Beethoven: Anguish and Triumph (185 page)

Maria Theresa, Empress,
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Marie Antoinette,
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Marseillaise, La
,
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Marx, Adolph Bernard

Beethoven's response to,
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elevating Beethoven and music,
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“sonata form” and,
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Masons.
See
Freemasons

Mass in C (Beethoven/Esterházy commissioned),
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Mastiaux, J. G. von,
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Matthisson, Friedrich von,
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Maximilian Franz

austerity and,
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Beethoven and,
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Bonn spa,
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as coadjutor of the Electorate of Bonn,
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death,
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description,
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as Elector of Bonn,
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Enlightenment and,
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family of,
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Joseph II and,
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Kapelle
/music and,
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Mozart and,
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war/departures from Bonn and,
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Maximilian Friedrich, Archbishop Elector of Cologne

Belderbusch and,
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death,
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description/character,
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Electoral
Sonatas (Beethoven) and,
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government style/Enlightenment,
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mistress of,
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music and,
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Neefe and,
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rebuilding residence following fire (1777),
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successor,
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Méhul, E. N.,
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Meinertzhagen family,
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Mendelssohn, Felix,
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Mergentheim trip,
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Messiah
(Handel),
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metronome (Maelzel),
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Metternich, Clemens von

background,
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Napoleon and,
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regime of,
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Metternich family,
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Meyer, Friedrich,
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Meyerbeer, Giacomo,
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Milder, Anna,
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Minorite order,
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minuet-scherzo,
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Missa solemnis
(Beethoven)

Agnus Dei,
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background/Beethoven's views of,
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begging Beethoven for Vienna premiere,
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Credo,
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Gesellschaft der Musikfreunde and,
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Gloria,
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Kyrie,
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performances and,
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preparations for premiere/premiere (parts of),
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presentation to Rudolph,
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publishers and,
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Sanctus,
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subscribers/subscriptions and,
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writing/description,
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Molière,
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Moonlight
Sonata (Beethoven),
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Moscheles, Ignaz,
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Mozart, Leopold

children/music and,
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health problems/death,
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as violinist,
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Mozart, Wolfgang Amadeus

Beethoven meeting/myth,
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criticism of others,
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death,
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description,
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Freemasons and,
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wife/children,
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Mozart, Wolfgang Amadeus/music

1770s,
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Beethoven and,
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Beethoven on,
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Bonn family performance (1763),
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on composing,
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Don Giovanni
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Jupiter
Symphony,
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Magic Flute, The
/
Die Zauberflöte
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Marriage of Figaro, The
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Marx on,
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on music listeners,
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musical duel,
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musical form and,
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as prodigy,
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Requiem
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sister and,
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status/works,
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music composers

dichotomy,
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stolen/pirated work,
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See also
specific individuals

music listeners dichotomy,
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musical forms (overview)

ABA form,
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background,
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canon,
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coda and,
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concerto-sonata,
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fugue,
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minuet-scherzo,
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sonata,
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sonata-rondo,
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theme and variations,
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Nägeli publisher,
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name day of Beethoven

baptism,
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exorcisms/anointings,
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Napoleon Bonaparte

Beethoven and,
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Code Napoleon,
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Concordat (1801) and,
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descriptions,
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dethroning/exile of,
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as emperor,
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end/defeat of,
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as First Consul,
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leaving Elba and,
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marrying into Habsburg family/son,
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relatives as rulers,
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rise of,
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as “self-made,”
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wars and,
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