Empire (35 page)

Chrysanthe and Hilarion followed him to the vestibule. Hilarion opened the door for him. Chrysanthe took his hand.

Her voice was choked with emotion. “Is there no chance—?”

Titus shook his head. “Who can say? Who knows where the gods will lead me this day?”

He kissed her, then drew back and took a deep breath. Quickly, not daring to hesitate, he strode out of the house and into the street.

The last member of his household he saw was Hilarion, who looked after him from the doorway. Titus paused and turned back.

“You’ve served me well, Hilarion.”

“Thank you, Master.”

“How old are you, Hilarion?”

“I’ve never been entirely certain, Master.”

Titus shook his head and smiled. “However old you are, you still look like a boy to me. Still, I suppose, if you were a freedman, this would be the time for you to think of starting your own family. You know that I’ve left instructions to Lucius that you should be manumitted, in the event . . .”

Hilarion nodded. “Yes, Master, I know. Thank you, Master.”

“Of course, I would expect you to continue to serve Lucius. He’ll need a slave—a freedman—he can trust. Someone loyal, like you, with intelligence and good judgment.”

“I’ll always be loyal to the Pinarii, Master.”

“Good.” Titus cleared his throat. “Well, then . . .”

“Shall I close the door now, Master?”

“Yes, Hilarion. Close the door and bar it.”

The door closed. Titus heard the heavy bar drop into place. He turned and walked quickly up the street.

He passed no one. The street was deserted. Perhaps that was a good sign.

He reached the nearest entrance to the Golden House, the one he was accustomed to using almost every day, but found it blocked by a massive bronze door. Titus had never seen the door closed before; invariably, at any hour, he had found the entrance open and guarded by Praetorians. Today there were no guards in sight.

He raised the heavy bronze knocker on the door and let it drop. The sound reverberated up and down the street. There was no response.

He used the knocker several times, self-conscious about the noise he was making. No one answered.

He would have to try another entrance. Probably the closest was the original entrance to the old imperial house, the one built by Augustus, which was now essentially the back entrance, the farthest from the grand vestibule of the Golden House at the south end of the Forum. Titus had not used that entrance in a long time.

Not all of the rebuilt Palatine was taken up by the Golden House or by private residences. His route took him through an area of shops and taverns that normally catered to a very exclusive clientele. The shops were all closed and shuttered, but one of the taverns was open and seemed to be doing a good business, especially for so early in the day. Passing by, Titus heard the drunken patrons inside singing a song:

Mother-killer,

Wife-kicker,

Who’s sicker than Nero?

Burned his city,

Killed his baby.

Crazy maybe? Nero!

Suddenly a group of men rushed by. They looked panic-stricken. One of them Titus recognized as a fellow senator, a staunch supporter of the emperor, like himself, but the man was wearing a common tunic instead of his senatorial toga. The man recognized Titus and grabbed his arm.

“What in Hades are you doing in the street, Pinarius? You should be home with your family. Or better yet, get out of town. Don’t you have a country estate to go to?”

The man hurried on without another word.

Titus saw more people coming up the street. They were brandishing clubs and chanting a slogan. Titus did not stay to hear what they were saying. He quickly headed in the opposite direction.

He passed through empty streets and came to a small square with a
public fountain. A marble statute of the emperor stood nearby. Titus groaned. Someone had put a crude stage wig on the head, tilting it askew, and tied a sack and a sign around the neck. The sign read:
THIS ACTOR HAS EARNED THE SACK
!

Titus shuddered. The sack was the sort into which a convicted parricide was sewn up before being thrown into the Tiber to drown.

It had come to this. When had it all gone wrong?

Was it when Nero, tired of Seneca’s advice, dismissed his old tutor and replaced him with the cold-blooded, insanely suspicious prefect of the Praetorian Guards, Tigellinus? Things had certainly taken a turn for the worse after that.

Or was it when the senatorial conspiracy against Nero came to light? The bloodshed that followed tore the city apart, but what choice did Nero have but to ruthlessly suppress the plotters? To be sure, Nero might have flung his net too wide. The senator Piso and a handful of others were certainly guilty, but what about Seneca, Petronius, Lucan, and so many others who had made the court of Nero such a vibrant place? All were gone now, either executed or forced to commit suicide. Their deaths had been as memorable as their lives, and were already the stuff of legend.

