Howard Hawks: The Grey Fox of Hollywood (127 page)

Berg, A. Scott.
Goldwyn: A Biography
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Bernardoni, James.
The New Hollywood: What the Movies Did with the New Freedoms of the Seventies
. Jefferson, N.C.; London: McFarland & Co., 1991.

Bernstein, Judith. “The Valley of the Shadow.”
Focus!
8 (1972).

Blotner, Joseph.
Faulkner: A Biography
. Vol. 1 and 2. New York, Random House, 1974. Revised, updated, and condensed one-volume edition, 1984.

———. ed.
Selected Letters of William Faulkner
. London: Scolar Press, 1977.

Blumenberg, Hans C.
Die Kamera in Augenhöhe: Begegnungen mit
Howard Hawks
. Kohn: DuMont Buchverlag, 1979.

Bogdanovich, Peter.
Allan Dwan: The Last Pioneer
. New York: Praeger, 1971.

———.
The Cinema of Howard Hawks
. New York: Museum of Modern Art Film Library, 1962. Interview reprinted in
Movie
(December 1962) and in French translation in
Cahiers du Cinéma
(January 1963).

———. “
Hatari!
”
Film Culture
25 (Summer 1962).

———.
Pieces of Time: Peter Bogdanovich
on the Movies
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———.
Who The Devil Made It
. New York: Alfred A. Knopf, 1997. Contains edited version of the author’s career interview with Hawks.

Bosworth, Patricia.
Montgomery Clift: A Biography
. New York: Harcourt Brace Jovanovich, 1978.

Bourget, Jean-Loup. “Hawks et le Mythe de l’Ouest American.”
Positif
195–96 (July-August 1977).

Brackett, Leigh. “A
Comment on the Hawksian Woman.”
Take One
July-August 1971.

———. “From
The Big Sleep
to
The Long Goodbye
and More or Less How We Got There.”
Take One
4.1 (September-October 1972).

———. “Working with Hawks.”
Take One
3.6 (October 1972). Rpt. in
Women and the Cinema
. Ed. Karen Kay and Gerald Peary. New York: E. P. Dutton, 1977.

Branson, Clark.
Howard Hawks: A Jungian Study
. Santa Barbara: Garland-Clarke
Editions, Capra Press, 1987.

Brantley, Robin. “What Makes a Star? Howard Hawks Knew Best of All.”
The New York Times
January 22, 1978.

Broccoli, Cubby, with Donald Zec.
When the Snow Melts: The Autobiography of Cubby Broccoli
. London: Boxtree, 1998.

Brooks, Louise.
Lulu in Hollywood
. New York: Alfred A. Knopf, 1982.

Brown, Peter Harry, and Pat H. Broeske.
Howard Hughes: The Untold Story
. New
York: Dutton, 1996.

Brownlow, Kevin.
Howard Hawks
. Unpublished interview covering his silent career, conducted in London, June 30, 1967.

———.
The Parade’s Gone By..
. New York: Alfred A. Knopf, 1968.

Buehrer, Beverley Bare.
Cary Grant: A Bio-Bibliography
. New York: Greenwood Press, 1990.

Buscombe, Edward, ed.
The BFI Companion to the Western
. New York: Atheneum, 1988.

Buskin, Richard.
The
Films of Marilyn Monroe
. Lincolnwood, Ill.: Publications International, Ltd. 1992.

Byron, Stuart. “
Auteurism
, Hawks,
Hatari!
, and Me.” In
Favorite Movies
. Ed. Philip Nobile. New York: Macmillan, 1973.

Carcassonne, Philippe. “Candide et l’Ombre de la Loi.”
Cinematographe
March 1978.

Carey, Gary.
Doug and Mary: A Biography of Douglas Fairbanks and Mary Pickford
. New York: E. P. Dutton, 1977.

Cary Grant: In the Spotlight
. New York: Galley Press, 1980.

Chase, Borden. “The Rise and Fall of the American West.” Interview with Jim Kitses.
Film Comment
Winter 1970–71.

Ciment, Michel. “Entretien avec Howard Hawks.”
Positif
195–96 (July-August 1977).

———. “Hawks et l’Ecrit.”
Positif
195–96 (July-August 1977).

Clarens, Carlos.
Crime Movies: From Griffith to the Godfather and Beyond
. New
York: W. W. Norton, 1980.

Clark, Al.
Raymond Chandler in Hollywood
. London, Proteus, 1982. Rpt. Beverly Hills: Silman-James Press, 1996.

Collins, Joan.
Past Imperfect
. New York: Simon and Schuster, 1978, 1984.

Comolli, Jean-Louis. “Howard Hawks Aujourd’hui.”
Cahiers du Cinéma
160 (November 1964).

Comolli, Jean-Louis, Narboni, Jean, and Tavernier, Bertrand. “Entretien avec Howard Hawks.”
Cahiers
du Cinéma
192 (July-August 1967).

Corliss, Richard, ed.
The Hollywood Screenwriters
. New York: Avon Books, 1972.

