Portrait of Countess Ehrengard Melusine von der Schulenburg, Duchess of Kendal (1667–1743) (oil on canvas). 18th Century.
Private Collection/The Bridgeman Art Library
2. Portrait of Countess Ehrengard Melusine von der Schulenburg, Duchess of Kendal (1667–1743) (oil on canvas). 18th Century.
Private Collection/The Bridgeman Art Library
3. General Count Johann Matthias von der Schulenburg by Giovanni Antonio Guardi (1698–1760). 18th Century.
Ca’ Rezzonico, Museo del Settecento, Venice/The Bridgeman Art Library
4. Sophie, electress of Hanover, (1630–1714). Copper engraving, unsigned and undated,
c
. 1701.
akg-images
5. King George I as Prince of Hanover by Kneller, engraved by Richard Tompson after a painting by Sir Geoffrey Kneller.
Fotomas/TopFoto
6. George I (1646–1723),
c
. 1715, Studio of Sir Geoffrey Kneller.
The Royal Collection © 2011 Her Majesty Queen Elizabeth II / The Bridgeman Art Library/The Bridgeman Art Library
7. Gertrud von Schuamburg-Lippe, daughter of Melusine von der Schulenburg.
Kloster Barsinghausen
8. Sophia Charlotte von Platen und Hallermund (1669–1726) by School of Sir Godfrey Kneller. Oil on canvas.
culture-images/Lebrecht Music & Arts
9. Klara Elisabeth von Platen, Countess of Platen Hallermund, née Meysenbugh (1650–1700).
culture-images/Lebrecht Music & Arts
10. Sophia Dorothea, (1666–1726), Hereditary Princess of Hanover, with her children Georg and Sophia Dorothea, painting by Jacques Vaillant,
c.
1692.
Mary Evans Picture Library/INTERFOTO/ARTCOLOR
11. Königsmarck, Philip Christoph Count of, (1665–1694), painting by Martin Meytens.
Mary Evans Picture Library/INTERFOTO/Friedrich
12. King George II Georgius Augustus Electoral Prince of Brunswick (1683–1760).
Fotomas/TopFoto
13. Princess Caroline Elizabeth by John Faber Jr, after Hans Hysing mezzotint, mid-18th century.
© National Portrait Gallery, London
14. Portrait of Sir Robert Walpole (1676–1745) (oil on canvas) by Charles Jervas.18th Century.
Private Collection/The Bridgeman Art Library
15. Melusine von der Schulenburg, unknown artist,
c
. 1720, oil on canvas, ©
Bomann-Museum Celle
16. Frederick William Ernest, Count of Schaumberg-Lippe,
c.
1767 (oil on canvas).
The Royal Collection © 2011 Her Majesty Queen Elizabeth II
17. ‘The Brabant Skreen’, 1721. A satire on the South Sea company. The Duchess of Kendal gives money to Robert Knight (treasurer of the company), to enable him to escape. Illustration from ‘Social Caricature in the Eighteenth Century . . . With over two hundred illustrations’ by George Paston (pseudonym of Emily Morse Symonds) (London, 1905).
Print Collector/HIP/TopFoto
18. Herrenhausen Palace (built 1666–1714, rebuilt 1820–66 by Georg Ludwig Friedrich Laves). View of the palace and the Great Garden (established from 1666). Copper engraving, 1714, unsigned; coloured at a later stage.
akg-images
19. A Royal Hunting Party at Göhrde, 1725 (oil on panel). English School.
The Royal Collection © 2011 Her Majesty Queen Elizabeth II / The Bridgeman Art Library
20. Kensington Palace,
c.
1924
© Country Life
21. Kensington Palace,
c.
1924
© Country Life

Acknowledgements

I should like to thank my agent, Vivienne Schuster, and my editor, Joshua Ireland, for their encouragement and enthusiasm. I am indebted to Professor Aubrey Newman, Emeritus Professor of History at the University of Leicester, who encouraged me throughout this project and first led me to believe that there was a book here. Huge thanks to my linguist friends who helped me with the translation of German and French sources, particularly Yehuda Shapiro and Jerry Gotel. Dr Amanda Jones at the Borthwick Institute for Archives, University of York, was enormously helpful regarding a morganatic marriage, and I am grateful to Antonio Jimenez-Milian, library assistant at York Minster Library, for his information on Lancelot Blackburn, Archbishop of York. Dr Joanna Marshner, Senior Curator at Kensington Palace, generously gave up a morning of her time to guide me behind the scenes there.

In Germany the curator at Celle Castle, Anke Wiesbrich, helped to make my trip there extremely productive. I am particularly grateful to her for unearthing a portrait of Melusine, previously unknown, in the bowels of Celle Castle, and for her detailed tour of Sophia Dorothea’s childhood home. The local historian Rolf Sahlfeld was very generous with his time and gave me an impromptu tour of Barsinghausen. Thanks to the ever-helpful staff at the London Library and the British Library.

The amazing Katy Rose cared for my children while I wrote. My mother Trudy Gold and my sister Tanya Gold were founts of wisdom and childcare.

Above all, my love and thanks go to my boys, Asher and Jake, and to my husband Phil. I am so grateful to them all for their affection, patience, and humour.

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