Petronius held a lavish banquet, then cut his wrists and bound them up so that he could slowly bleed to death while he conversed with his closest friends. He was said to be as witty and outspoken as ever that night, thumbing his nose at Nero by dictating a letter in which he listed all the emperor’s sexual partners and the intimate details of their couplings. His final act as the arbiter of elegance was to seal the letter and send it to Nero.

Shortly after the punishment of the Christians, Lucan fell out with Nero and was forbidden to publish more poems. Nevertheless, verses attributed to him were widely circulated, in which he accused Nero of starting the Great Fire. When he was arrested for conspiring with Piso, Lucan was pressed to name accomplices and shamed himself by implicating his mother, then took his own life. While he bled to death he recited the words of a dying soldier from his poem about the civil war:

My eyes are opened wide by death’s mark.

You who go on living do so in the dark.

The gods keep you blind so that you may endure,

But I see the truth: death is the cure.

Seneca, whom many suspected of wanting to replace his protégé as emperor, spoke bitter words when Nero’s Praetorians came for him. “Is this how all my efforts to educate him end? All my teaching, for this? He killed his brother and his mother, and now he kills his tutor!”

Seneca’s wife decided to die with him. They cut their wrists and lay side by side. But death was slow to come. Seneca took poison—hemlock, in emulation of Socrates—but that did not work either. Finally he was placed in a hot bath to quicken his bleeding and was suffocated by the steam.

When Nero was told that Paulina still lived, he declared that she had done nothing to harm him and ordered that her wrists should be bandaged. Paulina survived. Following the dictates of her husband’s will, she cremated Seneca without funeral rites.

Tigellinus’s investigation of the conspiracy became so far-flung that Titus began to fear suspicion might fall even on him. But no one was more loyal to Nero than Titus. The emperor never doubted him.

As each conspirator was convicted, Nero confiscated the guilty man’s assets. By Roman law, traitors always forfeited their property to the state. Still, the confiscations caused a great deal of grumbling. People said that Nero convicted wealthy men simply to lay his hands on their estates. It was true that Nero needed all the money he could get. The lavish construction of the Golden House and the massive rebuilding of monuments and temples all over Roma had sent the emperor deeply into debt. People complained when he proposed that the resurrected city should be called Neropolis, but had he not purchased the right to rename it?

Money—that was the problem, thought Titus. If Nero still had money, he might yet be in control of the city, the Senate, and the empire. But all Nero’s money was gone. The treasury was empty. When Titus realized the severity of the situation, he had offered to donate his own property to the public coffers, a token of his gratitude for all the blessings Nero had showered on him. Nero only laughed. Even Titus’s considerable wealth was a pittance compared to Nero’s debts, a drop of water in the ocean.

Trouble in the provinces had also taken a toll. The bloody uprising of
Boudica in Britannia, earlier in Nero’s reign, had been summarily dealt with, but the revolt that had been going on in Judaea for the last two years was more vexatious. Nero had appointed Vespasian to put down the Jewish rebellion. Resistance along the coast and in the northern part of Judaea had been quelled, but the city of Jerusalem, a hornet’s nest of fanatics, had so far resisted the Roman siege. It was in Jerusalem that the cult of the Christians had originated, Titus recalled. Why was that part of the world such a breeding ground for dangerous ideas and so resistant to Roman rule?

There had also been a revolt led by Vindex, the governor of Gaul, ostensibly against Nero’s exorbitant taxes. The revolt had been suppressed, but not before Vindex’s slanders about Nero’s personal life incited a great deal of prurient speculation across the empire.

Titus sighed. As crushing as events in the public sphere had been—the Pisonian conspiracy, the rise of Tigellinus and the loss of Seneca, the decimation of Nero’s inner circle, the vast expenditures required by the rebuilding of the burned city, the troubles in Britannia and Judaea and Gaul—perhaps the most pivotal event of all was the death of Poppaea Sabina. Was that when the trouble really began?

