Mad Enchantment: Claude Monet and the Painting of the Water Lilies (59 page)

Gibbons, Helen Davenport.
Paris Vistas
. New York: The Century Co., 1919.

Gillet, Louis.
Trois variations sur Claude Monet
. Paris: Librairie Plon, 1927.

Gimpel, René.
Diary of an Art Dealer
. Trans. John Rosenberg. London: Hodder & Stoughton, 1966.

Golan, Romy.
Modernity and Nostalgia: Art and Politics in France Between the Wars
. New Haven, CT: Yale University Press, 1995.

Golan, Romy. “Oceanic Sensations: Monet’s Grandes Décorations and Mural Painting in France from 1927 to 1952.” In Paul Hayes Tucker, George T. M. Shackleford, and MaryAnne Stevens,
Monet in the 20th Century
. New Haven and London: Yale University Press, 1998, 86–97.

Golding, John.
Matisse and Cubism
. Glasgow: University of Glasgow Press, 1978.

Goncourt, Edmond, and Jules de.
Journal: Mémoires de la vie littéraire
. 3 vols. Annotated by Robert Ricatte. Preface and chronology by Robert Kopp. Paris: Robert Laffont, 1989.

Gréard, Valéry C. O.
Meissonier: His Life and Art
. Trans. Lady Mary Loyd and Miss Florence Simmonds. London: William Heinemann, 1897.

Griel, Jacques Le. “Voyage fait à Giverny (Eure) par les conseillers municipaux de Saint-Étienne qui y allèrent pour acquérir pour le musée un tableau de M. Claude Monet.”
Les Amitiés Foréziennes et Vellaves
(April 1925). Reprinted,
Bulletin du Vieux Saint-Étienne
218 (June 2005): 36–41.

Groom, Gloria, and Jill Shaw, eds.
Monet: Paintings and Drawings at the Art Institute of Chicago
. Chicago: Art Institute of Chicago, 2014.

Guitry, Sacha.
If I Remember Right
. Trans. Lewis Galantière. London: Methuen, 1935.

Harding, James.
Sacha Guitry: The Last Boulevardier
. London: Methuen, 1968.

Herbert, Robert L.
Impressionism: Art, Leisure, and Parisian Society
. New Haven, CT: Yale University Press, 1988.

Herbert, Robert L. “Method and Meaning in Monet.”
Art in America
67 (September 1979): 91–108.

Holt, Edgar.
The Tiger: The Life of Georges Clemenceau, 1841–1929
. London: Hamish Hamilton, 1976.

Hoog, Michel. “La Cathédrale de Reims de Claude Monet, ou le tableau impossible.”
Revue du Louvre
(1981): 22–4.

Horne, Alistair.
The Price of Glory: Verdun 1916
. London: Macmillan, 1962.

Hoschedé, Jean-Pierre.
Claude Monet, ce mal connu: intimité familiale d’un demi-siècle à Giverny de 1883 à 1926
. 2 vols. Geneva: Pierre Cailler, 1960.

House, John.
Monet
:
Nature into Art
. New Haven, CT: Yale University Press, 1986.

Joyes, Claire.
Monet’s Table: The Cooking Journal of Claude Monet
. New York: Simon & Schuster, 1989.

Keiger, J. F.V.
Raymond Poincaré
. Cambridge, UK: Cambridge University Press, 1997.

Kelly, Simon.
Monet’s Water Lilies: The Agapanthus Triptych
. St. Louis: St. Louis Art Museum, 2011.

Kipling, Rudyard.
The Letters of Rudyard Kipling
. Vol. 5. Ed. Thomas Pinney. Iowa City: University of Iowa Press, 2004.

Levine, Steven Z.
Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self
. Chicago: University of Chicago Press, 1994.

Levitch, Mark. “The Great War Re-remembered: The Fragmentation of the World’s Largest Painting.” In Nicholas J. Saunders, ed.,
Matters of Conflict: Material Culture, Memory and the First World War
. London: Routledge, 2004, 90–108.

Limousin, Christian. “Monet au Jardin des supplices.”
Cahiers Octave Mirbeau
8 (April 2001): 256–78.

Lyon, Christopher. “Unveiling Monet.”
MoMA
7 (Spring 1991): 14–23.

MacMillan, Margaret.
Paris 1919: Six Months that Changed the World
. New York: Random House, 2001.

Maingon, Claire, and David Campserveux. “A Museum at War: The Louvre 1914–1921.”
L’Esprit Créateur
54 (Summer 2014): 127–40.

Maloon, Terence. “Monet’s Posterity.” In George T. M. Shackleford, ed.,
Monet and the Impressionists
. Sydney: Art Gallery of New South Wales, 2008, 177–89.

Martet, Jean.
Clemenceau: The Events of His Life as Told by Himself to His Former Secretary
. Trans. Milton Waldman. London: Longmans, Green & Co., 1930.

Masson, André. “Monet the Founder.” Trans. Terence Maloon. In George T.M. Shackleford, ed.,
Monet and the Impressionists
. Sydney: Art Gallery of New South Wales, 2008. 190–91.

Matisse, Henri.
Matisse on Art
. Ed. Jack Flam. Los Angeles and Berkeley: University of California Press, 1995.

Mauclair, Camille.
L’Impressionnisme: son histoire, son esthétique, ses maîtres
. Paris: Librairie de l’Art Ancien et Moderne, 1904.

Michel, Pierre, and Jean-François Nivet.
Combats politiques de Mirbeau
. Paris: Librairie Séguier, 1990.