———.
Talking Pictures
. Woodstock, New York: Overlook Press, 1974.

Cornell, Brian.
Knight Errant: A Biography of Douglas Fairbanks, Jr
. New York: Doubleday, 1955.

Coursodon, Jean-Pierre. “Howard Hawks.” In
American Directors
, vol. I. Ed. Jean-Pierre Coursodon with Pierre Sauvage.
New York: McGraw-Hill, 1983.

Dardis, Tom.
Some Time in the Sun
. New York: Charles Scribner’s Sons, 1976.

David, Jay.
Inside Joan Collins
. New York: Carroll & Graf, 1988.

Davidson, Jim. “Christian Nyby Interview.”
Filmfax
34 (August-September 1992).

Decaux, Emmanuel. “Delicates Balances.”
Cinématographe
March 1978.

Devillers, Michel. “Frontieres de l’Eldorado.”
Cinématographe
March 1978.

Dirigido por... Howard Hawks
24 (June 1975). Special issue. Barcelona: Climent, Edmundo Orts.

Douglas, Kirk.
The Ragman’s Son
. New York: Simon & Schuster, 1988.

Durgnat, Raymond. “Durgnat vs. Paul: Last Round in the Great Hawks Debate.”
Film Comment
March-April 1978.

———. “Hawks Isn’t Good Enough.”
Film Comment
July-August 1977.

Eisenschitz, Bernard.
Humphrey Bogart
. Paris: Le Terrain Vague,
1967.

Eyquem, Olivier. “Howard Hawks, Ingenieur.”
Positif
195–96 (July-August 1977).

Farber, Manny. “Howard Hawks.”
Artforum
April 1969. Rpt. in
Negative Space
. Manny Farber. New York: Praeger, 1971. Rpt. in
Focus on Howard Hawks
. Ed. Joseph McBride. Englewood Cliffs, N.J.: Prentice-Hall, 1972.

———. “Underground Films.”
Commentary
November 1957. Rpt. in
Negative Space
, Manny Farber. New York:
Praeger, 1971.

Farmer, Frances.
Will There Really Be a Morning?
New York: G. P. Putnam’s Sons, 1972.

Faulkner, William, Leigh Brackett, and Jules Furthman.
The Big Sleep
. Screenplay, from the novel by Raymond Chandler. In
Film Scripts One
. Ed. George P. Garrett, O. B. Hardison Jr., and Jane R. Gelfman. New York: Appleton-Century-Crofts, 1971.

Fernandez Cuenca, Carlos.
Howard Hawks
. Madrid:
Filmoteca Nacional de España, 1964.

Fieschi, Jacques. “Négligé et Tweed Bourru.”
Cinématographe
March 1978.

Film Dope
23 (September 1981).

French, T. L. [Krohn, Bill]. “
Land of the Pharaohs
.”
Modern Times
4 (April 1990).

Fuentes, Norberto.
Hemingway in Cuba
. Secaucus, N.J.: Lyle Stuart, 1984.

Furthman, Jules, and William Faulkner.
To Have and Have Not
. Screenplay, from the novel by Ernest
Hemingway. Ed. Bruce F. Kawin. Madison: University of Wisconsin Press, 1979.

Gallagher, John, and Sam Sarowitz. “Truffaut: The Man Who Loved Movies.”
Grand Illusions
Winter 1977.

Gili, Jean A.
Howard Hawks. Cinema d’Aujourd’hui
(series). Paris: Editions Seghers, 1971.

Goodwin, Michael, and Naomi Wise. “An Interview with Howard Hawks.”
Take One
3.8 (November-December 1971; published March 1,
1973).

Guiles, Fred Laurence.
Legend: The Life and Death of Marilyn Monroe
. New York: Stein & Day, 1984.

Hamilton, Ian.
Writers in Hollywood, 1915–1951
. New York: Harper & Row, 1990.

Harris, Warren G.
Cary Grant: A Touch of Elegance
. New York: Doubleday, 1987.

Harvey, James.
Romantic Comedy in Hollywood from Lubitsch to Sturges
. New York: Alfred A. Knopf, 1987.

Haskell, Molly.
From Reverence
to Rape
. New York: Holt, Rinehart and Winston, 1973.

———. “Howard Hawks.” In
Cinema: A Critical Dictionary
, vol. I. Ed. Richard Roud. London: Secker and Warburg, and New York: Viking Press, 1980.

———. “Howard Hawks: Masculine Feminine.”
Film Comment
March-April 1974. Hawkins, Jack.
Anything for a Quiet Life
. New York: Stein & Day, 1974.

Hecht, Ben, Seton I. Miller, John Lee Mahin, W. R. Burnett,
and Fred Pasley.
Scarface
. Screenplay, in French translation, from the novel by Armitage Trail. In
L’Avant-scene du Cinema
132 (1973).

Helmick, Paul. Unpublished memoir of the Hawks associate’s career.

Hemingway, Ernest.
To Have and Have Not
. New York: Scribner, 1937.