Poor Nero! With his own eyes, Titus had seen the emperor’s remorse after the death of Poppaea. Nero had been drinking heavily that night. The imperial couple were heard shouting at each other. Nero flew into a rage. No one witnessed what happened, but the physician who examined Poppaea later told Titus that only a kick in the belly could have caused the bleeding that killed both her and her unborn child.

Nero was inconsolable. Instead of cremating Poppaea in the Roman way, he had her body filled with fragrant spices and embalmed. Some said that this was in deference to her peculiar religious beliefs, but Titus thought it was because Nero could not bear to see her beauty consumed by flames.

It was purely by chance one day that Titus noticed a boy who might have been Poppaea’s double. The boy’s name was Sporus and he was a servant in the imperial household. When Titus drew Nero’s attention to the uncanny resemblance, Nero was instantly infatuated. But his attraction was not merely sexual or even romantic; Nero seemed to think that Sporus was linked in some mystical way to Poppaea, that his dead wife had returned to him in the form of a boy. This strange notion became
such an obsession that Nero induced Sporus to undergo castration. Nero declared that by an act of divine will he had transformed the boy into a girl. He called his creation Sabina, which was Poppaea’s cognomen.

In a ceremony that exactly duplicated his wedding with Poppaea, Nero took Sporus, now Sabina, as his wife. Such a thing could never have happened when Agrippina or Seneca held sway. Titus took the auspices and Tigellinus performed the ritual, and from that day forward Nero dressed Sporus in Poppaea’s gowns and treated the eunuch in every way as his wife. Seeing the two of them quarrel at a banquet and then make up and dote on each other, Titus was sometimes startled by the illusion that Poppaea was still among them.

It seemed to Titus that Nero’s transcendence of male and female was yet another manifestation of the emperor’s divine nature. Nero’s appetites were not to be proscribed by the presumed limitations of the mortal body. The god-emperor could remake a boy into a girl, and could even, after a fashion, resurrect the dead.

But not everyone possessed Titus’s delicate insight. Inevitably, cruder minds made the unconventional relationship the butt of jokes. “If only his father had taken such a wife,” went one, “there would never have been a Nero!”

Titus gazed for a long moment at the desecrated statue of Nero beside the little fountain. He climbed onto the pedestal, intending to remove the ridiculous wig and the parricide’s sack, then heard a group of men coming toward him. They sounded drunk and were singing another verse from the ditty he had heard from the tavern:

    
Performed in Greece

    
And took a crown.

    
Winning clown: Nero!

    
Fit for gods is

    
The Golden House.

    
Or fit for a louse: Nero!

The men carried clubs of some sort; Titus could tell because he heard them banging the clubs against the walls of the buildings they passed.

Titus jumped from the pedestal and hurried on.

It was no use now, raking over the past, trying to understand how Nero had landed in such a mess. Titus tried to remember the good times. The Golden House was surely the greatest architectural wonder of the age, even if parts of it were still unfinished. Nero had dared to build a house truly fit for a god to live in, a place so beautiful that every vantage point offered a delight to the eye and each of its hundreds of room invited visitors to indulge in boundless luxury. What parties Nero had held there, presenting the best and most beautiful performers from every corner of the world, offering the most sumptuous banquets, and making available the most refined and esoteric of sensual pleasures. “Pain is for mortals,” Nero had said. “Pleasure is divine.” To be a guest in the Golden House was to be a demigod, if only for a night.

The good times in the Golden House had been unforgettable, but no times had been better than the days of Nero’s grand tour through Greece. Away from the censorious gaze of fusty Roman senators and their wives, the emperor had performed publicly in the legendary theaters of Greece, playing the great roles—Oedipus, Medea, Hecuba, Agamemnon—always with Titus to take the auspices before his appearances. Some churlish critics complained that the emperor’s skills as a singer and actor were mediocre at best, despite the many prizes he won. Vespasian, who went along on the tour, actually fell asleep during one of Nero’s recitals. Only a select few, like Titus, were able to appreciate the full range of the emperor’s brilliance.