Read The Bard's Daughter (A Gareth and Gwen Medieval Mystery) Online

Authors: Sarah Woodbury

Tags: #medieval mystery, #medieval, #prince of wales, #female detective, #women sleuths, #wales, #historical mystery, #middle ages

The Bard's Daughter (A Gareth and Gwen Medieval Mystery)

BOOK: The Bard's Daughter (A Gareth and Gwen Medieval Mystery)
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The Bard's Daughter (A Gareth and Gwen Medieval Mystery)

A Gareth & Gwen Medieval Mystery

 

The Bard’s Daughter

(a prequel)

 

 

by

 

Sarah Woodbury

 

SMASHWORDS Edition

Copyright © 2012 by Sarah Woodbury

 

Cover image by Christine DeMaio-Rice at Flip City Books

http://flipcitybooks.com

 

 

The Bard’s Daughter
is a 22,000 word prequel to the Gareth and Gwen Medieval Mysteries:

 

As a bard’s daughter, Gwen has spent her life traveling from castle to castle and village to village with her family, following the music. In the winter of 1141, Gwen’s family is contracted to provide the entertainment for the coming-of-age celebration of Lord Cadfael’s son. But before the celebration can begin, Gwen’s father is found over the body of his friend, with a harp string as the murder weapon and blood on his hands.

With the lord of the castle uninterested in finding the true killer, it is up to Gwen to clear her father’s name before her father’s music is silenced … forever.

 

To my mom

who loves a good mystery

 

The Gareth and Gwen Medieval Mysteries:

 

The Bard’s Daughter

The Good Knight

The Uninvited Guest

 

The After Cilmeri Series:

 

Daughter of Time

Footsteps in Time

Winds of Time

Prince of Time

Crossroads in Time

 

The Last Pendragon Saga:

 

The Last Pendragon

The Pendragon’s Quest

 

Other books by Sarah Woodbury:

 

Cold My Heart: A Novel of King Arthur

 

www.sarahwoodbury.com

 

 

A Brief Guide to Welsh Pronunciation

 

c
a hard ‘c’ sound (Cadfael)

ch
a non-English sound as in Scottish "ch" in "loch” (Fychan)

dd
a buzzy ‘th’ sound, as in “there” (Ddu; Gwynedd)

f
as in “of” (Cadfael)

ff
as in “off” (Gruffydd)

g
a hard ‘g’ sound, as in “gas” (Goronwy)

l
as in "lamp" (Llywelyn)

ll
a breathy “th” sound that does not occur in English (Llywelyn)

rh
a breathy mix between ‘r’ and ‘rh’ that does not occur in English (Rhys)

th
a softer sound than for ‘dd,’ as in "thick” (Arthur)

u
a short ‘ih’ sound (Gruffydd), or a long ‘ee’ sound (Cymru—pronounced “kumree”)

w
as a consonant, it’s an English ‘w’ (Llywelyn); as a vowel, an ‘oo’ sound (Bwlch)

y
the only letter in which Welsh is not phonetic. It can be an ‘ih’ sound, as in “Gwyn,” is often an “uh” sound (Cymru), and at the end of the word is an “ee” sound (thus, both Cymru—the modern word for Wales—and Cymry—the word for Wales in the Dark Ages—are pronounced “kumree”)

Chapter One

Carreg Cennen Castle

January 1141

 

G
wen stopped short when she reached the bottom rung of the ladder that descended into the pantry. She didn’t want to go on. Out of a childish curiosity which she tried not to indulge too often, she and her brother, Gwalchmai, had explored the castle three months ago when they’d first arrived. This pantry lay at the near end of a hollowed out cave in the rock that supported Carreg Cennen Castle. It was little used, being less accessible and too moist compared to the other storage areas. Gwen touched a hand to the stones of the wall, feeling the damp beneath her fingers.

Edain, the serving boy who’d come to find her, urged her onward, waiting for her to step past him. But she couldn’t make her feet move. Two lanterns lit the room and half a dozen men crowded into it, including Robert, the castle’s steward, Gruffydd, the captain of the garrison, and several of his soldiers.

Her father sat on a low stool before her, his head bent and his hands hanging off his knees. In front of him on the floor lay the sprawled body of Collen, a merchant whom they’d often met on the road, walking from castle to castle and tiny village to tiny village, hawking his wares. Since coins were rare in Wales, he bartered more often than he sold. It was from him that a girl could acquire a new needle or a fine ribbon. Gwen touched the top of her head, tracing the green silken length in her hair that was one of her most prized possessions. She’d gotten it from Collen, quite literally, for a song.

Gwen didn’t have to ask if Collen was dead. Blood trickled from underneath his head, staining the uneven stones of the floor around his body. Next to Collen lay one of her father’s iron harp strings, as if the murderer, having done his work, had discarded it carelessly on the ground. Red stained the length of it, matching the blood covering her father’s hands.