Hepburn, Katharine.
Me: Stories of My Life
. New York: Knopf, 1991.

Higham, Charles.
Howard Hughes: The Secret Life
. New York:
G. P. Putnam’s Sons, 1993.

———.
Kate: The Life of Katharine Hepburn
. New York: W. W. Norton, 1975.

———.
Merchant of Dreams: Louis B. Mayer, MGM and the Secret Hollywood
. New York: Donald I. Fine, 1994.

Higham, Charles, and Roy Moseley.
Cary Grant: The Lonely Heart
. New York: Harcourt Brace Jovanovich, 1989.

Hillier, Jim, ed.
Cahiers du Cinéma: the 1950s: Neo-realism, Hollywood, New Wave
. Cambridge, Mass.: Harvard University Press, 1985.

Hillier, Jim, and Peter Wollen.
Howard Hawks, American Artist
. London: British Film Institute, 1997.

Hotchner, A. E.
Papa Hemingway: A Personal Memoir
. New York: Random House, 1966.

Houseman, John.
Run-through
. New York: Simon and Schuster, 1972.

Howard Hawks: A Weekend with the Director and His Films
. Los Angeles: Directors Guild of America,
Educational and Benevolent Foundation, Special Projects, 1979.

Howard, Jean.
Jean Howard’s Hollywood: A Photo Memoir
. New York: Harry N. Abrams, 1989.

Howard, Noël.
Hollywood sur Nile
. Paris: Librairie Artheme Fayard, 1978.

Hyams, Joe.
Bogart and Bacall
. New York: Warner Books, 1976.

———.
Bogie: The Biography of Humphrey Bogart
. New York: Signet, 1967.

Jameson, Richard T. “People Who Need
People.”
Movietone News
40 (April 1975).

———. “Talking and Doing in
Rio Bravo
.”
Velvet Light Trap
12 (Spring 1974).

Kawin, Bruce F.
Faulkner and Film
. New York: Frederick Unger, 1977.

———, ed.
Faulkner’s MGM Screenplays
. Knoxville: University of Tennessee Press, 1982.

Keith, Slim, with Annette Tapert.
Slim: Memories of a Rich and Imperfect Life
. New York: Simon and Schuster, 1990.

Kepley,
Vance, Jr. “Spatial Articulations in the Classical Cinema: A Scene from
His Girl Friday
.”
Wide Angle
5.3 (1983).

Kidd, Charles.
Debrett Goes to Hollywood
. New York: St. Martin’s Press, 1986.

Kobal, John.
People Will Talk
. New York: Knopf, 1985.

LaGuardia, Robert.
Monty: A Biograpyhy of Montgomery Clift
. New York: Arbor House, 1977.

Lambert, Gavin.
Norma Shearer: A Life
. New York: Alfred A.
Knopf, 1990.

Laurence, Frank M.
Hemingway and the Movies
. New York: Da Capo Press, 1981.

Lawrence, Jerome.
Actor: The Life and Times of Paul Muni
. New York: G. P. Putnam’s Sons, 1974.

Legrand, Gerard. “Petit Discours de la Méthode de H.H.”
Positif
195–96 (July-August 1977).

Lehman, Peter, et al. “Howard Hawks: A Private Interview.”
Wide Angle
Summer 1976.

Lovell, Glenn.
Howard Hawks
. Unpublished
interview, conducted in Palm Springs, December 6, 1975.

Luhr, William. “Howard Hawks: Hawksthief.”
Wide Angle
1.2 (Summer 1976).

Lynn, Kenneth S.
Hemingway
. New York: Simon & Schuster, 1987.

MacAdams, William.
Ben Hecht: The Man Behind the Legend
. New York: Charles Scribner’s Sons, 1990.

MacShane, Frank.
The Life of Raymond Chandler
. New York: E. P. Dutton, 1976.

———, ed.
Selected Letters
of Raymond Chandler
. New York: Columbia University Press, 1981.

Madsen, Axel.
William Wyler
. New York: Thomas Y. Crowell, 1973.

Majlos, Lester [James Stoller]. “Hawks at 70: ‘Red Line 7000.’” In
Moviegoer
No. 3 (Summer 1966), p. 60.

Mancini, Henry, with Gene Lees.
Did They Mention the Music?
Chicago: Contemporary Books, 1989.

Martinelli, Elsa.
Sono come Sono: Dalla Dolce Vita e Ritorno
.
Milan: Rusconi, 1995.

Masson, Alain. “Organiser le Sensible.”
Positif
195–96 (July-August 1977).

Mast, Gerald.
Howard Hawks, Storyteller
. New York: Oxford: Oxford University Press, 1982.

Mate, Ken, and Pat McGilligan. “W. R. Burnett: The Outsider.” Interview.
Backstory: Interviews with Screenwriters of Hollywood’s Golden Age
. Berkeley: University of California Press, 1986.

McBride, Joseph,
ed.
Focus on Howard Hawks
. Englewood Cliffs, N.J.: Prentice-Hall, 1972.