The Gang That Wouldn't Write Straight: Wolfe, Thompson, Didion, Capote, and the New Journalism Revolution (49 page)

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Authors: Marc Weingarten

Tags: #Language Arts & Disciplines, #Literary, #Journalism, #Fiction, #Mailer; Norman - Criticism and Interpretation, #American, #Literary Criticism, #Wolfe; Tom - Criticism and Interpretation, #Didion; Joan - Criticism and Interpretation, #Biography & Autobiography, #American Prose Literature - 20th Century - History and Criticism, #General, #Capote; Truman - Criticism and Interpretation, #Reportage Literature; American - History and Criticism, #Journalism - United States - History - 20th Century

BOOK: The Gang That Wouldn't Write Straight: Wolfe, Thompson, Didion, Capote, and the New Journalism Revolution
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4. TOM WOLFE ON ACID

 
“he appeared in a white-on-white”: Elaine Dundy, “Tom Wolfe … But Exactly, Yes!”
Vogue
, April 15, 1966.
 
“wild and ironic”: Tom Wolfe,
The Electric Kool-Aid Acid Test
(New York: Farrar, Straus and Giroux, 1968), 4.
 
“Once an athlete so valued”: Ibid., 5.
 
“thick wrists and forearms”: Ibid., 7
 
“Despite the skepticism I brought here”: Ibid., 27
 
“only in poor old Formica”: Ibid., 31.
 
“Their faces were painted in Art Nouveau swirls”: Ibid., 391.
 
“The first part”: Tom Wolfe, “The Author’s Story,”
New York Times Book Review
, August 18, 1968.
 
“So far nobody in or out of the medical profession”: Wolfe, “Super-Hud Plays the Game of POWER,”
New York World-Journal Tribune
, February 5, 1967
300
Page 110
“I owe the
National Observer
in Washington”: Letter from Thompson to Wolfe, in Hunter S. Thompson,
The Proud Highway: Saga of a Desperate Southern Gentleman: The Fear and Loathing Letters, Volume 1
(New York: Villard, 1997), 524.
 
“several hours of eating”: Hunter S. Thompson,
Hell’s Angels: A Strange and Terrible Saga
(New York: Modern Library, 1999), 220.
 
Certain vibrations of the bus: Wolfe,
The Electric Kool-Aid Acid Test
, 110.
 
A very Christmas card:
Ibid., 55.
 
Miles, Miles, Miles:
Ibid., 47.
 
[S]ome blonde from out of town: Ibid., 176.
 
“Certain passages—such as the Hell’s Angels gangbang”: From an interview sent to the author from Paul Krassner, used with Krassner’s permission.
 
“The ceiling is moving”: Wolfe,
The Electric Kool-Aid Acid Test
, 40.
 
Wolfe would revert to a“controlled trance”;“I felt like my heart”: Toby Thompson, “The Evolution of Dandy Tom,”
Vanity Fair
, October 1987

5. THE CENTER CANNOT HOLD

 
Biographical background on Joan Didion is taken from Joan Didion,
Where I Was From
(New York: Random House, 2003) and Michiko Kakutani, “Joan Didion: Staking Out California,”
New York Times
, June 10, 1979.
 
“I wrote stories from the time I was a little girl”: Linda Kuehl, “The Art of Fiction No. 71: Joan Didion,”
Paris Review
, Fall-Winter 1978.
 
“Nothing was irrevocable … the shining and perishable dream itself”: Joan Didion, “Goodbye to All That,”
Slouching Towards Bethlehem
(New York: Farrar, Straus and Giroux, 1990), 229-30.
 
“the way the rivers crested”: Didion,
Where I Was From
, 157.
 
“paralyzed by the conviction that the world”: Kakutani, “Joan Didion: Staking Out California.”
 
“Most of my sentences drift off, don’t end”: Kuehl, “The Art of Fiction.”
 
“So they had come … to see Arthwell”: Joan Didion, “How Can I Tell Them There’s Nothing Left?”
Saturday Evening Post
, May 7, 1966.
 
“adolescents drifted from city to torn city”: Didion, “Slouching Towards Bethlehem,”
Slouching Towards Bethlehem
, 84.
 
“Debbie is buffing her fingernails”: Ibid., 92.
 
“wearing a reefer coat”: Ibid., 127
 
“Every day I would go into [Allene Talmey]’s office”: Kuehl, “The Art of Fiction.”
 