You must come with me, Meilyr.” Gruffydd stood before her father, his fists on his hips. The captain of the guard was tall and distinguished, in his middle thirties, with the thick shoulders and legs of a fighting man. Edain had come for her so quickly that she had arrived on Sir Gruffydd’s heels.

Gwen squeezed the boy’s arm, hardly able to keep her feet.


What did you say?” Meilyr peered at Collen’s body and then up at Gruffydd. “I don’t want to come with you. My friend is dead. I should stay with him.”


Collen is dead by your hand,” Gruffydd said.

Meilyr’s mouth fell open. “Wh-wh-what?”

Gwen clenched her hands into fists and brought them to her lips. She couldn’t take it in. Her father couldn’t have murdered Collen.
He couldn’t have.
“Please, Sir Gruffydd!” Gwen’s voice went high and tears pricked at the corners of her eyes. “My father didn’t do this!”


Does this belong to him?” With the toe of his boot, Gruffydd indicated the bloody harp string.

Gwen swallowed. “Yes, but—”

Gruffydd tucked the fingers of one hand under Meilyr’s arm, surprisingly gently given the circumstances, and pulled him up from his stool. Meilyr didn’t protest.

Robert clasped his hands behind his back. “I suppose that’s that.” He headed towards the exit where Gwen stood. When he reached her, he rested a hand her shoulder. “I’m sorry, Gwen.”

Gwen nodded dumbly, her attention still on her father. For Meilyr’s part, he didn’t seem to realize what was happening. Gwen stepped further into the room to let all the men file past her but one guard, who remained leaning against the far wall of the pantry. As her father came abreast of her, she looked directly into his eyes. He brought up one bloody hand to block the light from the lantern which one of the soldiers held high in front of him. In spite of the bright light, his pupils were dilated.

And then as Meilyr passed by without looking at her, Gwen got a whiff of his breath.


He’s drunk,” Edain said, with all the tactlessness of a fourteen-year-old boy. “And at this hour of the morning.”

A moan rose in Gwen’s throat. She wanted to go back in time to the moment Edain had come to find her. He’d stood panting in the doorway of the herbalist’s hut, where Gwen and Gwalchmai had been practicing their scales. The hut lay in a far corner of the kitchen garden and had the benefit of being out of the wind, although since it had no windows, they had been working by the light of a low burning brazier and a single candle. It could have been a summer’s day at noon and Gwen wouldn’t have known it but for the cold and the square of pale light coming through the open doorway, which Edain’s slender figure had blocked.

Edain had demanded that she come with him. At the time, she’d stared at him, a denial forming in her throat. She swallowed it down, however, as she swallowed down most of her retorts these days. She was a grown woman and should be beyond petulance.

Gwen turned her head to watch her father go. “Either that, or he drank so much mead last night that it has yet to wear off.”

Edain brushed a lock of light brown hair out of his eyes and shrugged. Usually, he was so talkative it was difficult to get in a word between his stories.

In retrospect, Gwen thought her guess more likely than Edain’s. Her father had been struggling with drink since her mother died, conquering it for months at a time, only to sink back into despair and begin the cycle anew. Even on his worst days, however, he made an effort not to drink until the sun had set—which was easier in winter, with its short days and long nights.

Gwen rubbed at her temples with her fingers. Her father had been much more in control during this last year, as Gwalchmai’s singing voice had begun to manifest. She had actually believed that he’d finally mastered himself for good.

Gruffydd’s barking order to find a board so they could get the body out of the pantry echoed from above. Pounding feet indicated that men were obeying him. Gwen stared at her own feet, feeling herself a coward for not protesting more and for allowing Gruffydd to lead her father away.

Gwen pressed her forehead into the cold stones of the wall, her eyes shut tight. “What am I to do, Edain?”


You really don’t think your father did it?” Edain said. “How could you doubt it, given what lies before us?”


Of course, I doubt it.” Gwen tipped her head to look up at Edain. He loomed over her. He’d added two inches to his already lanky frame since Gwen’s family had arrived at Carreg Cennen in the autumn, and would probably grow more. “You saw my father. He could barely stand.”


Mead makes some men stronger than when they’re sober.” Philip, the guard who’d been left behind, straightened from his position against the wall. He was one of Gruffydd’s more able and reliable soldiers.


Even if I admit that my father could have overcome Collen,” Gwen said, “it couldn’t have been that easy. How could my father have wrapped that string around Collen’s throat without Collen fighting back? My father doesn’t have a mark on his face or arms.”


Meilyr’s hands have Collen’s blood on them.” Philip said. “You have to prepare yourself, Gwen. If your father is convicted of Collen’s murder, you know what comes next.”

BOOK: The Bard's Daughter (A Gareth and Gwen Medieval Mystery)
6.31Mb size Format: txt, pdf, ePub
ads

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