Michel, Pierre, and Jean-Francois Nivet.
Octave Mirbeau: l’imprécateur au cœur fidèle
. Paris: Librairie Séguier, 1990.

Mirbeau, Octave.
Correspondance avec Claude Monet
. Ed. Pierre Michel and Jean-François Nivet. Tusson: Du Lérot, 1990.

Mirbeau, Octave.
Correspondance Générale
. Ed. Pierre Michel with the assistance of Jean-François Nivet. 3 vols. Lausanne: L’Age d’Homme, 2003–09.

Mirbeau, Octave.
Le Jardin des Supplices
. Paris: Eugène Fasquelle, 1899.

Patry, Sylvie. “Monet and Decoration.” In
Claude Monet, 1840–1926
. Paris: Réunion des musées nationaux, 2010, 318–25.

Piguet, Philippe.
Claude Monet au temps de Giverny
. Paris: Centre culturel du Marais, 1983.

Pilon, Edmond.
Octave Mirbeau
. Paris: Bibliothèque Internationale, 1903.

Rewald, John.
The History of Impressionism
. New York: Museum of Modern Art, 1961.

Roy, Ashok. “Monet’s Palette in the Twentieth Century:
Water-Lilies
and
Irises
.”
National Gallery Technical Bulletin
28 (London: National Gallery, 2007): 61–7.

Royer, J., J. Haut, and P. Almaric, eds. “L’Opération de la cataracte de Claude Monet: Correspondance inédite du peintre et de G. Clemenceau au docteur Coutela.”
Histoire des Sciences Médicales
18 (1984): 109–27.

Saint-Marceaux, Marguerite de.
Journal 1894–1927
. Ed. Myriam Chimènes. Paris: Fayard, 2007.

Séguéla, Matthieu. “Le Japonisme de Georges Clemenceau.”
Ebisu
27 (Autumn–Winter 2001): 7–44.

Shackleford, George T. M. “Monet and Japanese Art.” In George T. M. Shackleford,
Monet and the Impressionists
. Sydney: Art Gallery of New South Wales, 2008, 91–4.

Shackleford, George T. M., with contributions by Jonathan Mane-Wheoki, Clare Durand-Ruel Snollaerts, and Terence Maloon.
Monet and the Impressionists
. Sydney: Art Gallery of New South Wales, 2008.

Silver, Kenneth E.
Chaos and Classicism: Art in France, Italy, and Germany, 1918–19
. New York: Guggenheim Museum Publications, 2010.

Silver, Kenneth E.
Esprit de Corps: The Art of the Parisian Avant-Garde and the First World War, 1914–1925
. Princeton, NJ: Princeton University Press, 1989.

Silvestre, Armand.
Au Pays des souvenirs: mes maîtres et mes maîtresses
. Paris: La Librairie Illustrée, 1892.

Spate, Virginia.
Claude Monet: The Colour of Time
. London: Thames & Hudson, 1992.

Spurling, Hilary.
The Unknown Matisse: A Life of Henri Matisse: The Early Years, 1869–1908
. Berkeley and Los Angeles: University of California Press, 1998.

Stanley, Edward, Earl of Derby.
Paris 1918: The War Diary of the 17th Earl of Derby
. Ed. David Dutton. Liverpool: Liverpool University Press, 2001.

Stuckey, Charles F. “Blossoms and Blunders: Monet and the State.” Part I:
Art in America
(January–February 1979): 102–17. Part II: (September 1979): 109–25.

Stuckey, Charles F.
Claude Monet, 1840–1926
. London: Thames & Hudson, 1995.

Suarez, Georges.
La vie orgueilleuse de Clemenceau
. Paris: Éditions P. Saurat, 1987.

Temkin, Anne, and Nora Lawrence.
Claude Monet: Water Lilies
. New York: Museum of Modern Art, 2009.

Tucker, Paul Hayes.
Claude Monet: Life and Art
. New Haven and London: Yale University Press, 1995.

Tucker, Paul Hayes.
Monet in the ’90s: The Series Paintings
. Boston: Museum of Fine Arts, 1989.

Tucker, Paul Hayes. “Revolution in the Garden: Monet in the Twentieth Century.” In Paul Hayes Tucker,
Monet in the 20th Century
. New Haven, CT, and London: Yale University Press, 1998.

Vollard, Ambrose.
Paul Cézanne
. Trans. H. L. van Doren. London: Brentano, 1924.

Vollard, Ambrose.
Recollections of a Picture Dealer
. Trans. Violet M. MacDonald. Mineola, NY: Dover, 2002.

Vollard, Ambrose.
Renoir: An Intimate Record
. Trans. Harold L. Van Doren and Randolph T. Weaver. New York: Alfred A. Knopf, 1925.

Watson, D. R.
Clemenceau: A Political Biography
. London: Eyre Methuen, 1974.

Wildenstein, Daniel.
Claude Monet: Biographie et catalogue raisonné
. 5 vols. Lausanne-Paris: La Bibliothèque des Arts, 1974–91.

Wildenstein, Daniel.
Monet, or the Triumph of Impressionism
. Cologne and Paris: Taschen, 1996.

Williams, Wythe.
The Tiger of France: Conversations with Clemenceau
. New York: Duell, Sloan & Pearce, 1949.

Zeldin, Theodore.
France 1848–1945: Politics and Anger
. Oxford: Oxford University Press, 1979.

NOTES

CHAPTER ONE: THE TIGER AND THE HEDGEHOG

1
    
Gil Blas
, April 26, 1914. All translations, unless otherwise noted, are my own.