“Hathaway removed the cigar from his mouth”: Joan Didion, “John Wayne: A Love Song,”
Slouching Towards Bethlehem
, 34-35.
 
“Joan Didion is one of the least celebrated and most talented writers”: Dan Wakefield, “Places, People and Personalities,”
New York Times Book Review
, July 21, 1968.

6. MADRAS OUTLAW

 
“Wolfe’s problem”: Hunter S. Thompson, “Jacket Copy for
Fear & Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream,” The Great Shark Hunt: Strange Tales from a Strange Time
(New York: Rolling Stone Press/Summit Books, 1979), 108.
Page 125
“I’ve always felt like a Southerner”: E. Jean Carroll,
Hunter: The Strange and Savage Life of Hunter S. Thompson
(New York: Dutton, 1993), 25.
 
“I had a keen apetite for adventure”: Hunter S. Thompson,
Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century
(New York: Simon & Schuster, 2003), 10.
 
“Turn back the Pages of history”: Hunter S. Thompson,
The Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967 (The Fear and Loathing Letters, Volume 1)
(New York: Villard, 1997), 5.
 
“In short, we both know”: Ibid., 10.
 
“no one is hanging over me”: Ibid., 16.
 
“The whole thing”: Ibid., 39.
 
“rebel and superior attitude”: Ibid., 59.
 
“If this path leads up”: Ibid., 76.
 
“Do you realize that sunlight”: Ibid., 112.
 
“Goddammit, Hills”: Ibid., 168.
 
“It was not so much the money”: Ibid., 272.
 
“I am going to write massive tomes from South America”: Ibid., 312.
 
“As it turned out”: Hunter S. Thompson, “A Footloose American in a Smuggler’s Den,”
The Great Shark Hunt
, 347.
 
“I tried driving a cab”: Craig Vetter, “The
Playboy
Interview: Hunter S. Thompson,”
Playboy
, November 1974.
 
“To my mind”: Thompson,
Proud Highway
, 489.
 
“quietly hysterical for five hours”: Ibid., 494.
 
“The difference between the Hell’s Angels”: Hunter S. Thompson, “Motorcycle Gangs: Losers and Outsiders,”
The Nation
, May 17, 1965.
 
“The moral here”: Thompson,
Proud Highway
, 529.
 
“For reasons that were never made clear”: Hunter S. Thompson,
Hell’s Angels: A Strange and Terrible Saga
(New York: Modern Library, 1999), 47.
 
“I overslept”: Ibid., 106.
 
“grouped around a gray pickup”: Ibid., 107.
 
“When I went on runs with them”: Vetter, “The
Playboy
Interview.”
 
“like being caught in a bad surf”: Thompson,
Hell’s Angels
, 135.
 
“I was so firmly identified”: Ibid., 137.
 
“was convinced that he’d died”: Ibid., 226.
 
“When I grabbed the guy”: Vetter, “The
Playboy
Interview.”
 
“using the dome of the rearview mirror”: Ibid.
 
Review excerpts: Richard M. Elman,
The New Republic
, February 25, 1967; Leo Litwak,
New York Times
, January 29, 1967.
 
“There is not much argument about basic facts”: Thompson,
Hell’s Angels
, 34.
 
“Into first gear”: Ibid., 262.
 
“The best of the Angels”: Thompson,
Proud Highway
, 618.

7. INTO THE ABYSS

 
“The existential heroes”: Hunter S. Thompson,
Hell’s Angels: A Strange and Terrible Saga
(New York: Modern Library, 1999), 236.
 
“We have to confront them”: William Prochnau,
Once upon a Distant War: David Halberstam, Neil Sheehan, Peter Arnett—Young War Correspondents and Their Early Vietnam Battles
(New York: Vintage, 1996), 11.
 
“You couldn’t believe anybody”: Ibid., 22.
Page 148
“Of course I’d read that [George Goodman story]”: All John Sack quotes, as well as the back story of
M
, are taken from transcripts of a series of 1993 interviews conducted by Carol Polsgrove; the quotes are used with Polsgrove’s permission.
 
“This week’s
Time”:
Letter from John Sack to Harold Hayes, October 25, 1965, WFA.
 
“combat with all of its wild inanities”: Ibid.
 
“Jesus Christ”: Letter from Harold Hayes to Sack, October 28, 1965, WFA.
 
“These would be the only expenses”: Sack to Hayes, November 5, 1965, WFA.
 
“stiff IBM cards”: John Sack,
M
(London: Corgi/Avon, 1986), 24.
 
“the purist for whose sensibilities”: Ibid., 57.
 
“Peoples, all of your khaki shirts”: Ibid., 58.
 
“the Vietnamese in the village”: Ibid., 108.
 
“to kill, wound, or capture”: Ibid., 123.
 
“In actual fact”: Ibid., 166.
 
“A cavalry sergeant”: Ibid., 168.
 
“Rotarians”: Michael Herr, “Fort Dix: The New Army Game,”
Holiday
, April 1966.
 
“Send any and all pictures”: Telegram from Hayes to Sack, June 16, 1966, WFA.
 
“You don’t understand your story”: Polsgrove interview transcript.
 
“One, two, three”: Sack,
M
, 11.
 
“[T]he Marines had fought”: Richard Tregaskis,
Guadalcanal Diary
(New York: Popular Library, 1962), 78.
 
“Burn, burn, burn”: Sack,
M
, 134.
 

Charlie tries to creep up on me”:
Ibid., 183.
 
M
reviews:
Publishers Weekly
, unsigned;“Two Sides of Our Side,” Neil Sheehan,
The New York Times
, May 14, 1967; Leonard Kriegal,
The Nation
, October 23, 1967.

8. HELL SUCKS

 
“higher journalism,” “the best kind of journalism,” “extended vignettes”: Carol Polsgrove,
It Wasn’t Pretty, Folks, But Didn’t We Have Fun? Esquire in the Sixties
(New York: W. W. Norton, 1995), 172.
 
“I don’t have a journalist’s instincts”: Eric James Schroeder,
Vietnam, We’ve All Been There: Interviews with American Writers
(Westport, Conn.: Praeger, 1992), 33.
 
“Conventional journalism”: Michael Herr, “The War Correspondent: A Reappraisal,”
Esquire
, April 1970.
 
“As an overwhelming, unavoidable fact”: Polsgrove,
It Wasn’t Pretty
, 172.
 
“This lapse of four months”: Cable from Herr to Hayes, November 15, 1967, WFA.
 
“I was twenty-seven years old”: Schroeder,
Vietnam
, 34.
 
“Tet changed everything here”: Letter from Herr to Hayes, February 5, 1968, WFA.
 
“passed through so many decimated towns and cities”: Ibid.
 
“Where we have not been smug”: Ibid.
Page 165
“There are two Vietnams”: Letter from Herr to Hayes, May 4, 1968, WFA.
 
“$3,000 a month digs”: Ibid.
 
“For all the talk”: Schroeder,
Vietnam
, 38.
 
“We know that for years now”: Michael Herr, “Hell Sucks,”
Esquire
, August 1968.
 
“made this an entirely different war”: Ibid.
 
“It stayed cold for the next ten days”: Michael Herr,
Dispatches
(New York: Vintage, 1991), 68.
 
“The eyes are ice-blue”: Herr, “Hell Sucks.”
 
“I think the [television] coverage”: Schroeder,
Vietnam
, 38.
 
“extraordinarily perceptive”: Polsgrove,
It Wasn’t Pretty
, 176.
 
“He’s fiction”: Letter from Herr to Hayes, May 18, 1968, WFA.
 
Shortly after“Hell Sucks” was published: Polsgrove,
It Wasn’t Pretty
, 47
 
“If all the barbed wire”: Michael Herr,
Dispatches
(New York: Vintage, 1991), 123.
 
Herr witnessed some savage scenes: Ibid., 152.
 
“My ties to New York were as slight”: Ibid., 101.
 
centrifugal instinct: Garry Wills,
Lead Time: A Journalist’s Education
(Garden City, N.Y: Doubleday, 1983), xi.
 
“You jus’ another dumb Grunt”: Herr, “Khesanh,”
Esquire
, September 1969.
 
“I say to myself”: Schroeder,
Vietnam
, 43.
 
“Everything … happened”: Ibid., 44.
 
“massive collapse”: Ibid., 35.
 
“Sometimes I was crazy in a very public way”: Ibid., 40.
 
“I had trouble adjusting to the seventies”: Thomas B. Morgan, “Reporters of the Lost War,”
Esquire
, July 1984.
 
“This is already a long time ago”: Herr, “High on War,” manuscript, Bentley Historical Library Archives, University of Michigan, Ann Arbor.
 
“Quite simply”: C. D. B. Bryan, “The Different War,”
New York Times
, November 20, 1977.
 
“because I didn’t want to become”: Morgan, “Reporters of the Lost War.”

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